Read Dennis Nilsen - Conversations with Britain's Most Evil Serial Killer Online
Authors: Russ Coffey
Carl Stottor’s reaction when I reminded him about Nilsen’s letter to the
Evening Standard
about the identification of Stephen Holmes was that it was a sign of his ‘incredible arrogance’. He told me, ‘Nilsen, is just a nasty, nasty man … he’s a nobody who enjoys the notoriety that being a serial killer has brought him.’ When I told him about the full extent of Nilsen’s legal battles, he rolled his eyes and said he found it outrageous he could get legal aid for his human
rights case when he himself was denied victim compensation for the attack.
Stottor’s appearances in numerous ‘real-crime’ documentaries have always shown him to be, to varying degrees, troubled. His weight has fluctuated, and frequently his voice has trembled. When I met him at his home in 2012, however, he appeared much more at peace. To draw a line under ‘Stottor the victim’, he now calls himself ‘Kha-Ra Willis’. The name reflects his love of ancient Egypt, as does his seaside flat, which looked like cross between a museum and a bohemian hang-out. In the corner is an up-ended sarcophagus that opens up to reveal itself as a DVD rack. During our interview, a black cat called Cleopatra wandered among all the Egyptobilia and Kha-Ra’s artwork.
At 51, Kha-Ra has diabetes and is HIV-positive. But still he remains optimistic about life. One of his favourite words is ‘survivor’. During my afternoon with him, he used it almost continuously. He talked about how he’d survived Nilsen, drink and depression, and he intended to do the same with HIV. To put his life into perspective and to keep positive, he told me he was writing a memoir. He was keen to emphasise how Nilsen was only going to be allocated as much space as he deserved. It was clear, however, that he found just talking about him upsetting.
Nilsen’s book was a particularly sore subject. Kha-Ra said he had learnt about it in 1998 from the same article that I had read. His reaction was an immediate rush of blood and panic – a sense that he just wasn’t being allowed to forget about the man who had tried to kill him. Then Kha-Ra decided to do something practical. He printed up a petition and went out
into the street asking for signatures. When all the sheets were full, he sent them to the Home Office.
He told me, ‘This book [
History of a Drowning Boy
] is just about his desire for attention and publicity, that’s all it is. Nilsen wants to cater for his monster, ego, image. He’s just a monster and we shouldn’t pay attention to him. We should be thinking about the victims and the ripple effect on other victims.’
Kha-Ra asked me what Nilsen had said about him. I explained how he had said that he thought he might be attributing all his problems to one night in 1982. Kha-Ra couldn’t believe that, after all Nilsen had done, he could be that presumptuous. The next day, he sent me an email: ‘Talk about pot … kettle! Nilsen likes to pass his victims over like they are worth nothing, just vulnerable people, waifs and strays. Nilsen’s victims were blameless and innocent, something the press at the time were never kind to. The same goes for the judicial system. I think it is a great miscarriage of justice that Nilsen was never charged with my attempted murder and that I was never compensated as a victim, but that is justice for you, affordable only to those with money. All any victim seeks is justice.’
The following week, I went to see Graham Allen’s former partner, Lesley Mead. Although now in her sixties, it wasn’t hard to imagine her as the short, attractive barmaid her son Shane had described her as once being. But she had clearly had a hard life. Her build was now heavy and her eyes twitched nervously when she spoke. Like Kha-Ra, Mead shares her living space with a cat, a stray she found outside the community centre where she helps out.
I was here at the suggestion of Shane. I had told him I was impressed by the way he had written about his father. He suggested it might help my research to see those events through her eyes. For over two hours, I listened to Mead speaking plainly, without any artifice. She said she knew Puggy hadn’t been perfect; neither had she, for that matter. But she had been enormously hurt by the way the papers had generalised about Nilsen’s victims and their families. I drove home with a sick feeling in my stomach. Back in my study, I decided to re-read Shane’s account of how his mother had taken the news of his father’s murder: ‘It all started with a scream. I heard it from the top of the road as I made my way home from school. Somehow, I knew it was my mother’s pain. It was a scream from nowhere and of unbearable suffering. And it didn’t stop. It was 1983 and my mother had just been informed that her lover, my father, missing for over a year, had been discovered – murdered and dismembered and stuffed in two black bin bags in the flat of serial killer Dennis Nilsen. I was seven, and Hell was on its way.’
That afternoon, two uniformed and two plain-clothes officers had arrived at Lesley’s house. Shane explains how his mother dealt with learning the circumstances surrounding Puggy’s death:
The months immediately after the death are vague. I hardly recall a thing. I think my mother was shell-shocked … She stayed locked in her room, the house growing darker, and alcohol keeping her afloat.
The last sane thing, or the first insane thing my mother did, was to attend Nilsen’s trial at The Old Bailey….
Post-trial, I remember my mother drinking suicidal amounts. Drunk, she would do nothing but cry and sit on the floor alongside a small stereo listening to old love songs … With the story now out of the media, the victims’ families were left at home alone without even the small comfort of the nation’s empathy to help absorb the event. There were no more journalists offering comfort as they scavenged the victims for scraps of untold story, and no more newspaper reports mentioning their names and telling of their plight. It was over. The murderer was in jail and other news was more important. The victims now only had the torture of solitude and silence to take comfort from … that was no comfort at all. My mother’s drinking and suicidal tendencies spiralled to a climax. She could no longer take it any more. She decided that The Blackout was for her.
That ‘blackout’ was a suicide attempt.
I thought again about how her hand had shaken as she talked to me. I started to feel guilt about having made her relive those memories; they surely must have distressed her more than she let on.
A couple of days later, I emailed Shane and asked him how Lesley was doing. He thanked me but confirmed it had, indeed, shaken her more than she had initially realised. The scars had faded but the wound, it seemed, was easily aggravated.
Later that afternoon, I followed up a claim from Martyn Hunter-Craig that Nilsen now had a Facebook account. It sounded far-fetched, but he seemed adamant. I wondered if one of his correspondents might be posting on his behalf.
Certainly, when I looked at the page it really seemed to be his style. But as I scrolled down it became apparent that it was actually a fan using the archive of Nilsen quotes available from books, newspapers and documentaries to write in his voice.
I found it unsurprising that people on the internet should be using social media to further a fixation with serial killers. Still, it made me wonder if my own interest in Nilsen might also be helping to fuel the behaviour of such cranks. Where, I asked myself, did the line between sociological enquiry and morbid fascination exist? And, did all interest in Nilsen, ultimately, serve to flatter his ego?
I started to reflect on the last letters we had exchanged in 2012. At the time of his ‘Jimmy Savile’ letter he had seemed resolute he would find new lawyers and continue with his crusade to publish. He believed he could find new ways to appeal. I imagined this desire had been given added urgency since he had finally been told he would never be allowed parole.
But in April 2013, something happened that might have finally put paid to the last of Nilsen’s ambitions. The Ministry of Justice announced a consultation on plans to reform provision of Legal Aid. These included proposals to reduce prisoners’ access to aid other than where such access concerned a legitimate appeal over sentencing. Nilsen’s complaints about the prison authorities disrespecting his human rights would certainly be excluded.
So now it appears that unless Nilsen finds a publisher willing to take on copies of his sprawling, unedited drafts in whatever form they might exist outside of prison, there really
is no further for him to go. Whatever journalists and criminologists may still have to say about these crimes, to the certain relief of his victims, it seems the killer’s ongoing contributions to that discussion have finally come to an end.
Aggrawal Anil,
Necrophilia Forensic and Medico-Legal Aspects
(CRC 2011)
Akhtar, S ‘Schizoid Personality Disorder: A Synthesis of Developmental, Dynamic, and Descriptive Features’
(
American Journal of Psychotherapy
, 151:499–518, 1987)
A Killing in the Family documentary
(BBC 1999)
American Psychiatric Association,
Diagnostic and Statistical Manual of Mental Disorders 4 & 5
Bence, Douglas &McConnell, Brian,
The Nilsen File
(Futura, 1983)
Bookmark: Monochrome Man
(documentary, J Lustig/Alan Lewens production 1991)
Born to Kill, the Kindly Killer: Dennis Nilsen
(documentary), (TwoFour 2011)
Coffey, Russ, ‘Memoirs of a Serial Killer’ (
Sunday Times Magazine
2003)
Correspondence between the author and Dennis Nilsen
Correspondence between Dennis Nilsen and acquaintances viewed at a private crime archive
Crimes that Shook the World: Dennis Nilsen
(documentary, Discovery 2009)
Daily Express
: Archive reports
Daily Mirror
: Archive reports
Dennis Nilsen: Gràdh a’ Bhàis?
(
In Love with Death?
) (documentary, including unbroadcast interview with Betty Scott, STV 2009)
Evening Standard
: Archive reports
Kay, Mr Justice Maurice, Judgment on Dennis Andrew Nilsen v (1) The Governor of HMP Full Sutton, (2) Secretary Of State for the Home Department, (2003)
Hartnett, Peter-Paul,
Call Me
(Pulp 1996)
Honeycombe, Gordon, ‘Writing Wrong’s’ (
Punch
13 August 1998)
Honeycombe, Gordon,
Murders of the Black Museum
(John Blake Publishing Ltd, 2009)
Interviews with ‘Rob Ferrier’, ‘Jonny Marling,’ Brian Masters, Gordon Honeycombe, Dr Pat Gallwey, Martyn Hunter-Craig, Carl Stottor, Lesley Mead, Peter Jay, and Shane Levene (Russ Coffey)
Koren, Anna (www.annakoren.com)
Levene, Shane, memoiresofaheroinhead.blogspot.co.uk (All extracts reproduced by special permission of the author.)
Lisners, John,
House of Horrors
(Corgi, 1983)
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Lord Longford’s Prison Diaries
(Lion, 2000)
Mackeith, James, Psychiatric report on Dennis Nilsen (1983)
Malekos, Matthew,
The Birth of Psychopathy: the Psychology of a Serial Killer
(Lulu 2012)
Masters, Brian,
Killing for Company
(Arrow, 1995) (All extracts reproduced by special permission of the author.)
Masters, Brian, ‘Dahmer’s Inferno’ (
Vanity Fair
, November 1991)
News International: Archive reports
Nilsen, Dennis, ‘Anatomy of an Official Conclusion’ (unpublished)
Nilsen, Dennis, ‘Brain Damage’ (unpublished)
Nilsen, Dennis, ‘Image Distortion’ (unpublished)
Nilsen, Dennis, ‘The Psychograph’ (unpublished)
Nilsen, Dennis, police interviews
Nilsen, Dennis,
History of a Drowning Boy
(unpublished)
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archive reports
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(documentary, Granada 2003)
‘Real Life Crimes and How They Were Solved issue 38’ (Eaglemoss 1993)
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(Cape 1995)
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(documentary, Discovery 2009)
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(documentary, Redback Films 2006)
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(documentary, Brook Lapping 2001)
Viewpoint 1993
: Murder in Mind (documentary, Central TV 1993)
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Dennis Nilsen being driven from the Old Bailey in a police van, without the customary blanket over his head, after being sentenced to life imprisonment on 4 November 1983. He had insisted on being uncovered at all his hearings.
Photo ©Mirrorpix
Nilsen in police uniform: he trained as a policeman at Hendon Police College.
Photo ©Mirrorpix
The house at 23 Cranley Gardens, Muswell Hill, North London, where the remains of three of Nilsen’s victims were discovered in the drainage.
Photo ©Mirrorpix
The necktie used by Nilsen to strangle Stephen Sinclair.
Photo ©Mirrorpix
Nilsen in the army at Maybury: his movie camera was instrumental in confusing reality with fantasy.
Photo courtesy Brian Masters
Mrs Betty Scott, mother of Dennis Nilsen, in June 1988.
Photo ©Mirrorpix
The dunes by Fraserburgh Bay where Nilsen believes his grandfather may have abused him.
Photo ©Russ Coffey
An oil painting-cum-collage, called ‘Bacardi Sunrise’, which Nilsen created whilst in Whitmoor Prison.
Photo ©Mirrorpix
A letter in Nilsen’s own handwriting to author Russ Coffey.
Photo ©Russ Coffey
Nilsen’s pet dog, Bleep, pictured at Battersea Dogs Home where she passed away three weeks after the arrest of her master.
Photo ©Mirrorpix
Police plastic covers in the garden of 195 Melrose Avenue, Cricklewood, North London, where Nilsen started his killing spree, hiding the bodies under the floorboards of his flat.
Photo ©Mirrorpix
Jimmy Butler, with whom Nilsen had a ‘romance’ whilst in Wakefield Prison.
Photo ©Mirrorpix
A compilation tape which Nilsen made of his own music. He also designed the artwork.
Photo ©Russ Coffey