Everything I Never Told You (32 page)

There is so much more to do, so much yet to be mended. But for now, he thinks only of this, his daughter, here in his arms. He had forgotten what it was like to hold a child—to hold anyone—like that. How their weight sank into you, how they clung instinctively. How they trusted you. It is a long time before he is ready to let her go.

And when Marilyn wakes and comes downstairs, just as the light is fading, this is what she finds: her husband cradling their youngest in a circle of lamplight, a tender look of calm on his face.

“You’re home,” Marilyn says. All of them know it is a question.

“I’m home,” James says, and Hannah rises on tiptoes, edging toward the door. She can feel the room is poised on the edge—of what, she’s not sure, but she does not want to destroy this beautiful, sensitive balance. Accustomed to being overlooked, she sidles toward her mother, ready to slip by unnoticed. Then Marilyn touches a gentle hand to her shoulder, and Hannah’s heels land on the floor with a surprised thump.

“It’s all right,” Marilyn says. “Your father and I just need to talk.” Then—and Hannah flushes with delight—she kisses her on the head, right where the hair parts, and says, “We’ll see you in the morning.”

Halfway up the steps, Hannah pauses. From downstairs, she hears only a low murmur of voices, but for once she does not creep back down to listen.
We’ll see you in the morning,
her mother had said, and she takes this as a promise. She tiptoes across the landing—past Nath’s room, where behind the closed door her brother lies in a dreamless sleep, the remnants of the whiskey slowly steaming from his pores; past Lydia’s room, which looks, in the dark, like nothing has changed, though nothing could be further from the truth; all the way up to her own room, where through the windows the lawn outside is just beginning to turn from inky blue to black. Her glow-in-the-dark clock reads just past eight, but it feels later, like the middle of the night, the darkness quiet and thick as a down comforter. She wraps that feeling around her. From up here, she can’t hear her parents talking. But it’s enough to know that they’re there.

•   •   •

Downstairs, Marilyn lingers in the doorway, one hand on the jamb. James tries to swallow, but something hard and sharp lodges in his throat, like a fishbone. Once he had been able to read his wife’s mood even from her back. By the tilt of her shoulders, by the shifting of her weight from left foot to right, he would have known what she was thinking. But it’s been a long time since he looked at her carefully, and now, even face-to-face, all he can see are the faint wrinkles at the corners of her eyes, the faint wrinkles where her blouse has been crushed, then straightened.

“I thought you’d gone,” she says at last.

When James’s voice squeezes around the sharp thing in his throat, it comes out thin and scratched. “I thought you had.”

And for the moment, this is everything they need to say.

Some things they will never discuss: James will never talk to Louisa again, and he will be ashamed of this for as long as he lives. Later, slowly, they will piece together other things that have never been said. He will show her the coroner’s report; she will press the cookbook into his hands. How long it will be before he speaks to his son without flint in his voice; how long it will be before Nath no longer flinches when his father speaks. For the rest of the summer, and for years after that, they will grope for the words that say what they mean: to Nath, to Hannah, to each other. There is so much they need to say.

In this moment of silence, something touches James’s hand, so light he can barely feel it. A moth, he thinks. The sleeve of his shirt. But when he looks down, he sees Marilyn’s fingers curled over his, the merest curve as they squeeze. He has almost forgotten what it felt like, to touch her. To be forgiven even just this much. He bows his head and rests it on the back of her hand, overwhelmed with gratitude at having one more day.

In bed, they touch each other gently, as if it’s the first time they’ve ever been together: his hand sliding carefully across the small of her back, her fingers careful and deliberate as she undoes the buttons of his shirt. Their bodies are older now; he can feel his shoulders sagging, he can see the silver scars from childbirth crisscrossing just below her waistline. In the dark they are careful of each other, as if they know they are fragile, as if they know they can break.

•   •   •

In the night, Marilyn wakes and feels her husband’s warmth beside her, smells the sweet scent of him, like toast, mellowed and organic and bittersweet. How lovely it would be to stay curled here against him, to feel his chest rising and falling against her, as if it were her own breath. Right now, though, there is something else she must do.

At the doorway to Lydia’s room, she pauses with her hand on the knob and rests her head against the frame, remembering that last evening together: how a glint of light had caught Lydia’s water glass and she’d looked at her daughter across the table and smiled. Spinning out her daughter’s future, brimming with confidence, she’d never imagined even for a second that it might not happen. That she might be wrong about anything.

That evening, that sureness, feels ancient now, like something grown small with the distance of years. Something she’d experienced before her children, before marrying, while she was still a child herself. She understands. There is nowhere to go but on. Still, part of her longs to go back for one instant—not to change anything, not even to speak to Lydia, not to tell her anything at all. Just to open the door and see her daughter there, asleep, one more time, and know all was well.

And when at last she opens the door, this is what she sees. The shape of her daughter there in the bed, one long lock of hair stretched across the pillow. If she looks hard, she can even see the rise and fall of the flowered comforter with each breath. She knows she’s been granted a vision, and she tries not to blink, to absorb this moment, this last beautiful image of her daughter sleeping.

Someday, when she’s ready, she’ll pull the curtains, gather the clothing from the bureau, stack the books from the floor and pack them away. She’ll wash the sheets, open desk drawers, empty the pockets of Lydia’s jeans. When she does, she’ll find only fragments of her daughter’s life: coins, unsent postcards, pages torn from magazines. She’ll pause over a peppermint, still twisted in cellophane, and wonder if it’s significant, if it had meant something to Lydia, if it was just overlooked and discarded. She knows she’ll find no answers. For now, she watches the figure in the bed, and her eyes fill with tears. It’s enough.

•   •   •

When Hannah comes downstairs, just as the sun is rising, she counts carefully: two cars in the driveway. Two rings of keys on the hall table. Five sets of shoes—one Lydia’s—by the door. Though this last causes a sting, just between the collarbones, these sums bring her comfort. Now, peeking through the front window, she sees the Wolffs’ door open and Jack and his dog emerge. Things will never be the same again; she knows this. But the sight of Jack and his dog, heading for the lake, brings her comfort, too. As if the universe is slowly returning to normal.

For Nath, though, at his window upstairs, the opposite is true. Awaking from his deep and drunken sleep, the whiskey purged from his body, everything seems new: the outlines of his furniture, the sunbeams slicing across the carpet, his hands before his face. Even the pain in his stomach—he hasn’t eaten since yesterday’s breakfast, and that, like the whiskey, is long gone—feels bright and clean and sharp. And now, across the lawn, he spots what he’s sought every day for so long. Jack.

He does not bother to change his clothes, or to grab his keys, or to think at all. He simply pulls on his tennis shoes and barrels down the stairs. The universe has given him this chance, and he refuses to squander it. As he yanks open the front door, Hannah is merely a startled blur in the front hall. For her part, she does not even bother to put on shoes. Barefoot, she darts after him, the asphalt still cool and damp against her feet.

“Nath,” she calls. “Nath, it’s not his fault.” Nath doesn’t stop. He’s not running, just marching with a fierce and angry stride toward the corner, where Jack has just disappeared. He looks like the cowboys in their father’s movies, determined and tense-jawed and unshakable in the middle of the deserted street. “Nath.” Hannah grabs his arm, but he keeps walking, unmoved, and she scurries to keep up. They’re at the corner now, and both of them see Jack at the same moment, sitting on the dock, arms wrapped around his knees, the dog lying beside him. Nath pauses to let a car go by and Hannah tugs his hand, hard.

“Please,” she says. “Please.” The car passes and Nath hesitates, but he’s been waiting for answers so long. Now or never, he thinks, and he jerks himself free and crosses the street.

If Jack hears them coming, he doesn’t show it. He stays there, looking out over the water, until Nath is standing right over him.

“Did you think I wouldn’t see you?” Nath says. Jack doesn’t reply. Slowly, he gets to his feet, facing Nath with his hands tucked in the back pockets of his jeans. As if, Nath thinks, he’s not even worth fighting. “You can’t hide forever.”

“I know it,” Jack says. At his feet, the dog utters a low, moaning whine.

“Nath,” Hannah whispers. “Let’s go home. Please.”

Nath ignores her. “I hope you were thinking about how sorry you are,” he says.

“I am so sorry,” Jack says. “About what happened to Lydia.” A faint tremor shakes his voice. “About everything.” Jack’s dog backs away, huddling against Hannah’s legs, and she’s sure now that Nath’s hands will unclench, that he’ll turn around and leave Jack alone and walk away. Except he doesn’t. For a second he seems confused—then being confused makes him angrier.

“Do you think that changes anything? It doesn’t.” The knuckles of his fists have gone white. “Tell me the truth. Now. I want to know. What happened between you two. What made her go out on that lake that night.”

Jack half shakes his head, as if he doesn’t understand the question. “I thought Lydia told you—” His arm twitches, as if he’s about to take Nath by the shoulder, or the hand. “I should have told you myself,” he says. “I should have said, a long time ago—”

Nath takes a half-step closer. He is so close now, so close to understanding, that it makes him dizzy. “What?” he says, almost whispering, so quiet now that Hannah can hardly hear him. “That it’s your fault?”

In the second before Jack’s head moves, she understands what’s going to happen: Nath needs a target, somewhere to point his anger and guilt, or he’ll crumble. Jack knows this; she can see it in his face, in the way he squares his shoulders, bracing himself. Nath leans closer, and for the first time in a long time, he looks Jack right in the eye, brown on blue. Demanding. Begging.
Tell me. Please.
And Jack nods his head.
Yes.

Then his fist smashes into Jack and Jack doubles over. Nath has never hit anyone before, and he’d thought it would feel good—powerful—his arm uncoiling like a piston. It doesn’t. It feels like punching a piece of meat, something dense and heavy, something that does not resist. It makes him feel a little sick. And he’d expected a
pow,
like in the movies, but there’s hardly any noise at all. Just a thump, like a heavy bag falling to the floor, a faint little gasp, and that makes him feel sick, too. Nath readies himself, waiting, but Jack doesn’t hit back. He straightens up, slowly, one hand on his stomach, his eyes watching Nath. He doesn’t even make a fist, and this makes Nath feel sickest of all.