Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (746 page)

BOOK: Delphi Complete Works of Nathaniel Hawthorne (Illustrated)
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I know of no such portrait of an old man as Doctor Dolliver in art or literature, — except perhaps Tintoretto's portrait of his aged self, in the Louvre. We not only see the customary marks of age upon him, but we feel them so that it seems as if we grew old and stiff and infirm as we read of him; and the internal life of old age is revealed to us, not by confessions of the man himself, but by every word he speaks and every act he does as if the writer were a skilful tragedian upon the stage. It seems as if Hawthorne must have felt all this himself during the last year of his life, to describe it so vividly; but he ascends by these infirm steps to loftier heights than ever before, and the scene in which he represents Doctor Dolliver seated at night before the fire in his chamber after Pansie had been put to bed, is the noblest passage in the whole cycle of Hawthorne's art; one of those rare passages written in moments of gifted insight, when it seems as if a higher power guided the writer's hand. It is given here entire, for to subtract a word from it would be an irreparable injury.

“While that music lasted, the old man was alive and happy. And there were seasons, it might be, happier than even these, when Pansie had been kissed and put to bed, and Grandsir Dolliver sat by his fireside gazing in among the massive coals, and absorbing their glow into those cavernous abysses with which all men communicate. Hence come angels or fiends into our twilight musings, according as we may have peopled them in by-gone years. Over our friend's face, in the rosy flicker of the fire-gleam, stole an expression of repose and perfect trust that made him as beautiful to look at, in his high-backed chair, as the child Pansie on her pillow; and sometimes the spirits that were watching him beheld a calm surprise draw slowly over his features and brighten into joy, yet not so vividly as to break his evening quietude. The gate of heaven had been kindly left ajar, that this forlorn old creature might catch a glimpse within. All the night afterwards, he would be semi- conscious of an intangible bliss diffused through the fitful lapses of an old man's slumber, and would awake, at early dawn, with a faint thrilling of the heart-strings, as if there had been music just now wandering over them.”

So Jacob in the desert saw angels descending and ascending on a ladder from Heaven. Discouraged, depressed, the door closed upon his earthly hopes, not only for himself, but for those whom he loves much better than himself, so far as he could ever be a help and a providence to them, Hawthorne finds a purer joy and a higher hope in the depths of his own spirit.

In the second chapter, or fragment, of this romance, Doctor Dolliver, followed by Pansie, goes out into the garden one frosty October morning, and while the apothecary is digging at his herbs, the imitative child, with an instinctive repulsion for everything strange and morbid, pulls up the fatal plant from which the elixir of life was distilled, and frightened at her grandfather's chiding, runs with it into the cemetery where it is lost among the graves and never seen again. This account stands by itself, having no direct connection with what precedes or follows; but the delineation is so vivid, the poetic element in it so strong, that it may be said to stand without assistance, and does not require the name of Hawthorne to give it value.

In the conclusion, the elixir of life proves to be an elixir of death; extremes meet and are reconciled. As he says in “The Marble Faun,” joy changes to sorrow and sorrow is laughed away; the experience of both being that which is really valuable. Doctor Dolliver and Pansie are figures for the end and the beginning of life; the Old Year and the New. Such is the sum of Hawthorne's philosophy — the ultimate goal of his thought. There could have been no more fitting consummation of his work. The cycle of his art is complete, and death binds the laurel round his brow.

A HERO'S END

After Hawthorne's letter of February 25, Fields felt that he ought to make an effort in his behalf. Fields's partner, W. D. Ticknor, was also ailing, and it was arranged that he and Hawthorne should go on a journey southward as soon as the weather permitted. Doctor Holmes was consulted, and the last of March Hawthorne came to Boston and met Holmes at Fields's house. Holmes made an examination, which was anything but satisfactory to his own mind; in fact, he was appalled at the condition in which he found his former companion of the Saturday Club. “He was very gentle,” Holmes says; “very willing to answer questions, very docile to such counsel as I offered him, but evidently had no hope of recovering his health. He spoke as if his work were done, and he should write no more.” [Footnote:
Atlantic Monthly
, July, 1864.] The doctor, however, must have been mistaken in supposing that Hawthorne was suffering from the same malady that carried off General Grant, for no human being could die in that manner without suffering greater pain than Hawthorne gave any indication of; and the sedatives which Holmes prescribed for him could only have resulted in a weakening of the nerves. He even warned Hawthorne against the use of alcoholic stimulants, to which for some time he had been more or less accustomed.

Hawthorne and Ticknor went to New York, and two days later Ticknor was able to write to Mrs. Hawthorne that her husband appeared to be much improved. How cruelly disappointing to meet him at their own door four days later, haggard, weary and more dispirited than when he had left the Wayside on March 26! He had proceeded to Philadelphia with Ticknor, and there at the Continental Hotel Ticknor was suddenly seized with a mortal malady and died almost in Hawthorne's arms, before the latter could notify his family in Boston that he was ill. What a severe ordeal for a man who was strong and well, but to a person in Hawthorne's condition it was like a thunderbolt. Ticknor's son came to him at once, and together they performed the necessary duties of the occasion, and made their melancholy way homeward. Nothing, perhaps, except a death in his own family, could have had so unfavorable an effect upon Hawthorne's condition.

Some good angel now notified Franklin Pierce of the serious posture of affairs, and he came at once to Concord to offer his services in Hawthorne's behalf. However, he could propose nothing more hopeful than a journey in the uplands of New Hampshire, and for this it would be necessary to wait for settled weather. So Hawthorne remained at home for the next month without his condition becoming apparently either better or worse. At length, on May 13, the ex-President returned and they went together the following day.

We will not linger over that leave-taking on the porch of the Wayside; so pathetic, so full of tenderness, even of despair, and yet with a slender ray of hope beneath the leaden cloud of anxiety. To Hawthorne it must have seemed even more discouraging than to his wife and children, though none of them could have suspected that the end would be so soon.

 

* * * * *

 

On the morning of May 20, I had just returned from my first recitation when Julian Hawthorne appeared at my room in the Massachusetts dormitory, and said, like a man gasping for breath, “My father is dead, and I want you to come with me.” Fields had sent him word through Professor Gurney, who knew how to deliver such a message in the kindliest manner. We went at once to Fields's house on Charles Street, where Mrs. Fields gave Julian the little information already known to them through a dispatch from Franklin Pierce, — that his father died during his sleep in the night of May 18, at the Pemmigewasset House, Plymouth, New Hampshire. After this we wandered about Boston, silent and aimless, until the afternoon train carried him to Concord. He greatly dreaded meeting the gaze of his fellow-townsmen, and confessed that he wanted to hide himself in the woods like a wounded deer. [Footnote: The passage in “A Fool of Nature,” in which he describes Murgatroyd's discovery of his father's death, must have been a reminiscence of this time — a passage of the finest genius.]

On Wednesday, May 18, Hawthorne and Pierce drove from Centre Harbor to Plymouth, a long and rather rough journey to be taken in a carriage. Hawthorne, however, did not make much complaint of this, nor did he seem to be unusually fatigued. He retired to his room soon after nine o'clock, and was sleeping comfortably an hour later. Pierce was evidently nervous about him, for he went in to look at him at two in the morning, and again at four; and the last time he discovered that life was extinct. Hawthorne had died in his sleep as quietly and peacefully as he had lived. There is the same mystery in his death that there was in his life, and it is difficult to assign either an immediate or a proximate cause for it. With such a physique, and his simple, regular habits of life, he ought to have reached the age of ninety. General Pierce believed that he died of paralysis, and that is the most probable explanation; but it was not like the usual cases of paralysis at Hawthorne's age; for, as we have seen, the process of disintegration and failure of his powers had been going on for years. Nor did this follow, as commonly happens, a protracted period of adversity, but it came upon him during the most prosperous portion of his life. The first ten years following upon his marriage were years of anxiety, self-denial and even hardship; but other men, Alcott, for example, have suffered as much and yet lived to a good old age. It may have been “the old dull pain” which Longfellow associated with him, filing perpetually on the vital cord. It was part of the enigmatic side of his nature.

The last ceremonies of respect to the earthly remains of Hawthorne were performed at Concord on May 23, 1864, in the Unitarian Church, a commodious building, [Footnote: In 1899 this building was burned to the ground, and a new church has been erected on the same spot.] well adapted to the great concourse of mourners who gathered there on this occasion. Reverend James Freeman Clarke, who had united Hawthorne and Sophia Peabody in marriage twenty-two years before, was now called upon to preside over the last act in their married life. The simple eloquence of his address penetrated to the heart of every person present. “Hawthorne had achieved a twofold immortality, — and his immortality on earth would be a comforting presence to all who mourned him. The noblest men of the age had gathered there, to testify to his worth as a man as well as to his genius as a writer.” Faces were to be seen in that assembly that were never beheld in Concord before. Among these was the soldierly figure and flashing eye of the poet Whittier. Longfellow, Emerson, Lowell, Agassiz, Alcott and Hillard were present; and ex-President Pierce shook hands with Judge Hoar over Hawthorne's bier. After the services the assembly of mourners proceeded to Sleepy Hollow cemetery, and there the mortal remains of Hawthorne were buried under the pine trees on the same hill-side where he and Emerson and Margaret Fuller conversed together on the summer afternoon twenty years before. He needs no monument, for he has found a place in the universal pantheon of art and literature.

* * * * *

It would seem advisable at this parting of the ways to say something of Hawthorne's religious convictions. He went as a boy with his mother and sisters to the East Church in Salem, a society of liberal tendencies and then on the verge of Unitarianism. All the Manning family attended service there, but at a later time Robert Manning separated from it and joined an orthodox society. Hawthorne's mother and his sister Louisa became Unitarians, and at Madam Hawthorne's death in 1848 the funeral services were conducted by Reverend Thomas T. Stone, of the First Salem Church. It is presumable that Nathaniel Hawthorne also became a Unitarian, so far as he can be considered a sectarian at all; but certain elements of the older faith still remained in his mental composition. It cannot be questioned that the strong optimism in Emerson's philosophy was derived from Doctor Channing's instruction, and it is equally certain that Hawthorne could never agree to this. Whatever might be the origin of evil or its abstract value, he found it too potent an element in human affairs to be quietly reasoned out of existence. Whatever might be the ultimate purpose of Divine Providence, the witchcraft prosecutions were an awful calamity to those who were concerned in them. In this respect he resembled David A. Wasson, one of the most devout religious minds, who left the church of Calvin (as it was in his time), without ever becoming a Unitarian or a radical. Miss Rebecca Manning says:

“I never knew of Hawthorne's going to church at all, after I remember about him, and do not think he was ever in the habit of going. I think he may have gone sometimes when he was in England, but I do not know about it. Somewhere in Julian or Rose Hawthorne's reminiscences, there is mention made of his reading family prayers, when he was in England. He, as also his mother and sisters were people of deeply religious natures, though not always showing it by outward observances.”

A Concord judge and an old Free-Soil politician once attended a religious convention, and after the business of the day was over they went to walk together. The politician confessed to the judge that he had no very definite religious belief, for which the judge thought he did himself great injustice; but is not that the most advanced and intelligent condition of a man's religious faith? How can we possess clear and definite ideas of the grand mystery of Creation? Consider only this simple metaphysical fact, that space has no limit, and that we can neither conceive a beginning of time nor imagine time without a beginning. What is there outside of the universe? The brain reels as we think of it. The time has gone by when a man can say to himself definitely, I believe this or I believe that; but we know at least that we, “the creature of a day,” cannot be the highest form of intelligence in this wonderful world. We thought that we lived in solid bodies, but electric rays have been discovered by which the skeletons inside of us become visible. The correlation and conservation of forces brings us very close to the origin of all force; and yet in another sense we are as far off as ever from the perception of it.

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