Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (249 page)

Living so continually in her own circle of ideas, and never regulating her mind by a proper reference to present things, Esther Dudley appears to have grown partially crazed. It was found that she had no right sense of the progress and true state of the Revolutionary war, but held a constant faith that the armies of Britain were victorious on every field and destined to be ultimately triumphant. Whenever the town rejoiced for a battle won by Washington or Gates or Morgan or Greene, the news, in passing through the door of the province-house as through the ivory gate of dreams, became metamorphosed into a strange tale of the prowess of Howe, Clinton or Cornwallis. Sooner or later, it was her invincible belief, the colonies would be prostrate at the footstool of the king. Sometimes she seemed to take for granted that such was already the case. On one occasion she startled the townspeople by a brilliant illumination of the province-house with candles at every pane of glass and a transparency of the king's initials and a crown of light in the great balcony-window. The figure of the aged woman in the most gorgeous of her mildewed velvets and brocades was seen passing from casement to casement, until she paused before the balcony and flourished a huge key above her head. Her wrinkled visage actually gleamed with triumph, as if the soul within her were a festal lamp.

“What means this blaze of light? What does old Esther's joy portend?” whispered a spectator. “It is frightful to, see her gliding about the chambers and rejoicing there without a soul to bear her company.”

“It is as if she were making merry in a tomb,” said another.

“Pshaw! It is no such mystery,” observed an old man, after some brief exercise of memory. “Mistress Dudley is keeping jubilee for the king of England's birthday.”

Then the people laughed aloud, and would have thrown mud against the blazing transparency of the king's crown and initials, only that they pitied the poor old dame who was so dismally triumphant amid the wreck and ruin of the system to which she appertained.

Oftentimes it was her custom to climb the weary staircase that wound upward to the cupola, and thence strain her dimmed eyesight seaward and countryward, watching for a British fleet or for the march of a grand procession with the king's banner floating over it. The passengers in the street below would discern her anxious visage and send up a shout: “When the golden Indian on the province-house shall shoot his arrow, and when the cock on the Old South spire shall crow, then look for a royal governor again!” for this had grown a by-word through the town. And at last, after long, long years, old Esther Dudley knew — or perchance she only dreamed — that a royal governor was on the eve of returning to the province-house to receive the heavy key which Sir William Howe had committed to her charge. Now, it was the fact that intelligence bearing some faint analogy to Esther's version of it was current among the townspeople. She set the mansion in the best order that her means allowed, and, arraying herself in silks and tarnished gold, stood long before the blurred mirror to admire her own magnificence. As she gazed the gray and withered lady moved her ashen lips, murmuring half aloud, talking to shapes that she saw within the mirror, to shadows of her own fantasies, to the household friends of memory, and bidding them rejoice with her and come forth to meet the governor. And while absorbed in this communion Mistress Dudley heard the tramp of many footsteps in the street, and, looking out at the window, beheld what she construed as the royal governor's arrival.

“Oh, happy day! Oh, blessed, blessed hour!” she exclaimed. “Let me but bid him welcome within the portal, and my task in the province-house and on earth is done.” Then, with tottering feet which age and tremulous joy caused to tread amiss, she hurried down the grand staircase, her silks sweeping and rustling as she went; so that the sound was as if a train of special courtiers were thronging from the dim mirror.

And Esther Dudley fancied that as soon as the wide door should be flung open all the pomp and splendor of bygone times would pace majestically into the province-house and the gilded tapestry of the past would be brightened by the sunshine of the present. She turned the key, withdrew it from the lock, unclosed the door and stepped across the threshold. Advancing up the court-yard appeared a person of most dignified mien, with tokens, as Esther interpreted them, of gentle blood, high rank and long-accustomed authority even in his walk and every gesture. He was richly dressed, but wore a gouty shoe, which, however, did not lessen the stateliness of his gait. Around and behind him were people in plain civic dresses and two or three war-worn veterans — evidently officers of rank — arrayed in a uniform of blue and buff. But Esther Dudley, firm in the belief that had fastened its roots about her heart, beheld only the principal personage, and never doubted that this was the long-looked-for governor to whom she was to surrender up her charge. As he approached she involuntarily sank down on her knees and tremblingly held forth the heavy key.

“Receive my trust! Take it quickly,” cried she, “for methinks Death is striving to snatch away my triumph. But he conies too late. Thank Heaven for this blessed hour! God save King George!”

“That, madam, is a strange prayer to be offered up at such a moment,” replied the unknown guest of the province-house, and, courteously removing his hat, he offered his arm to raise the aged woman. “Yet, in reverence for your gray hairs and long-kept faith, Heaven forbid that any here should say you nay. Over the realms which still acknowledge his sceptre, God save King George!”

Esther Dudley started to her feet, and, hastily clutching back the key, gazed with fearful earnestness at the stranger, and dimly and doubtfully, as if suddenly awakened from a dream, her bewildered eyes half recognized his face. Years ago she had known him among the gentry of the province, but the ban of the king had fallen upon him. How, then, came the doomed victim here? Proscribed, excluded from mercy, the monarch's most dreaded and hated foe, this New England merchant had stood triumphantly against a kingdom's strength, and his foot now trod upon humbled royalty as he ascended the steps of the province-house, the people's chosen governor of Massachusetts.

“Wretch, wretch that I am!” muttered the old woman, with such a heartbroken expression that the tears gushed from the stranger's eyes. “Have I bidden a traitor welcome? — Come, Death! come quickly!”

“Alas, venerable lady!” said Governor Hancock, lending her his support with all the reverence that a courtier would have shown to a queen, “your life has been prolonged until the world has changed around you. You have treasured up all that time has rendered worthless — the principles, feelings, manners, modes of being and acting which another generation has flung aside — and you are a symbol of the past. And I and these around me — we represent a new race of men, living no longer in the past, scarcely in the present, but projecting our lives forward into the future. Ceasing to model ourselves on ancestral superstitions, it is our faith and principle to press onward — onward. — Yet,” continued he, turning to his attendants, “let us reverence for the last time the stately and gorgeous prejudices of the tottering past.”

While the republican governor spoke he had continued to support the helpless form of Esther Dudley; her weight grew heavier against his arm, but at last, with a sudden effort to free herself, the ancient woman sank down beside one of the pillars of the portal. The key of the province-house fell from her grasp and clanked against the stone.

“I have been faithful unto death,” murmured she. “God save the king!”

“She hath done her office,” said Hancock, solemnly. “We will follow her reverently to the tomb of her ancestors, and then, my fellow-citizens, onward — onward. We are no longer children of the past.”

As the old loyalist concluded his narrative the enthusiasm which had been fitfully flashing within his sunken eyes and quivering across his wrinkled visage faded away, as if all the lingering fire of his soul were extinguished. Just then, too, a lamp upon the mantelpiece threw out a dying gleam, which vanished as speedily as it shot upward, compelling our eyes to grope for one another's features by the dim glow of the hearth. With such a lingering fire, methought, with such a dying gleam, had the glory of the ancient system vanished from the province-house when the spirit of old Esther Dudley took its flight. And now, again, the clock of the Old South threw its voice of ages on the breeze, knolling the hourly knell of the past, crying out far and wide through the multitudinous city, and filling our ears, as we sat in the dusky chamber, with its reverberating depth of tone. In that same mansion — in that very chamber — what a volume of history had been told off into hours by the same voice that was now trembling in the air! Many a governor had heard those midnight accents and longed to exchange his stately cares for slumber. And, as for mine host and Mr. Bela Tiffany and the old loyalist and me, we had babbled about dreams of the past until we almost fancied that the clock was still striking in a bygone century. Neither of us would have wondered had a hoop-petticoated phantom of Esther Dudley tottered into the chamber, walking her rounds in the hush of midnight as of yore, and motioned us to quench the fading embers of the fire and leave the historic precincts to herself and her kindred shades. But, as no such vision was vouchsafed, I retired unbidden, and would advise Mr. Tiffany to lay hold of another auditor, being resolved not to show my face in the Province House for a good while hence — if ever.

THE HAUNTED MIND.

What a singular moment is the first one, when you have hardly begun to recollect yourself, after starting from midnight slumber! By unclosing your eyes so suddenly you seem to have surprised the personages of your dream in full convocation round your bed, and catch one broad glance at them before they can flit into obscurity. Or, to vary the metaphor, you find yourself for a single instant wide awake in that realm of illusions whither sleep has been the passport, and behold its ghostly inhabitants and wondrous scenery with a perception of their strangeness such as you never attain while the dream is undisturbed. The distant sound of a church-clock is borne faintly on the wind. You question with yourself, half seriously, whether it has stolen to your waking ear from some gray tower that stood within the precincts of your dream. While yet in suspense another clock flings its heavy clang over the slumbering town with so full and distinct a sound, and such a long murmur in the neighboring air, that you are certain it must proceed from the steeple at the nearest corner; You count the strokes — one, two; and there they cease with a booming sound like the gathering of a third stroke within the bell.

If you could choose an hour of wakefulness out of the whole night, it would be this. Since your sober bedtime, at eleven, you have had rest enough to take off the pressure of yesterday's fatigue, while before you, till the sun comes from “Far Cathay” to brighten your window, there is almost the space of a summer night — one hour to be spent in thought with the mind's eye half shut, and two in pleasant dreams, and two in that strangest of enjoyments the forgetfulness alike of joy and woe. The moment of rising belongs to another period of time, and appears so distant that the plunge out of a warm bed into the frosty air cannot yet be anticipated with dismay. Yesterday has already vanished among the shadows of the past; to-morrow has not yet emerged from the future. You have found an intermediate space where the business of life does not intrude, where the passing moment lingers and becomes truly the present; a spot where Father Time, when he thinks nobody is watching him, sits down by the wayside to take breath. Oh that he would fall asleep and let mortals live on without growing older!

Hitherto you have lain perfectly still, because the slightest motion would dissipate the fragments of your slumber. Now, being irrevocably awake, you peep through the half-drawn window-curtain, and observe that the glass is ornamented with fanciful devices in frost-work, and that each pane presents something like a frozen dream. There will be time enough to trace out the analogy while waiting the summons to breakfast. Seen through the clear portion of the glass where the silvery mountain-peaks of the frost-scenery do not ascend, the most conspicuous object is the steeple, the white spire of which directs you to the wintry lustre of the firmament. You may almost distinguish the figures on the clock that has just told the hour. Such a frosty sky and the snow-covered roofs and the long vista of the frozen street, all white, and the distant water hardened into rock, might make you shiver even under four blankets and a woollen comforter. Yet look at that one glorious star! Its beams are distinguishable from all the rest, and actually cast the shadow of the casement on the bed with a radiance of deeper hue than moonlight, though not so accurate an outline.

You sink down and muffle your head in the clothes, shivering all the while, but less from bodily chill than the bare idea of a polar atmosphere. It is too cold even for the thoughts to venture abroad. You speculate on the luxury of wearing out a whole existence in bed like an oyster in its shell, content with the sluggish ecstasy of inaction, and drowsily conscious of nothing but delicious warmth such as you now feel again. Ah! that idea has brought a hideous one in its train. You think how the dead are lying in their cold shrouds and narrow coffins through the drear winter of the grave, and cannot persuade your fancy that they neither shrink nor shiver when the snow is drifting over their little hillocks and the bitter blast howls against the door of the tomb. That gloomy thought will collect a gloomy multitude and throw its complexion over your wakeful hour.

In the depths of every heart there is a tomb and a dungeon, though the lights, the music and revelry, above may cause us to forget their existence and the buried ones or prisoners whom they hide. But sometimes, and oftenest at midnight, those dark receptacles are flung wide open. In an hour like this, when the mind has a passive sensibility, but no active strength — when the imagination is a mirror imparting vividness to all ideas without the power of selecting or controlling them — then pray that your griefs may slumber and the brotherhood of remorse not break their chain. It is too late. A funeral train comes gliding by your bed in which passion and feeling assume bodily shape and things of the mind become dim spectres to the eye. There is your earliest sorrow, a pale young mourner wearing a sister's likeness to first love, sadly beautiful, with a hallowed sweetness in her melancholy features and grace in the flow of her sable robe. Next appears a shade of ruined loveliness with dust among her golden hair and her bright garments all faded and defaced, stealing from your glance with drooping head, as fearful of reproach: she was your fondest hope, but a delusive one; so call her Disappointment now. A sterner form succeeds, with a brow of wrinkles, a look and gesture of iron authority; there is no name for him unless it be Fatality — an emblem of the evil influence that rules your fortunes, a demon to whom you subjected yourself by some error at the outset of life, and were bound his slave for ever by once obeying him. See those fiendish lineaments graven on the darkness, the writhed lip of scorn, the mockery of that living eye, the pointed finger touching the sore place in your heart! Do you remember any act of enormous folly at which you would blush even in the remotest cavern of the earth? Then recognize your shame.

Pass, wretched band! Well for the wakeful one if, riotously miserable, a fiercer tribe do not surround him — the devils of a guilty heart that holds its hell within itself. What if Remorse should assume the features of an injured friend? What if the fiend should come in woman's garments with a pale beauty amid sin and desolation, and lie down by your side? What if he should stand at your bed's foot in the likeness of a corpse with a bloody stain upon the shroud? Sufficient without such guilt is this nightmare of the soul, this heavy, heavy sinking of the spirits, this wintry gloom about the heart, this indistinct horror of the mind blending itself with the darkness of the chamber.

By a desperate effort you start upright, breaking from a sort of conscious sleep and gazing wildly round the bed, as if the fiends were anywhere but in your haunted mind. At the same moment the slumbering embers on the hearth send forth a gleam which palely illuminates the whole outer room and flickers through the door of the bedchamber, but cannot quite dispel its obscurity. Your eye searches for whatever may remind you of the living world. With eager minuteness you take note of the table near the fireplace, the book with an ivory knife between its leaves, the unfolded letter, the hat and the fallen glove. Soon the flame vanishes, and with it the whole scene is gone, though its image remains an instant in your mind's eye when darkness has swallowed the reality. Throughout the chamber there is the same obscurity as before, but not the same gloom within your breast.

As your head falls back upon the pillow you think — in a whisper be it spoken — how pleasant in these night solitudes would be the rise and fall of a softer breathing than your own, the slight pressure of a tenderer bosom, the quiet throb of a purer heart, imparting its peacefulness to your troubled one, as if the fond sleeper were involving you in her dream. Her influence is over you, though she have no existence but in that momentary image. You sink down in a flowery spot on the borders of sleep and wakefulness, while your thoughts rise before you in pictures, all disconnected, yet all assimilated by a pervading gladsomeness and beauty. The wheeling of gorgeous squadrons that glitter in the sun is succeeded by the merriment of children round the door of a schoolhouse beneath the glimmering shadow of old trees at the corner of a rustic lane. You stand in the sunny rain of a summer shower, and wander among the sunny trees of an autumnal wood, and look upward at the brightest of all rainbows overarching the unbroken sheet of snow on the American side of Niagara. Your mind struggles pleasantly between the dancing radiance round the hearth of a young man and his recent bride and the twittering flight of birds in spring about their new-made nest. You feel the merry bounding of a ship before the breeze, and watch the tuneful feet of rosy girls as they twine their last and merriest dance in a splendid ball-room, and find yourself in the brilliant circle of a crowded theatre as the curtain falls over a light and airy scene.

With an involuntary start you seize hold on consciousness, and prove yourself but half awake by running a doubtful parallel between human life and the hour which has now elapsed. In both you emerge from mystery, pass through a vicissitude that you can but imperfectly control, and are borne onward to another mystery. Now comes the peal of the distant clock with fainter and fainter strokes as you plunge farther into the wilderness of sleep. It is the knell of a temporary death. Your spirit has departed, and strays like a free citizen among the people of a shadowy world, beholding strange sights, yet without wonder or dismay. So calm, perhaps, will be the final change — so undisturbed, as if among familiar things, the entrance of the soul to its eternal home.