Dexter 4 - Dexter by Design (26 page)

THE EMERGENCY MEDICS IN MIAMI ARE VERY GOOD, partly because they get so much practice. But alas, they did not manage to save Weiss. He was very nearly bled out by the time they got to his side, and at the urging of a frantic Rita the meds spent a crucial two more minutes looking at Cody and Astor as Weiss slipped away down the long dark slope into the pages of art history.

Rita hovered anxiously while the EMS guys got Cody and Astor to sit up and look around. Cody blinked and tried to reach for his screwdriver, and Astor immediately started to complain about how rotten the smelling salts smelled, so I was reasonably sure they were going to be all right. Still, they almost certainly had minor concussions, which gave me a warm feeling of family togetherness; so young, and already following in my footsteps. So the two of them were sent off to the hospital for twenty-four hours of observation, “just to be safe'. Rita went along, of course, to protect them from the doctors.

When they were gone, I stood and watched as the two EMS techs shook their heads over Weiss and then moved on over to Coulter. I was still feeling a little woozy from my time in Weiss's noose, and a little strange at the way things had wobbled away from me so quickly. Normally I am Dexter on the Spot, at the center of all important action, and to have so much death and destruction all around me and not be a crucial part of it didn't seem right. Two whole bodies, and me no more than an observer with the vapors, fainting on the outskirts of the drama like a Victorian maiden.

And Weiss: he actually looked peaceful and content. Extremely pale and dead, too, of course, but still —what could he be thinking?

I had never seen such an expression on the face of the dear departed, and it was a bit unsettling. What did he have to feel happy about? He was absolutely, certifiably dead, and that did not seem to me like anything that should inspire good cheer.

Maybe it was just a trick of the facial muscles settling into death.

Whatever it was, my pondering was interrupted by a hurried scuffle behind me and I turned around.

Special Agent Recht came to a halt a few feet away and stood looking at the carnage with a face locked rigidly into a professional mask, even though it did not hide the shock, or the fact that she was rather pale. Still, she didn't faint or throw up, so I thought she was well ahead of the game.

“Is that him?” she said in a voice as tightly locked as her face. She cleared her throat before I could answer and added, “Is that the man who attempted to kidnap your children?”

“Yes” I said, and then, showing that my giant brain was at last swimming back to the controls, I anticipated the awkward question and said, “My wife was sure that's him, and so were the kids.” Recht nodded, apparently unable to take her eyes off Weiss. “All right” she said. I couldn't tell what that meant, but it seemed like an encouraging sign. I hoped it meant that the FBI would lose interest in me now. “What about him?” Recht said, nodding toward the back of the exhibit where the EMS guys were finishing their examination of Coulter.

“Detective Coulter got here before me” I said.

Recht nodded. “That's what the guy on the door says” she said, and the fact that she had asked about that was not terribly comforting, so I decided that a few careful dance steps might be called for.

“Detective Coulter” I said carefully, as if fighting for control and I have to admit that the rasp remaining in my voice from the noose was very effective —“He got here first. Before I could ... I think he —he gave his life to save Rita.” I thought that sniffling might be overkill so I held back, but even I was impressed with the sound of the manly emotion in my voice.

Alas, Special Agent Recht was not. She looked again at Coulter's body, and at Weiss's, and then at me. “Mr Morgan” she said, and there was official doubt in her voice. But then she just shook her head and turned away.

In a sane and well-ordered universe, any ruling deity would have said that was enough for one day. But things being what they are, it was not, because I turned around to leave and bumped directly into Israel Salguero.

“Detective Coulter is dead ?” he asked, sliding a step back without blinking.

“Yes” I said. “Urn, before I got here.” Salguero nodded. “Yes” he said. “That's what the witnesses said.” On the one hand, it was very good news that the witnesses said that, but on the other, it was very bad that he had already asked them, since it meant his first concern was: Where was Dexter when the bodies began to fall ? And so, thinking that some grand, emotional flummery might save the day, I looked away and said, I should have been here.”

There was such a long silence from Salguero that I finally had to turn back and look at him, if only to make sure he had not drawn his weapon and pointed it at my head. Happily for Dexter's Dome, he had not. Instead, he was just looking at me with his completely detached and emotionless gaze. I think it is probably a very good thing that you were not here” he said at last. “Good for you, and your sister, and the memory of your father.”

“Urn ...?” I said, and it is a testament to Salguero's savvy that he knew exactly what I meant.

“Apart from these gallery-goers, there are now no witnesses ...” He paused and gave me a look very much like what you might see if cobras ever learn to smile. “No surviving witnesses” he said, “to anything that happened, in any of these ... circumstances.” He made a slight movement of his shoulders that was probably a shrug. “And so ...” He did not finish the sentence, letting it dangle so it might mean, “and so I will kill you myself” or, “and so I will simply arrest you” or even, “and so that's the end of it.” He watched me for a moment and then repeated, “And so,” this time so that it sounded like a question. Then he nodded and turned away, leaving me with the image of his bright and lidless gaze burned into my retina.

And so.

That was, happily, just about the last of it. There was a minor bit of excitement provided by the stylish lady from the front of the crowd, who turned out to be Dr Elaine Donazetti, a very important figure in the world of contemporary art. She pushed her way through the perimeter and began taking Polaroids, and had to be restrained and led away from the bodies. But she used the pictures and some of the video tape Weiss had made and published a series of illustrated articles that made Weiss semi-famous with the people who like that sort of thing. So, at least he got his last request for pictures. It's nice when things work out, isn't it?

Detective Coulter was just as lucky. Department gossip told me that he had been passed over for promotion, twice, and I suppose he thought he could jump-start his career by making a dramatic arrest single-handed. And it worked! The department decided it needed some good publicity out of this whole dreadful mess, and Coulter was all they had to work with. So he was promoted posthumously for his heroism in single-handedly almost saving Rita.

Of course, I went to Coulter's funeral. I love the ceremony, the ritual, the outpouring of all that rigid emotion, and it gave me a chance to practice some of my favorite facial expressions —solemnity, noble grief, and compassion, all rarely used and in need of a workout.

The whole department was there, in uniform, even Deborah.

She looked very pale in her blue uniform, but after all, Coulter had been her partner, at least on paper, and honor demanded that she attend. The hospital fussed, but she was close enough to being released anyway that they didn't stop her from going. She did not cry, of course —she had never been nearly as good at hypocrisy as I was. But she looked properly solemn when they lowered the coffin into the ground, and I did my best to make the same kind of face.

I thought I did it rather well, too —but Sergeant Doakes did not agree. I saw him glaring at me from the ranks, as if he thought I had personally strangled Coulter, which was absurd; I had never strangled anyone. I mean, a little noose play now and then, but all in good fun —I don't like that kind of personal contact, and a knife is so much cleaner. Of course, I had been very pleased to see Coulter pronounced dead and Dexter therefore off the hook, but I'd had nothing at all to do with it. As I said, it's just nice when things work out, isn't it?

Life staggered back onto its feet and lurched into its old routines once again. I went to work, Cody and Astor went to school, and two days after Coulter's funeral Rita went to a doctor's appointment.

That night after she tucked the children in she settled down beside me on the couch, put her head on my shoulder and pried the remote control out of my hands. She turned the TV off and sighed a few times, and finally, when I was mystified beyond endurance, I said, “Is something wrong?”

“No” she said. “Not wrong at all. I mean, I don't think so. If you don't, um, think so.”

“Why would I think so?” I said.

I don't know” she said, and she sighed again. “It's just, you know, we never talked about it, and now ...”

“Now what?” I said. It was really too much; after all I had gone through, to have to endure this kind of circular non-conversation, and I could feel my irritation level rising rapidly.

“Now, just” she said. “The doctor says I'm all right.”

“Oh” I said. “That's good.”

She shook her head. “In spite of” she said. “You know.”

I didn't know, and it didn't seem fair that she expected me to know, and I said so. And after a great deal of throat-clearing and stammering, when she finally told me, I found that I lost the power of speech just as she had, and the only thing I could manage to say was the punchline of a very old joke that I knew was not the right thing to say, but I could not stop it and it came out anyway, and as if from a great distance, I heard Dexter's voice calling out: You're going to have a WHAT?!

Contents

ACKNOWLEDGMENTS3

ONE4

TWO12

THREE18

FOUR25

FIVE32

SIX39

SEVEN46

EIGHT58

NINE66

TEN72

ELEVEN81

TWELVE88

THIRTEEN96

FOURTEEN107

FIFTEEN117

SIXTEEN126

SEVENTEEN136

EIGHTEEN141

NINETEEN148

TWENTY155

TWENTY-ONE160

TWENTY-TWO172

TWENTY-THREE181

TWENTY-FOUR187

TWENTY-FIVE195

TWENTY-SIX201

TWENTY-SEVEN211

TWENTY-EIGHT218

TWENTY-NINE230

THIRTY242

THIRTY-ONE252

THIRTY-TWO261

THIRTY-THREE270

THIRTY-FOUR277

THIRTY-FIVE287

THIRTY-SIX294

EPILOGUE299

THE END304