Death in Disguise (10 page)

Felicity looked mystified, then startled. The truth was she had summoned Danton automatically, simply out of need for his assiduously attentive ear, thinking no further than that.

‘You can't just stroll along Mrs G.'

‘Can't I?' The fact of having made the decision seemed to Felicity more than enough to be going on with. What she would wear, how she would look had simply not entered her mind. And yet now that the matter had been raised she could see how important it was. Already her mind, nervous and vulnerable, had cast whoever else might be present at the dinner in antagonistic roles. And if her expectations were correct she would need to be not just simply covered, but armoured against a formidable collection of adversaries. On the other hand…

‘Nothing extreme, Danton.'

‘Surely you can trust me on that score.'

She had offended him. Hastily Felicity apologised. Danton got up.

‘Well—better get on. Clothed and in your right mind don't they say?'

A cruel slip, if deliberate, which of course it couldn't have been. You didn't charge your clients a hundred pounds an hour for your services and then insult them. Felicity followed him on to the landing and into her evening room. She would have liked another drink but was fearful of appearing sluttish. Danton never drank alcohol and nothing containing caffeine. Sometimes a little spring water might pass the lips. His teeth and the whites of his soft brown eyes dazzled by their purity.

Felicity's wardrobe was contained within three rooms. One for night, one for day and one for other things which were not so easily categorised: cruise wear; bikinis and cover-ups; barely used sports equipment. Tennis racquets, skis, golf clubs. (She had taken up golf and got bored with it in a single morning.) The wall facing the door in each case was mirrored and metal rods had been suspended about four feet from the ceiling to hold the clothes.

Danton and Felicity wandered along these rails pushing and pulling at the padded hangers, instigating rustles of taffeta and silk, and soft, soundless collisions of velvet. Under a dozen recessed ‘daylight' bulbs they took out and scrutinised Muir and Miyake, Lagerfeld and Bellville Sassoon. Chanel and St Laurent. Creations were unhooked, discussed, dismissed. A tangerine flamenco dress: full frilled dancing skirt, no back, hardly any front. ‘I shouldn't. It can get nippy after eight o'clock.' Narrow black velvet with a little train and white band around the neck. ‘You're her mother not her father confessor.' Beige wild-silk chemise stiff with seed pearls and golden thread. ‘Costively dull.' Raspberry georgette and feathers. ‘Too Fred and Ginger.'

And so it went on until having covered the territory and started to double back, Felicity remembered the Karelia. She went away, returning with a bulky swathe of white cotton inside a see-through cover. ‘It was for a first night at the Garden.' She tugged at the poppers and Danton held the bottom of the bag preparing to pull. ‘The people I go with,' continued Felicity, ‘always have a box, but this time for some reason we were in the dress circle. There's no way I could have got along a row of seats so it's never been worn.' Felicity kicked the wrapper aside. ‘It was Pavarotti.'

‘You
must
wear this.'

‘Oh. You don't think it's a bit—'

‘We're talking celebration-dinner in a country manor. Everyone's bound to dress up. What else is there for them to do poor beasts, down there in the sticks?'

Actually Danton thought the dress was ‘a bit' if not quite a lot, but it was also sensationally inspirational. Just looking at it made his fingers twitch. A dream number made to float down a Busby Berkeley staircase between ranks of adoring, top-hatted males.

Layers and layers of transparent chiffon in every possible shade of grey, from the merest wisp of smoke to deepest anthracite foaming over petticoats the colour of tarnished silver. The satin bodice and tight pointed sleeves were smothered with loops of ribbon, each anchored into place by a single dark pearl.

‘Put it on.'

Without embarrassment Felicity took off her robe.

‘Do me up… Well—what do you think?'

‘Oh my…' He stepped back, bursting with anticipation. ‘What time will you have to leave?'

‘I suppose…end-of-day traffic, half six.'

‘Will you be having lunch?'

‘I couldn't swallow a thing.'

‘Right. Then we'd better get started.'

S
hortly after lunch, Suhami and Christopher went out to move Calypso. This had to be done at fairly frequent intervals for she nibbled at speed and with ferocious heartiness.

How Calypso loved the grass! Weed killers were forbidden so it was rich in cinquefoil and burnet and succulent dandelion. She did not feel she had quite exhausted her present territory when Christopher prised up her steel peg, and he had to wind extra links of chain around his forearm to tug her elsewhere.

Calypso's assessment of her handler's muscularity was spot on and she was inclined to bolt if she thought it a bit on the skimpy side. Only the other day she had shot off at a fair old lick down the drive, out of the gates and into the High Street where she'd been found ten minutes later standing patiently in a queue at the fish shop.

‘You're a very foolish girl,' May had scolded, walking her back. ‘You dont even like fish.'

‘Do you want to hang on or drive in?'

‘Hang on,' said Suhami, seizing the studded collar.

‘Watch out for yew berries, then.'

Christopher hammered while Calypso butted the air and kicked up her back legs in a fit of rage. But, once tethered, she quickly simmered down and began to munch, just occasionally lifting her head to give the world one of her enigmatic stares.

Christopher said: ‘We have to do some talking Suze. Isn't that right?'

She turned from him. ‘I don't know.'

‘I love you.' He stepped in front of her again, caught the shadow on her face. ‘Well…nice to be wanted.'

‘I do want you—I do. It's just…'

When she didn't continue, Christopher put his arm through hers and moved towards the giant cedar. ‘Let's sit down and I'll—'

‘Not there.' Suhami held back.

‘OK.' Looking puzzled, he turned and they began to walk towards the pond.

‘I know it's silly…and they'll long ago have disappeared but Jim's ashes were scattered there. I can't help seeing it as some sort of grave.'

‘Arno told me about that. Must have been very upsetting.'

‘It was at the time. And yet—it's a bit sad really—how quickly one forgets.'

‘I suppose that's usually the case. Unless the person was very close.'

‘He was such a nice man. Quiet and devout. When he'd finished his chores he'd just go to his room and read or meditate. He didn't really fit into our sort of commune at all. Sometimes I used to think he'd be happier in a monastery.'

‘Wasn't he a secret drinker though? I thought someone said—'

‘Oh no. He didn't drink at all. That's what made it so peculiar. As a matter of fact—'

‘Hullo-o-o.' A call from the terrace. May was waving, already walking towards them.

She came with a comforted heart. Almost as comforted in fact as if her troubles were already over. For Kwan Yin had come up trumps after all. And the solution, once proffered, was so strikingly obvious that May could have kicked herself for being so blind. The person to talk to was, of course, Christopher. He had not joined the Windhorse till some time after Jim's death and so could not possibly have been involved. But although May was relieved, this did not mean she was not concerned as to what his response might be. For instance he might suggest going to the police and May knew, if such were to be the case, that she would feel as guilty as if the decision had been her own.

She hoped to find him by himself but it was Suhami who waved back, calling: ‘Did you want something, May?' May gestured vaguely in an attempt to suggest that, even had that been the case, by now she'd quite forgotten what it was. The gesture was an awkward one for May was hopeless at pretending, being by nature as guileless as a kitten.

‘It's you I really wanted, Christopher.'

‘So now you've got me.'

‘Yes…um…well… We're doing the honey at the weekend and the steriliser's on the fritz.' May closed her eyes as she spoke and gabbled the words. The lie still sat awkwardly in her mouth like an ill-fitting tooth.

‘Working fine last time we used it.' All three were now strolling back towards the house. ‘Mind you—that was a bit ago.'

As they entered, May was still wondering how to prise the young couple apart. Various unimaginative ploys occurred to her, but she knew she would present them with such transparent lack of conviction that they were more likely to make Suhami suspicious than get her out of the way.

‘I'll do it after tea.'

‘Do what?' May stared blankly at Christopher.

‘What you asked me to do all of ten seconds ago, May. Have a look at the steriliser—after tea—OK?'

‘Of course!' cried May. ‘Tea! Suhami—I shall need to take my ginseng and I've left them on my bedside table. Would you be a dear girl—save my legs…'

As Suhami sped off, May seized her companion's arm and pulled him further into the hall until they were standing directly beneath the lantern. Then she whispered: ‘Christopher—I have to talk to you.'

Christopher looked huntedly around and whispered: ‘I zink zey know our plans.'

‘Be serious.'

Christopher laughed. ‘Sorry. If you like I'll look at the sterilizer now and we can talk in the kitchen.'

‘There's nothing wrong with the steriliser. I couldn't think of anything else on the spur of the moment. I had to see you alone. I've been so worried. There's something going on here…something wrong. And I'm sure it's to do with Jim's—' She broke off and looked up at the gallery. It appeared to be empty. ‘What was that?'

‘I didn't hear anything.' He followed her gaze.

‘A click. As if a door was closing.'

‘Perhaps it was. What is all this May?'

‘Better talk outside.'

Christopher allowed himself to be dragged down a corridor towards the kitchen. ‘This is all a bit MI5. You're not recruiting by any chance?' They had arrived at the back entrance to the house, a glassed-in door leading to the terrace. ‘I'm not swallowing any microfilm, May,' Christopher continued. ‘Not even for you.'

They stepped outside and Christopher turned to pull the door. May was standing a couple of paces ahead of him on old uneven flagstones seamed with yellow stonecrop. Moving to join her, he became aware of a heavy rumbling noise. Thunder? A skywards glance showed no sign of darkness. Then there was a bump and a big, black rounded object appeared teetering on the guttering. Christopher yelled and pushed. May shot forward, tripped over the hem of her robe and went hurtling into a flower border. Christopher jumped back into the opening. The object fell between them, smashing a flagstone. A web quickly ran out from the breaking point; chippings of stone flew.

So rapid had been the descent, so violent the connection that for a few seconds the two of them remained motionless with shock. Christopher gradually became aware that someone was standing behind him calling his name. It was Suhami.

‘Was that you shouting? What is it? What's the—
May…!'

May, her scratched face further impressed by the woody stems of a lavender bush, was struggling to her feet. As Suhami hurried to help her, Christopher slipped back into the house. The stairs and gallery were still deserted. Everything was quiet.

Swiftly he ran up to the gallery and around the three sides, knocking on doors, opening them and looking in when there was no response. All the rooms were empty.

At the far end of the right-hand section, concealed behind a velvet curtain, was an archway, the stone soaring to an exaggerated point. Directly behind this arch were a dozen steps turning back on themselves in a savagely tight corkscrew and leading to the roof. There were signs of recent disturbance. The dust on the steps was scuffed and marked by flakes of old green paint from the skylight's metal frame. Christopher remembered that Arno had been up there a couple of days before cleaning bird mess off the lantern. He crouched down on the top step which was very close to the glass, pushed the nearest half of the skylight open and fixed it into position with a rusting strut. Then he raised his head cautiously above the opening and looked around.

The place appeared deserted. Climbing out, he at once felt disoriented—the twisty steps having left him unsure which way faced where. To get his bearings he turned a slow circle. There was the vegetable garden, so the section of the roof directly over the back door must be on the far side.

As he hesitated, a cloud slid across the sun, leaching colour from the surrounding brick and slate. A breeze sprang up and Christopher shivered although he was not cold.
Someone walking on my grave
. He wondered how the phrase had first arisen, for the dead, snug in their wooden cocoons, were the last people to give a damn who walked, skipped or even danced a jig above their mouldering heads.

The roof seemed crowded with chimneys though in fact there were only three sooty stacks holding four pots each. Christopher found himself disturbed by their proximity. Inanimate, they yet gave an impression of convergence. Some were cowled and, as the breeze intensified, several metal hoods swung creaking in his direction. His feelings of unease deepened and he was seized by the nonsensical conviction that the hoods concealed active organisms that were observing him.

Telling himself not to be stupid, he started making his way towards the opposite edge. His passage was not quite straightforward. The roof was in three steeply sloping sections separated by narrow paths between two of which reared the great iron ribbed lantern.