For Selin
Published 2005 by Medallion Press, Inc.
225 Seabreeze Ave.
Palm Beach, FL 33480
The MEDALLION PRESS LOGO
is a registered tradmark of Medallion Press, Inc.
If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment from this “stripped book.”
Copyright © 2005 by Erin Samiloglu
Cover Illustration by Adam Mock
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording, or by any information storage and retrieval system, without written permission of the publisher, except where permitted by law.
Printed in the United States of America
Library of Congress Cataloging-in-Publication Data
Samiloglu, Erin, 1978-
Disconnection / Erin Samiloglu.
p. cm.
ISBN 1-932815-24-4
1. Police–Louisiana–New Orleans–Fiction.
2. Girls–Crimes against–Fiction. 3. New Orleans (La.)–Fiction.
4. Serial murders–Fiction. I. Title.
PS3619.A455D57 2005
813′.6–dc22
2005009672
Acknowledgements:Special Thanks to Katherine Phillips, my mother, my IR, my editor, my friend. Your wisdom and guidance inspired me until the very end. I owe you the moon
.Thanks to Vida Herzig for her support. Mercedes Brante for her praise. Paul Mitchell for providing me a character blueprint
.Thanks to Lola, my pride. Charlotte, my joy. London, my most precious treasure under heaven. Life without you would be death
.Most of all, enormous gratitude to my husband Tunc, for his patience, faith, and continuous devotion
.
T
he murderous air thickened into gray mist around Dee Nilsson’s underground tomb, but she watched with little thought and even less awareness. Time had suspended her in a mysteriously dark place, and there was no escape, no safety, only a nightmarish world which she could not leave and no one else could enter.
She reached one crippled hand to her forehead. The wound near her hairline had stopped bleeding, but the gash was deep and wide, reminding Dee of her defeat. The siege of her life had begun twelve hours ago, and she knew above all things that her death was fast approaching. The only question was when.
Minutes drowned into hours before Dee finally drew her arms around her knees and leaned back against the mud walls, resigned to her situation. The air smelled of decay and rain. A slither of light hailed from the cracks above, just bright enough to remind her of the daylight that she would never see again.
Amid the misty haze of her surroundings, Dee fought to remember. She knew, as she rubbed her hands together, as she felt the scraped soles of her feet, the light brush of her eyelids as they opened and closed over two swollen eyes, that there had been life once. She had been an energy to be reckoned with. She had been an intact person.
She flattened her hands in front of her face. Memories began to reflect in her palms like slides in a projector. Soft shards of light showed glimpses of the past and present. Her dog Jack appeared, a Maltese whom she had saved from an animal shelter just an hour before his scheduled euthanasia. In her vision, he was asleep on her bed, lying on his back near her pillows.
She saw her house in Oakland, a brick two-story with three bedrooms, one which she used for an office. A kitchen painted purple, a backyard with a screened-in porch.
She saw her parents attending church, and her younger sister stationed in Iraq playing cards with other soldiers. Dee saw her ex-fiancé in Miami, sharing a table at Starbucks with an attractive redhead. She saw herself dancing at her best friend’s wedding, and walking on the Santa Monica Promenade. She saw herself graduating from UCLA and falling in love for the first time with her parents’ Mexican yard boy. She saw herself happy, relaxed, anxious, laughing, delirious. Most importantly, Dee saw herself alive.
What Dee could not see, what she could not remember, was how she had arrived here, to this place. When she tried to reach back, a black cloud blocked her brain. A barricade of nothingness invaded her mental highway.
Dee closed her eyes, forcing herself to remember.
Something
, she thought.
Something has to trigger something
.
And then something closely resembling a male voice spoke inside the darkness:
Can’t remember how you got here, sugar pie?
The noise startled Dee. Until now she had been under the impression that she was alone. “Who’s there?” she asked as her eyes flew open.
The answer came in silver droplets that fell from the cave’s surface and formed one large puddle on the dirt beside Dee.
Do you really want to know, Dee?
The voice seemed to be everywhere and nowhere at once, low and deep, barely audible under the pressure of its density.
“Help me,” Dee screamed, her head turning from side to side, unsure of which direction the voice was coming from. “Please help me.”
You’re asking the wrong person, sweetheart
.
“Who are you?” Dee asked, her voice becoming even more frantic. “Why am I here?”
To die
was what she thought the voice would say, but it surprised her by simply asking,
Why do you think you are here, Dee Nilsson?
Dee shook her head frantically. “I don’t know. I don’t…”
Don’t give me that shit. Of course you do
.
“Please,” Dee sobbed, tears falling from her eyes. “I can’t remember.”
Then let me help you, cutie pie. Come and look inside
.
As if hypnotized, Dee leaned over the ground where the puddle no longer reflected translucent blue, but now changed into flashes of color, until solid shapes formed, and Dee saw herself on the wet surface.
It was not her as she was now, with a long gash across her forehead and her entire body covered in dirt. The Dee in the image was laughing and taking sips from a drink that looked suspiciously like a whiskey sour. She sat on a barstool in a mahogany room, lavishing in the attention of male company.
“Stuart Reed,” Dee said aloud, suddenly remembering.
The voice laughed.
Listen
, it said.
Go ahead and listen. Watch. See why you’re here
.
So, Dee listened. And watched. And listened.
It was Stuart Reed’s voice she heard first. He said, “It’s great fun if you kill somethin’. Warm blood all over your hands and the smell of the kill.”
The Dee in the image tossed back her whiskey sour before exclaiming, “Vile! It’s so vile. I
hate
hunting. I think it’s cruel how those deer suffer. They’re just defenseless animals. Haven’t you ever thought of that?”
Stuart shook his head as he gulped down his mixed drink. “You don’t know what you’re sayin’,” he mumbled in a thick Southern accent.
Dee watched as her image’s back straightened. “Haven’t you ever seen
Bambi?”
she asked the man beside her. “How could anyone shoot an innocent deer after watching
Bambi?”
Stuart’s face grew red as he pointed at her accusingly. “A deer ain’t a sweet animal, sugar. Their antlers have tines that are as sharp as razor blades. When the rut is on, you can hear the deer battlin’ for the trim for miles. Do the research before you assume that
Bambi
was based on something other than Walt Disney crap. They are vicious animals that must be eradicated from the planet. One attacked my grandfather while he was bird huntin’ and damn near killed him. If Joe the birddog hadn’t run the deer off, Grandpop wouldn’t have been around to witness my third weddin’.”
“I thought you said you had two ex-wives?” Dee asked.
“I do. I married the first one twice,” Stuart explained.
“Oh.” Dee asked the bartender for another drink.
I remember
, Dee thought as she studied her and her companion’s surroundings. The mahogany walls belonged to the rotating bar at the Hotel Monteleone. For an entire week, the hotel had hosted the annual BankPartners convention. Mortgage brokers from all over the United States, including Dee and Stuart, had flocked to the convention for the latest mortgage tips—and because the rooms were discounted and the breakfasts were free, and it was a great chance to tour New Orleans.