Authors: Patricia Briggs
Titles by Patricia Briggs
The Mercy Thompson Novels
MOON CALLED
BLOOD BOUND
IRON KISSED
BONE CROSSED
SILVER BORNE
RIVER MARKED
The Alpha and Omega Novels
ON THE PROWL
(with Eileen Wilks, Karen Chance, and Sunny)
CRY WOLF
HUNTING GROUND
FAIR GAME
MASQUES
WOLFSBANE
STEAL THE DRAGON
WHEN DEMONS WALK
THE HOB’S BARGAIN
DRAGON BONES
DRAGON BLOOD
RAVEN’S SHADOW
RAVEN’S STRIKE
AN ALPHA AND OMEGA NOVEL
PATRICIA BRIGGS
ACE BOOKS, NEW YORK
THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (USA) Inc.
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This is an original publication of The Berkley Publishing Group.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
Copyright © 2012 by Hurog, Inc.
Map by Michael Enzweiler.
Text design by Kristin del Rosario.
All rights reserved.
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FIRST EDITION
: March 2012
Library of Congress Cataloging-in-Publication Data
Briggs, Patricia.
Fair game : an Alpha and Omega novel / Patricia Briggs.—1st ed.
p. cm.—(Alpha and Omega; 3)
ISBN: 978-1-101-56000-6
1. Werewolves—Fiction. 2. Serial murderers—Fiction. I. Title.
PS3602.R53165F35 2012
813’.6—dc23
2011047724
PRINTED IN THE UNITED STATES OF AMERICA
10 9 8 7 6 5 4 3 2 1
ALWAYS LEARNING
PEARSON
To all those who live in the dark fighting monsters
so the rest of us stay safe
ACKNOWLEDGMENTS
No story is written alone. I’d like to thank the usual suspects as well as Supervisory Special Agent Randy Jarvis, Public Affairs Specialist Katherine Gulotta, and Special Agent Greg Comcowich of the Boston FBI for the time and effort they spent so I had a chance at getting things right. Thanks also go to the fine people of the Ghosts & Gravestones Tour of Boston. You rock. Though I have to say, if I never hear the phrase “Boston Molassacre” again, it will be too soon. Brenda Wahler sent critical information at just the right moment. Thank you.
As always, if this book is enjoyable, it is their fault—all mistakes are mine.
Once upon a time, there was a little girl named Leslie.
The year she turned eight, two things happened: her mother left Leslie and her father to move to California with a stockbroker; and, in the middle of a sensational murder trial, the fae of story and song admitted to their existence. Leslie never heard from her mother again, but the fairies were another matter.
When she was nine, her father took a job in a strange city, moving them from the house she’d grown up in to an apartment in Boston where they were the only black people in an all-white neighborhood. Their apartment encompassed the upper floor of a narrow house owned by their downstairs neighbor, Mrs. Cullinan. Mrs. Cullinan kept an eye on Leslie while her dad was at work, and by her silent championship eased Leslie’s way into the society of the neighborhood kids who casually dropped by for cookies or lemonade. In Mrs. Cullinan’s capable hands, Leslie learned to crochet, knit, sew, and cook while her dad kept the old woman’s house and lawn in top shape.
Even as an adult, Leslie wasn’t
sure if her dad had paid the old woman or if she’d just taken over without consulting him. It was the kind of thing Mrs. Cullinan would have done.
When Leslie was in third grade, one of the kindergarten boys went missing. In fourth grade, one of her classmates, a girl by the name of Mandy, disappeared. There were also, throughout the same time period, a lot of missing pets—mostly kittens and young dogs. Nothing that would have attracted her attention if it weren’t for Mrs. Cullinan. On their daily walks (Mrs. Cullinan called them “busybody strolls,” to see what people in their neighborhood were up to), the old woman began stopping at missing-pet notices taped in store windows and taking out a little notebook and writing all the information in it.
“Are we looking for lost animals?” Leslie asked finally. She mostly learned from observation rather than by asking questions because, in her experience, people lied better with their lips than they did with their actions. But she hadn’t come up with a good explanation for the missing-pet list and she was forced, at last, to resort to words.
“It’s always good to keep an eye out.” It was a not-quite answer, but Mrs. Cullinan sounded troubled, so Leslie didn’t ask her again.
When Leslie’s new birthday puppy—a mutt with brown eyes and big feet—went missing, Mrs. Cullinan had gotten tight-lipped and said, “It is time to put a stop to this.” Leslie was pretty sure her landlady hadn’t known anyone was listening to her.
Leslie, her father, and Mrs. Cullinan were eating dinner a few days after her puppy’s disappearance when a fancy limousine pulled up in front of Miss Nellie Michaelson’s house. Out of the dark depths of the shiny vehicle emerged two men in suits and a woman in a white flowery dress that looked too summery and airy to be a good match for the men’s attire. They were dressed for a funeral and she for a picnic in the nearby park.
Unabashedly spying, Leslie’s father and Mrs. Cullinan left the table
to stare out the window as the three people entered Miss Nellie’s house without knocking.
“What are they…?” The expression on Leslie’s father’s face changed from curious (no one ever visited Miss Nellie) to grim in a heartbeat, and he grabbed his service revolver and his badge. Mrs. Cullinan caught him on the front porch.
“No, Wes,” she said in a strange, fierce voice. “No. They are fae and it’s a fae mess they’ve come to clean up. You let them do what they need to.”
Leslie, peering around the adults, finally saw what had gotten everyone in a tizzy. The two men were carrying Nellie out of her house. Nellie was struggling, her mouth wide-open as if she were screaming, but not a sound came out.
Leslie had always thought that Nellie looked as though she should be a model or a movie star, with her sad blue eyes and downturned soft mouth. But she didn’t appear so pretty right then. She didn’t look frightened—she looked enraged. Her beautiful face was twisted, ugly, and, at the same time, breath-stealingly scary in a way that would haunt Leslie’s dreams even as an adult.
The woman, the one in the airy-fairy dress who’d come with the men, exited the house about the same time the men finished stuffing Nellie in the backseat of the car. She locked the door of Nellie’s house behind her, and when she was finished she looked up and saw the three of them watching. After a pause, she strolled across the street and down the sidewalk to them. The woman didn’t appear to be walking fast, but she was opening the front gate almost before Leslie realized that she was heading for them.
“And what do you think you’re looking at?” she said mildly, in a voice that had Leslie’s father thumbing the snap that held his gun in the holster.
Mrs. Cullinan stepped forward, her jaw set like it had been the day that she’d
faced down a couple of young toughs who’d decided an old woman was fair game. “Justice,” she said with the same soft menace that had sent the boys after easier prey. “And don’t get uppity with me. I know what you are and I’m not afraid of you.”