Delphi Complete Works of Sir Arthur Conan Doyle (Illustrated) (735 page)

“For a moment our hero hesitated as to whether it would best become his knightly traditions to hurl himself against his enemies, or whether it might not be better to obey their requests. Prudence, mingled with a large share of curiosity, eventually carried the day, and dismounting from his horse, he intimated that he was ready to follow his captors.

“‘Spoken like a man!’ cried he whom they addressed as Allen. ‘Jack Cade will be right glad of such a recruit. Blood and carrion! but thou hast the thews of a young ox; and I swear, by the haft of my sword, that it might have gone ill with some of us hadst thou not listened to reason!’

“‘Nay, not so, good Allen — not so,’ squeaked a very small man, who had remained in the background while there was any prospect of a fray, but who now came pushing to the front. ‘Hadst thou been alone it might indeed have been so, perchance, but an expert swordsman can disarm at pleasure such a one as this young knight. Well I remember in the Palatinate how I clove to the chine even such another — the Baron von Slogstaff. He struck at me, look ye, so; but I, with buckler and blade, did, as one might say, deflect it; and then, countering in carte, I returned in tierce, and so — St. Agnes save us! who comes here?’

“The apparition which frightened the loquacious little man was sufficiently strange to cause a qualm even in the bosom of the knight. Through the darkness there loomed a figure which appeared to be of gigantic size, and a hoarse voice, issuing apparently some distance above the heads of the party, broke roughly on the silence of the night.

“‘Now, out upon thee, Thomas Allen, and foul be thy fate if thou hast abandoned thy post without good and sufficient cause. By St. Anselm of the Holy Grove, thou hadst best have never been born than rouse my spleen this night. Wherefore is it that you and your men are trailing over the moor like a flock of geese when Michaelmas is near?’

“‘Good captain,’ said Allen, doffing his bonnet, an example followed by others of the band, ‘we have captured a goodly youth who was pricking it along the London road. Methought that some word of thanks were meet reward for such service, rather than taunt or threat.’

“‘Nay, take it not to heart, bold Allen,’ exclaimed their leader, who was none other than the great Jack Cade himself. ‘Thou knowest of old that my temper is somewhat choleric, and my tongue not greased with that unguent which oils the mouths of the lip-serving lords of the land. And you,’ he continued, turning suddenly upon our hero, ‘are you ready to join the great cause which will make England what it was when the learned Alfred reigned in the land? Zounds, man, speak out, and pick not your phrases.’

“‘I am ready to do aught which may become a knight and a gentleman,’ said the soldier stoutly.

“‘Taxes shall be swept away!’ cried Cade excitedly—’the impost and the anpost — the tithe and the hundred-tax. The poor man’s salt-box and flour-bin shall be as free as the nobleman’s cellar. Ha! what sayest thou?’

“‘It is but just,’ said our hero.

“‘Ay, but they give us such justice as the falcon gives the leveret!’ roared the orator. ‘Down with them, I say — down with every man of them! Noble and judge, priest and king, down with them all!’

“‘Nay,’ said Sir Overbeck Wells, drawing himself up to his full height, and laying his hand upon the hilt of his sword, ‘there I cannot follow thee, but must rather defy thee as traitor and faineant, seeing that thou art no true man, but one who would usurp the rights of our master the king, whom may the Virgin protect!’

“At these bold words, and the defiance which they conveyed, the rebels seemed for a moment utterly bewildered; but, encouraged by the hoarse shout of their leader, they brandished their weapons and prepared to fall upon the knight, who placed himself in a posture for defence and awaited their attack.

“There now!” cried Sir Walter, rubbing his hands and chuckling, “I’ve put the chiel in a pretty warm corner, and we’ll see which of you moderns can take him oot o’t. Ne’er a word more will ye get frae me to help him one way or the other.”

“You try your hand, James,” cried several voices, and the author in question had got so far as to make an allusion to a solitary horseman who was approaching, when he was interrupted by a tall gentleman a little farther down with a slight stutter and a very nervous manner.

“Excuse me,” he said, “but I fancy that I may be able to do something here. Some of my humble productions have been said to excel Sir Walter at his best, and I was undoubtedly stronger all round. I could picture modern society as well as ancient; and as to my plays, why Shakespeare never came near
The Lady of Lyons
for popularity. There is this little thing — —” (Here he rummaged among a great pile of papers in front of him.) “Ah! that’s a report of mine, when I was in India. Here it is. No, this is one of my speeches in the House, and this is my criticism on Tennyson. Didn’t I warm him up? I can’t find what I wanted, but of course you have read them all —
Rienzi
and
Harold
, and
The Last of the Barons
. Every schoolboy knows them by heart, as poor Macaulay would have said. Allow me to give you a sample: —

“In spite of the gallant knight’s valiant resistance the combat was too unequal to be sustained. His sword was broken by a slash from a brown bill, and he was borne to the ground. He expected immediate death, but such did not seem to be the intention of the ruffians who had captured him. He was placed upon the back of his own charger and borne, bound hand and foot, over the trackless moor, in the fastnesses of which the rebels secreted themselves.

“In the depths of these wilds there stood a stone building which had once been a farmhouse, but having been for some reason abandoned had fallen into ruin, and had now become the headquarters of Cade and his men. A large cowhouse near the farm had been utilised as sleeping quarters, and some rough attempts had been made to shield the principal room of the main building from the weather by stopping up the gaping apertures in the walls. In this apartment was spread out a rough meal for the returning rebels, and our hero was thrown, still bound, into an empty outhouse, there to await his fate.”

Sir Walter had been listening with the greatest impatience to Bulwer Lytton’s narrative, but when it had reached this point he broke in impatiently.

“We want a touch of your own style, man,” he said. “The animal-magnetico-electro-hysterical-biological-mysterious sort of story is all your own, but at present you are just a poor copy of myself, and nothing more.”

There was a murmur of assent from the company, and Defoe remarked, “Truly, Master Lytton, there is a plaguey resemblance in the style, which may indeed be but a chance, and yet methinks it is sufficiently marked to warrant such words as our friend hath used.”

“Perhaps you will think that this is an imitation also,” said Lytton bitterly, and leaning back in his chair with a morose countenance, he continued the narrative in this way: —

“Our unfortunate hero had hardly stretched himself upon the straw with which his dungeon was littered, when a secret door opened in the wall and a venerable old man swept majestically into the apartment. The prisoner gazed upon him with astonishment not unmixed with awe, for on his broad brow was printed the seal of much knowledge — such knowledge as it is not granted to a son of man to know. He was clad in a long white robe, crossed and chequered with mystic devices in the Arabic character, while a high scarlet tiara marked with the square and circle enhanced his venerable appearance. ‘My son,’ he said, turning his piercing and yet dreamy gaze upon Sir Overbeck, ‘all things lead to nothing, and nothing is the foundation of all things. Cosmos is impenetrable. Why then should we exist?’

“Astounded at this weighty query, and at the philosophic demeanour of his visitor, our hero made shift to bid him welcome and to demand his name and quality. As the old man answered him his voice rose and fell in musical cadences, like the sighing of the east wind, while an ethereal and aromatic vapour pervaded the apartment.

“‘I am the eternal non-ego,’ he answered. ‘I am the concentrated negative — the everlasting essence of nothing. You see in me that which existed before the beginning of matter many years before the commencement of time. I am the algebraic
x
which represents the infinite divisibility of a finite particle.’

“Sir Overbeck felt a shudder as though an ice-cold hand had been placed upon his brow. ‘What is your message?’ he whispered, falling prostrate before his mysterious visitor.

“‘To tell you that the eternities beget chaos, and that the immensities are at the mercy of the divine ananke. Infinitude crouches before a personality. The mercurial essence is the prime mover in spirituality, and the thinker is powerless before the pulsating inanity. The cosmical procession is terminated only by the unknowable and unpronounceable’ ——

“May I ask, Mr. Smollett, what you find to laugh at?”

“Gadzooks, master,” cried Smollett, who had been sniggering for some time back. “It seems to me that there is little danger of any one venturing to dispute that style with you.”

“It’s all your own,” murmured Sir Walter.

“And very pretty, too,” quoth Lawrence Sterne, with a malignant grin. “Pray sir, what language do you call it?”

Lytton was so enraged at these remarks, and at the favour with which they appeared to be received, that he endeavoured to stutter out some reply, and then, losing control of himself completely, picked up all his loose papers and strode out of the room, dropping pamphlets and speeches at every step. This incident amused the company so much that they laughed for several minutes without cessation. Gradually the sound of their laughter sounded more and more harshly in my ears, the lights on the table grew dim and the company more misty, until they and their symposium vanished away altogether. I was sitting before the embers of what had been a roaring fire, but was now little more than a heap of grey ashes, and the merry laughter of the august company had changed to the recriminations of my wife, who was shaking me violently by the shoulder and exhorting me to choose some more seasonable spot for my slumbers. So ended the wondrous adventures of Master Cyprian Overbeck Wells, but I still live in the hopes that in some future dream the great masters may themselves finish that which they have begun.

PLAYING WITH FIR
E

I cannot pretend to say what occurred on the 14th of April last at No. 17, Badderly Gardens. Put down in black and white, my surmise might seem too crude, too grotesque, for serious consideration. And yet that something did occur, and that it was of a nature which will leave its mark upon every one of us for the rest of our lives, is as certain as the unanimous testimony of five witnesses can make it. I will not enter into any argument or speculation. I will only give a plain statement, which will be submitted to John Moir, Harvey Deacon, and Mrs. Delamere, and withheld from publication unless they are prepared to corroborate every detail. I cannot obtain the sanction of Paul Le Duc, for he appears to have left the country.

It was John Moir (the well-known senior partner of Moir, Moir, and Sanderson) who had originally turned our attention to occult subjects. He had, like many very hard and practical men of business, a mystic side to his nature, which had led him to the examination, and eventually to the acceptance, of those elusive phenomena which are grouped together with much that is foolish, and much that is fraudulent, under the common heading of spiritualism. His researches, which had begun with an open mind, ended unhappily in dogma, and he became as positive and fanatical as any other bigot. He represented in our little group the body of men who have turned these singular phenomena into a new religion.

Mrs. Delamere, our medium, was his sister, the wife of Delamere, the rising sculptor. Our experience had shown us that to work on these subjects without a medium was as futile as for an astronomer to make observations without a telescope. On the other hand, the introduction of a paid medium was hateful to all of us. Was it not obvious that he or she would feel bound to return some result for money received, and that the temptation to fraud would be an overpowering one? No phenomena could be relied upon which were produced at a guinea an hour. But, fortunately, Moir had discovered that his sister was mediumistic — in other words, that she was a battery of that animal magnetic force which is the only form of energy which is subtle enough to be acted upon from the spiritual plane as well as from our own material one. Of course, when I say this, I do not mean to beg the question; but I am simply indicating the theories upon which we were ourselves, rightly or wrongly, explaining what we saw. The lady came, not altogether with the approval of her husband, and though she never gave indications of any very great psychic force, we were able, at least, to obtain those usual phenomena of message-tilting which are at the same time so puerile and so inexplicable. Every Sunday evening we met in Harvey Deacon’s studio at Badderly Gardens, the next house to the corner of Merton Park Road.

Harvey Deacon’s imaginative work in art would prepare any one to find that he was an ardent lover of everything which was
outré
and sensational. A certain picturesqueness in the study of the occult had been the quality which had originally attracted him to it, but his attention was speedily arrested by some of those phenomena to which I have referred, and he was coming rapidly to the conclusion that what he had looked upon as an amusing romance and an after-dinner entertainment was really a very formidable reality. He is a man with a remarkably clear and logical brain — a true descendant of his ancestor, the well-known Scotch professor — and he represented in our small circle the critical element, the man who has no prejudices, is prepared to follow facts as far as he can see them, and refuses to theorise in advance of his data. His caution annoyed Moir as much as the latter’s robust faith amused Deacon, but each in his own way was equally keen upon the matter.

And I? What am I to say that I represented? I was not the devotee. I was not the scientific critic. Perhaps the best that I can claim for myself is that I was the dilettante man about town, anxious to be in the swim of every fresh movement, thankful for any new sensation which would take me out of myself and open up fresh possibilities of existence. I am not an enthusiast myself, but I like the company of those who are. Moir’s talk, which made me feel as if we had a private pass-key through the door of death, filled me with a vague contentment. The soothing atmosphere of the séance with the darkened lights was delightful to me. In a word, the thing amused me, and so I was there.

It was, as I have said, upon the 14th of April last that the very singular event which I am about to put upon record took place. I was the first of the men to arrive at the studio, but Mrs. Delamere was already there, having had afternoon tea with Mrs. Harvey Deacon. The two ladies and Deacon himself were standing in front of an unfinished picture of his upon the easel. I am not an expert in art, and I have never professed to understand what Harvey Deacon meant by his pictures; but I could see in this instance that it was all very clever and imaginative, fairies and animals and allegorical figures of all sorts. The ladies were loud in their praises, and indeed the colour effect was a remarkable one.

“What do you think of it, Markham?” he asked.

“Well, it’s above me,” said I. “These beasts — what are they?”

“Mythical monsters, imaginary creatures, heraldic emblems — a sort of weird, bizarre procession of them.”

“With a white horse in front!”

“It’s not a horse,” said he, rather testily — which was surprising, for he was a very good-humoured fellow as a rule, and hardly ever took himself seriously.

“What is it, then?”

“Can’t you see the horn in front? It’s a unicorn. I told you they were heraldic beasts. Can’t you recognise one?”

“Very sorry, Deacon,” said I, for he really seemed to be annoyed.

He laughed at his own irritation.

“Excuse me, Markham!” said he; “the fact is that I have had an awful job over the beast. All day I have been painting him in and painting him out, and trying to imagine what a real live, ramping unicorn would look like. At last I got him, as I hoped; so when you failed to recognise it, it took me on the raw.”

“Why, of course it’s a unicorn,” said I, for he was evidently depressed at my obtuseness. “I can see the horn quite plainly, but I never saw a unicorn except beside the Royal Arms, and so I never thought of the creature. And these others are griffins and cockatrices, and dragons of sorts?”

“Yes, I had no difficulty with them. It was the unicorn which bothered me. However, there’s an end of it until to-morrow.” He turned the picture round upon the easel, and we all chatted about other subjects.

Moir was late that evening, and when he did arrive he brought with him, rather to our surprise, a small, stout Frenchman, whom he introduced as Monsieur Paul Le Duc. I say to our surprise, for we held a theory that any intrusion into our spiritual circle deranged the conditions, and introduced an element of suspicion. We knew that we could trust each other, but all our results were vitiated by the presence of an outsider. However, Moir soon reconciled us to the innovation. Monsieur Paul Le Duc was a famous student of occultism, a seer, a medium, and a mystic. He was travelling in England with a letter of introduction to Moir from the President of the Parisian brothers of the Rosy Cross. What more natural than that he should bring him to our little séance, or that we should feel honoured by his presence?

He was, as I have said, a small, stout man, undistinguished in appearance, with a broad, smooth, clean-shaven face, remarkable only for a pair of large, brown, velvety eyes, staring vaguely out in front of him. He was well dressed, with the manners of a gentleman, and his curious little turns of English speech set the ladies smiling. Mrs. Deacon had a prejudice against our researches and left the room, upon which we lowered the lights, as was our custom, and drew up our chairs to the square mahogany table which stood in the centre of the studio. The light was subdued, but sufficient to allow us to see each other quite plainly. I remember that I could even observe the curious, podgy little square-topped hands which the Frenchman laid upon the table.

“What a fun!” said he. “It is many years since I have sat in this fashion, and it is to me amusing. Madame is medium. Does madame make the trance?”

“Well, hardly that,” said Mrs. Delamere. “But I am always conscious of extreme sleepiness.”

“It is the first stage. Then you encourage it, and there comes the trance. When the trance comes, then out jumps your little spirit and in jumps another little spirit, and so you have direct talking or writing. You leave your machine to be worked by another.
Hein?
But what have unicorns to do with it?”

Harvey Deacon started in his chair. The Frenchman was moving his head slowly round and staring into the shadows which draped the walls.

“What a fun!” said he. “Always unicorns. Who has been thinking so hard upon a subject so bizarre?”

“This is wonderful!” cried Deacon. “I have been trying to paint one all day. But how could you know it?”

“You have been thinking of them in this room.”

“Certainly.”

“But thoughts are things, my friend. When you imagine a thing you make a thing. You did not know it,
hein
? But I can see your unicorns because it is not only with my eye that I can see.”

“Do you mean to say that I create a thing which has never existed by merely thinking of it?”

“But certainly. It is the fact which lies under all other facts. That is why an evil thought is also a danger.”

“They are, I suppose, upon the astral plane?” said Moir.

“Ah, well, these are but words, my friends. They are there — somewhere — everywhere — I cannot tell myself. I see them. I could touch them.”

“You could not make
us
see them.”

“It is to materialise them. Hold! It is an experiment. But the power is wanting. Let us see what power we have, and then arrange what we shall do. May I place you as I wish?”

“You evidently know a great deal more about it than we do,” said Harvey Deacon; “I wish that you would take complete control.”

“It may be that the conditions are not good. But we will try what we can do. Madame will sit where she is, I next, and this gentleman beside me. Meester Moir will sit next to madame, because it is well to have blacks and blondes in turn. So! And now with your permission I will turn the lights all out.”

“What is the advantage of the dark?” I asked.

“Because the force with which we deal is a vibration of ether and so also is light. We have the wires all for ourselves now —
hein
? You will not be frightened in the darkness, madame? What a fun is such a séance!”

At first the darkness appeared to be absolutely pitchy, but in a few minutes our eyes became so far accustomed to it that we could just make out each other’s presence — very dimly and vaguely, it is true. I could see nothing else in the room — only the black loom of the motionless figures. We were all taking the matter much more seriously than we had ever done before.

“You will place your hands in front. It is hopeless that we touch, since we are so few round so large a table. You will compose yourself, madame, and if sleep should come to you you will not fight against it. And now we sit in silence and we expect —
hein
?”

So we sat in silence and expected, staring out into the blackness in front of us. A clock ticked in the passage. A dog barked intermittently far away. Once or twice a cab rattled past in the street, and the gleam of its lamps through the chink in the curtains was a cheerful break in that gloomy vigil. I felt those physical symptoms with which previous séances had made me familiar — the coldness of the feet, the tingling in the hands, the glow of the palms, the feeling of a cold wind upon the back. Strange little shooting pains came in my forearms, especially as it seemed to me in my left one, which was nearest to our visitor — due no doubt to disturbance of the vascular system, but worthy of some attention all the same. At the same time I was conscious of a strained feeling of expectancy which was almost painful. From the rigid, absolute silence of my companions I gathered that their nerves were as tense as my own.

And then suddenly a sound came out of the darkness — a low, sibilant sound, the quick, thin breathing of a woman. Quicker and thinner yet it came, as between clenched teeth, to end in a loud gasp with a dull rustle of cloth.

“What’s that? Is all right?” some one asked in the darkness.

“Yes, all is right,” said the Frenchman. “It is madame. She is in her trance. Now, gentlemen, if you will wait quiet you will see something, I think, which will interest you much.”

Still the ticking in the hall. Still the breathing, deeper and fuller now, from the medium. Still the occasional flash, more welcome than ever, of the passing lights of the hansoms. What a gap we were bridging, the half-raised veil of the eternal on the one side and the cabs of London on the other. The table was throbbing with a mighty pulse. It swayed steadily, rhythmically, with an easy swooping, scooping motion under our fingers. Sharp little raps and cracks came from its substance, file-firing, volley-firing, the sounds of a fagot burning briskly on a frosty night.