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Authors: David Dickinson

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‘I can only go by what the butler said, my lord,’ William McKenzie replied. ‘And I didn’t want to press him too hard about the Thursday services. It might have seemed
suspicious when I was meant to be working on a book about the moated houses of England.’

‘What exactly did he say about the Thursday services, William?’

McKenzie turned back a few pages in his notebook. ‘I wrote all this down in the train on the way back. He said a Jesuit came to celebrate Mass every Thursday.’

Jesuits, thought Powerscourt. The shock troops of the Counter Reformation, the Imperial Guard of the College for Propaganda in the battle for the hearts and souls of the unconverted. Christ
Almighty. What on earth was going on in this sleepy cathedral town?

‘It makes sense of the bag, my lord. He must carry his Jesuit vestments to and from Melbury Clinton every week.’

‘It certainly does,’ said Powerscourt. ‘William, you have done magnificently. I shall have another assignation for you in the morning.’

That night Powerscourt had a dream. He was in a church, not the Cathedral of Compton he knew so well, but a large church that might have been in Oxford or Cambridge. The pews were full of young
men, every available seat occupied, latecomers standing at the back. The organ was playing softly. At first there were no priests to be seen. Then Powerscourt saw a figure floating above the
congregation like a ghost from the other side. He knew that the spectre was the wraith of John Henry Newman, the most famous defector from the Church of England to the Church of Rome in all the
nineteenth century. The ghost of Newman was beckoning the young men to follow him out of the side door into the world outside. Gradually the pews began to empty. Then it became a rush. Finally it
turned into a stampede as all the young men followed Newman’s lead and abandoned their pews, and presumably their allegiance to the Church of England. At Newman’s side was another
spectre, arms outstretched to summon the true believers. The other spectre was the Archdeacon of Compton Cathedral.

Early the next morning Powerscourt was seated at the desk in John Eustace’s study, train timetable to one side of him, writing paper to the other. He wrote to the Dean,
requesting the name and home addresses, if possible, of the two dead members of the community of vicars choral. Powerscourt was trying to avoid all human contact with members of the cathedral for
fear it might endanger their lives if they were not the murderer, and endanger his own if they were. He still had occasional flashbacks to the falling masonry, his night vigil with the dead in
their stone and marble. He wondered about the Bishop, apparently so unworldly, but with a record, Patrick Butler had informed him, of distinguished service in the Grenadier Guards. He wondered
about the Dean, so impassive as he watched the horror being unveiled in the morgue. He wondered about the Archdeacon and his weekly pilgrimages to Melbury Clinton. He wrote to his old tutor in
Cambridge, requesting the name and an introduction to the foremost scholar in Britain on the Reformation and the Dissolution of the Monasteries. He wrote to the Ferrers family of 42 Clifton Rise,
Bristol, asking if he could call on them at four o’clock in the afternoon in two days’ time. He explained that he was looking into the strange deaths in Compton and wanted to talk to
them. He did not specify the reason for his visit. He wrote to his old friend Lord Rosebery former Prime Minister in the liberal interest, saying that he proposed to call on him in five or six days
to discuss his latest case. He particularly asked Rosebery if he could secure him, Powerscourt, a meeting with the Home Secretary. He wrote to Dr Williams asking for his co-operation in a very
delicate matter.

‘So which Archdeacon is the real one, Francis? The Protestant one or the Catholic one?’ said Johnny Fitzgerald.

His correspondence complete, Powerscourt had joined the others over breakfast. Thomas and Olivia had gone to climb the trees in the garden.

‘God only knows,’ said Powerscourt. ‘Maybe even God doesn’t know.’

‘Can you be a Protestant Archdeacon and a Jesuit Father at the same time?’ said Lady Lucy. ‘Doesn’t each side think the other one to be heretics, if you see what I
mean?’

‘I don’t know the answer to that one either,’ said Powerscourt. ‘But I’m going to find out’ He made a mental note to write a further letter to Cambridge
requesting an interview with a theologian. ‘The other question, of course,’ he went on through a mouthful of bacon and eggs, ‘is whether it is just the Archdeacon who is a Jesuit
or a Roman Catholic. Maybe there are other members of the Cathedral Close who are secret adherents of the old religion.’

‘Maybe they all are,’ said Johnny Fitzgerald. Everybody laughed.

‘Seriously though,’ said Powerscourt, ‘this investigation has become exceedingly difficult. I dare not ask questions of the Bishop and his people. I feel it would be too
dangerous, either for me or for any of us here, or for them if they were known to have been asked those kind of questions.’

William McKenzie had been working his way through a small mountain of toast, thinly coated with butter but without marmalade, at the far end of the table.

‘I’ve been thinking about the time, my lord. If the butler at Melbury Clinton is right, the subject has been celebrating Mass there for eight years. He travels in his Protestant
clothes, if you like, and changes when he gets there. He’s like a spy in some ways, isn’t he, Johnny? But who is he spying on? It doesn’t seem likely that the Protestant
authorities in Compton want secret information about what goes on in Melbury Clinton. Nor does it seem likely that the Catholic family in Melbury Clinton want secret information about what happens
in the cathedral at Compton. It’s all very difficult.’

McKenzie consoled himself with a further intake of toast.

‘It comes back to my original question,’ said Johnny Fitzgerald cheerfully. ‘Which one is the real one?’ He picked up a fork and speared a sausage which he held up for
general inspection. ‘This,’ he said, ‘is the Protestant Archdeacon sausage.’ With his left hand he impaled another sausage with his spare fork. ‘And this is the Jesuit
sausage. It seems to me that the Protestant sausage,’ he waved the fork around in a menacing fashion, ‘is taking a lot of risks going off to Melbury Clinton once a week for eight years
to turn into the Jesuit sausage. No doubt he picked the place because it’s so far away but somebody from there could easily have come to Compton and recognized him.’

‘Unless,’ Powerscourt interrupted the
charcuterie
display ‘the people from Melbury know all about his role in Compton and would not be surprised. We can assume from the
distance and the precautions that the right-hand sausage, the Protestant Archdeacon, does not want anybody to know about his role as the Jesuit in Melbury.’

‘Consider another factor,’ said Johnny, bringing his two sausages side by side, ‘what a strain it must be to alternate between these two lives.’ He swapped the two
sausages round at bewildering speed. ‘We’ve all done bits of spying in our time, pretending to be somebody else for the greater good of Queen and country. It’s an exhausting
business. At any moment the whole thing can go wrong.’ He dropped the two sausages back on to his plate and began to consume the Protestant Archdeacon. ‘So why the eight years? Is he
going to continue the pretence until his dying day? Is he waiting for a signal to emerge into his true colours?’

Powerscourt was running his right hand through his hair, a gesture Lady Lucy knew only too well. It meant that he could not see the answer. Johnny Fitzgerald had now carved the Jesuit sausage
into small pieces. McKenzie was still eating his toast. Lady Lucy was sipping her tea.

‘We’re in the dark,’ said Powerscourt, smiling at her as he said it. ‘All I would hazard is that the Jesuit Archdeacon is more likely to be the real one. If you were
going to betray one faith in the cause of another I’d be much more frightened of the Jesuits than of the Bishop of Compton. Today I’m going to have another rummage in John
Eustace’s papers. I may even go and call on Dr Blackstaff again. Tomorrow I am going on a journey. I think I’ll be away for a couple of days. William,’ he turned to McKenzie who
had finally finished his consumption of toast, ‘I think you should turn your attention to this Italian gentleman who stays with the Archdeacon. I’m not sure if he’s there at the
moment.’

‘He’s there all right,’ said Johnny Fitzgerald. ‘I saw him creeping about the town yesterday.’

‘Excellent,’ said Powerscourt. ‘Follow him when he goes, William. Follow him wherever he goes. Find out where he comes from. I don’t care if you have to go back to London
with him.’

‘Maybe he comes from Melbury Clinton,’ said Johnny cheerfully. ‘Maybe he’s another bloody Jesuit. Pops over to Compton to keep the Archdeacon on the straight and
narrow.’

‘Johnny,’ Powerscourt went on, ‘I want you to try the impossible. We need to know if any other members of the Close are secret Roman Catholics. God knows how you do it. The
last thing you can do is ask any of them.’

‘I’ll try,’ said Johnny, picking up the last of his Jesuit sausage and popping it into his mouth, ‘I’ll certainly try.’

Later that morning Lady Lucy found her husband pacing up and down the drawing room.

‘Francis,’ she said quietly, ‘I wish you weren’t going away.’ Powerscourt turned at the far end of the room, just past the piano, and stared back at her, his eyes
still a long way from Fairfield Park.

‘What was that, Lucy? Sorry, my love, I was miles away.’

Lady Lucy put her arm round her husband’s waist and marched with him back down the room towards the doors into the garden.

‘Let me come with you, Francis, this part of the way anyway. I said I wished you weren’t going away.’

Powerscourt stopped and stared out into the garden. ‘That child is very far up the tree down by the church,’ he said anxiously.

‘Is it Olivia?’ said Lady Lucy. ‘Don’t worry about her. She’s like a monkey in those trees. I’d be much more worried if you said Thomas was at the top of one
of the big oaks.’

‘I wish I wasn’t going away either, Lucy. I don’t think I’ll be gone very long.’

‘At least I’ve got the choir to keep me busy Francis. Did I tell you, I’ve made friends with two of the little choristers, Philip and William? I think I’m going to ask
them to tea to meet the children.’

‘You be very careful with that choir, Lucy. I think everything’s very dangerous in Compton at the moment.’

‘Can I ask you a question, Francis?’ said Lady Lucy, resuming their joint march up and down the drawing room.

‘Of course,’ said Powerscourt, giving her waist a firm squeeze. ‘What is it?’

‘Are you frightened?’ said Lady Lucy, in a very serious voice.

‘Do you know,’ said Powerscourt, ‘I don’t think you’ve ever asked me that before.’

‘Well, I’m asking it now.’

Powerscourt stopped by the side of the piano and sat down on the stool. His fingers picked out random notes with no pretence of a tune. They sounded rather melancholy in this grand room with the
sun now streaming in through the windows.

‘I think the answer is Yes and No, if I’m allowed to say that.’ Lady Lucy put her hands on his shoulders. ‘Yes, I am frightened in the sense that I find this killer so
difficult to understand, so unpredictable, so terribly violent. And I can’t find any sign of a motive at all. I feel as though we are all walking on eggshells. If we say or do the wrong
thing, or our inquiries upset the madman, then he may kill again. So that makes me frightened, very frightened sometimes.’ He paused and strummed some more random notes from the piano.
Outside a battalion of rooks were flying across the ornamental pond, their harsh cries acting as a counterpoint to the black keys on Powerscourt’s piano.

‘I think, Lucy,’ he turned to smile up at her, ‘that it has to do with the combination of reason and imagination. Sometimes I think I’m lucky enough to solve these cases
through reason, deducing how things must have happened. Sometimes it’s imagination, trying to see how the emotional connections between the various parties must have worked. But imagination
cuts both ways. It can help. But in this case it’s often a hindrance because your imagination dwells on the terrible things this mad person has done and what he might do next.’

Powerscourt paused again. ‘In another sense,’ he went on, ‘I’m not frightened. I think perhaps you can be frightened and courageous at the same time. I’ve seen some
acts of terrifying bravery in battle, Lucy. The bravest people are the ones who admit they are terrified but carry on all the same. I’m not as brave as they are. But I think you must keep up
your courage, whatever the circumstances. If I didn’t, I think I’d feel I was betraying myself, betraying you, betraying the children, betraying all those families involved or yet to be
involved in these terrible events.’

Powerscourt rose from the piano stool and embraced his wife. ‘You know, Lucy, people are meant to have these kinds of conversations very late at night when the wine and the port may have
been flowing freely. Certainly not at half-past eleven in the morning.’

The eight thirty train from Compton to Bristol seemed extraordinarily slow to Powerscourt, impatient to further his investigation. It stopped regularly at what seemed to be
hamlets rather than villages. At one point, peering crossly out of his first class carriage window, he thought a horseman on the adjacent road was making faster progress than one of the great
symbols of the modern age. A military-looking man joined him, turning immediately to the Births Marriages and Deaths columns of
The Times
and remaining enraptured there for over an hour.
Powerscourt wondered if he was learning every entry by heart. He wondered too about the marriage prospects for Patrick Butler and Anne Herbert and whether the proposed trip to Glastonbury would
enable Patrick to pull it off. Somehow he doubted it. He suspected he would have to propose to her by letter. Perhaps he could take out a quarter page in his own newspaper and propose marriage to
her there alongside the advertisements for soap and bicycles. A suitable headline could be adapted from the nursery rhyme, Editor Wants a Wife. Anne, he felt, might find that rather embarrassing.
At a small town on the county border a middle-aged lady joined them and began reading the latest Henry James. Powerscourt remembered Lucy telling him about an article she had read very recently
which gave a clue to the central problem of Henry James’ later novels – why were the sentences so long? This article claimed that he had stopped writing his books by hand and now
dictated them to teams of typewriter operators. It was easy, Lucy had said, to imagine the Master wandering up and down his study, dictating exquisite phrase after exquisite phrase and totally
forgetting to insert the full stops. Powerscourt read again the note he had received that morning from Chief Inspector Yates, telling him that it was most unlikely, but not absolutely impossible
for James Fraser, the best butcher in Compton, to have killed Gillespie. They were still checking his alibi. Powerscourt’s thoughts went back to the cathedral and its inhabitants.

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