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Authors: L. M. Montgomery

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CHAPTER 2

A Watch in the Night

Emily stood quite still and looked up at Ellen's broad, red face—as still as if she had been suddenly turned to stone. She felt as if she had. She was as stunned as if Ellen had struck her a physical blow. The color faded out of her little face and her pupils dilated until they swallowed up the irises and turned her eyes into pools of blackness. The effect was so startling that even Ellen Greene felt uncomfortable.

“I'm telling you this because I think it's high time you was told,” she said. “I've been at your pa for months to tell you, but he's kept putting it off and off. I says to him, says I, ‘You know how hard she takes things, and if you drop off sudden some day it'll most kill her if she hasn't been prepared. It's your duty to prepare her,' and he says, says he, ‘There's time enough yet, Ellen.' But he's never said a word, and when the doctor told me last night that the end might come any time now, I just made up my mind that
I
'd do what was right and drop a hint to prepare you. Laws-a-massy, child, don't look like that! You'll be looked after. Your ma's people will see to that—on account of the Murray pride, if for no other reason. They won't let one of their own blood starve or go to strangers—even if they have always hated your pa like p'isen. You'll have a good home—better'n you've ever had here. You needn't worry a mite. As for your pa, you ought to be thankful to see him at rest. He's been dying by inches for the last five years. He's kept it from you, but he's been a great sufferer. Folks say his heart broke when your ma died—it came on him so sudden-like—she was only sick three days. That's why I want you to know what's coming, so's you won't be all upset when it happens. For mercy's sake, Emily Byrd Starr, don't stand there staring like that! You give me the creeps! You ain't the first child that's been left an orphan and you won't be the last. Try and be sensible. And don't go pestering your pa about what I've told you, mind that. Come you in now, out of the damp, and I'll give you a cookie 'fore you go to bed.”

Ellen stepped down as if to take the child's hand. The power of motion returned to Emily—she must scream if Ellen even touched her
now
. With one sudden, sharp, bitter little cry she avoided Ellen's hand, darted through the door and fled up the dark staircase.

Ellen shook her head and waddled back to her kitchen.

“Anyhow, I've done
my
duty,” she reflected. “He'd have just kept saying ‘time enough' and put it off till he was dead and then there'd have been no managing her. She'll have time now to get used to it, and she'll brace up in a day or two. I will say for her she's got spunk—which is lucky, from all I've heard of the Murrays. They won't find it easy to overcrow
her
. She's got a streak of their pride, too, and that'll help her through. I wish I dared send some of the Murrays word that he's dying, but I don't dast go that far. There's no telling what
he
'd do. Well, I've stuck on here to the last and I ain't sorry. Not many women would 'a' done it, living as they do here. It's a shame the way that child's been brought up—never even sent to school. Well, I've told him often enough what I've thought of it—it ain't on
my
conscience, that's one comfort. Here, you Sal-thing, you git out! Where's Mike, too?”

Ellen could not find Mike for the very good reason that he was upstairs with Emily, held tightly in her arms, as she sat in the darkness on her little cot bed. Amid her agony and desolation there was a certain comfort in the feel of his soft fur and round velvety head.

Emily was not crying; she stared straight into the darkness, trying to face the awful thing Ellen had told her. She did not doubt it—something told her it was true. Why couldn't she die, too? She couldn't go on living without Father.

“If I was God I wouldn't let things like this happen,” she said.

She felt it was very wicked of her to say such a thing—Ellen had told her once that it was the wickedest thing anyone could do to find fault with God. But she didn't care. Perhaps if she were wicked enough God would strike her dead and then she and Father could keep on being together.

But nothing happened—only Mike got tired of being held so tightly and squirmed away. She was all alone now, with this terrible burning pain that seemed all over her and yet was not of the body. She could never get rid of it. She couldn't help it by writing about it in the old yellow account book. She had written there about her Sunday School teacher going away, and of being hungry when she went to bed, and Ellen telling her she must be half crazy to talk of Wind Women and flashes; and after she had written down all about them these things hadn't hurt her any more. But this couldn't be written about. She could not even go to Father for comfort, as she had gone when she burned her hand so badly, picking up the red-hot poker by mistake. Father had held her in his arms all that night and told her stories and helped her to bear the pain. But Father, so Ellen had said, was going to die in a week or two. Emily felt as if Ellen had told her this years and years ago. It surely couldn't be less than an hour since she had been playing with the Wind Woman in the barrens and looking at the new moon in the pinky-green sky.

“The flash will never come again—it can't,” she thought.

But Emily had inherited certain things from her fine old ancestors—the power to fight—to suffer—to pity—to love very deeply—to rejoice—to endure. These things were all in her and looked out at you through her purplish-gray eyes. Her heritage of endurance came to her aid now and bore her up. She must not let Father know what Ellen had told her—it might hurt him. She must keep it all to herself and
love
Father, oh, so much, in the little while she could yet have him.

She heard him cough in the room below: she must be in bed when he came up; she undressed as swiftly as her cold fingers permitted and crept into the little cot bed which stood across the open window. The voices of the gentle spring night called to her all unheeded—unheard the Wind Woman whistled by the eaves. For the fairies dwell only in the kingdom of Happiness; having no souls they cannot enter the kingdom of Sorrow.

She lay there cold and tearless and motionless when her father came into the room. How very slowly he walked—how very slowly he took off his clothes. How was it she had never noticed these things before? But he was not coughing at all. Oh, what if Ellen were mistaken?—what if—a wild hope shot through her aching heart. She gave a little gasp.

Douglas Starr came over to her bed. She felt his dear nearness as he sat down on the chair beside her, in his old red dressing-gown. Oh, how she loved him! There was no other Father like him in all the world—there never could have been—so tender, so understanding, so wonderful! They had always been such chums—they had loved each other so much—it couldn't be that they were to be separated.

“Winkums, are you asleep?”

“No,” whispered Emily.

“Are you sleepy, small dear?”

“No—no—not sleepy.”

Douglas Starr took her hand and held it tightly.

“Then we'll have our talk, honey. I can't sleep either. I want to tell you something.”

“Oh—I know it—I know it!” burst out Emily. “Oh, Father, I know it! Ellen told me.”

Douglas Starr was silent for a moment. Then he said under his breath, “The old fool—the
fat
old fool!”—as if Ellen's fatness was an added aggravation of her folly. Again, for the last time, Emily hoped. Perhaps it was all a dreadful mistake—just some more of Ellen's fat foolishness.

“It—it isn't true, is it, Father?” she whispered.

“Emily, child,” said her father, “I can't lift you up—I haven't the strength—but climb up and sit on my knee—in the old way.”

Emily slipped out of bed and got on her father's knee. He wrapped the old dressing-gown about her and held her close with his face against hers.

“Dear little child—little beloved Emilykin, it is quite true,” he said, “I meant to tell you myself tonight. And now that old absurdity of an Ellen has told you—brutally, I suppose—and hurt you dreadfully. She has the brain of a hen and the sensibility of a cow. May jackals sit on her grandmother's grave!
I
wouldn't have hurt you, dear.”

Emily fought something down that wanted to choke her.

“Father, I can't—I can't bear it.”

“Yes, you can and will. You will live because there is something for you to do, I think. You have my gift—along with something I never had. You will succeed where I failed, Emily. I haven't been able to do much for you, sweetheart, but I've done what I could. I've taught you something, I think—in spite of Ellen Greene. Emily, do you remember your mother?”

“Just a little—here and there—like lovely bits of dreams.”

“You were only four when she died. I've never talked much to you about her—I couldn't. But I'm going to tell you all about her tonight. It doesn't hurt me to talk of her now—I'll see her so soon again. You don't look like her, Emily—only when you smile. For the rest, you're like your namesake, my mother. When you were born I wanted to call you Juliet, too. But your mother wouldn't. She said if we called you Juliet then I'd soon take to calling her ‘Mother' to distinguish between you, and she couldn't endure
that
. She said her Aunt Nancy had once said to her, ‘The first time your husband calls you “Mother” the romance of life is over.' So we called you after my mother—
her
maiden name was Emily Byrd. Your mother thought Emily the prettiest name in the world,—it was quaint and arch and delightful, she said. Emily, your mother was the sweetest woman ever made.”

His voice trembled and Emily snuggled close.

“I met her twelve years ago, when I was sub-editor of the
Enterprise
up in Charlottetown and she was in her last year at Queen's. She was tall and fair and blue-eyed. She looked a little like your Aunt Laura, but Laura was never so pretty. Their eyes were very much alike—and their voices. She was one of the Murrays from Blair Water. I've never told you much about your mother's people, Emily. They live up on the old north shore at Blair Water on New Moon Farm—always have lived there since the first Murray came out from the Old Country in 1790. The ship he came on was called the
New
Moon
and he named his farm after her.”

“It's a nice name—the new moon is such a pretty thing,” said Emily, interested for a moment.

“There's been a Murray ever since at New Moon Farm. They're a proud family—the Murray pride is a byword along the north shore, Emily. Well, they had some things to be proud of, that cannot be denied—but they carried it too far. Folks call them ‘the chosen people' up there.

“They increased and multiplied and scattered all over, but the old stock at New Moon Farm is pretty well run out. Only your Aunts, Elizabeth and Laura, live there now, and their cousin, Jimmy Murray. They never married—could not find anyone good enough for a Murray, so it used to be said. Your Uncle Oliver and your Uncle Wallace live in Summerside, your Aunt Ruth in Shrewsbury and your Great-Aunt Nancy at Priest Pond.”

“Priest Pond—that's an
interesting
name—not a pretty name like New Moon and Blair Water—but interesting,” said Emily. Feeling Father's arm around her the horror had momentarily shrunk away. For just a little while she ceased to believe it.

Douglas Starr tucked the dressing-gown a little more closely around her, kissed her black head, and went on.

“Elizabeth and Laura and Wallace and Oliver and Ruth were old Archibald Murray's children. His first wife was their mother. When he was sixty he married again—a young slip of a girl—who died when your mother was born. Juliet was twenty years younger than her half-family, as she used to call them. She was very pretty and charming and they all loved and petted her and were very proud of her. When she fell in love with me, a poor young journalist, with nothing in the world but his pen and his ambition, there was a family earthquake. The Murray pride couldn't tolerate the thing at all. I won't rake it all up—but things were said I could never forget or forgive. Your mother married me, Emily—and the New Moon people would have nothing more to do with her. Can you believe that, in spite of it, she was never sorry for marrying me?”

Emily put up her hand and patted her father's hollow cheek.


Of
course
she wouldn't be sorry.
Of
course
she'd rather have you than all the Murrays of any kind of a moon.”

Father laughed a little—and there was just a note of triumph in his laugh.

“Yes, she seemed to feel that way about it. And we were so happy—oh, Emilykin, there never were two happier people in the world. You were the child of that happiness. I remember the night you were born in the little house in Charlottetown. It was in May and a west wind was blowing silvery clouds over the moon. There was a star or two here and there. In our tiny garden—everything we had was small except our love and our happiness—it was dark and blossomy. I walked up and down the path between the beds of violets your mother had planted—and prayed. The pale east was just beginning to glow like a rosy pearl when someone came and told me I had a little daughter. I went in—and your mother, white and weak, smiled just that dear, slow, wonderful smile I loved, and said, ‘We've—got—the only—baby—of any importance—in—the world, dear. Just—think—of that!'”

“I wish people could remember from the very moment they're born,” said Emily. “It would be so very interesting.”

“I dare say we'd have a lot of uncomfortable memories,” said her father, laughing a little. “It can't be very pleasant getting used to living—no pleasanter than getting used to stopping it. But you didn't seem to find it hard, for you were a good wee kidlet, Emily. We had four more happy years and then—do you remember the time your mother died, Emily?”

BOOK: Emily of New Moon
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