Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (675 page)

BOOK: Delphi Complete Works of Nathaniel Hawthorne (Illustrated)
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Raised several feet above the pavement, against every clustered pillar along the nave of the cathedral, is placed a statue of Gothic sculpture. In various places are sitting statues of popes of Sienese nativity, all of whom, I believe, have a hand raised in the act of blessing. Shrines and chapels, set in grand, heavy frames of pillared architecture, stand all along the aisles and transepts, and these seem in many instances to have been built and enriched by noble families, whose arms are sculptured on the pedestals of the pillars, sometimes with a cardinal's hat above to denote the rank of one of its members. How much pride, love, and reverence in the lapse of ages must have clung to the sharp points of all this sculpture and architecture! The cathedral is a religion in itself, — something worth dying for to those who have an hereditary interest in it. In the pavement, yesterday, I noticed the gravestone of a person who fell six centuries ago in the battle of Monte Aperto, and was buried here by public decree as a meed of valor.

This afternoon I took a walk out of one of the city gates, and found the country about Siena as beautiful in this direction as in all others. I came to a little stream flowing over into a pebbly bed, and collecting itself into pools, with a scanty rivulet between. Its glen was deep, and was crossed by a bridge of several lofty and narrow arches like those of a Roman aqueduct. It is a modern structure, however. Farther on, as I wound round along the base of a hill which fell down upon the road by precipitous cliffs of brown earth, I saw a gray, ruined wall on the summit, surrounded with cypress-trees. This tree is very frequent about Siena, and the scenery is made soft and beautiful by a variety of other trees and shrubbery, without which these hills and gorges would have scarcely a charm. The road was thronged with country people, mostly women and children, who had been spending the feast-day in Siena; and parties of boys were chasing one another through the fields, pretty much as boys do in New England of a Sunday, but the Sienese lads had not the sense of Sabbath-breaking like our boys. Sunday with these people is like any other feast-day, and consecrated cheerful enjoyment. So much religious observance, as regards outward forms, is diffused through the whole week that they have no need to intensify the Sabbath except by making it gladden the other days.

Returning through the same gate by which I had come out, I ascended into the city by a long and steep street, which was paved with bricks set edgewise. This pavement is common in many of the streets, which, being too steep for horses and carriages, are meant only to sustain the lighter tread of mules and asses. The more level streets are paved with broad, smooth flag-stones, like those of Florence, — a fashion which I heartily regret to change for the little penitential blocks of Rome. The walls of Siena in their present state, and so far as I have seen them, are chiefly brick; but there are intermingled fragments of ancient stone-work, and I wonder why the latter does not prevail more largely. The Romans, however, — and Siena had Roman characteristics, — always liked to build of brick, a taste that has made their ruins (now that the marble slabs are torn off) much less grand than they ought to have been. I am grateful to the old Sienese for having used stone so largely in their domestic architecture, and thereby rendered their city so grimly picturesque, with its black palaces frowning upon one another from arched windows, across narrow streets, to the height of six stories, like opposite ranks of tall men looking sternly into one another's eyes.

October 11th. — Again I went to the cathedral this morning, and spent an hour listening to the music and looking through the orderly intricacies of the arches, where many vistas open away among the columns of the choir. There are five clustered columns on each side of the nave; then under the dome there are two more arches, not in a straight line, but forming the segment of a circle; and beyond the circle of the dome there are four more arches, extending to the extremity of the chancel. I should have said, instead of “clustered columns” as above, that there are five arches along the nave supported by columns. This cathedral has certainly bewitched me, to write about it so much, effecting nothing with my pains. I should judge the width of each arch to be about twenty feet, and the thickness of each clustered pillar is eight; or ten more, and the length of the entire building may be between two and three hundred feet; not very large, certainly, but it makes an impression of grandeur independent of size. . . .

I never shall succeed even in reminding myself of the venerable magnificence of this minster, with its arches, its columns, its cornice of popes' heads, its great wheel windows, its manifold ornament, all combining in one vast effect, though many men have labored individually, and through a long course of time, to produce this multifarious handiwork and headwork.

I now took a walk out of the city. A road turned immediately to the left as I emerged from the city, and soon proved to be a rustic lane leading past several villas and farm-houses. It was a very pleasant walk, with vineyards and olive-orchards on each side, and now and then glimpses of the towers and sombre heaped-up palaces of Siena, and now a rural seclusion again; for the hills rise and the valleys fall like the swell and subsidence of the sea after a gale, so that Siena may be quite hidden within a quarter of a mile of its wall, or may be visible, I doubt not, twenty miles away. It is a fine old town, with every promise of health and vigor in its atmosphere, and really, if I could take root anywhere, I know not but it could as well be here as in another place. It would only be a kind of despair, however, that would ever make me dream of finding a home in Italy; a sense that I had lost my country through absence or incongruity, and that earth is not an abiding-place. I wonder that we Americans love our country at all, it having no limits and no oneness; and when you try to make it a matter of the heart, everything falls away except one's native State; neither can you seize hold of that unless you tear it out of the Union, bleeding and quivering. Yet unquestionably, we do stand by our national flag as stoutly as any people in the world, and I myself have felt the heart throb at sight of it as sensibly as other men. I think the singularity of our form of government contributes to give us a kind of patriotism, by separating us from other nations more entirely. If other nations had similar institutions, — if England, especially, were a democracy, — we should as readily make ourselves at home in another country as now in a new State.

October 12th. — And again we went to the cathedral this forenoon, and the whole family, except myself, sketched portions of it. Even Rosebud stood gravely sketching some of the inlaid figures of the pavement. As for me, I can but try to preserve some memorial of this beautiful edifice in ill-fitting words that never hit the mark. This morning visit was not my final one, for I went again after dinner and walked quite round the whole interior. I think I have not yet mentioned the rich carvings of the old oaken seats round the choir, and the curious mosaic of lighter and darker woods, by which figures and landscapes are skilfully represented on the backs of some of the stalls. The process seems to be the same as the inlaying and engraving of the pavement, the material in one case being marble, in the other wood. The only other thing that I particularly noticed was, that in the fonts of holy water at the front entrance, marble fish are sculptured in the depths of the basin, and eels and shellfish crawling round the brim. Have I spoken of the sumptuous carving of the capitals of the columns? At any rate I have left a thousand beauties without a word. Here I drop the subject. As I took my parting glance the cathedral had a gleam of golden sunshine in its far depths, and it seemed to widen and deepen itself, as if to convince me of my error in saying, yesterday, that it is not very large. I wonder how I could say it.

After taking leave of the cathedral, I found my way out of another of the city gates, and soon turned aside into a green lane. . . . Soon the lane passed through a hamlet consisting of a few farm-houses, the shabbiest and dreariest that can be conceived, ancient, and ugly, and dilapidated, with iron-grated windows below, and heavy wooden shutters on the windows above, — high, ruinous walls shutting in the courts, and ponderous gates, one of which was off its hinges. The farm-yards were perfect pictures of disarray and slovenly administration of home affairs. Only one of these houses had a door opening on the road, and that was the meanest in the hamlet. A flight of narrow stone stairs ascended from the threshold to the second story. All these houses were specimens of a rude antiquity, built of brick and stone, with the marks of arched doors and windows where a subsequent generation had shut up the lights, or the accesses which the original builders had opened. Humble as these dwellings are, — though large and high compared with rural residences in other countries, — they may very probably date back to the times when Siena was a warlike republic, and when every house in its neighborhood had need to be a fortress. I suppose, however, prowling banditti were the only enemies against whom a defence would be attempted. What lives must now be lived there, — in beastly ignorance, mental sluggishness, hard toil for little profit, filth, and a horrible discomfort of fleas; for if the palaces of Italy are overrun with these pests, what must the country hovels be! . . . .

We are now all ready for a start to-morrow.

RADICOFANI.

October 13th. — We arranged to begin our journey at six. . . . It was a chill, lowering morning, and the rain blew a little in our faces before we had gone far, but did not continue long. The country soon lost the pleasant aspect which it wears immediately about Siena, and grew very barren and dreary. Then it changed again for the better, the road leading us through a fertility of vines and olives, after which the dreary and barren hills came back again, and formed our prospect throughout most of the day. We stopped for our dejeuner a la fourchette at a little old town called San Quirico, which we entered through a ruined gateway, the town being entirely surrounded by its ancient wall. This wall is far more picturesque than that of Siena, being lofty and built of stone, with a machicolation of arches running quite round its top, like a cornice. It has little more than a single street, perhaps a quarter of a mile long, narrow, paved with flag-stones in the Florentine fashion, and lined with two rows of tall, rusty stone houses, without a gap between them from end to end. The cafes were numerous in relation to the size of the town, and there were two taverns, — our own, the Eagle, being doubtless the best, and having three arched entrances in its front. Of these, the middle one led to the guests' apartments, the one on the right to the barn, and that on the left to the stable, so that, as is usual in Italian inns, the whole establishment was under one roof. We were shown into a brick-paved room on the first floor, adorned with a funny fresco of Aurora on the ceiling, and with some colored prints, both religious and profane. . . .

As we drove into the town we noticed a Gothic church with two doors of peculiar architecture, and while our dejeuner was being prepared we went to see it. The interior had little that was remarkable, for it had been repaired early in the last century, and spoilt of course; but an old triptych is still hanging in a chapel beside the high altar. It is painted on wood, and dates back beyond the invention of oil-painting, and represents the Virgin and some saints and angels. Neither is the exterior of the church particularly interesting, with the exception of the carving and ornaments of two of the doors. Both of them have round arches, deep and curiously wrought, and the pillars of one of the two are formed of a peculiar knot or twine in stone-work, such as I cannot well describe, but it is both ingenious and simple. These pillars rest on two nondescript animals, which look as much like walruses as anything else. The pillars of the other door consist of two figures supporting the capitals, and themselves standing on two handsomely carved lions. The work is curious, and evidently very ancient, and the material a red freestone.

After lunch, J —
 
— - and I took a walk out of the gate of the town opposite to that of our entrance. There were no soldiers on guard, as at city gates of more importance; nor do I think that there is really any gate to shut, but the massive stone gateway still stands entire over the empty arch. Looking back after we had passed through, I observed that the lofty upper story is converted into a dove-cot, and that pumpkins were put to ripen in some open chambers at one side. We passed near the base of a tall, square tower, which is said to be of Roman origin. The little town is in the midst of a barren region, but its immediate neighborhood is fertile, and an olive-orchard, venerable of aspect, lay on the other side of the pleasant lane with its English hedges, and olive-trees grew likewise along the base of the city wall. The arched machicolations, which I have before mentioned, were here and there interrupted by a house which was built upon the old wall or incorporated into it; and from the windows of one of then I saw ears of Indian corn hung out to ripen in the sun, and somebody was winnowing grain at a little door that opened through the wall. It was very pleasant to see the ancient warlike rampart thus overcome with rustic peace. The ruined gateway is partly overgrown with ivy.

Returning to our inn, along the street, we saw —
 

 
— sketching one of the doors of the Gothic church, in the midst of a crowd of the good people of San Quirico, who made no scruple to look over her shoulder, pressing so closely as hardly to allow her elbow-room. I must own that I was too cowardly to come forward and take my share of this public notice, so I turned away to the inn and there awaited her coming. Indeed, she has seldom attempted to sketch without finding herself the nucleus of a throng.

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