Authors: Monica Dickens
âYou've got enough to do.'
âDon't you trust me?'
âOf course, Eye, but this is better.'
âPlease yourself. But it's a waste of money.'
Mrs Dunn had come early, while they were dressing. When they came down, they found her standing uneasily in the living-room, because she could not find a place to sit down.
âWhere are the girls?' Lily asked.
âRunning around outside.' Mrs Dunn had glasses as thick as Coke-bottle bottoms. You could not see what she thought or felt. âThey seem kind of wild. The rascals.' She added an unsmiling afterthought.
Lily told her about the children's supper and bed time, and called them in to say goodnight. Isobel stamped in and flounced about. Maggie flopped in after her in a huge shirt of Ida's and grinned, âWho you?', gap-toothed. Cathy would not take Mrs Dunn's hand to go into the kitchen.
Paul started the car, and the kitchen screen-door swung open. One arm and half of Cathy came out, the other arm held by Mrs Dunn.
Lily turned her face forward again. âLet's go on,' she said tensely.
As they moved forward, they heard Cathy scream, âI wish you dint never been borned!'
The party had been great, and Lily enjoyed it. She stayed close to Paul, and glowed under her thick, shining bangs, and flirted with him, and not with any of the other men, which she sometimes tried out mildly, to keep her hand in. Paul drove home fast in the rain, wanting to pay off Mrs Dunn and get up to the bedroom.
Something looked different about their road and front lawn. Ida's sagging car, obscene among the neat compacts and suburban station-wagons, was not parked outside.
âShe's gone on a toot and left that woman with all the kids.'
Mrs Dunn was sitting in her jacket and plastic rain bonnet on a straight chair in the front hall.
âMy friend gone out?' Lily spoke carefully to Mrs Dunn, who always looked as though she did not like what she could smell on your breath.
âGone, Mrs Stephens. I sat upstairs with your little one; because she was fussy.' Pause to be told, âOh, thank you.' âI heard them racketing around the other bedrooms. When I came down, they had fled like thieves in the night.'
After Mrs Dunn had been overpaid and gone down the street to her own house, Paul shouted, âHooray!' and poured drinks, but Lily was cast down.
âShe'll get by, Lily darling. She'll go back and sort out that violent airman, or she'll make out on her own. She's tough, that one.'
âBut after all we've done for her. That's what hurts.'
âNot as much as if we'd had to throw her out.'
âI wouldn't have.'
âI would.'
âWell, you didn't have to prove it.' Lily brightened up. âShe's saved you that. Good old Ida.'
They had drunk to her, and taken their glasses upstairs through the peaceful house.
Now, four years later, Lily took two weeks off from the Day-Nite answering service, to which she had returned now that Isobel and Cathy were nine and seven, and they took one of their trips to England, with Terry, who was in his second year at an art school in Boston.
Paul was going to the British Equestrian Trade Fair again. His Tack Rack had been a runner-up for the New Products award when he first showed it. It had continued to sell well in England, and now he was showing Tack Rack Junior, the same modular system, scaled down for children and ponies, which Turnbull's were claiming was their own idea, but they would still have to pay Paul the same percentages under his contract.
He would be travelling quite a bit on this trip. He hoped Terry might go round with him, because Lily was nervous about what her stepson would do with himself, and whether he would like her country, or despise it for all the bumbling oddities she could see with a clearer eye now that she had been in America for ten years.
Terry was grown up, but he was still as unpredictable at twenty as he had been when she first knew him at ten, and then as a teenager. When he was younger, Barbara had always managed a good reason why he could not go to England with Paul and Lily. He had never been out of the United States, except to Canada. He was excited about the trip, so it was fair enough that he did not want to sit with Lily and his father and the restless girls, but pretended he was travelling alone. The plane was not full, so after take-off he moved to an empty seat, like a seasoned traveller, clamped the headset over his ears and had two whiskies and some red wine, Paul observed by turning round cautiously, and was cross and rumpled when James Spooner met them at Heathrow.
Terry sat in the front, and Jam kept asking, much too soon, âHow do you like it, my lad? Never see anything as green as this where you come from, eh? Look now, these are the Chiltern hills, built up out of ancient history. Men have been here since 2000 B C. Bit of a time before Christopher Columbus and all that lot, eh?'
Terry was monosyllabic, hunched into the heavy jacket that he had brought because he had heard that England was always cold. But when he saw the brick and flint cottage with the wooded hills behind it and in front, the Duke's Head, white, with beams and curly red tiles, and the old inn sign of the laughing Duke, he said, âGee,' and got out of the car quickly.
Terry had seen this kind of thing in movies, and on calendars his step-grandmother sent, and he had heard about it from Lily and Paul, but he had no idea that England would be like this. He had expected to feel strange, and that people would see at once that he didn't fit into the scene, and would write him off as an American tourist.
It wasn't like that at all. No one noticed him, and at the airport the officials were totally relaxed. He had heard that students always got hassled in Europe, but he walked through British customs as if it wasn't thereâjust a few men in uniform lounging about on tables and not even looking at Terry and his hangover, let alone pulling him aside and saying, âExcuse me, sir, where are the drugs?'
His grandfather, who had a loose lumpy face like a mobile potato, cried a little when he saw Lily and the kids, and wiped the end of his big nose on the back of one hand as he grabbed Terry's hand with the other, and said, quite emotionally, âI'm
glad
you came.'
Maybe he was. Maybe he wasn't. He was quite a theatrical old buster.
As they crossed the road from the terminal building to the garage, the clouds were a low grey ceiling, and warm rain hung in the air like mist. Lily and Paul made the kind of ironic noises with which passengers in the plane had greeted the Captain's announcement that it was raining in London. But so what? Who would want to step out of Heathrow airport into the same crude blue skies and indiscriminate sun of New England?
Terry rolled down the front window of James's small sober car, and ingested the new traffic noises â huge double trailer trucks from France and Germany on these Mickey Mouse roads â and stared at the toy fields and the casual old houses and churches, any one of which would be a show piece in a neighbourhood in the States.
After they had turned on to side roads away from diesel fumes, he smelled pig manure and wet earth and an indefinable savour of new leaves and cut wood and sheep's wool on the vivid green turf of the hills that Lily's father was yattering on about.
Terry did not answer the old guy. He was too occupied with absorbing to be able to disgorge. They would think he was trying to be blasé, but he had grown used by now to being misinterpreted. If people couldn't guess what you thought or felt, too bad. It wasn't worth trying to make it easy for them.
They came over the brow of a hill and dropped into the wet fog which hid the bends of the hairpin road that Lily's father, like every other lunatic driver in this decadent country, took at death-defying speed. When the mist cleared at the bottom of the steep hill, there it was. It stood modestly by the side of an unimportant road, old as all get out, beamed, tiled, leaning slightly into the hill, a genuine English pub like dozens they had passed, but this one was in the family.
For a long time now, Terry had felt disgruntled and out of step with everything about him. Privately knowing that the unease was in yourself, not your surroundings, made no difference, if there was nothing you could do about it. You had to wear the appearance of a victim who never got a decent break. It didn't fool anybody, but it gave you the excuse to make no effort.
Here at the Duke's Head, in this small-time village which looked to Terry like it hadn't accomplished much of any thing in hundreds of years, he felt at home. No need for defences. It wasn't long before he was admitting to his surprised father and Lily, who had both been dubious about bringing him, because he might not enjoy himself worth the price of the fare, âThis is my kind of place.'
âI know what you mean,' his father said. âI feel like that when I come over here.'
âWhy don't you move over, then?'
âThat would spoil it.'
âThen this whole deal is an illusion, just because it's old and strange and foreign, and “there”, the way we look at it, not “here”?'
âIf so, I'll keep it that way.'
They were walking together up on the hills, along a sheep trail that took them through yellow gorse under the ridge, with the valley laid out below: tidy, cultivated villages no more than crossroads, farm clusters, towns like neat citadels, instead of octopus stains eating up the landscape.
One of the most remarkable things about this trip was that Terry was getting along pretty well with his father. The man could get along with anybody, but Terry had not been at ease with him for years. Now he was. Three thousand miles from his mother and sincere Drummond Blake. Was that it?
There was not room for all of them in the cottage behind the Duke's Head, where the faucets ran either hot or cold, but not both at once. Terry stayed with Lily's sister Blanche and her husband Neil, a bicycle ride away. James said Neil was a no-hoper, but Terry got on quite well with the shy, skinny man, no match for Blanche, who was as bossy as Lily in a quieter and more subtly smug way.
Neil collected snail shells, which was weird, but convenient, since there was a multitude of them colonizing this wet earth, where everybody grew vegetables. Terry made some sketches of the more colourful spiral shells, and Neil thought he would have them made up into a Christmas card.
âNot this year,' Blanche said. âI promised the twins it should be them.' The twins were one year old.
Their house was fairly new and plain, but it stood next to an ancient farmyard, the top of whose front wall was as carefully thatched as if it had been a house, a glorious squandering of artistry, like an Italian Renaissance fresco on the wall of an outhouse. Beyond Terry's window was a huge sagging barn with enormous doors that bulged like the side of a ship and had little doors in them, through which slow-moving men came and went in mossy pants and dark vests and collarless shirts. At one end,
three horses looked out of shabby loose boxes, with crooked half doors and cobwebbed windows. When the horses came out to be ridden, or to go into the pasture at the side where Terry could watch them roll and shake themselves with legs stuck stiffly out like sawhorses, they were thoroughbreds, immaculate, elegant. They were like beautiful girls stepping out over garbage from a scarred door in a Boston back alley.
Besides the twins, Blanche had a fat small boy called Duffy. She also bred Jack Russell terriers, sexy little mutts who lived in kennels out back, and barked so continuously that you got used to them. Her favourites came indoors and lay on the rug on their tight rounded sides, with their short legs stuck out, but not reaching the floor. One villain sometimes sat up and let out a long red prick and took it in his mouth, and went round and round and round, damnedest thing you ever saw. Terry was shocked, but Blanche only said, âJack Russells are like that.' Terry tried to kick the rotating fiend when she wasn't looking.
Blanche gave him a great English breakfast, with slices of bacon as floppy as wash cloths, and bread fried in sausage grease, and tea that would have made his hair curl, if it had not been so hopelessly curly already that he had to keep it cut short when most of the other students wore theirs long. If he let it go, it grew out as well as down, and made his head look way too big on his body that was way too short and planted on feet that were way too small.
After breakfast and a few juicy burps to make Duffy laugh and the indoor Jack Russells bark, he did the dishes, because, âEvery-one does his bit in this house; Neil loves to hoover, don't you dear?' Terry would ride the bike to the Duke's Head, where he was allowed to help.
There was a public bar and a saloon bar, divided by a narrow passage from the front door where the jolly old Duke, the scourge of the land, so âtwas said, creaked in the wind. The public had benches and tables and a dart board and a cigarette machine and pictures of women advertising booze. The saloon had a carpet and small tables with wooden armchairs, and a fireplace large enough to have little seats in it on either side. Between the beams, the low walls were hung with pictures which looked as if they
had been there since the first pint was drawn. Sporting prints too dark and damp-stained to see more than whiskered men in top hats leaning back on horses that galloped with all four legs out at the same time. Photographs of favourite dogs. Grooms in derbies holding short-tailed hunters. A woman in a hat like a cake, fixing ribbons on a champion bull that may have gored her the next minute. Lily said that her father sometimes claimed that this or that dog or horse or gent with a gun in the crook of his arm came from his family, although the regulars knew that the pictures had come with the pub.
James knew that they knew, of course, but it was all part of the character he had built for himself: funny, lovable, outrageous, gabby, faking voices, pulling his rubbery face about to make people laugh, giving them a verse or a chorus to make them protest, âKnock it off, Jam. We come in here for a bit of peace and quiet.'