Departure (2 page)

I'M ALIVE, BUT I'VE BEEN BETTER.

Every inch of my body aches. Gone is the slight buzz of alcohol, replaced by a pounding headache. It hurts worst around my pelvis. I pulled the belt low right before impact, hoping to spare my internal organs. It worked, but not without cost. I start to unbuckle it, but stop.

It's too quiet.

The lights are out, and only faint moonlight seeps in through the windows. I hear a few low moans behind me. This 777 held around 250 people when it took off from JFK. If even a fraction were alive, the cabin would be awash in voices, probably screams. The relative silence is a bad sign.

My mind seems clear, my arms are fine, and I think I can walk. I'm in decent shape, but given how rough the crash was, I bet a lot of the other passengers weren't as lucky as me. I have to help them. For the first time since—well, since I can remember—I feel close to normal, filled with purpose and urgency. I feel alive.

The woman beside me still hasn't moved. She's hunched over, her head between her legs, hands clasped behind it as I instructed her.

“Hey.” My voice comes out raspy.

She doesn't move.

I reach out and brush her blond hair back. She turns slightly, a single bloodshot eye peering up at me, and pushes up slowly, revealing her slender face. The other eye is equally bloodshot. A bruise runs from her temple to her jaw.

“You okay?”

She nods and swallows. “Yeah, I think so.”

What next? Check her mental status? “What's your name?”

“Harper. Harper Lane.”

“What's your date of birth, Harper?”

“Eleventh December.” She smiles slightly, not adding the year.

Yeah, she's okay. She looks late twenties or early thirties to me, and she's British; I hadn't realized that before. Probably on her way home to London.

“Stay here—I'll be right back.”

Now the test. I unfasten my belt, stand up, and immediately stumble into the wall, hitting my shoulder hard. The plane's settled at about a thirty-degree angle, nose down, tilted slightly to the left. I lean against the bulkhead, waiting for the pain to ebb.

Turning my head, I get my first glimpse back down the aisle . . . and freeze in shock.

The plane's gone. Almost all of it. The first-class and business-class cabins are all that's left. Just beyond the business section, tree branches crisscross the ragged opening. Around the edges, electrical pops flash against the dark forest. The vast majority of the passengers were in economy, and there's no sign of it—only a quiet forest. The rest of the plane could be a hundred miles away, for all I know. Or in a million pieces. I'm surprised we're not.

On the other side of the wall, I can hear a rhythmic pounding. Staggering a little, I feel my way around the divider that separates first class from the galley. It's Jillian, the flight attendant, banging on the cockpit door.

“They won't come out,” she says when she sees me.

Before I can respond, she moves back to the wall, grabs the phone, listens for a second, then tosses it aside. “Dead.”

I think she's in shock. What's the priority at this point? I glance back at the sparks popping against the twisted metal. “Jillian, is there a danger of fire?”

“Fire?”

“Yes. Is there any fuel in this section?” It seems like a reasonable question, but who knows?

Jillian gazes past me, confused. “Shouldn't be a fire. Captain dumped the fuel. Or I thought . . .”

A middle-aged man in first class lifts his head. “Fire?”

People around him begin repeating the word quietly.

“Where are we?” That seems like the next logical question.

Jillian just stares, but Harper says, “We were over England.” When my eyes meet hers, she adds, “I was . . . watching the flight display on the monitor.”

That's the first bit of good news, but I don't get to think about it long. The word
fire
has finally reached the wrong person.

“There's a fire! We need to get off!” someone yells. Across the plane, people start scrambling out of their seats. A panicked mass of about twenty people coalesces in the cramped space. Several passengers break away and rush to the jagged opening at the rear but turn back, afraid to jump. “We're trapped!” is added to the cries of “Fire!” and things start to get ugly. A white-haired woman in business class loses her footing and falls. People trample her on their way to the front, where Jillian and I stand speechless. The woman's screams don't slow the crowd.

They rush on, directly toward us.

THE SURGING CROWD FORCES JILLIAN TO FOCUS. SHE
spreads her arms, but her voice fails her. I can barely hear it over the crowd. Her standing there, defenseless in front of the crowd, jolts me into action.

I move forward, push Jillian behind me, and plant my feet. I shout, my own voice ringing out louder and clearer than I expect. “Stop! People, stop moving, you're hurting that woman! Listen: There. Is. No. Fire.” I say each word more slowly and quietly than the last, infusing the crowd with calm. “Okay? No fire. No danger. Relax.”

Save for a few shoves, the crowd settles. All eyes focus on me.

“Where are we?” a woman yells.

“England.”

The word ripples through the crowd in hushed tones, as if it were a secret.

Jillian moves from behind me and steadies herself on a chair.

All at once, the survivors begin hurling questions at me, like the press corps in the final seconds of a White House briefing.

“Help is on the way,” I find myself saying. “Right now, the key is to stay calm. If you panic, people will get hurt, and if you're responsible for harming other passengers, you
will
face criminal charges.” I pause and then add for good measure, “The media's going to find out who caused trouble after the crash, so you can also expect to be on the morning news.” The threat of public humiliation—most people's greatest fear—seems to do the trick. The uproar subsides, replaced by suspicious sidelong glances, as people wonder if their neighbors will rat them out for bum-rushing the exit.

“If you're in pain, stay where you are. If you have internal injuries, moving is the worst thing you can do. Emergency personnel will check you out when they arrive, and they'll decide when and how to move you.” Sounds good, anyway.

“Where's the captain?” an overweight middle-aged man asks.

Luckily (or unluckily), the lies keep coming: “He's coordinating with emergency personnel right now.”

Jillian gives me a confused look. She seems to be trying to decide whether this is good news or a lie. I wonder how much help she's going to be.

“Who are you?” another passenger yells.

“He's just a passenger, same as the rest of us.” Looks like the drunken jerk in 2D survived, unfortunately. He stares at me with glassy eyes. “Ignore this clown.”

I shrug. “Of course I'm a passenger—what else would I be? Now listen up. Anyone who can walk, we're going to leave the aircraft in an orderly fashion. Take the nearest seat, everyone, and wait to be called. This young lady”—I nod to Jillian—“is going to open the emergency exit, and when she calls your row, do what she says. If there's a doctor on board, come see me immediately.”

Jillian opens the left exit door at the front of the plane, and I hear the evacuation slide inflating. I stand beside her and look out. The slide snags on the trees around us, but it will get people to the ground, six or seven feet below us. The plane's nose is still a few feet off the ground. This entire section is being held up by trees, but it feels stable enough.

“What now?” Jillian asks, her voice low.

“Start taking people from the back off first.” I figure that will minimize the plane's shifting.

Five minutes later a line's forming at the slide, and the picture becomes clearer. It looks as if everyone in first class survived, but a lot of folks in business—perhaps half of the twenty or so—aren't moving.

A woman with shoulder-length black hair, maybe in her early forties, pauses at the threshold next to me. “You asked for a doctor?” She has a slight accent—German, I think.

“Yes.”

“I . . . have an M.D., but I'm not a practicing physician.”

“Yeah, well, you are today.”

“All right,” she says, still hesitant.

“Jillian here is going to give you a first-aid kit. I want you to survey the remaining passengers and prioritize treatment. Anyone in immediate danger first, then children, then women, then men.”

Without a word, the doctor starts making her way through the cabin, Jillian at her side. I man the exit, making sure that people are spaced out enough to get down the slide without colliding. Finally I watch the last passenger make her way down: the elderly woman who was almost trampled. Her feet touch the ground, and an older man, possibly her husband, catches her hand and helps her up. He nods to me slowly, and I nod back.

From the galley between first and business classes, I hear the clink of glass bottles and an angry voice: 2D berating someone.

I step back there to find Harper standing across from 2D, her face pained. He's got a dozen mini bottles lined up on the slanted table. Half are empty, and 2D's unscrewing the cap on a Tanqueray.

I'd like to get into what he said or did to her, but there are more pressing matters—namely the remainder of the passengers, many of whom might need help and possibly medical treatment.

“Stop drinking those,” I snap. “We may need them for medical care.” We could run out of antiseptic before help arrives, and liquor would be better than nothing.

“Very true. They're caring for
my
medical needs right now.”

“I'm serious. Leave those and get off the plane.”

He grabs the corded plane phone theatrically. “Let's have a round
of applause for Captain Crash, the mini bottle Nazi.” He fakes the roar of a crowd, slugs back the bottle he's holding, and wipes his mouth. “Tell you what,” he says, slurring a little. “Let's compromise. You can have these bottles as soon as I'm done with them.”

I step toward him. Harper moves between us. A firm hand on my shoulder stops me.

It's the doctor.

“I've finished,” she says. “You need to see this.”

Something in the doctor's tone rattles me a little. I give 2D a hard look before turning and following the doctor, Harper at my side.

She stops at the seat of a middle-aged black passenger in a business suit. He's propped against the wall, dead still, his face covered with dried blood.

“This man died of blunt force trauma to the head,” the doctor says, her voice low. “He was bludgeoned by the seat back in front of him and the bulkhead to the side. He was buckled in tight, but the chairs in the business section aren't as far apart as those in first class. The whipping motion of the descent and crash was deadly for the weaker and taller passengers, anyone whose head could connect with the seat in front. He's one of three fatalities.” She motions to the rest of business class, where seven people are still seated. “We've got four who're alive but unconscious. I'm not optimistic about them. One, I wouldn't want to move. Three are pretty banged up, but they might be okay if we could get them to a hospital.”

“Okay. Thanks, Doc.”

“Sabrina.”

“Nick Stone.” We shake hands, and Jillian and Harper introduce themselves.

“I wanted to show you this,” Sabrina says, “because we've all likely suffered some head trauma. It's imperative that all the survivors keep their blood pressure within a normal range. Any of us might have asymptomatic head trauma, which could result in stroke or cerebral hemorrhaging if we're excited or exert ourselves.”

“That's good to know.” The truth is, I'm not sure what to do with this new information. I'm not exactly sure what to do about anything at this point. The three women are looking at me expectantly, waiting.

My first thought is of the main section of the plane. If business class fared this poorly, I can't imagine what economy is like, where the seats are closer together and the whiplash as the plane broke up and crashed would have been far more deadly. If there's anyone still alive in the back half of the plane, they're going to need a lot of help.

“We need to find the rest of the plane.”

Blank stares.

I focus on Jillian. “Is there any way we could contact the people back there?”

She shakes her head, looking confused. “Phone's dead.”

Phone. “What about your cell phone? Do you know the staff at the rear? Their numbers?”

“Yes, I do.” Jillian pulls out her phone and turns it on. “No signal.”

No luck with my phone either. “Maybe it's because we have American carriers?”

“I live in Heidelberg,” Sabrina says. “Maybe . . . no, I've got no service either.”

“I'm on EE,” Harper says, but she, too, has no service.

“All right,” I say. “I'm going to go look for them.”

“I'll join you,” Harper says.

Jillian volunteers as well, but we decide that she should stay with the remaining passengers until help arrives. While Harper gathers supplies, I notice an Asian man—young, maybe late twenties—seated in business class, hunched over a glowing laptop screen that shines bright in the otherwise dark cabin.

“Hey.”

He looks up, scans my face quickly, then resumes typing.

“You need to get off the plane.”

“Why?” He doesn't bother to look up.

I lower my voice and squat to look him in the eye. “It's safer on the ground. The plane feels stable, but it's propped up by trees that could give way at any time. We could roll or drop quickly.” I motion to the torn metal behind him, where there are still intermittent sparks. “And there may be a risk of fire. We're not sure.”

“There's no risk of fire,” he says, still typing, his eyes moving quickly side to side. “I need to finish this.”

I'm about to ask what could be more important than surviving in the aftermath of a plane crash, but Harper is at my side now, handing me a bottle of water, and I decide to focus on the people who want my help.

“Remember,” Sabrina says, “any excess exertion could be fatal. You may not be in pain, but your life could be in danger.”

“Got it.”

As we leave, Sabrina moves to the young Asian man and begins speaking quietly. By the time we reach the exit, they're practically shouting at each other. Clearly not a doctor-patient relationship. They know each other. Something about the scene doesn't quite sit right with me, but I can't think about that now.

At the bottom of the chute, three people are hunched over on the ground or leaning against trees, holding their heads. But I saw at least two dozen people exit. Where is everyone? I stare into the woods.

Slowly I start to make out glowing lights bobbing in the forest, moving away from the plane—a stream of people spread out in the darkness, a few running. The light must come from flashlight apps on their phones.

“Where're they going?” I ask no one in particular.

“Can't you hear it?” says a woman sitting on the ground right next to the chute, though she doesn't lift her head from her knees.

I stand still, listening. And then, in the distance, I hear them.

Screams.

People crying out for help.