Expensive People (25 page)

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Authors: Joyce Carol Oates

BOOK: Expensive People
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My mother comes outside to see where I am. She wears an old dress with cherry stains on it. The stains make me look at them, they remind me of something. Of blood. She has her hair pushed back. Her hair is streaked up in front, by the sun, but brown everywhere else. There is a picture of her when she had long hair; she isn't my mother but somebody else. Around the house she is barefoot. Her legs look strong; she could probably run fast if she wanted to but she never wants to. Everything is slow around her. The chickens are nervous, picking in the dirt and watching her for food. They jerk their heads from side to side. If she raises her hand they will flutter their wings, waiting to be fed.

My mother comes over to me where I am sitting on the branches. She brushes my hair out of my eyes. “Can't you wait for Tommy to come back, to go down there?” she says.

“I want to play with my dam,” I tell her. I lean back so she can't touch my hair. When she works in the kitchen her pale hands are stained from cherries. I don't like them to touch me then. When she gives me my bath they're like that too. I don't always like her. I can like her if I want to, but I don't have to. I like Daddy better, on purpose, even though Mommy is nicer to me. She never knows what I am thinking.

“I can take you down in a while, myself,” she says. “Okay?”

I stare down at nothing. My face gets hard.

“What the hell is so good about playing in that dirty water?” she says.

This makes my heart beat hard, with hating her.

Her eyebrows are thin and always look surprised. I see her pluck at them sometimes. That must hurt. She stands with her hands thrust in her pockets, and her shoulders slump. I always know before she does what she is going to say.

“All right, then, go on down. But don't get wet.”

I run around back of our orchard and through the next-door neighbor's
field. Nothing is planted there. Then a path begins that goes down the big hill to the creek. In August the creek is shallow and there is filth in little patches in it, from sewers up-creek. Fishermen fish anywhere along the creek, but there are some spots they like more than others. We always play by the rocks. There are also pieces of iron lying around, from when the new bridge was built. I can't remember any other bridge, but there was one.

I have my own little rock, that Tommy lets me have. It is shaped like a funny loaf of bread and has little dents in it. It looks like birds chipped at it, but they couldn't do that. When I come down and run through the bushes, some yellow birds fly up in surprise. Then everything is quiet. I walk in the water right away, to get my shoes wet. I hate my mother. Yesterday she was sitting on Daddy's lap; she was barefoot and her feet were dirty. They told me to come by them but I wouldn't. I ran outside by myself. Down at the creek I am happier by myself, but something makes me shiver. It is too quiet. If I was to fall in the water and drown nobody would know about it or care.

A man drowned in this creek, a few miles away. It was out back of a tavern. I heard my father talk about it.

When I look around there is a man standing on the bank. His car is parked up on the road but I didn't see it before. The man waves at me and grins. I can see his teeth way out here.

“Real nice day to play in the water,” he says.

I narrow my eyes and watch him. Something touches the back of my neck, trying to tell me something. I start to shiver but stop. He reminds me of the man that drowned. Maybe his body wasn't taken out of the creek but lost. This man is too tall. His arms hang down. He has a fishing pole in one hand that is long and gawky like he is. There is something about the way he is standing—with his legs apart, as if he thought somebody might run and knock him down—that makes my eyes get narrow.

“You live around here?” he says.

He takes off his hat and tosses it down as if he was tired of it. Now I know what he is: a colored man. I know what a colored man is like. But this one isn't black like the one my grandmother pointed out when we were driving. This one has a light brown skin. When Tommy gets real brown he's almost that dark.

“How old are you?” he says.

I should run past him and up the hill and go home. I know this. Mommy told me so. But something makes me stay where I am. To make Mommy sorry, I will stay here, right where I am. I think of her watching
me, standing up on top of the hill and watching and feeling sorry for me.

“I'm six,” I tell the man. With my head lowered I can still see him through my lashes. My eyes are half closed.

Everything is prickly and strange. Like when you are going to be sick but don't know it yet and are just waiting for something to happen. Something is going to happen. Or like when there is a spider on the ceiling, in just the second before you turn your head to see it. You know it's there but don't know why. There is something between us like a wet soft cobweb that keeps us watching each other, the colored man and me. I can tell he is afraid too.

“What are you doing?” he says. He squats down on the bank. He puts the fishing pole and the bag behind him. He looks like a dog waiting for his dish; he knows he can't come until it's ready. I could throw a stone at him, and he could reach out and catch it with a laugh.

“Can I come look?” he says.

He gets up slowly. His legs are long and he walks like he isn't used to walking. He comes right out to where I am and looks at what I have: a little dam made with stones between my rock and another rock. The water is running slowly through it. Nothing can stop that water. There is scum on it, greasy spots, and I touch them with my finger even though I hate them.

“I got two crabs in here,” I tell the man.

I can hear him breathing when he bends down to look. A smell of licorice by him—and this makes me know I should run away. Men smell like smoke or something. They smell like beer, or the outside, or sweat. He is different from them.

“A crab would like to bite a nice little girl like you,” he says. Right in the middle of talking he makes a swallowing sound. I keep playing in the water just like I was alone. I seem to see my mother coming out on the porch, frowning and making that sharp line like a cut between her eyebrows. She looks down and sees my doll on the steps, by itself. If she would come down to get me I would be all right. But she won't. She will just go back in the house and forget about me.

Now the colored man squats beside me. He is still taller than I am. I am sitting with my feet in the water, and it makes me think of how the water might stop me, pulling at my feet, if I wanted to run. The water is quiet. If an airplane would fly past we could look up at it, but nothing happens. After a while the man starts to talk to me.

He says I have mud on me. Yes, this is right. It is like in a dream; maybe he put the mud on me somehow when I wasn't watching. I'm
afraid to look at him, but his voice is soft and nice. He talks about little boys and little girls. I know he is not a daddy from the way he talks.

“Your hair is real nice,” he says.

As soon as he touches me I am not afraid. He takes something out of my hair and shows me—a dried-up leaf. We both laugh.

He is bending toward me. His eyes are funny. The eyelid is sleepy and would push down to close the eyes, except the eyeball bulges too much. It can't see enough. We are so close together that I can see tiny little threads of blood in his eyes. He smells nice. Dark skin like that is funny to me, I never saw it so close. I would like to touch it but I don't dare. The man's mouth keeps moving. Sometimes it is a smile, then it gets bigger, then it changes back to nothing. It is as if he doesn't know what it's doing. His teeth are yellowish. The top ones are big, and when he smiles I can see his gums—a bright pink color, like a dog's. When he breathes his nostrils get small and then larger. I can almost see the warm air coming out of him, mixed with the smell of licorice and the dark smell of his skin.

He touches my shoulders and arms. He is saying something. He talks about my father and says he knows him, and he would like to be my father too. But he is not like any of the fathers because he talks in a whisper and nobody does that. He would not hit me or get mad. His eyelids come down over his big eyes and he must see me like you see something in a fog. His neck has a cord in it or something that moves; my grandmother has that too. It is the only ugly thing about him.

Now he is washing me. His breath is fast and warm against my skin. “They'll spank you if you're not clean. You got to be clean. All clean,” he says. When he pulls my shirt off over my head the collar gets stuck by my nose and hurts me, but I know it is too late to run away. The water keeps coming and making a noise. “Now this. Hold on here,” he says, with his voice muffled as if it was pushed in a pillow, and he pulls my shorts down and takes them off.

I can't stop shivering now. He stares at me. His hand is big and dark by my arm. I say I want to go home, and my voice is a surprise, because it is ready to cry. “Now you just be nice,” he says. He moves his hand on my back so that I am pressed up by him. I wait for something to hurt me but nothing hurts me. He would never hurt me like they would. His breath is fast and he could be drowning, and then he pushes me back a little. “Why don't you walk in the water a little?”

His forehead is wrinkled, and in the wrinkles there are drops of sweat that won't run down. I wouldn't want to touch his hair. He stares
at me while I wade in the water. Everywhere he touched me I feel strange, and where he looks at me I feel strange. I know how he is watching. I can feel how he likes me. He would never hurt me. Something that makes me want to laugh comes up into my throat and almost scares me.

The sun is hot and makes me tired.

He takes my clothes and dresses me on the bank. He is very quiet. He drops my shirt and picks it up again, right away. Then with his long forefinger he rubs my arm down to the wrist, as if he doesn't understand what it is. His hands are real funny inside—a pink color, not like the rest of him. His fingernails are light too but ridged with dirt.

“Don't leave yet,” he says. “Please. Sit and eat this with me.”

When we eat the licorice he seems to forget about it, even when it's in his mouth. He forgets to chew it. I can see something coming into his eyes that makes him forget about me; he is listening to something.

We have a secret together that I won't ever tell.

When I come home Mommy is still in the kitchen. But everything looks different. It is the same but different. The air is wet. The way Mommy looks at me when I come in is different. She is smoking a cigarette.

“For Christ's sake, look at your shoes!”

She might be going to hit me, and I jerk back. But she just bends down and starts to unlace my shoe. “Just lucky for you these are the old ones,” she says. The top of her head is damp. I can see her white scalp in places right through her hair. “Come on, put your foot up,” she says, tugging at my shoe.

When the shoes are off she straightens up, and her face shows that she feels something hurt her.

“What the hell is that?” she says.

My heart starts to pound. “What?”

“On your teeth.”

She stares at me. I can see the little lines on her face that will get to be like Grandma's.

“I said what is that? What have you been eating?”

I try to pull away from her. “Nothing.”

“What have you been eating? Licorice? Who gave it to you?”

Her face gets hard. She leans down to me and sniffs, like a cat. I think of how I hate her because she can know every secret.

“Who gave it to you?”

“Nobody.”

“I said who gave it to you!”

She slaps me. Her hand moves so fast both of us are afraid of it. She makes me cry.

“Who gave it to you? Who was it? Was it somebody down at the creek?”

“A man … a man had it—”

“What man?”

“A man down there.”

“A fisherman?”

“Yes.”

Her head is moving a little, rocking back and forth as if her heart began to pound too hard. “Why did he give it to you? Were you alone?”

“He liked me.”

“Why did he give it to you?”

Her eyes are like the cat's eyes. They are too big for her face. What I see in them is terrible.

“Did he … did he do anything to you?” she says. Her voice is getting higher. “What did he do? What did he do?”

“Nothing.”

She pulls me in from the door, like she doesn't know what she is doing. “God,” she says. She doesn't know I can hear it. “My God. My God.”

I try to push against her legs. I would like to run back out the door and away from her and back down to the creek.

“What did he do?” she says.

I am crying now. “Nothing. I like him. I like him better than you!”

She pulls me to the kitchen chair and knocks me against it, as if she was trying to make me sit on it but forgot how. The chair hurts my back. “Tell me what he did!” she screams.

She knocks me against the chair again. She is trying to hurt me, to kill me. Her face is terrible. It is somebody else's. She is like somebody from the city come to get me. It seems to me that the colored man is hiding behind me, afraid of her eyes and her screaming, that awful voice I never heard before. She is trying to get both of us.

“What did he do? Oh, my God, my God!” Her words all run together. She is touching me everywhere, my arms, my legs. Her fingers want to pinch me but she won't let them. “He took your clothes off, didn't he?” she says. “He took them off. He took them off—this is on backwards, this is …”

She begins to scream. Her arms swing around and one of the jars is knocked off the table and breaks on the floor. I try to get away from her.

I kick her leg. She is going to kill me, her face is red and everything is different, her voice is going higher and higher and nothing can stop it. I know from the way her eyes stare at me that something terrible happened and that everything is changed.

III

I am six years old. Down at the creek, I am trying to sit on a rock but my feet keep sliding off. Am I too big for the rock now? How big am I? Am I six years old or some other age? My toes curl inside my shoes but I can't take hold of the rock.

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