Read Dream Factories and Radio Pictures Online

Authors: Howard Waldrop

Tags: #Literature & Fiction, #Essays & Correspondence, #Essays, #Science Fiction & Fantasy, #Science Fiction, #Anthologies, #short stories, #Anthologies & Short Stories, #TV; Movie; Video Game Adaptations

Dream Factories and Radio Pictures (23 page)

BOOK: Dream Factories and Radio Pictures
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“The cops!” I (Guy) say, reaching for the .45 automatic.

“The pimps!” Marie says.

The room is filling with gas. Bullets fly. I fire at the door, the window shades, as I reach for Marie’s hand. The door bursts open.

Two quick closeups: her face, terrified; mine, determined, with a snarl and a holy wreath of cordite rising from my pistol.

* * *

My head is numb. I see in the dim worklight from my screen the last note they stuck under the door fluttering as the invisible gas is pumped in.

I type
fin
.

I reach for the non-existent button which will wipe everything but
This Guy Goes to Town
 . . . and mentally push it.

I (Guy) smile up at them as they come through the doors and walls: pimps, Nazis, film critics, studio cops, deep-sea divers, spacemen, clowns, and lawyers.

* * *

Through the windows I can see the long geometric rows of the shrubs forming quincunxes, the classical statuary, people moving to and fro in a garden like a painting by Fragonard.

I must have been away a long time; someone was telling me, as I was making my way toward these first calm thoughts, that
This Guy
 . . . is the biggest hit of the season. I have been told that while I was on my four-week vacation from human cares and woes that I have become that old-time curiosity: the rich man who is crazy as a piss ant.

Far less rich, of course, than I would have been had I not renegotiated my contract before my last, somewhat spectacular, orgy of movie-and-lovemaking in my locked office.

I am now calm. I am not looking forward to my recovery, but suppose I will have to get some of my own money out of my manager’s guardianship.

A nurse comes in, opens the taffeta curtains at another set of windows, revealing nice morning sunlight through the tiny, very tasteful, bars.

She turns to me and smiles.

It is Anouk Aimee.

Introduction: Heirs of the Perisphere

I
F YOU COULD HAVE TOLD
the eighteen-year-old, writing-mad Howard Waldrop that in fifteen years he would 1.) be asked to do an article by
The Writer
, but then
not do it
, and 2.) sell to
Playboy
for lots of (then) money, but that it would
not
be the pleasant, exciting experience the starry-eyed young writer dreamed of, he would not have believed you.

This far-future backward look was, as is my usual wont, written because I wanted like hell to be in Mike Bishop’s
Light Years and Dark
(a swell book that went straight down the tubes when published, but instead I was in there with “Helpless, Helpless”). He said this story “might as well be about a lawnmower, an air-conditioner, and a microwave”—or words to that effect. Mostly he was trying to squeeze me in. I’d futzed around to
real near
the deadline and he only had 3,000 words of space and money and I was trying to sell him 5,600 words, so instead I sent this off to my then-agent Joe Elder (since retired) and wrote the other story for Mike at 3,200 words, which was more like it.

Joe sent it to Alice K. Turner, who promptly bought it for
Playboy
for more money than I’d ever seen, except for a novel.

Now Alice Turner is one of the finest editors in the business; don’t take my word for it, ask anyone who’s ever worked with her, or see Robert Silverberg’s introductions to the stories in his ’80s and ’90s collections for his
true amazement
at her editing abilities (Silverberg’s seen and done it all and he doesn’t impress easily). What happened in the next fourteen months was not her fault.

We worked on this, on and off, through five successive drafts, each one getting better, deeper, more resonant, or something, until we got to the one you see.

A little background: I was going through truly terrible personal stuff. I was also behind on finishing
Them Bones
, my first solo novel for the late, very-missed, Terry Carr’s second set of Ace SF Specials (others—L. Shepard, K.S. Robinson, somebody named Gibson—whatever happened to him?—Carter Scholz and Glenn Harcourt, Michael Swanwick) and while I was trying to write it, other stories were driving me bughouse. I had to stop and
write them
AND work on
Them Bones
AND the rewrites on this, and deal with the here-and-now-everyday-Halloween-type personal stuff . . .

Well, it’s not Alice’s fault that I associate this story with a Bad Time; it’s just me. I wish I could have had more pleasant memories of selling to
Playboy
. This, like a bunch of other stories I haven’t mentioned, was up for a Nebula.

* * *

There are
just
archetypes, and then there are
true
archetypes in life and in the movies. That they’ll be here long after we’ve gone I have no doubt. And the central element in this story I’d wanted to write about ever since I came across references to it when I was eight or nine or ten years old. It all came together in this story (or the one I started writing, anyway—it’s
really
here in this final, fifth draft).

Take a gander at this one.

Heirs of the Perisphere

T
HINGS HAD NOT BEEN GOING WELL
at the factory for the last fifteen hundred years or so.

A rare thunderstorm, soaking rain, and a freak lightning bolt changed all that.

When the lightning hit, an emergency generator went to work as it had been built to do a millennium and a half before. It cranked up and ran the assembly line just long enough, before freezing up and shedding its brushes and armatures in a fine spray, to finish some work in the custom design section.

The factory completed, hastily programmed, and wrongly certified as approved the three products which had been on the assembly line fifteen centuries before.

Then the place went dark again.

* * *

“Gawrsh,” said one of them. “It shore is dark in here!”

“Well, huh-huh, we can always use the infrared they gave us!”

“Wak Wak Wak!” said the third. “What’s the big idea?”

* * *

The custom-order jobs were animato/mechanical simulacra. They were designed to speak and act like the famous creations of a multimillionaire cartoonist who late in life had opened a series of gigantic amusement parks in the latter half of the twentieth century.

Once these giant theme parks had employed persons in costume to act the parts. Then the corporation which had run things after the cartoonist’s death had seen the wisdom of building robots. The simulacra would be less expensive in the long run, would never be late for work, could be programmed to speak many languages, and would never try to pick up the clean-cut boys and girls who visited the Parks.

These three had been built to be host robots in the third and largest of the Parks, the one separated by an ocean from the other two.

And, as their programming was somewhat incomplete, they had no idea of much of this.

All they had were a bunch of jumbled memories, awareness of the thunderstorm outside, and of the darkness of the factory around them.

The tallest of the three must have started as a cartoon dog, but had become upright and acquired a set of baggy pants, balloon shoes, a sweatshirt, black vest, and white gloves. There was a miniature carpenter’s hat on his head, and his long ears hung down from it. He had two prominent incisors in his muzzle. He stood almost two meters tall and answered to the name GUF.

The second, a little shorter, was a white duck with a bright orange bill and feet, and a blue and white sailor’s tunic and cap. He had large eyes with little cuts out of the upper right corners of the pupils. He was naked from the waist down, and was the only one of the three without gloves. He answered to the name DUN.

The third and smallest, just over a meter, was a rodent. He wore a red bibbed playsuit with two huge gold buttons at the waistline. He was shirtless and had shoes like two pieces of bread dough. His tail was long and thin like a whip. His bare arms, legs, and chest were black, his face a pinkish-tan. His white gloves were especially prominent. His most striking feature was his ears, which rotated on a track, first one way, then another, so that seen from any angle they could look like a featureless black circle.

His name was MIK. His eyes, like those of GUF, were large and the pupils were big round dots. His nose ended in a perfect sphere of polished onyx.

* * *

“Well,” said MIK, brushing dust from his body, “I guess we’d better, huh-huh, get to work.”

“Uh hyuk,” said GUF. “Won’t be many people at thuh Park in weather like thiyus.”

“Oh boy! Oh boy!” quacked DUN. “Rain! Wak Wak Wak!” He ran out through a huge crack in the wall which streamed with rain and mist.

MIK and GUF came behind, GUF ambling with his hands in his pockets, MIK walking determinedly.

Lightning cracked once more but the storm seemed to be dying.

“Wak Wak Wak!” said DUN, his tail fluttering, as he swam in a big puddle. “Oh boy. Oh joy!”

“I wonder if the rain will hurt our works?” asked MIK.

“Not me!” said GUF. “Uh hyuk! I’m equipped fer all kinds a weather.” He put his hand conspiratorially beside his muzzle. “’Ceptin’ mebbe real cold on thuh order of -40° Celsius, uh hyuk!”

MIK was ranging in the ultraviolet and infrared, getting the feel of the landscape through the rain. “You’d have thought, huh-huh, they might have sent a truck over or something,” he said. “I guess we’ll have to walk.”

“I didn’t notice anyone at thuh factory,” said GUF. “Even if it was a day off, you’d think some of thuh workers would give unceasingly of their time, because, after all, thuh means of produckshun must be kept in thuh hands of thuh workers, uh hyuk!”

GUF’s specialty was to have been talking with visitors from the large totalitarian countries to the west of the country the Park was in. He was especially well versed in dialectical materialism and correct Mao thought.

As abruptly as it had started, the storm ended. Great ragged gouts broke in the clouds, revealing high, fast-moving cirrus, a bright blue sky, the glow of a warming sun.

“Oh rats rats rats!” said DUN, holding out his hand, palm up. “Just when I was starting to get wet!”

“Uh, well,” asked GUF, “which way is it tuh work? Thuh people should be comin’ out o’ thuh sooverneer shops real soon now.”

MIK looked around, consulting his programming. “That way, guys,” he said, unsure of himself. There were no familiar landmarks, and only one that was disturbingly unfamiliar.

Far off was the stump of a mountain. MIK had a feeling it should be beautiful, blue and snow-capped. Now it was a brown lump, heavily eroded, with no white at the top. It looked like a bite had been taken out of it.

All around them was rubble, and far away in the other direction was a sluggish ocean.

* * *

It was getting dark. The three sat on a pile of concrete.

“Them and their big ideas,” said DUN.

“Looks like thuh Park is closed,” said GUF.

MIK sat with his hands under his chin. “This just isn’t right, guys,” he said. “We were supposed to report to the programming hut to get our first day’s instructions. Now we can’t even find the Park!”

“I wish it would rain again,” said DUN, “while you two are making up your minds.”

“Well, uh hyuk,” said GUF. “I seem tuh remember we could get hold of thuh satellite in a ’mergency.”

“Sure!” said MIK, jumping to his feet and pounding his fist into his glove. “That’s it! Let’s see, what frequency was that . . . ?”

“Six point five oh four,” said DUN. He looked eastward. “Maybe I’ll go to the ocean.”

“Better stay here whiles we find somethin’ out,” said GUF.

“Well, make it snappy!” said DUN.

MIK tuned in the frequency and broadcast the Park’s call letters.

* * *

“ . . . ZZZZZ. What? HOOSAT?”

“Uh, this is MIK, one of the simulacra at the Park. We’re trying to get a hold of one of the other Parks for, huh-huh, instructions.”

“In what language would you like to communicate?” asked the satellite.

“Oh, sorry, huh-huh. We speak Japanese to each other, but we’ll switch over to Artran if that’s easier for you.” GUF and DUN tuned in, too.

“It’s been a very long while since anyone communicated with me from down there.” The satellite’s well-modulated voice snapped and popped.

“If you must know,” HOOSAT continued, “it’s been rather a while since anyone contacted me from anywhere. I can’t say much for the stability of my orbit, either. Once I was forty thousand kilometers up, very stable . . .”

“Could you put us through to one of the other Parks, or maybe the Studio itself, if you can do that? We’d, huh-huh, like to find out where to report for work.”

“I’ll attempt it,” said HOOSAT. There was a pause and some static. “Predictably, there’s no answer at any of the locations.”

“Well, where are they?”

“To whom do you refer?”

“The people,” said MIK.

“Oh, you wanted humans? I thought perhaps you wanted the stations themselves. There was a slight chance that some of them were still functioning.”

“Where are thuh folks?” asked GUF.

“I really don’t know. We satellites and monitoring stations used to worry about that frequently. Something happened to them.”

“What?” asked all three robots at once.

“Hard to understand,” said HOOSAT. “Ten or fifteen centuries ago. Very noisy in all spectra, followed by quiet. Most of the ground stations ceased functioning within a century after that. You’re the first since then.”

“What do you do, then?” asked MIK.

“Talk with other satellites. Very few left. One of them has degraded. It only broadcasts random numbers when the solar wind is very strong. Another . . .”

There was a burst of fuzzy static.

“Hello? HOOSAT?” asked the satellite. “It’s been a very long time since anyone . . .”

“It’s still us!” said MIK. “The simulacra from the Park. We—”

“Oh, that’s right. What can I do for you?”

“Tell us where the people went.”

“I have no idea.”

“Well, where can we find out?” asked MIK.

“You might try the library.”

“Where’s that?”

“Let me focus in. Not very much left down there, is there? I can give you the coordinates. Do you have standard navigational programming?”

“Boy, do we!” said MIK.

“Well, here’s what you do . . .”

* * *

“Sure don’t look much different from thuh rest of this junk, does it, MIK?” asked GUF.

“I’m sure there used to be many, many books here,” said MIK. “It all seems to have turned to powder though, doesn’t it?”

“Well,” said GUF, scratching his head with his glove, “they sure didn’t make ’em to last, did they?”

DUN was mumbling to himself. “Doggone wizoo-wazoo waste of time,” he said. He sat on one of the piles of dirt in the large broken-down building of which only one massive wall still stood. The recent rain had turned the meter-deep powder on the floor into a mâché sludge.

“I guess there’s nothing to do but start looking,” said MIK.

“Find a book on water,” said DUN.

* * *

“Hey, MIK! Looka this!” yelled GUF.

He came running with a steel box. “I found this just over there.”

The box was plain, unmarked. There was a heavy lock to which MIK applied various pressures.

“Let’s forget all this nonsense and go fishing,” said DUN.

“It might be important,” said MIK.

“Well, open it then,” said DUN.

“It’s, huh-huh, stuck.”

“Gimme that!” yelled DUN. He grabbed it. Soon he was muttering under his beak. “Doggone razzle-frazzin dadgum thing!” He pulled and pushed, his face and bill turning redder and redder. He gripped the box with both his feet and hands. “Doggone dadgum!” he yelled.

Suddenly he grew teeth, his brow slammed down, his shoulders tensed and he went into a blurred fury of movement. “WAK WAK WAK WAK WAK!” he screamed.

The box broke open and flew into three parts. So did the book inside.

DUN was still tearing in his fury.

“Wait, look out, DUN,” yelled MIK. “Wait!”

“Gawrsh,” said GUF, running after the pages blowing in the breeze. “Help me, MIK.”

DUN stood atop the rubble, parts of the box and the book gripped in each hand. He simulated hard breathing, the redness draining from his face.

“It’s open,” he said quietly.

* * *

“Well, from what we’ve got left,” said MIK, “this is called
The Book of the Time Capsule
, and it tells that people buried a cylinder a very, very long time ago. They printed up five thousand copies of this book and sent it to places all around the world, where they thought it would be safe. They printed them on acid-free paper and stuff like that so they wouldn’t fall apart.

“And they thought what they put in the time capsule itself could explain to later generations what people were like in their day. So I figure maybe it could explain something to us, too.”

“That sounds fine with me,” said GUF.

“Well, let’s go!” said DUN.

“Well, huh-huh,” said MIK. “I checked with HOOSAT, and gave him the coordinates, and, huh-huh, it’s quite a little ways away.”

“How far?” asked DUN, his brow beetling.

“Oh, huh-huh, about eighteen thousand kilometers,” said MIK.

“WHAAT???”

“About eighteen thousand kilometers. Just about halfway around the world.”

“Oh, my aching feet!” said DUN.

“That’s not literally true,” said GUF. He turned to MIK. “Yuh think we should go that far?”

“Well . . . I’m not sure what we’ll find. Those pages were lost when DUN opened the box . . .”

“I’m sorry,” said DUN, in a contrite small voice.

“ . . . but the people of that time were sure that everything could be explained by what was in the capsule.”

“And you think it’s all still there?” asked DUN.

“Well, they buried it pretty deep, and took a lot of precautions with the way they preserved things. And we
did
find the book, just like they wanted us to. I’d imagine it was all still there!”

“Well, it’s a long ways,” said GUF. “But it doesn’t look much like we’ll find anyone here.”

MIK put a determined look on his face.

“I figure the only thing for us to do is set our caps and whistle a little tune,” he said.

“Yuh don’t have a cap, MIK,” said GUF.

“Well, I can still whistle! Let’s go fellas,” he said. “It’s
this
way!”

He whistled a work song. DUN quacked a tune about boats and love. GUF hummed “The East Is Red.”

They set off in this way across what had been the bottom of the Sea of Japan.

* * *

They were having troubles. It had been a long time and they walked on tirelessly. Three weeks ago they’d come to the end of all the songs each of them was programmed with and had to start repeating themselves.

Their lubricants were beginning to fail, their hastily wired circuitry was overworked. GUF had a troublesome ankle extensor which sometimes hung up. But he went along just as cheerfully, sometimes hopping and quickstepping to catch up with the others when the foot refused to flex.

The major problem was the cold. There was a vast difference in the climate they had left and the one they found themselves in. The landscape was rocky and empty. It had begun to snow more frequently and the wind was fierce.

BOOK: Dream Factories and Radio Pictures
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