Eleven Minutes (17 page)

'What do you know about pain, suffering and pleasure?'

She had once again failed to keep her thoughts to herself. Ralf stopped eating his pizza.

'Everything. And it doesn't interest me in the least.'

The reply had been instant, and Maria was shocked. Was she
the only person in the world who didn't know everything? What kind of world was this?

'I've confronted my demons and my dark side,' Ralf went
on. 'I've been to the very depths and tried everything, not just in that area, but in many others too. On the last night
we met, however, I went beyond my limits through desire, not pain. I plunged into the depths of my soul and I know that I still want good things, many good things from this life.'

He wanted to say: 'One of those good things is you, so, please, don't go down that path.' But he didn't have the courage; instead, he called a taxi and asked the driver to
take them to the lake shore, where, an eternity before, they had walked together on the day they first met. Maria understood the request and said nothing; her instinct told
her that she had a lot to lose, although her mind was still drunk on what had happened the night before.

She only awoke from her passive state when they reached
the gardens beside the lake; although it was stil summer, it was already starting to get very cold at night.

'What are we doing here?' she asked, as they got out of the taxi. 'It's windy. I might catch a cold.'

'I've been thinking about what you said at the train
station, about suffering and pleasure. Take your shoes off.' She remembered that once, one of her clients had asked the same thing, and had been aroused simply by looking at her feet. Would Adventure never leave her in peace?

'I'll catch a cold.'

'Do as I say,' he insisted. 'You won't catch a cold if we're quick. Believe in me, as I believe in you.'

For some reason, Maria realised that he was trying to help her; perhaps because he himself had once drunk of some very bitter water and was afraid that she was running the same risk. She didn't want to be helped; she was happy with her
new world, in which she was learning that suffering wasn't a problem any more. Then she thought of Brazil, of the impossibility of finding a partner with whom to share that different universe, and since Brazil was the most important thing in her life, she took off her shoes. The ground was covered in small stones that immediately tore her stockings, but that didn't matter, she could buy some more.

'Take off your jacket.'

She could have said 'no', but, since last night, she had gotten used to the joy of saying 'yes' to everything that came
her way. She took off her jacket, and her body, still warm, took a while to react, then gradually the cold began to get to her.

She can talk and walk at the same time.'

'I can't walk here, the ground's covered in stones.'

'Exactly. I want you to feel these stones, I want them to hurt you and bruise you, because, just as I did, you have started to associate suffering with pleasure, and I need to tear that out of your soul.'

Maria felt like saying: 'There's no need, I like it.'

Instead, she began walking slowly along, and the soles of her feet began to burn with the cold and the sharp edges of the stones.

'One of my exhibitions took me to Japan, just when I was immersed in what you called “pain, suffering and pleasure”.

At the time, I thought there was no way back, that I would go deeper and deeper down, until there was nothing left in my
life but the desire to punish and be punished.

'After all, we are human beings, we are born full of guilt; we feel terrified when happiness becomes a real possibility; and we die wanting to punish everyone else
because we feel impotent, ill-used and unhappy. To pay for one's sins and be able to punish the sinners, wouldn't that be delicious? Oh, yes, wonderful.'

Maria was still walking, the pain and the cold were making
it hard for her to concentrate on what he was saying, but she was doing her best.

'I noticed the marks on your wrists today.'

The handcuffs. She had put on several bracelets to
disguise the marks, but the expert eye knows what to look for.

'Now, if your recent experiences are leading you to take
that step, I won't stop you, but you should know that none of it has anything to do with real life.'

'Take what step?'

'Into pain and pleasure, sadism and masochism. Call it
what you like, but if you're sure that's the right path for
you, I will be sad, I'll remember that feeling of desire, our meetings, our walk along the road to Santiago, your light. I will treasure the pen you gave me, and every time I light the fire, I will remember you. But I will never again come
looking for you.'

Maria felt afraid; she felt it was time to recant, to tell
him the truth, to stop pretending that she knew more than he did.

'What I experienced recently - last night, in fact - was something I've never experienced before. And it frightens me
to think that I could only find myself at the very limits of degradation.'

It was becoming difficult to speak - her teeth were chattering and her feet were really hurting.

'My exhibition was held in a region called Kumano, and one
of the people who came to see it was a woodcutter,' Ralf went on, as if he hadn't heard what she had said. 'He didn't like
my pictures, but he was able to see, through the paintings, what I Was experiencing and feeling. The following day, he
came to my hotel and asked me if I was happy; If I was, I should continue doing what I liked. If I wasn't, I should go and spend a few days with him.

'He made me walk on stones, just as I am making you do
today. He made me feel the cold. He forced me to understand the beauty of pain, except that the pain was imposed by
nature, not by man. He called this shu-gen-do, a very ancient practice apparently.

'He told me that I was someone who wasn't afraid of pain, and that was good, because in order to master the soul, one must also learn to master the body. He told me, too, that I was using pain in the wrong way, and that was very bad.

'This uneducated woodcutter thought he knew me better than
I did myself, and that annoyed me, but at the same time, I felt proud to think that my paintings were capable of expressing exactly what I was feeling.'

Maria was aware of a sharp stone cutting into her foot, but she could barely feel it for the cold, her body was
growing numb, and she could only just follow what Ralf Hart
was saying. Why was it that in God's holy world men were only interested in showing her pain. Sacred pain, pain with
pleasure, pain with explanations or without, but always pain, pain, pain ...

Her cut foot stumbled on another stone; she smothered a
cry and continued on. At first, she had managed to maintain
her integrity, her self-control, what he called her 'light'. Now, though, she was walking very slowly, with both her
stomach and her mind churning: she felt as if she were about to throw up. She considered stopping, because none of this made any sense, but she didn't.

And she didn't stop out of respect for herself; she could stand that barefoot walk as long as she had to, because it wouldn't last all her life. And suddenly another thought crossed her mind: what if she couldn't go to
the Copacabana tomorrow night because she had injured feet, or because of a fever brought on by the flu that would
doubtless install itself in her overexposed body? She
thought of the customers who would be expecting her, of Milan who so trusted her, of the money she wouldn't earn, of the
farm, of her proud parents. But the suffering soon drove out all such thoughts, and she kept placing one foot in front of the other, longing for Ralf Hart to recognise the effort she
was making and to tell her she could stop and put her shoes back on again.

He seemed entirely indifferent, distant, as if this were
the only way of freeing her from something she didn't as yet really know about, something she found very seductive, but which would leave far deeper marks than any handcuffs.

Although she knew he was trying to help her, and however hard she tried to go forward and show him the light of her willpower, the pain would not allow her any thoughts, noble
or profane; it was just pain, rilling everything, frightening her and forcing her to think that she did have limits and
that she wasn't going to make it. But she took one step.

And another.

The pain seemed about to invade her soul now and undermine her spiritually, because it's one thing to put on a bout of theatre in a five-star hotel, naked, with vodka and caviar inside you and a whip between your legs, but it's quite another to be cold and barefoot, with stones laceratng your feet. She was disoriented, she couldn't think of a Single thing to say to Ralf Hart; all that existed in her
lverse were those small, sharp stones that formed the Path between the trees.

Then, just when she thought she was about to give up, she
was filled by a strange feeling: she had reached her limit, and beyond it was an empty space, in which she seemed to float above herself, unaware of what she was feeling. Was
this what the penitents had experienced? At the far extremity
of pain, she had discovered a door into a different level of consciousness, and there was no room now for anything but implacable nature and her own invincible self.

Everything around her became a dream: the ill-lit garden, the dark lake, the man walking beside her, saying nothing, the occasional couple out for a stroll, who failed to notice that she was barefoot and having difficulty walking. She
didn't know if it was the cold or the pain, but she suddenly lost all sense of her own body and entered a state in which there was no desire and no fear, only a mysterious - how
could she describe it? - a mysterious peace. The pain barrier was not a barrier for her; she could go beyond it.

She thought of all the people enduring unasked-for
suffering and there she was, bringing suffering upon herself, but that didn't matter any more, she had crossed the
frontiers of the body, and now there was only soul, 'light', a kind of void, which someone, some day, called Paradise.

There are certain sufferings which can only be forgotten once we have succeeded in floating above our own pain.

The next thing she knew, Ralf was picking her up ana putting his jacket around her shoulders. She must have
fainted from the cold, but she didn't care; she was happY' she hadn't been afraid - she had come through. She had not humbled herself before him.

The minutes became hours, she must have gone to sleep in his arms, because when she woke up, although it was still
dark, she was in a room with a TV in one corner, and nothing else. White, empty.

Ralf appeared with a cup of hot chocolate.

'Good,' he said. 'You got to the place you needed to get to.'

'I don't want hot chocolate, I want wine. And I want to go downstairs to our place by the fire, with books all around us.'

She had said 'our place'. That wasn't what she had planned.

She looked at her feet; apart from a small cut, there were just a few red marks, which would disappear in a few
hours' time. With some difficulty, she went downstairs, without really looking around her. She went and sat down on the rug by the fire - she had discovered that she always
sit good there, as if that really was her 'place' in the house.

The woodcutter told me that whenever you do some amount
of physical exercise, when you demand the maximum from your body, the mind gains a strange spiritual strength, which has to do with the “light” I saw in you. What did you feel?'

felt that pain is woman's friend.'

'That is the danger.'

'I also felt that pain has its limits.'

'That is the salvation. Don't forget that.'

Maria's mind was still confused; she had experienced that
'peace' when she had gone beyond her own limits. He had shown her a different kind of suffering that had also given her a strange pleasure.

Ralf picked up a large file and opened it up in front of her. It contained drawings.

'The history of prostitution. That's what you asked me for when we met.'

Yes, she had, but it had only been a way of making conversation, of trying to appear interesting. It was of no importance now.

'All this time, I've been sailing in uncharted waters. I
didn't think there was a history, I thought it was just the oldest profession in the world, as people say. But there is a history, or, rather, two histories.'

'And what are these drawings?'

Ralf Hart looked slightly disappointed at her apparent
lack of interest in what he had said, but quickly set aside these feelings and went on.

'They're the things I jotted down as I was reading, researching, learning.'

'Let's talk about that another day. I don't want to change the subject today. I need to understand about pain.

'You experienced pain yesterday and you discovered that it led to pleasure. You experienced it today and found peace. That's why I'm telling you: don't get used to it
because it's very easy to become habituated; it's a very powerful drug. It's in our daily lives, in our hidden suffering, in the sacrifices we make, blaming love for the destruction of our dreams. Pain is frightening when it shows its teal face, but it's seductive when it comes disguised as sacrifice or self-denial. Or cowardice. However much we may reject it, we human beings always find a way of being with pain, of flirting with it and making it part of our lives.'

'I don't believe that. No one wants to suffer.' 'If you think you can live without suffering, that's a great step forward, but don't imagine that other people will understand you. True, no one wants to suffer, and yet nearly everyone seeks out pain and sacrifice, and then they feel justified, pure, deserving of the respect of their children, husbands, neighbours, God. Don't let's think about that now; all you
need to know is that what makes the world go round is not the search for pleasure, but the renunciation of all that is important.

'Does a soldier go to war in order to kill the enemy? No, he goes in order to die for his country. Does a wife want to show her husband how happy she is? No, she wants him to see how devoted she is, how she suffers in order to make him happy. Does the husband go to work thinking he will find personal fulfilment there? No, he is giving his sweat and tears for the good of the family. And so it goes on: sons
give up their dreams to please their parents, parents give up their lives in order to please their children; pain and
suffering are used to justify the one thing that should bring only love.'