Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (75 page)

“I would not have it so!” said Phoebe earnestly.

“Do you love me?” asked Holgrave. “If we love one another, the moment has room for nothing more. Let us pause upon it, and be satisfied. Do you love me, Phoebe?”

“You look into my heart,” said she, letting her eyes drop. “You know I love you!”

And it was in this hour, so full of doubt and awe, that the one miracle was wrought, without which every human existence is a blank. The bliss which makes all things true, beautiful, and holy shone around this youth and maiden. They were conscious of nothing sad nor old. They transfigured the earth, and made it Eden again, and themselves the two first dwellers in it. The dead man, so close beside them, was forgotten. At such a crisis, there is no death; for immortality is revealed anew, and embraces everything in its hallowed atmosphere.

But how soon the heavy earth-dream settled down again!

“Hark!” whispered Phoebe. “Somebody is at the street door!”

“Now let us meet the world!” said Holgrave. “No doubt, the rumor of Judge Pyncheon's visit to this house, and the flight of Hepzibah and Clifford, is about to lead to the investigation of the premises. We have no way but to meet it. Let us open the door at once.”

But, to their surprise, before they could reach the street door, — even before they quitted the room in which the foregoing interview had passed, — they heard footsteps in the farther passage. The door, therefore, which they supposed to be securely locked, — which Holgrave, indeed, had seen to be so, and at which Phoebe had vainly tried to enter, — must have been opened from without. The sound of footsteps was not harsh, bold, decided, and intrusive, as the gait of strangers would naturally be, making authoritative entrance into a dwelling where they knew themselves unwelcome. It was feeble, as of persons either weak or weary; there was the mingled murmur of two voices, familiar to both the listeners.

“Can it be?” whispered Holgrave.

“It is they!” answered Phoebe. “Thank God! — thank God!”

And then, as if in sympathy with Phoebe's whispered ejaculation, they heard Hepzibah's voice more distinctly.

“Thank God, my brother, we are at home!”

“Well! — Yes! — thank God!” responded Clifford. “A dreary home, Hepzibah! But you have done well to bring me hither! Stay! That parlor door is open. I cannot pass by it! Let me go and rest me in the arbor, where I used, — oh, very long ago, it seems to me, after what has befallen us, — where I used to be so happy with little Phoebe!”

But the house was not altogether so dreary as Clifford imagined it. They had not made many steps, — in truth, they were lingering in the entry, with the listlessness of an accomplished purpose, uncertain what to do next, — when Phoebe ran to meet them. On beholding her, Hepzibah burst into tears. With all her might, she had staggered onward beneath the burden of grief and responsibility, until now that it was safe to fling it down. Indeed, she had not energy to fling it down, but had ceased to uphold it, and suffered it to press her to the earth. Clifford appeared the stronger of the two.

“It is our own little Phoebe! — Ah! and Holgrave with, her” exclaimed he, with a glance of keen and delicate insight, and a smile, beautiful, kind, but melancholy. “I thought of you both, as we came down the street, and beheld Alice's Posies in full bloom. And so the flower of Eden has bloomed, likewise, in this old, darksome house to-day.”

XXI The Departure

THE sudden death of so prominent a member of the social world as the Honorable Judge Jaffrey Pyncheon created a sensation (at least, in the circles more immediately connected with the deceased) which had hardly quite subsided in a fortnight.

It may be remarked, however, that, of all the events which constitute a person's biography, there is scarcely one — none, certainly, of anything like a similar importance — to which the world so easily reconciles itself as to his death. In most other cases and contingencies, the individual is present among us, mixed up with the daily revolution of affairs, and affording a definite point for observation. At his decease, there is only a vacancy, and a momentary eddy, — very small, as compared with the apparent magnitude of the ingurgitated object, — and a bubble or two, ascending out of the black depth and bursting at the surface. As regarded Judge Pyncheon, it seemed probable, at first blush, that the mode of his final departure might give him a larger and longer posthumous vogue than ordinarily attends the memory of a distinguished man. But when it came to be understood, on the highest professional authority, that the event was a natural, and — except for some unimportant particulars, denoting a slight idiosyncrasy — by no means an unusual form of death, the public, with its customary alacrity, proceeded to forget that he had ever lived. In short, the honorable Judge was beginning to be a stale subject before half the country newspapers had found time to put their columns in mourning, and publish his exceedingly eulogistic obituary.

Nevertheless, creeping darkly through the places which this excellent person had haunted in his lifetime, there was a hidden stream of private talk, such as it would have shocked all decency to speak loudly at the street-corners. It is very singular, how the fact of a man's death often seems to give people a truer idea of his character, whether for good or evil, than they have ever possessed while he was living and acting among them. Death is so genuine a fact that it excludes falsehood, or betrays its emptiness; it is a touchstone that proves the gold, and dishonors the baser metal. Could the departed, whoever he may be, return in a week after his decease, he would almost invariably find himself at a higher or lower point than he had formerly occupied, on the scale of public appreciation. But the talk, or scandal, to which we now allude, had reference to matters of no less old a date than the supposed murder, thirty or forty years ago, of the late Judge Pyncheon's uncle. The medical opinion with regard to his own recent and regretted decease had almost entirely obviated the idea that a murder was committed in the former case. Yet, as the record showed, there were circumstances irrefragably indicating that some person had gained access to old Jaffrey Pyncheon's private apartments, at or near the moment of his death. His desk and private drawers, in a room contiguous to his bedchamber, had been ransacked; money and valuable articles were missing; there was a bloody hand-print on the old man's linen; and, by a powerfully welded chain of deductive evidence, the guilt of the robbery and apparent murder had been fixed on Clifford, then residing with his uncle in the House of the Seven Gables.

Whencesoever originating, there now arose a theory that undertook so to account for these circumstances as to exclude the idea of Clifford's agency. Many persons affirmed that the history and elucidation of the facts, long so mysterious, had been obtained by the daguerreotypist from one of those mesmerical seers who, nowadays, so strangely perplex the aspect of human affairs, and put everybody's natural vision to the blush, by the marvels which they see with their eyes shut.

According to this version of the story, Judge Pyncheon, exemplary as we have portrayed him in our narrative, was, in his youth, an apparently irreclaimable scapegrace. The brutish, the animal instincts, as is often the case, had been developed earlier than the intellectual qualities, and the force of character, for which he was afterwards remarkable. He had shown himself wild, dissipated, addicted to low pleasures, little short of ruffianly in his propensities, and recklessly expensive, with no other resources than the bounty of his uncle. This course of conduct had alienated the old bachelor's affection, once strongly fixed upon him. Now it is averred, — but whether on authority available in a court of justice, we do not pretend to have investigated, — that the young man was tempted by the devil, one night, to search his uncle's private drawers, to which he had unsuspected means of access. While thus criminally occupied, he was startled by the opening of the chamber-door. There stood old Jaffrey Pyncheon, in his nightclothes! The surprise of such a discovery, his agitation, alarm, and horror, brought on the crisis of a disorder to which the old bachelor had an hereditary liability; he seemed to choke with blood, and fell upon the floor, striking his temple a heavy blow against the corner of a table. What was to be done? The old man was surely dead! Assistance would come too late! What a misfortune, indeed, should it come too soon, since his reviving consciousness would bring the recollection of the ignominious offence which he had beheld his nephew in the very act of committing!

But he never did revive. With the cool hardihood that always pertained to him, the young man continued his search of the drawers, and found a will, of recent date, in favor of Clifford, — which he destroyed, — and an older one, in his own favor, which he suffered to remain. But before retiring, Jaffrey bethought himself of the evidence, in these ransacked drawers, that some one had visited the chamber with sinister purposes. Suspicion, unless averted, might fix upon the real offender. In the very presence of the dead man, therefore, he laid a scheme that should free himself at the expense of Clifford, his rival, for whose character he had at once a contempt and a repugnance. It is not probable, be it said, that he acted with any set purpose of involving Clifford in a charge of murder. Knowing that his uncle did not die by violence, it may not have occurred to him, in the hurry of the crisis, that such an inference might be drawn. But, when the affair took this darker aspect, Jaffrey's previous steps had already pledged him to those which remained. So craftily had he arranged the circumstances, that, at Clifford's trial, his cousin hardly found it necessary to swear to anything false, but only to withhold the one decisive explanation, by refraining to state what he had himself done and witnessed.

Thus Jaffrey Pyncheon's inward criminality, as regarded Clifford, was, indeed, black and damnable; while its mere outward show and positive commission was the smallest that could possibly consist with so great a sin. This is just the sort of guilt that a man of eminent respectability finds it easiest to dispose of. It was suffered to fade out of sight or be reckoned a venial matter, in the Honorable Judge Pyncheon's long subsequent survey of his own life. He shuffled it aside, among the forgotten and forgiven frailties of his youth, and seldom thought of it again.

We leave the Judge to his repose. He could not be styled fortunate at the hour of death. Unknowingly, he was a childless man, while striving to add more wealth to his only child's inheritance. Hardly a week after his decease, one of the Cunard steamers brought intelligence of the death, by cholera, of Judge Pyncheon's son, just at the point of embarkation for his native land. By this misfortune Clifford became rich; so did Hepzibah; so did our little village maiden, and, through her, that sworn foe of wealth and all manner of conservatism, — the wild reformer, — Holgrave!

It was now far too late in Clifford's life for the good opinion of society to be worth the trouble and anguish of a formal vindication. What he needed was the love of a very few; not the admiration, or even the respect, of the unknown many. The latter might probably have been won for him, had those on whom the guardianship of his welfare had fallen deemed it advisable to expose Clifford to a miserable resuscitation of past ideas, when the condition of whatever comfort he might expect lay in the calm of forgetfulness. After such wrong as he had suffered, there is no reparation. The pitiable mockery of it, which the world might have been ready enough to offer, coming so long after the agony had done its utmost work, would have been fit only to provoke bitterer laughter than poor Clifford was ever capable of. It is a truth (and it would be a very sad one but for the higher hopes which it suggests) that no great mistake, whether acted or endured, in our mortal sphere, is ever really set right. Time, the continual vicissitude of circumstances, and the invariable inopportunity of death, render it impossible. If, after long lapse of years, the right seems to be in our power, we find no niche to set it in. The better remedy is for the sufferer to pass on, and leave what he once thought his irreparable ruin far behind him.

The shock of Judge Pyncheon's death had a permanently invigorating and ultimately beneficial effect on Clifford. That strong and ponderous man had been Clifford's nightmare. There was no free breath to be drawn, within the sphere of so malevolent an influence. The first effect of freedom, as we have witnessed in Clifford's aimless flight, was a tremulous exhilaration. Subsiding from it, he did not sink into his former intellectual apathy. He never, it is true, attained to nearly the full measure of what might have been his faculties. But he recovered enough of them partially to light up his character, to display some outline of the marvellous grace that was abortive in it, and to make him the object of no less deep, although less melancholy interest than heretofore. He was evidently happy. Could we pause to give another picture of his daily life, with all the appliances now at command to gratify his instinct for the Beautiful, the garden scenes, that seemed so sweet to him, would look mean and trivial in comparison.

Very soon after their change of fortune, Clifford, Hepzibah, and little Phoebe, with the approval of the artist, concluded to remove from the dismal old House of the Seven Gables, and take up their abode, for the present, at the elegant country-seat of the late Judge Pyncheon. Chanticleer and his family had already been transported thither, where the two hens had forthwith begun an indefatigable process of egg-laying, with an evident design, as a matter of duty and conscience, to continue their illustrious breed under better auspices than for a century past. On the day set for their departure, the principal personages of our story, including good Uncle Venner, were assembled in the parlor.

“The country-house is certainly a very fine one, so far as the plan goes,” observed Holgrave, as the party were discussing their future arrangements. “But I wonder that the late Judge — being so opulent, and with a reasonable prospect of transmitting his wealth to descendants of his own — should not have felt the propriety of embodying so excellent a piece of domestic architecture in stone, rather than in wood. Then, every generation of the family might have altered the interior, to suit its own taste and convenience; while the exterior, through the lapse of years, might have been adding venerableness to its original beauty, and thus giving that impression of permanence which I consider essential to the happiness of any one moment.”

“Why,” cried Phoebe, gazing into the artist's face with infinite amazement, “how wonderfully your ideas are changed! A house of stone, indeed! It is but two or three weeks ago that you seemed to wish people to live in something as fragile and temporary as a bird's-nest!”

“Ah, Phoebe, I told you how it would be!” said the artist, with a half-melancholy laugh. “You find me a conservative already! Little did I think ever to become one. It is especially unpardonable in this dwelling of so much hereditary misfortune, and under the eye of yonder portrait of a model conservative, who, in that very character, rendered himself so long the evil destiny of his race.”

“That picture!” said Clifford, seeming to shrink from its stern glance. “Whenever I look at it, there is an old dreamy recollection haunting me, but keeping just beyond the grasp of my mind. Wealth, it seems to say! — boundless wealth! — unimaginable wealth! I could fancy that, when I was a child, or a youth, that portrait had spoken, and told me a rich secret, or had held forth its hand, with the written record of hidden opulence. But those old matters are so dim with me, nowadays! What could this dream have been?”

“Perhaps I can recall it,” answered Holgrave. “See! There are a hundred chances to one that no person, unacquainted with the secret, would ever touch this spring.”

“A secret spring!” cried Clifford. “Ah, I remember now! I did discover it, one summer afternoon, when I was idling and dreaming about the house, long, long ago. But the mystery escapes me.”

The artist put his finger on the contrivance to which he had referred. In former days, the effect would probably have been to cause the picture to start forward. But, in so long a period of concealment, the machinery had been eaten through with rust; so that at Holgrave's pressure, the portrait, frame and all, tumbled suddenly from its position, and lay face downward on the floor. A recess in the wall was thus brought to light, in which lay an object so covered with a century's dust that it could not immediately be recognized as a folded sheet of parchment. Holgrave opened it, and displayed an ancient deed, signed with the hieroglyphics of several Indian sagamores, and conveying to Colonel Pyncheon and his heirs, forever, a vast extent of territory at the Eastward.

“This is the very parchment, the attempt to recover which cost the beautiful Alice Pyncheon her happiness and life,” said the artist, alluding to his legend. “It is what the Pyncheons sought in vain, while it was valuable; and now that they find the treasure, it has long been worthless.”