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Authors: Sheila Rowbotham

Dreamers of a New Day

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Dreamers of a New Day

Dreamers of a New Day

Women Who Invented the Twentieth Century

SHEILA ROWBOTHAM

 

 

 

 

 

 

 

 

First published by Verso 2010
© Sheila Rowbotham 2010

All rights reserved

The moral rights of the author have been asserted

1  3  5  7  9  10  8  6  4  2

Verso
UK: 6 Meard Street, London WIF OEG
US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201
www.versobooks.com

Verso is the imprint of New Left Books

ISBN-13: 978-1-84467-613-2

British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data
A catalog record for this book is available from the Library of Congress

Typeset in Bembo by Hewer Text UK Ltd, Edinburgh
Printed in the US by Maple Vail

Contents

List of Illustrations
Introduction

  1  Adventurers in the Everyday

  2  How to Be

  3  The Problem of Sex

  4  ‘What Every Girl Should Know’

  5  Motherhood

  6  New Housework: New Homes

  7  Consumer Power

  8  Labour Problems

  9  Reworking Work

10  Democratizing Daily Life: Redesigning Democracy

Conclusion
Acknowledgements
Notes
Archives Consulted
Selected Bibliography
Newspapers and Periodicals Consulted
Index

List of Illustrations

  1  Birmingham Ladies Union Journal

  2  Ida B. Wells-Barnett

  3  Brochure advertising lectures by Charlotte Perkins Gilman

  4  Emma Goldman, 1885

  5  Jane Addams

  6  Mary Church Terrell

  7  Fabian Women’s pamphlet

  8  Margaret Morris, 1921

  9  Nella Larsen

10  Socialist Sunday School membership card

11  Voltairine de Cleyre

12  Edith Ellis

13  Elsie Clews Parsons

14  Angela Heywood

15  Margaret Sanger in court with her sister Ethel Bryne, 1916

16  Stella Browne, Dora Russell and Bertrand Russell, 1923

17  Eleanor Rathbone

18  Margaret McMillan

19  Margaret McMillan Nursery Camp

20  Ellen Swallow Richards testing the algae on Jamaica Pond, Boston 1901

21  Hannah Mitchell

22  Crystal Eastman, ca 1910–1915, by Arnold Genthe

23  Christine Frederick

24  Sarah Lees

25  Oldham garden suburb

26  Maggie Lena Walker 155

27  ‘Bunty Pulls the Strings’

28  Mary Macarthur with Keir Hardie

29  Rose Schneiderman

30  Elizabeth Gurley Flynn

31  Women clerks looking for work

32  Cronwright and Olive Schreiner, 1894

33  Ellen Gates Starr with Peter Verburg at the Hull House bindery

34  Vida Dutton Scudder, 1884

35  Beatrice Webb, ca 1900

36  Anna Julia Cooper

37  ‘The Woman with the Basket’

38  ‘The Tree of Life’

Introduction

In 1902, an American suffragist and novelist, Winifred Harper Cooley, dreamed of a twenty-first century without oil trusts, sweatshops or slums. This future was revealed by a ‘radiant’ woman ‘in flowing, graceful robes’, who explained that in a hundred years’ time, no one would be tramping the streets without a home, or be unemployed. By then the world’s labour would be shared equally, so that each individual only worked five hours a day.
1
A few years later in Britain, a Crewe clothing worker turned socialist and feminist, Ada Nield Chew, declared, ‘Most difficulties are caused by our age-long habit of looking upon what is, and what has been, as utterly desirable.’
2

This capacity for optimistic imagining was characteristic among reformers and radicals in both America and Britain during the late nineteenth and early twentieth centuries. Running parallel with campaigns for women’s suffrage and involving both feminists and anti-feminists, a diffuse but resilient attempt to alter daily life and culture was underway. From the 1880s, thought interacted with action in a whirl of speculation, proposals, policies and utopian visions. Exploratory and adventurous aspirations were expressed not only in books and articles, but through movements, organizations, local groups and projects. Women, along with men, were swept up by the impetus for changing everyday life. The conviction that social circumstances could be altered and that ways of living, as well as looking, might be transformed, contributed to the ‘can-do’ ethos which was particularly potent in the USA.

The ferment was encouraged by startling technological developments, paradigm-changing discoveries in science and iconoclastic forms of art. These, along with an unprecedented level of global trade and investment, new ways of organizing production and consumption, changes
in communications and the growing ascendancy of urban life, fostered a belief that a decisive rupture with the past was occurring. However, the rapid pace of change brought daunting problems in its wake. Increased competition and falling profits resulted in periods of depression through the 1870s and 1880s, which persisted into the mid-1890s; inflation followed from the late 1890s. Confronted by the unbridled power of large-scale corporations, mushrooming city slums, the destruction of rural life, workers responded with a new mood of militancy, while sections of the middle class, troubled by the conditions of the poor, also questioned class inequality. Women, as well as men, felt a moral compulsion to intervene, bringing their own experiences to bear on the dissident economic and social perspectives which were emerging. And when they encountered opposition to their engagement in the public arena, middle-class and working-class women invoked motherly care, moral cleansing and class loyalty to justify stepping beyond the prescribed ‘womanly’ sphere.

At the same time, women’s demands for access to employment and for political rights were pulling women outwards; calling into question their assumed dependence on and subordination to men. The suffrage movement inspired some women to resist other forms of injustice and inequality, and effect change in social and economic life more broadly. It also carried with it an internal promise of self-actualization and human dignity, encouraging efforts to alter personal ways of being. In moving towards a new role in the public sphere, feminists disturbed cultural assumptions about how women could be and what they could do in their own lives.

The bicycle became the symbol of this self-propelled female vanguard contesting physical and psychological spaces. ‘The bicycle is doing more for the independence of women than anything expressly designed to that end’, declared the British social reformer Clementina Black in the
Woman’s Signal
in 1895. ‘Nobody expects a woman to go cycling escorted by a chaperon, a maid, or a footman’.
3
Women’s rejection of the habitual meant that constraints of gender were being stretched, intensifying tension around the manner in which female/male and personal/public activities were divided. Those who sought to keep women from taking a wider social and political role were quick to attack below the belt, caricaturing rebel women as unsexed and absurd, or over-sexed and deranged. In 1894,
Punch
derided British new women for living on ‘nothing but foolscap and ink’, while in New York ‘Bohemian girls’ were morally suspect.
4
Bicycle or no
bicycle, women acting alone without men-folk to protect them were deemed liable to fall.

External demands for change were apt to boomerang back into the personal realm of being and relating, further breaching the demarcation between private and public life. Progress through education or access to employment revealed new unforeseen cultural and psychological barriers; radical movements, and the backlash these evoked, combined to relate resistance in one arena to rebellion in others. From the 1880s to the 1920s, three generations of women in both the United States and Britain can be seen challenging many different aspects of women’s subordination and questioning how aspects of human experience were zoned and defined. The American social reformer Mary Beard summed up this integrated vision in 1912: ‘Everything that counts in the common life is political’.
5

The women who tried to alter everyday life and culture along with their own destinies were both dreamers and adventurers, for they explored with only the sketchiest of maps and they headed towards the unknown, courageously interrogating assumed behaviour in personal relationships and in society. They challenged gender divisions, sexual attitudes, family arrangements, ways of doing housework and mothering, existing forms of consumption and paid working conditions. They proposed new approaches to the body, alternative kinds of clothing and food; they turned their attention to how space was used in cities, to the time needed for leisure, to the purposes of work. From their rejection of the familiar came iconoclastic projects, demands and concepts. En route they criticized existing methods of education, delineated new areas of knowledge and subverted existing assumptions about culture. The American writer Kate Chopin crystallized women’s extraordinary bid for new identities, new relationships and new mores in her ‘new woman’ novel of 1899,
The Awakening.

The potpourri of rebels and reformers dreaming of a new day did not comprise a cohesive group or even a ‘tendency’. Their revolt arose from disparate sources: they were driven by fear of moral and social disintegration, by anger against injustice, by visions of utopia and by a resolve to improve everyday living and relating. Nor were they united in outlook or intent. Some aspired to alter existing culture, others to transform the world; some wished to regulate and improve, others to release and liberate. They were, moreover, shaped by dissimilar social backgrounds. Some were upper middle class and keen to cast off privilege;
others were members of the growing in-between strata, educated yet not quite ‘ladies’, uprooted, mobile, and liable to be iconoclastic. Among their ranks, working-class women striving for solidarity stood alongside African-American women linking gender to their emancipation as a race.

The American and British dreamers of a new day came too from opposing political cultures. They might be women, but they were also free thinkers, anarchists, socialists, feminists, communists, moral and social reformers, liberals, progressives, labour movement women, bohemians, sexual radicals or eugenic enthusiasts. Their views ranged from extreme forms of individualism to advocacy of association and collectivism. Some were mystics searching for inner change, while others wanted to concentrate on external reforms. There were women who considered that their sex carried special values which could improve the male public sphere, and others who saw identity as always in flux. Some emphasized social change rather than the suffrage, while others believed that the suffrage would lead to wider reform. Some believed firmly in state planning, others in spontaneity and direct action. There were advocates of expanded productivity and consumption, and women who clung on to the nostrums of thrift and self-help. Some imagined technology taking over daily life, while others propounded the simplification of life.

Though the dreamers started from conflicting vantage points, headed off down contrary tracks and disagreed over solutions, many of their preoccupations overlapped and interacted. This convergence was most evident around the boundaries that marked personal and public identities. In both Britain and the United States, women who braved the public arena found themselves subverting gendered assumptions. The middle-class moral and social reformers, both black and white, who sought to tackle vice or poverty, inadvertently shifted a personal womanly role out into the new habitat of the urban slum. In the process they altered suppositions of what women could do. Along with more radical women who became involved in movements like anarchism, socialism or African-American liberation, they could discover that being active in public spheres raised many personal questions. Some began to wonder why gender issues were deferred into the indefinite future and why men in these movements often considered that the freedoms they sought for themselves were not suitable for women.

BOOK: Dreamers of a New Day
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