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Authors: Ottessa Moshfegh

BOOK: Eileen
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One thing about that Dodge was that it made me sick to drive it. I knew there was something wrong with the exhaust, but at the time I couldn't think of dealing with such a problem. Part of me liked having to roll down the windows, even in the cold. I thought that I was very brave. But really I was scared that if I made a fuss over the car, it would be taken away from me. That car was the one thing in my life that gave me any hope. It was my only means of escape. Before he'd retired, my father had driven it on his days off. He'd wheeled it around town so carelessly—parked up on curbs, screeched around corners, stalled out on no gas at the dead of night, scraped it alongside milk delivery trucks, the side of the AMP building, and so forth. Everybody drove drunk back then, but that was no excuse. I myself was a decent driver. I never sped, never blew through red lights. When it was dark out, I liked to drive slowly, foot barely on the pedal, and watch the town roll by like in a movie. I always imagined other people's homes to be so much nicer than mine, full of polished wood furniture and elegant fireplaces and stockings hung for Christmas. Cookies in the
cupboards, lawn mowers in the garages. It was easy to think of everyone having it better than me back then. Down the block, one illuminated vestibule made me feel particularly disparaged. It had a white bench and a blade by the door like an upturned ice skate to scrape the snow from your boots and a garland of holly hung on the front door. The town was a pretty place, quaint, you'd call it. And unless you've grown up in New England, you don't know the peculiar stillness of a coastal town covered in snow at night. It is not like in other places. The light does something funny at sunset. It seems not to wane but to recede out toward the ocean. The light just gets pulled away.

I'll never forget that bright jangle of the bell over the liquor store door since it rang for me nearly every evening. Lardner's Liquors. I loved it there. It was warm and orderly, and I wandered the aisles for as long as I could, pretending to browse. I knew, of course, where the gin was kept: center aisle on the right if you're facing the cashier, a few feet from the back wall, and just two shelves of it, Beefeater on top and Seagram's below it. Mr. Lewis, who worked there, was so gentle and happy, as though it had never occurred to him just what all that liquor was for. That night, I got the gin, paid, and went back to the car, laid the bottles on the passenger's seat. How odd it is that liquor never freezes. It was the one thing in that place that simply refused the cold. I shivered in the Dodge, turned the key, and drove slowly home. I took the long and scenic route as the darkness fell, I remember.

My father was in his chair in the kitchen when I got back to the house. Nothing special happened that night. It's just a place
to begin. I set the bottles down within his reach on the floor and crumpled the paper bag in my fist, threw it at the pile of trash by the back door. I walked up to the attic. I read my magazine. I went to bed.

So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes—a prison for children. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate.

In a week, I would run away from home and never go back. This is the story of how I disappeared.

FRIDAY

F
riday meant a noxious aroma of fish was wafting up from the basement cafeteria and through the cold quarters where the boys slept, down the linoleum halls and into the windowless office where I spent my days. It was a smell so pungent and punishing I could detect it even outside in the parking lot when I arrived at Moorehead that morning. I had built up the habit of locking my purse in the trunk of my car before I went in to work. There were lockers in the break room behind the office, but I didn't trust the staff. My father had warned me when I'd started there at age twenty-one, naive beyond reproach, that the most dangerous individuals in a prison are not the criminals but the very people who work there. I can confirm this to be true. Those were perhaps the wisest words my father ever told me.

I'd packed a lunch consisting of two squares of Wonderbread, buttered and packaged in tinfoil, and a can of tuna fish. It was Friday and I didn't want to go to hell, after all. I did my best to smile and nod at my coworkers, both awful middle-aged women
with stiff hairdos who barely looked up from their romance novels unless the warden was around. Their desks were littered with yellow cellophane wrappers from caramel candies which they each kept in fake crystal bowls on the corners of their desks. As awful as they were, the office ladies ranked low on the list of despicable characters in my life over the years. Working day shifts in the office with them, I really didn't have it so bad. Having a desk job meant I rarely had to interact with one of the four or five terrifying and pig-nosed correctional officers whose job it was to mend the wicked ways of Moorehead's young residents. They were like army sergeants, rapping boys with batons on the backs of their legs as they shuffled around, restraining them in schoolyard-style choke holds. I tried to look the other way when things got hairy. Mostly I looked up at the clock.

The overnight guards would get off shift at eight, when I arrived, and I never knew them, though I remember their exhausted faces—one was a loping idiot and the other a balding veteran with tobacco-stained fingers. They're not important. But one daytime guard was just wonderful looking. He had big hound-dog eyes, a strong profile still softened with youth and what I thought, of course, was some sort of magical sadness about him, and hair that gleamed in a high ducktail—Randy. I liked to watch him from my desk. He sat in the hallway that connected the office to the rest of the facility. He wore the standard starched gray uniform, well-oiled motorcycle boots, a heavy set of keys clipped to his belt loop. He had a way of sitting with one flank on the stool, one off, a foot hanging midair, a posture which presented his crotch as though on a platter for
me to gaze at. I was not his type, and I knew so, and that pained me though I never would have admitted it. His type was pretty, long-legged, pouty, probably blond, I suspected. Still, I could dream. I spent many hours watching his biceps flick and pump as he turned each page of his comic book. When I imagine him now, I think of the way he'd swerve a toothpick around in his mouth. It was beautiful. It was poetry. I asked him once, nervous and ridiculous, whether he felt cold wearing just short sleeves in winter. He shrugged. Still waters ran deep, I thought, nearly swooning. It was pointless to fantasize, but I couldn't help imagine one day he'd throw stones at my attic window, motorcycle steaming out in front of the house, melting the whole town to hell. I was not immune to that sort of thing.

Though I didn't drink coffee—it made me dizzy—I walked to the corner where the coffee pot was because there was a mirror on the wall above it. Looking at my reflection really did soothe me, though I hated my face with a passion. Such is the life of the self-obsessed. The time I languished in the agony of not being beautiful was more than I care to admit even now. I rubbed a crumb of sleep from my eye and poured myself a cup of cream, sweetened it with sugar and Carnation malted milk, which I kept in my desk drawer. Nobody commented on this strange cocktail. Nobody paid any attention to me at all in that office. The office women were all so soured and flat and cliquish. I suspected at the time they were secretly homosexual for each other. Such persuasions were more and more on one's mind back then, townsfolk ever watchful for the errant “latent homosexual” on the prowl. My suspicions about the office
ladies weren't necessarily disparaging. It helped me to have a little compassion when I imagined them going home at night to their disgusting husbands, so bitter, so lonely. On the other hand, to think of them with their blouses unbuttoned, hands in each other's brassieres, legs spread, made me want to vomit.

There was a small section in a book I'd found in the public library that showed casts of faces taken of figures such as Lincoln, Beethoven, and Sir Isaac Newton after they'd died. If you've ever seen a real dead body you know that people never die with such complacent grins, such blankness. But I used their plaster casts as a guide and practiced very diligently in the mirror, relaxing my face while keeping an aura of benign resilience, such as I saw in those dead men's faces. I mention it because it is the face I wore at work, my death mask. Being as young as I was, I was terribly sensitive, and determined never to show it. I steeled myself from the reality of the place, this Moorehead. I had to. Misery and shame surrounded me, but not once did I run to the bathroom crying. Later that morning, delivering mail to the warden's office, which was within the complex of chambers where the boys studied and had recreational activities, I passed a corrections officer—Mulvaney or Mulroony or Mahoney, they all seemed the same—twisting a boy's ear as he knelt down in front of him. “You think you're special?” he asked. “See the dirt on the floor? You matter less than a speck of that dirt between those tiles.” He pushed the boy's head down face first into his boots, big and steel-toed, hard enough to club someone to death. “Lick it,” said the officer. I watched the boy's lips part, then I looked away.

The warden's secretary was a woman so steely-eyed and fat she appeared never to be breathing, her heart never beating. Her death mask was impressive. The only sign of life she ever gave was when she lifted a finger to her mouth and a centimeter of pale lavender tongue came out to wet its tip. She leafed through the stack of envelopes I handed her robotically, then turned away. I lingered for a minute or two, pretending to count days on the calendar hanging on the wall by her desk. “Five days till Christmas,” I said, trying to sound cheerful.

“Praise God,” she replied.

I often think of Moorehead and its laughable credo,
parens patriae,
and cringe. The boys at Moorehead were all so young, just children. They frightened me at the time because I felt they didn't like me, didn't find me attractive. So I tried to cast them off as dunces and wild animals. Some of them were grown, tall and handsome. I was not immune to those boys either.

Back at my desk, there was plenty I could have pondered. It was 1964, so much on the horizon. In every direction something was getting torn down or built up, but I mostly pondered myself and my own misery while I arranged my pens in the cup, crossed off the day on my desk calendar. The second hand on the clock shook and bolted forward like someone at first terrified with anxiety, then, bolstered by desperation, jumping off a cliff only to get stuck in midair. My mind wandered. Randy, more than anywhere else, was where it liked to go. When my paycheck came that Friday, I folded it and slipped it into my bosom, which was hardly a bosom. Just small, hard mounds, really, which I hid beneath layers of cotton underthings, a blouse, a wool jacket. I
still had that pubescent fear that when people looked at me, they could see through my clothes. I suspect nobody was fantasizing about my naked body, but I worried that when anyone's eyes cast downward, they were investigating my nether regions and could somehow decipher the complex and nonsensical folds and caverns wrapped up so tightly down there between my legs. I was always very protective of my folds and caverns. I was still a virgin, of course.

I suppose my prudishness did its duty and saved me from a difficult life such as my sister's. She was older than me and not a virgin at all and lived with a man who was not her husband a few towns over—“whore” is what our mother had called her. Joanie was perfectly nice, I suppose, but she had a dark, gluttonous streak beneath her buoyant, girlish exterior. She once told me how Cliff, her boyfriend, liked to “taste” her as she woke up in the mornings. She laughed as my face contorted in perplexity, then turned red and cold when I caught her drift. “Isn't that funny? Isn't that the most?” she tittered. I envied her plenty, sure, but I never let on. I didn't really want what she had. Men, boys, the prospect of coupling with one of them seemed ridiculous. The most I desired was a wordless affair. But even that scared me. I had my crush on Randy and a few others, but they never went anywhere. Oh, those poor nether regions of mine, swaddled like a baby in a diaper in thick cotton underpants and my mother's old strangulating girdle. I wore lipstick not to be fashionable, but because my bare lips were the same color as my nipples. At twenty-four I would give nothing to aid any imagining of my naked body.
Meanwhile, it seemed, most young women were intent on doing the opposite.

There was a party at the prison that day. Dr. Frye was retiring. He'd been the very elderly man in charge of doling out gross amounts of sedatives to the boys for decades as the prison's psychiatrist. He must have been in his eighties. I'm old now myself, but when I was young I really didn't care for elderly people. I felt their very existence undermined me. I couldn't have cared less that Dr. Frye was leaving. I signed the card when it crossed my desk with precise, schoolgirl cursive, wrist bent high in sarcasm: “So long.” I remember the image on the front was a black ink drawing of a cowboy riding off into the sunset. Good grief. Over the years at Moorehead, Dr. Frye would come occasionally to observe the family visits, which it was my duty to administrate on a daily basis, and I'd watched him stand at the open doorway to the visitation room, nodding and clacking his gums and hmming, and now and then interjecting with long, wobbling fingers to point for the child to sit up straight, answer the question, apologize, and so on. And he never once said “Hello,” or “How are you, Miss Dunlop?” I was invisible. I was furniture. After lunch—I think I left that can of tuna in my locker, uneaten—they called the staff to the cafeteria for cake and coffee to bid Dr. Frye adieu, and I declined to participate. I sat at my desk and did nothing, just stared at the clock. At some point I got an itch in my underwear, and since there was nobody to see me, I stuck my hand up my skirt to get at it. As swaddled as they were, my nether regions were difficult to scratch. So I had to dig my hand down the front of my skirt, under the girdle,
inside the underwear, and when the itch had been relieved, I pulled my fingers out and smelled them. It's a natural curiosity, I think, to smell one's fingers. Later, when the day was done, these were the fingers I extended, still unwashed, to Dr. Frye when I wished him a happy retirement on his way out the door.

 • • • 

W
orking at Moorehead, I wouldn't say I was sheltered, exactly. But I was isolated. I did not get out much at all. The town where I lived and had grown up—I'll call it X-ville—had no tracks of which there could be a wrong side per se. There were grittier areas, however, for the blue-collar and troubled people, a bit closer to the ocean, and I'd driven past their ramshackle houses with yards littered with children's toys and garbage only a few times. Seeing the people on the roads, so forlorn and angry and uninterested, delighted me and scared me and made me feel ashamed not to be so poor. But the streets in my neighborhood were all tree lined and orderly, houses loved and tended to with pride and affection and a sense of civic order that made me ashamed to be so messy, so broken, so bland. I didn't know that there were others like me in the world, those who didn't “fit in,” as people like to put it. Furthermore, as is typical for any isolated, intelligent young person, I thought I was the only one with any consciousness, any awareness of how odd it was to be alive, to be a creature on this strange planet Earth. I've seen episodes of
The Twilight Zone
which illustrate the kind of straight-faced derangement I felt in X-ville. It was very lonely.

Boston in all its brick and ivy gave me hope that there was
intelligent life out there, young people living as they pleased. Freedom was not so far away. I'd gone there only once, a trip I took with my mother to see a doctor when she was dying, a doctor who couldn't cure her but who did prescribe medicine that would make her “comfortable,” as he called it. Such an excursion felt glamorous to me back then. It's true that I was twenty-four. I was an adult. You'd think I could have driven anywhere I wished. Indeed, my last summer in X-ville, toward the end of one of my father's longer benders, I took a trip down the coast. My car ran out of gas and I was stranded on a country road just an hour from home until an older woman stopped and gave me a dollar and a ride to the filling station and told me to “plan ahead next time.” I remember the wise woggle of her double chin as she steered the car. She was a country woman, and I respected her. That was when I began to fantasize about my disappearance, convincing myself bit by bit that the solution to my problem—the problem being my life in X-ville—was in New York City.

It was a cliché then and it's a cliché now, but having heard “Hello, Dolly!” on the radio, it seemed wholly possible for me to show up in Manhattan with money for a room in a boardinghouse and have my future roll out automatically, without my having to think too hard about it. It was just a daydream, but I fed it as best I could. I started saving my own money in cash hidden in the attic. It was my responsibility to deposit my father's pension checks, which the X-ville police department sent at the beginning of each month, at the X-ville Bank, where the tellers called me Mrs. Dunlop, my mother's name, and, I thought, would have no problem emptying the account and handing me
an envelope of hundred-dollar bills from the Dunlops' savings if I lied and said I was buying a new car.

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