Dead Boys
Copyright © 2007 by Richard Lange
All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.
Little, Brown and Company
Hachette Book Group USA
237 Park Avenue, New York, NY 10017
Visit our Web site at
www.HachetteBookGroupUSA.com
First eBook Edition: August 2007
The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.
Grateful acknowledgment is made to the publishers of earlier versions of these stories:
New Delta Review,
“Loss Prevention”;
The Cream City Review,
“Telephone Bird”;
CutBank,
“Love Lifted Me”;
Story,
“Culver City”;
The Southern Review,
“The Bogo-Indian Defense”;
The Sun,
“Everything Beautiful Is Far Away”;
Mid-American Review,
“Long Lost”;
The Georgia Review,
“Fuzzyland”;
StoryQuarterly, The Best American Mystery Stories 2004,
“Bank of America”;
The Iowa Review,
“Blind-Made Products.”
ISBN: 978-0-316-04025-9
Contents
Everything Beautiful Is Far Away
Dead Boys
“
Dead Boys
is the genuine article — the stunning type of book you read more than once, that only comes along a handful of times in your reading life. Gritty Los Angeles is made alive, and Lange doesn’t blink at anything — he captures violence and action and there are diamonds of dialogue and character in all of these stories, like a beautiful shotgun pattern. The City of Angels has a lot of hell in it, and Richard Lange has hand-drawn us a map of the whole thing.”
— Scott Wolven, author of
Controlled Burn
“
Dead Boys
is a great collection. Richard Lange knows about moral uncertainty, failure, heartache, and the constant yearning for redemption from the depths. He knows so much about the varieties of anguish waiting for us all and the little victories that sometimes see us through. His details of sadness, poverty, despair, all convince, often related by a narrator who is at the very least a bubble off plumb. This is simply masterful writing, tough and tender, emotionally potent, and, best of all, fresh.”
— Daniel Woodrell, author of
Winter’s Bone
“With the gritty stories in
Dead Boys,
Richard Lange breathes new life into the mythology of Los Angeles. The stories are achingly accurate and always telling of the hardscrabble lives caught on the gridwork of the big city sprawl. This is the work of a writer who has come to know well the territory he is exploring.”
— Michael Connelly, author of
The Overlook
“Once per Decade a first book of short stories arrives that blows everything out of the water.
Dead Boys
is that book. The characters are fiercely rooted in a Los Angeles that few people know about. They face desperate situations in which the best option is often a wrong turn that leads to another. Richard Lange has the courage and skill to depict those moments without judgment or apology. Every story is solid — bold, lyric, honest — told with compassion and wisdom. This book is great.”
— Chris Offutt, author of
Kentucky Straight
“These twelve stories set in Los Angeles slice open the lives of contemporary men the way a saw opens a geode. Inside, we find secret hope and a yearning for tenderness in tectonic opposition to an innate pessimism and the struggle to maintain self-respect. Profoundly revealing, a rough-edged, deadpan, haunting debut.”
— Janet Fitch, author of
Paint It Black
“Lange’s fine debut collection takes the so-called normal guy — husband, father, working stiff — and throws a heap of trouble at him. . . . A considered, colloquial understatement marks nearly all of the first-person protagonists . . . in a manner that’s marvelously effective. Lange’s characters are well-intentioned screwups, deeply flawed and utterly convincing.”
—
Publishers Weekly
“Startlingly confident. . . . Told in a dark, spare prose recalling that of Lange’s inspiration, Raymond Carver, the stories illuminate the dark corners and low lives of men living on the fringes. . . . Thieves, drifters, rabble-rousers, and other rogues guard their secrets like prison cigarettes, trying to hold it all together for one more lousy day.”
—
Kirkus Reviews
For Kim Turner
“Remember when we were flowers?”
See the lonely boy,
Out on the weekend
Trying to make it pay.
Can’t relate to joy,
He tries to speak and
Can’t begin to say.
— Neil Young
“Out on the Weekend”
B
IG MIKE INSISTS I TRY ON HIS RING. I TELL HIM THAT’S
okay, but he’s a pushy bastard. He bought it in Reno or won it, which makes it lucky or something. I wasn’t listening; the guy’s stories go nowhere. He wears the ring on his pinky, but it slips easily over my thumb. He laughs to see that and piles lox onto a bagel.
“You’re going to miss me,” he says to the waitress.
Upon his retirement next month, I’ll inherit some of his accounts. It’s supposed to be an honor. This deli, for example. I’ll be stopping in once a month for the rest of my life, pushing flatware and dishes and, say, did I mention our special on toothpicks? Unless I screw up, that is. Which happens. Ask any salesman. Buy him a drink. Greek tragedies, man. One word too many, one wayward glance, and we are up shit creek.
The owner slides into our booth. My read is he’s a little skittish coming out of the box. His hand is soaking wet when Mike makes the introduction. I’m cool, though. I don’t grab a napkin or go for my pant leg. He and Mike pick up where they left off last time, and I put it on automatic. Not that I’m missing anything: golf, golf, golf. It’s a gift knowing when to smile or nod or raise my eyebrows without really having to listen, but I worry sometimes that it makes me lazy.
There ’s a movie star at the next table, some second stringer whose name I’ll never recall. My wife’s the one who’s great with that stuff. The waitress gets the giggles pouring him coffee, and he smiles. She must be new in town. The flickering of the overhead light is killing me, the silverware clatters. I don’t like where my mind’s at. A bomb goes off in my stomach, and everything in it climbs back into my throat. I’m thinking about the movie star’s money. With money like that you could hire people — a whole squad of detectives, bounty hunters, hit men.
“What do you say?” Mike asks me, darting his eyes at the owner, then giving me a look like it’s time I jumped in.
“They raped my little sister,” I reply.
“Whoa. Jesus.”
That’s not what I meant to say, but now that it’s out — “Some motherfucker. Last night. Down in San Diego.”
Rule number one is you do not bring real life into the sales environment; it’s not about you. I know that, and I’m sorry, but I am going crazy here.
T
HE BEE MAN
interrupts me while I’m shining shoes. Every pair I own, and all of Liz’s, too, are laid out on the dining room table. I woke up with a wild hair this morning, and I’ve been at it since dawn. My fingers are black with polish. I’m so far gone, the doorbell gives me a heart attack.
The bee man’s name is Zeus. His head is shaved, and he has a lightning bolt tattooed on his scalp, above his right ear.
“They let city employees do that?” I ask as I lead him down the side of the house to the backyard.
“We’re contract workers. We don’t have to wear uniforms either,” he says. That explains the Lakers jersey.
The hive is in the avocado tree. I discovered it last week when I heard buzzing while watering the lawn. The gardener quit, so I’ve been doing all kinds of extra stuff around here. Bees were so thick on the trunk, they looked like one big thing rather than a lot of little ones. They shivered in unison, and their wings caught the sun. I didn’t get too close. We have the killer variety now, up from Mexico. They stung an old guy to death in Riverside last year, and, I think, a dog.
“Whoa,” Zeus says.
“Are they Africanized?”
“Can’t tell. The killers look pretty much like the others, except for they’re more aggressive. I’ll send a few to the lab when I’m done.”
I thought I read in the paper that they relocated the hives to somewhere they’d be useful, but Zeus tells me that’s too much trouble anymore. He has a foam that’ll smother the whole colony, queen and all, in nothing flat. No sooner are these words out of his mouth than a bee lands on his arm and stings him.
“Hijo de puta,”
he says as he and I hurry away. “Those bitches are gonna pay for that.”
L
IZ IS DRINKING
coffee in the breakfast nook. She uses both hands to lift the cup, wincing as it touches her lips. Her eyes are red and puffy. Neither of us slept much last night. It’s been that way since we heard about my sister a few days ago. Guys laugh when I say Liz is my best friend. They think I’m pulling something high and mighty. Only Jesus freaks love their wives.
“Maybe it’s time for a new mattress,” I say.
She yawns and shrugs. “Maybe.”
“The guy’s here to kill the bees.”
“What’s that, lightning on his head?”
I have to eat something, so I scramble a couple of eggs and toast some bread. I smear mayonnaise on the toast and make a sandwich with the eggs. Liz has an apple and a slice of cheese. I get about three bites down before the phone rings.
It’s my sister, Tracy, and she’s crying. In our first conversations following the assault she was all facts and figures. Yes, it was horrible; yes, she was pretty banged up; no, the cops hadn’t caught her attacker; no, there was no need to drive down, she already had a friend staying with her. This morning, though, she’s a wreck. She can’t get two words out without battling a sob.
Her ex-husband is up to no good, she says, using the attack as an excuse to press for temporary custody of their daughters. Her attorney has assured her it’ll never fly, but she’s worried all the same. She keeps apologizing for bothering me, which begins to piss me off. I throw the rest of my sandwich into the trash and pour myself another cup of coffee.
“We’re on our way,” I say.
“It’s hard, all of this. I can handle it, but it’s hard.”
“Shouldn’t take us a couple of hours, depending on traffic.”
After I hang up, I grab the sponge and start washing dishes. It’s one of those days when normal things feel strange. The soap smells bubblegummy, but when I get some in my eye, it hurts like hell. The window over the sink faces the avocado tree, where Zeus, wearing a beekeeper getup now, is spraying with what looks like a fire extinguisher. The hive is soon covered with thick white foam. Liz comes up behind me and yanks on the waistband of my sweats.
“I’ll drive,” she says.
“I saw an actor at Canter’s the other day. Big guy, dark hair. He was in
Private Ryan
and that Denzel Washington movie. Went out with Heidi Fleiss.”
“Oh, I know. Tom . . . Tom . . .”
She screws up her face and stares at the ceiling, folding and unfolding the dish towel. The grass is dying out back, even though I have watered and fertilized. A few bees trail after Zeus as he carries the foam dispenser to his truck. One of them veers off and begins bashing its brains out against the kitchen window with a fury that is truly humbling.
T
HE FREEWAY IS
clear until we get into Santa Ana, a few miles past Disneyland, then it locks up. I punch over to the traffic report. Whichever lane Liz chooses stops moving as soon as she weasels her way into it. She keeps humming three notes of a song she has stuck in her head. My mouth goes dry when I spot flashing lights.
“There’s an exit right here,” Liz says.
“I’m okay,” I reply.
Car wrecks twist me all around. My parents died in one ten years ago now, out there in the desert, on their way back from Laughlin. Big rig, head-on, whatnot. It was an awful mess. My sister lost it. She’d just graduated from high school. She was arrested twice for shoplifting in one week. The second conviction got her a month in jail. I intended to visit, but I was working twelve-hour days selling time on an AM oldies station where the general manager told everyone I was gay when he caught me crying at my desk shortly after my parents’ funeral.