Deadfall (Nameless Detective) (6 page)

BOOK: Deadfall (Nameless Detective)
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I said, “Okay. Babe, I’m sorry, I didn’t mean to upset you. It’s just that he got me all worked up …”

“No, I’m glad you called. For all we know he might be on his way over
here
. ’ ”

I hadn’t thought of that. I said, “You’d better alert the receptionist.”

“Don’t worry, I will. See you tonight.”

I put the receiver down, and sighed, and looked at Eberhardt. He was still on the phone. I sighed again and looked at my watch. 10:40. Most of the morning shot already. Tom Washburn was paying me good money, and all I was doing was hanging around here, stewing about Ray Dunston and feeling sorry for myself.

Eberhardt cradled his handset and said, “That was a guy I know on the San Jose cops. Ed Berg. He never heard of the Church of the Holy Mission or the Moral Crusade.”

“Terrific.”

“But it won’t take him long to find out. I told him if nobody’s here when he calls back, leave a message on the answering machine and one of us’ll call him back.”

“Right. You got anything pressing today, Eb?”

“Nothing that won’t wait. Why?”

“Take over that insurance investigation for Barney Rivera, will you? I want to get moving on the Purcell thing.”

He shrugged. “I figured,” he said. “It’s personal with you, right? Because you were there when it happened. You’re glad Washburn showed up this morning and hired you.”

“Maybe. A little.”

“Just don’t let it get too personal, paisan. You make waves somewhere, there’ll be trouble. There always is.”

“It’s not that personal,” I said.

“Uh-huh. I’ve heard that one before.”

I got my hat and moved to the door.

Eberhardt said musingly, “What do you suppose God thinks about guys like Dunston? You know, religious nuts that claim they got a pipeline Upstairs. You think He finds ’em comical?”

“No,” I said. “And neither do I.”

He frowned. “What if they
do
have a pipeline, some of ’em? Guys like Falwell. What if they’re delivering the right message?”

I didn’t answer that; I didn’t even want to think about it. I went out quietly and shut the door.

There are some things you just have to take on faith.

Chapter Five

The first place I went was to the Hall of Justice. Ben Klein was in and willing to talk over an early lunch; I spent twenty-five minutes with him and a tuna salad sandwich in the ground-floor cafeteria. He had no objection to my investigating Tom Washburn’s theory, but he made it plain that he thought it was a waste of my time and Washburn’s money.

“A tie-in between Purcell’s murder and his brother’s death was one of the first things we checked out,” he said. “I told you that before. There’s just no evidence that Kenneth Purcell’s death was anything but an accident.”

“From what I understand, more than one person had a strong motive for knocking him off.”

“Sure. His wife and his daughter, among others; nobody seemed to like him much. But the world is full of assholes, and how many of them get wasted by people who don’t like them?”

“Not many, maybe,” I admitted. “But some do.”

“Not Kenneth Purcell. Everybody at the party was with everybody else: all nicely alibied for the time of his death.”

“Somebody else, then. Somebody who wasn’t invited to the party.”

“Theoretically possible. But again, no evidence to even suggest it.”

“That real estate business of Purcell’s—what put it on the shady side?”

“He was brokering for foreign interests,” Klein said. “The kind with dubious ethics and political orientations. You know, buying property under his own name without telling anybody he was using foreign capital; helping unscrupulous investors from countries like Lebanon, South Africa, the Philippines get into positions of financial power in this country that they wouldn’t be able to if property owners and legitimate brokers knew who they were. He peddled influence, too—arranged for high-powered legal representation for his clients.”

“Could his brother have been mixed up in that?”

“No. Not powerful enough. We’re talking big money here. VIPs.”

“Sounds like the kind of business where you could make a lot of enemies,” I said.

“Absolutely. But it’s also the kind of business where the lid is screwed down tight. The feds might be able to unscrew it, given enough time and provocation; the authorities in San Mateo County couldn’t, and neither can we.”

“What about the missing snuff box? Any chance of an angle in that?”

Klein shook his head. “Purcell apparently had it on him when he went off the cliff. The body got beat up pretty bad on the rocks before it was recovered; San Mateo figures the box got ripped loose and lost.”

“Washburn told me the dingus was valuable. How valuable?”

“Fifty thousand dollars in the collectors’ market.”

“That much? Lot of money for a snuff box.”

“You’re telling me. One of a kind item, though, made out of gold and dating back to Napoleon’s time. So Eldon Summerhayes says.”

“Who’s he?”

“Owns the Summerhayes Gallery, up on Post Street. He deals in rare snuff containers, among other items. He and his wife were at the party.”

“Other dealers and collectors there too?”

“Two other collectors. Purcell got them all together so he could gloat, evidently; he’d just bought the box.”

“From?”

“Nobody seems to know. He kept his source a secret.”

“Illegal deal, maybe?”

“Maybe. But there doesn’t seem to be any way it could tie in to his death, or to his brother’s. And those other collectors he invited are blue-chip citizens.”

“Okay,” I said. “So you figure the guy Washburn talked to on the phone was just a crank.”

“Probably. Or somebody with a bright idea on how to make a fast buck.”

“Either way, Ben, why would he wait six months? Why not make the call within a few days of Kenneth’s death?”

“Your guess is as good as mine,” Klein said. “But don’t forget the same thing applies if the caller really did have knowledge that it was a homicide. Why wait six months?”

Good question either way. And one of several weak points in Washburn’s theory. I said, “Nothing in Leonard’s effects to indicate he ever talked to the guy?”

“Nothing.”

“Or what might have happened to the missing two thousand?”

“No.”

I asked him about Kenneth Purcell’s wife and daughter. He smiled wryly. “A couple of sweethearts, those two,” he said.

“How so?”

“You’ll see when you meet them. I wouldn’t want to spoil your fun by tipping you off ahead of time.”

“Yeah, I’ll bet. Can I get a list of the people at the party? Names and addresses?”

“I don’t see why not. Come upstairs with me after we finish.”

So I went back upstairs with him, and he gave me a computer printout of the list. He also gave me the address and telephone number of the Moss Beach house where Alicia Purcell now lived alone, the name of the attorney who had handled Kenneth’s legal affairs, and the name of the guy that Melanie Purcell was living with on Mission Creek.

I thought about asking him to let me look over the complete file on the Leonard Purcell homicide, but I didn’t do it. Cops don’t mind helping out private detectives now and then, if you maintain a good professional rapport with them, but they get testy if you hang around and ask too many favors. They have to slog along assembling facts on their own; they figure you ought to be doing the same thing. In the detective business, there is no such thing as a free ride. Or, for that matter, a free lunch: I had paid for Klein’s, and gladly.

Kenneth Purcell’s attorney, Lawrence Rossiter, had a suite of offices on the twentieth floor of a newish high-rise in Embarcadero Center. Both the offices and the address were impressive, and so was Rossiter himself: sixtyish, graying, with a beautifully groomed walrus mustache and the kind of courtly manner you seldom find these days in any lawyer under the age of fifty. He kept me waiting less than fifteen minutes before he had his secretary usher me into his rosewood-paneled inner sanctum, which was another point in his favor.

He was helpful, too, although he made it clear from the start that he was willing to discuss the terms of Kenneth’s will only because it was in probate and therefore a matter of public record. It was due to clear probate, he said, in less than two weeks.

“How much is the estate worth?” I asked him.

“Upwards of two million. Of course, the bulk of that is in property and other non-liquid assets.”

“How much cash?”

“Something better than five hundred thousand.”

“The three primary beneficiaries are his widow, his daughter, and his brother Leonard, is that right?”

“Yes.”

“Divided how?”

“The cash into equal thirds,” Rossiter said. “Most of the property and other assets go to his widow.”

“Including the Moss Beach house?”

“Yes.”

“And his collection of antique tobacco items?”

“That too, yes.”

“How much is the collection worth?”

“It was appraised at three hundred thousand. The house is valued at half a million at the current market price.”

That kind of estate was a hell of a good motive for murder, I thought. Especially so for Alicia Purcell, but also for the daughter, Melanie; people had been given a nudge into the hereafter for a lot less than a couple of hundred grand. Still, as Klein had pointed out, a strong motive didn’t mean anything if you couldn’t prove a homicide had taken place.

I asked Rossiter, “Did Kenneth make any other bequests?”

“No.”

“Nothing to his first wife? Or is she no longer living?”

“Katherine is alive as far as I know. Living in Seattle, I believe. But Kenneth chose not to include her.”

“It wasn’t an amicable divorce, then?”

“It was not.”

“When did they split up?”

“They separated in ’seventy-three; the divorce was final the following year.”

“When did he marry Alicia?”

“Immediately after the final decree.”

“Was she the reason for the first marriage breaking up?”

Rossiter gave me a look of mild reproach. “I hardly think that’s germane to the subject of Kenneth’s will,” he said.

“I guess not. Were there any unusual stipulations or clauses in the will?”

“As a matter of fact, yes. A proviso that Leonard’s bequest not be paid to him until two full years after the closing of probate. And that it not be paid at all if Leonard died in the interim.”

“What was the reason for that?”

Rossiter hesitated. Then he shrugged and said, “I see no reason not to tell you. Kenneth disliked his brother’s lifestyle and disapproved of the man Leonard was living with.”

“Uh-huh, I get it. He couldn’t stop Leonard from leaving his own money to Tom Washburn, but he didn’t want Washburn to get a piece of
his
money—at least not right away.”

“Something like that.”

“Nice guy, Kenneth.”

Rossiter didn’t have any comment.

I said, “Who gets Leonard’s third of the estate now?”

“Alicia and Melanie. Evenly divided between them.”

Motive for both, I thought, to have shot Leonard as well as to have murdered Kenneth. More so for Melanie, though; when you were getting more than a million, as Alicia was, you’d have to be damned greedy to commit murder for another few hundred thousand.

Rossiter had nothing more to tell me. I thanked him for his time and left him to his work. Downstairs in the lobby, I closed myself inside a public telephone booth and called the Moss Beach number I had got from Ben Klein. A woman I took to be a maid or housekeeper answered. She said Mrs. Purcell was not at home and wasn’t expected back until after five. Did I wish to leave a message? I said no, I would call back, and rang off. I would have tried calling Melanie Purcell, too, but she didn’t have a phone. Not too many people living on Mission Creek did have one.

Where to next? I asked myself when I came out of the booth. Some of the guests at Kenneth’s farewell party had San Francisco addresses; I could start canvassing them, beginning with the gallery owner, Eldon Summerhayes. But I wanted a better handle on the surviving members of the Purcell family first, particularly after Klein’s “sweethearts” comment, and now that I knew the details of Kenneth’s will. Alicia Purcell wasn’t home; maybe Melanie was.

I picked up my car and went to find out.

Chapter Six

Mission Creek is a narrow body of water that leads inland from China Basin, a dead-end canal spanned by the Third and Fourth Street drawbridges—all that is left of old Mission Bay, landfill having claimed the rest. The creek is flanked on one side by warehouses, freight consolidators, and industrial outfits that line parallel Channel Street; on another side by part of the Southern Pacific freight yards; on another by empty storage lots. And over it all loom the curving ramps and overpasses of Highway 280’s city terminus. Standing down there along the canal, you can hear the steady thrum of traffic, the air horns on the commuter trains that move in and out of the SP Depot at Third and Townsend, the throb and roar of trucks and heavy machinery. And yet there is something about Mission Creek itself, a kind of timeless solitude, that seems to keep it aloof from its hectic surroundings.

Up until about ten years ago, the canal had harbored a rotting pier and pilings, a lot of sea birds, schools of anchovies and perch, and several squatters who lived on and fished from ragamuffin barges, hay scows, converted Navy landing craft, cabin cruisers, and houseboats. When the Port Authority threatened to evict the boat people in the mid-seventies, with the idea of turning the channel into a modern landscaped marina, the waterfolk had got their act together, formed the Mission Creek Harbor Association, and hired a lawyer to intercede on their behalf with the Bay Conservation and Development Commission. The result was that they had not only been allowed to stay, but had received a kind of official sanction—the only stipulation being that they clean up the area and maintain it in an acceptable fashion.

The boat people had been scrupulous about keeping their part of the bargain: Mission Creek was a pretty decent place these days, a haven for boat lovers, artists, artisans, and average citizens who disliked conventional city living. There were more than fifty authorized slips, all of them occupied, extending in a nice orderly row up the middle of the creek, with several security-gated ramps giving access to them from the Channel Street embankment. Most of the craft in there now were houseboats of one type or another, sailboats, and cabin cruisers; and most of them were well cared for, if a little on the funky side.

I parked in one of the slots down toward Fourth Street, walked past a gaggle of geese and one of the Port-O-Johns that were strategically placed along the embankment—most of the berthed craft would have chemical toilets, but that kind of waste disposal can be a problem—and went to the nearest access ramp. The security gate there was standing open; it was probably kept locked only at night. I descended onto a narrow board float set almost flush with the murky water of the creek, bordered on one side by the slips and on the other by horizontally arranged logs along which were strung electrical cables and water hookups. The first person I saw was a bearded guy in his thirties, doing some work on the deck of a green cabin cruiser; the smell of creosote coming off him and the boat was strong in the thin cold air. I asked him where I could find the boat belonging to Melanie Purcell, and he pointed back toward Fourth Street and said, “Eight slips that way. Houseboat with the decals.”

I moved along in that direction. Gulls and something I took to be a heron wheeled overhead; the water made little slapping sounds against the float and the moored boats. The sounds of the freeway traffic and the SP trains seemed remote, as if they were coming from some dimension or continuum once removed. The houseboat in the eighth slip down had decals all over the front of it—big flower things made out of wood and painted different pastel colors. It also had a peaked roof, some odd angles, varnished wood siding, a pair of bubble skylights, and a round stained-glass window high up under the eaves of its roof.

I didn’t see a door anywhere; it had to be around on the aft side. I stepped on board and started that way along a narrow starboard walkway. But I got only as far as a shuttered window halfway along before the noises coming from inside stopped me. Two people were having sex in there, and they weren’t being quiet about it. For that matter, they weren’t even being civilized about it.

Voyeurism isn’t one of my vices; I backed away in a hurry and disembarked onto the board float. Once, several months ago, Kerry had rented an X-rated videotape and played it for us on the new VCR she’d bought, just so we could see what one of those things was all about. What it was all about embarrassed the hell out of me, as old as I am. I quit watching after about five minutes, but Kerry stuck with it for another twenty or so. It wasn’t because it made her hot, she said; it was because she thought all those moans and groans and gyrations were funny—in a perverse way, of course. I hadn’t believed her for a minute, not before she half dragged me into the bedroom and definitely not afterward.

I climbed up to the embankment and walked along it a ways, killing time. Down where Channel Street right-angles into Sixth, in the shadow of the freeway looming high overhead, some of the Mission Creek residents had turned an acre or so of ground into a surprisingly impressive vegetable garden. Corn, beans, zucchini, strawberries, some other things. It really was a whole different world down here, a little self-contained community that continued to flourish outside the mainstream of city life. Somehow, in a way that I couldn’t quite define, it gave me a feeling of hope.

After about ten minutes I went back down to the float, along it to Melanie Purcell’s houseboat. This time, when I got as far as the starboard window, nobody was making any noise inside. So I kept moving aft. Around back there was a little oblong deck floored in green Astro-turf and, in the middle of the decal-decorated superstructure, a door that I proceeded to bang on. Nothing happened, so I banged on it again.

It opened abruptly and I was looking at a bulky guy in his early twenties, naked except for a pair of Levi’s. He had sandy hair puffed out in one of those frizzes, and judging from the scowl on his face, he also had a lousy disposition. He looked me over, decided I was nobody he knew or wanted to know, and said, “What is it?”

“Richard Dessault?” That was the name of the guy Melanie was living with. His occupation, according to Ben Klein, was “poet.” Some occupation.

“So?” he said. “You want something?”

“Not from you. I’d like to talk to Melanie.”

“What for?”

“To ask her some questions about her uncle’s death.”

“Ah, Christ,” he said disgustedly, “
another
cop.”

“I’m a detective, that’s right, but not a—”

He shut the door in my face.

It would have made me mad, except that he didn’t shut it all the way; the wind blew it open again. He was moving away across the room inside, toward another door at the opposite end, and when he felt the cold air against his bare skin he said without looking back at me, “Come on in then. I’ll get her.”

I went in and closed the door, making sure it latched this time, and had a look around. There wasn’t much to see. The basic furnishings were a couple of low-slung teakwood tables, a pair of Oriental-style lamps, and a bunch of big pillows—shiny material in a variety of colors and exotic designs, most of them with tassels and fringe—scattered around on the floor. On one of the tables was a fancy water pipe—a hookah, I think they’re called—that you use to smoke tobacco, among other substances. It was all supposed to create a sultan’s harem effect. But the color TV and stereo equipment along one wall spoiled it; so did the overblown wall poster of some weird rock group called the Aluminum Dandruff.

I waited about two minutes. I could hear voices from one of the other rooms, but not what was being said. It was a little chilly in there, but then maybe they depended on body heat to keep them warm; they had been generating enough of it a few minutes ago. Another of their heating devices, no doubt, was marijuana. The sweetish, acrid smell of it was sharp in the air.

The table nearest me had a note pad and pencil on it. There was some writing on the pad; nosily I moved over a couple of steps and bent down to look at it. Nine lines, almost illegibly printed, under the title “Acapulco Gold”:

gold, gold
can’t feel blue with the gold—
gold in the sunset,
gold in the hills
and valleys of my mind—
the big gold rush
gold, gold
digging the gold—
the big gold rush

I straightened up again. Poet, my ass, I thought.

The voices stopped finally, and the door across the room opened, and a girl came in. Dessault came in, too, but he hung back by the far wall while she moved forward to where I was. I don’t know what I expected her to be like—beautiful and dripping sex appeal, maybe, like heiresses in bad Hollywood movies—but she was a surprise in any case. Not much past twenty-one, skinny, flat-chested, with mouse-brown hair frizzed up like Dessault’s and bright vulpine eyes, one of which was slightly cocked. On both cheeks, which were still flushed from her recent exertion, little patches of acne flourished. She wore Levi’s and a tank top that made her chest look even flatter. Her feet were bare and dirty and the toenails were painted black.

Sugar and spice and everything nice, I thought sourly.

I said, “Melanie Purcell?”

“That’s right. Who’re you?”

I told her my name.

“Cop, huh?” she said.

“No. Private investigator.”

A frown pinched her forehead and pulled her thin little mouth out of shape; the one cockeye seemed to be looking a couple of inches to my left. “You told Richie you were a cop.”

“No I didn’t. He jumped to that conclusion.”

Dessault pushed away from the wall. “You don’t have to talk to him, Mel,” he said to her. “What’s he snooping around for anyway?”

I looked at him. He looked back at me for a while, not too long; then he said, “Ah, shit,” and made a production out of lighting a cigarette—the legal kind that only give you lung cancer.

“What do you want?” Melanie asked me. She sounded sullen and distracted, as if her thoughts were on something else. More fun and games, probably. “Who sent you here?”

“Nobody sent me. I’m investigating your uncle’s death.”

“Leonard? What for?”

She was a sweetheart, all right. “He was murdered,” I said. “Or didn’t anybody tell you?”

“You don’t have to be a smart-ass,” she said, as if she were talking to somebody her own age. “All I’ve done lately is talk to cops. I’m tired of it.”

“You sound real broken up about Leonard’s death.”

“We weren’t close. Besides, he was a damn fag.”

“Uh-huh. And you don’t like fags, right?”

“Right.”

“What would you say if I told you I’m working for Tom Washburn?”

“Him,” she said. “You a fag too?”

“That’s what I thought you’d say. Look, Miss Purcell, I don’t want to be here any more than you want me here, believe me. Just answer a few questions and I’ll go away.”

“What questions?”

“About your father and the night he died.”

“Christ,” Dessault said, “not
that
trip again.”

I looked his way. “What trip is that?”

“That somebody killed Mel’s old man too. Nobody killed him. The old bastard drank too much Scotch and forgot to watch where he was walking, that’s all.”

“You share that opinion, Miss Purcell?”

She shrugged. “Nobody liked Kenneth; he was a prick. I suppose somebody could’ve pushed him but I don’t think so.”

A prick, I thought. Her own father. “You didn’t like him much, I take it.”

“I had plenty of reason not to. The only nice thing he ever did for me was die and leave me some money.”

“A third of his estate.”

“Yeah,” she said. “But that bitch Alicia got the choicest chunk.”

“Probably use it to buy a company that makes dildos,” Dessault said, and they both laughed.

“What does that mean?” I asked him.

He didn’t answer. So I asked Melanie the same question.

“She collects men,” the girl said. “She’ll fuck anything in pants.”

“Or out of pants,” Dessault said. They both laughed again.

“Was that the case while your father was alive?”

“Well, sure,” she said. “What’d you think, she was a faithful wife or something?”

“Did your father know about her affairs?”

“Sure. He didn’t care. Had plenty of his own.”

“His own affairs?”

“That’s right.”

Nice family. The more I found out about them, the more all-American they looked. “Any woman in particular?”

“Not that I knew about.”

“How about Alicia? Any particular man?”

“Why don’t you ask her?”

“I probably will. You were at the party the night your father died, weren’t you?”

“For a while. I left about eight.”

“Why so early?”

“Those friends of his, those rich pigs, bore me out of my skull.”

“Then why go in the first place?”

“I needed some bread so Richie and I could split for Hawaii. We know some people on the Big Island.” Dessault smirked when she said that. Which probably meant that they had been planning some kind of drug buy; a lot of marijuana is grown in the back-country of Hawaii’s Big Island. “Kenneth wanted me to come to the party, see some snuff box he’d bought, so I went. He wasn’t too hard to deal with when he was in a good mood and you did what he wanted.”

BOOK: Deadfall (Nameless Detective)
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