Authors: Jamie Linden
186
INT. DINING ROOM
-- SAME
John walks back in. Savannah follows him, watches him grab his shirt and coat. She’s stunned.
SAVANNAH
You’re leaving?
John nods. Savannah’s eyes start to well up, but she fights the tears back. He finishes getting dressed, walks to her.
SAVANNAH
John, I... I’m so --
JOHN
(interrupting)
It's okay. You've said I'm sorry enough. It's my turn now.
She reaches out, wraps her arms around him, holds on tightly.
SAVANNAH
We’ll see each other again, though.
Right? I’ll see you soon then?
John doesn’t answer. He pulls himself away, heads to the door.
JOHN
Goodbye, Savannah.
SAVANNAH
No. No, you’re supposed to say “I’ll see you soon then”. Remember?
When I ask “I’ll see you soon then?” You’re supposed to...
She trails off. John turns to her. She’s crying softly now, desperate and indignant and pleading --
SAVANNAH
John. You’re supposed to say it.
You’re supposed to say “I’ll see you soon then.”
John looks back at her. Takes her in one final time. Then, without another word, he walks out.
186A
EXT. FAMILY HOME IN LENOIR
-- NIGHT
John walks to his car, his face finally betraying his emotions.
187
INT. FAMILY HOME IN LENOIR
-- NIGHT
Savannah watches from the window as John gets into his car, turns it on, and heads up the driveway. Only when he disappears from view does she finally start to sob.
188
EXT. MR. TYREE’S HOUSE
-- DAY
John sits outside in his father’s car, staring at his father’s house. Debating what he’s about to do.
189
INT. FRIENDLY COIN SHOP
-- THE FOLLOWING DAY
The front door CHIMES, and the DEALER looks up (his is a face we’ve seen before). John nods hello.
JOHN
Hi. You probably don’t remember me, but you know my father-- Bill Tyree?
COIN DEALER
Course I do. Haven’t seen him in a while, how is he?
John doesn’t answer at first, just takes in the store, remembers the first time he stepped foot in here almost twenty years ago now.
JOHN
You offered to buy his whole collection once. Didn’t you?
COIN DEALER
Sure did. More than once.
John eyeballs the rows of coins laid out under the glass.
JOHN
Just out of curiosity... how much do you think it’s worth? All his stuff?
COIN DEALER
A collection big as your Dad’s?
He WHISTLES, lets him know -- serious money. John nods, finally looks the Dealer in the eye.
JOHN
Think you could lend me a hand?
190
EXT. FRIENDLY COIN SHOP
-- DAY
John POPS his trunk.
JOHN
There’s only one condition-- the mules stay together. Offer them as a set. Keep them yourself. But they stay together, okay?
The Dealer eyes the boxes jammed into the trunk. Even more are stacked in the backseat. He turns to John in disbelief.
COIN DEALER
You’re really gonna sell me all your Daddy’s coins?
John looks over at him.
JOHN
All but one.
191
EXT. SOMEWHERE IN THE MIDDLE EAST
-- MONTHS LATER
John stands in the middle of the desert. Takes in the view as he flips a COIN through his fingers. A very familiar coin.
Around him, Berg and the rest of his TEAM (all new faces) argue where base camp should be set up. John SHUSHES them.
JOHN
Guys. This comes up nickel side, we set up here, where we’ve got shade.
Comes up penny side, we set up on the ridge, where we have visibility.
John FLIPS the coin high up in the air, lets it fall into the sand. Berg goes to check out the result.
BERG
It’s tails.
(beat)
So what does that mean?
John takes the coin back. Carefully wipes a smudge off it, then tucks it safely into his pocket.
JOHN
It means we’re gonna need sunscreen.
Some of the soldiers GROAN -- but they all get to work. A YOUNG BERET walks up, hands John a delivery.
YOUNG BERET
Master Sargeant?
JOHN
Thanks. But no ranks in the field, okay?
He looks down at the delivery in his hands -- it’s a LETTER. The handwriting is familiar. So is the clean, white envelope. He instantly knows what it is.
John takes the letter, finds himself a secluded spot, carefully opens it up.
And then he begins to read.
SAVANNAH’S VOICE
Dear John...
Drift away from John, alone in this sea of sand.
SAVANNAH’S VOICE
It’s been almost five years since I wrote a letter with an actual pen, on an actual sheet of notebook paper. I don’t think I realized until today how much I’ve missed it.
192
EXT. FAMILY HOME IN LENOIR
-- DOCK -- DAY
Savannah watches Alan carefully pencil in words on a banner.
SAVANNAH’S VOICE
Though I suppose it’s not really writing letters that I miss. It’s writing letters to you.
She hands Alan a magic marker. Watches as he starts back at the beginning, tracing his pencil lines with the marker. Watches the ink seep into the paper.
SAVANNAH
So I thought maybe I could write to you, now, and let you know all that’s happened since I saw you last.
193
EXT. FAMILY HOME IN LENOIR
-- DAY
Savannah is underneath the oak tree. She puts her own pen to paper again.
SAVANNAH’S VOICE
A few weeks after you showed up in Lenoir, an anonymous donation was made to Tim’s foundation, a donation big enough to cover what the insurance companies wouldn’t.
194
INT. TEXAS HOSPITAL CORRIDOR
-- DAY
Tim sits in a wheelchair, much of the color back in his face. He smiles warmly at the nurse checking his blood pressure.
SAVANNAH’S VOICE
He’s back in Houston right now for his final treatment, but he’s been in remission for two months. We’re not sure if it will last...
195
EXT. TEXAS HOSPITAL
-- DAY
Automatic doors WHISK open. Tim steps out in street clothes.
SAVANNAH’S VOICE
...but it might, and that’s good enough for us.
196
EXT. FAMILY HOME IN LENOIR -- NIGHT
DRIFT TOWARDS THE HOUSE, where cars are parked all over the yard, and above the front door hangs Alan’s banner, very impressively lettered, which reads: WELCOME HOME, DAD.
197
INT. FAMILY HOME IN LENOIR
-- NIGHT
Drift through the doors to find the party already in swing.
SAVANNAH’S VOICE
As for the donation, I cannot even begin to imagine who out there would do such a selfless thing as that in such a selfish world as this.
Savannah shows a healthy looking Tim through the crowd. They greet their guests: here are Mr. and Mrs. Curtis, who happily hug their son-in-law...
SAVANNAH’S VOICE
And I realize, of course, that all this person has asked, in return for saving my husband’s life, is to remain anonymous.
...here is Alan, dressed up in a suit, shyly trying to engage a GAWKY GIRL in actual conversation...
SAVANNAH’S VOICE
So although it’s difficult, I know I have to respect his wishes. Which means all I can do is wake up every morning and say thank you. To the sky. To no one. To everyone.
Savannah looks at Alan, her parents, her healthy husband.
She looks around at all of these people, here to support him.
Her eyes water with gratitude.
SAVANNAH’S VOICE
It’s a small gesture, but it’s all that I have. I hope that it is enough.
Then she excuses herself from the group.
SAVANNAH’S VOICE
And that’s the gift this person has given me. That’s what has been missing from my life, and that’s what’s been returned to me now.
Savannah walks over to a window and stares out it, lost in thought.
SAVANNAH’S VOICE
Hope.
198
INT. FAMILY HOME IN LENOIR
-- A DIFFERENT ROOM
Tim looks around the crowd, surrounded by all these people who love him. He knows how lucky he is.
SAVANNAH’S VOICE
I hope this letter finds you well, John.
Then Tim suddenly realizes that something is missing. He looks around the party, trying to find his wife...
...but she’s nowhere to be found now.
199
EXT. FAMILY HOME IN LENOIR
-- NIGHT
Although the party is in full swing indoors, things are much quieter out here. As the wind rustles through the trees --
SAVANNAH’S VOICE
Actually, I just hope this letter finds you, period.
200
INT. LENOIR STABLES
-- NIGHT
Alan shows off his favorite horse to the Gawky Girl. While they stand there, petting her in silence, drift past them...
SAVANNAH’S VOICE
I hope that you’re safe, and that you’re happy. I have no idea where you are out there in the world, but I understand that I lost the right to know these things long ago.
201
DRIFT TOWARDS THE MAIN HOUSE
--
-- where Savannah stands on the porch, alone. Then she looks up, into the night sky --
SAVANNAH’S VOICE
I want you to know, though, that no matter how much time passes, no matter how far away you are...
-- where she finds the full moon above her... and as she raises her thumb to cover it up --
SAVANNAH’S VOICE
...on nights like these, you’ll always be here with me.
202
DRIFT AWAY FROM HER
--
-- pulling back from the house, heading down the driveway, up the hill, towards the woods by the main road...
SAVANNAH’S VOICE
And more than anything else, I hope that part of me is out there with you, too...
...landing by one tree in particular...
SAVANNAH’S VOICE
...wherever you may be.
...to find John standing in the shadows behind it. He watches Savannah stare up at their moon, and it makes him smile.
Then, after a long moment, John turns... and as he starts to head back to his car, to his house, to wherever he came from--
-- he disappears back into the shadows underneath the moon, which looms large above everything.
FADE TO BLACK