Far from the Madding Crowd (24 page)

BOOK: Far from the Madding Crowd
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For his bride a soldier sought her,
And a winning tongue had he:
On the banks of Allan Water
None was gay as she!
In addition to the dulcet piping of Gabriel’s flute Boldwood supplied a bass in his customary profound voice, uttering his notes so softly, however, as to abstain entirely from making anything like an ordinary duet of the song; they rather formed a rich unexplored shadow, which threw her tones into relief. The shearers reclined against each other as at suppers in the early ages of the world, and so silent and absorbed were they that her breathing could almost be heard between the bars; and at the end of the ballad, when the last tone loitered on to an inexpressible close, there arose that buzz of pleasure which is the attar of applause.
It is scarcely necessary to state that Gabriel could not avoid noting the farmer’s bearing to-night towards their entertainer. Yet there was nothing exceptional in his actions beyond what appertained to his time of performing them. It was when the rest were all looking away that Boldwood observed her; when they regarded her he turned aside; when they thanked or praised he was silent; when they were inattentive he murmured his thanks. The meaning lay in the difference between actions none of which had any meaning of itself; and the necessity of being jealous, which lovers are troubled with, did not lead Oak to underestimate these signs.
Bathsheba then wished them good-night, withdrew from the window, and retired to the back part of the room, Boldwood thereupon closing the sash and the shutters, and remaining inside with her. Oak wandered away under the quiet and scented trees. Recovering from the softer impressions produced by Bathsheba’s voice, the shearers rose to leave, Coggan turning to Pennyways as he pushed back the bench to pass out:—
“I like to give praise where praise is due, and the man deserves it that ’a do so,” he remarked, looking at the worthy thief as if he were the masterpiece of some world-renowned artist.
“I’m sure I should never have believed it if we hadn’t proved it, so to allude,” hiccupped Joseph Poorgrass, “that every cup, every one of the best knives and forks, and every empty bottle be in their place as perfect now as at the beginning, and not one stole at all.”
“I’m sure I don’t deserve half the praise you give me,” said the virtuous thief grimly.
“Well, I’ll say this for Pennyways,” added Coggan, “that whenever he do really make up his mind to do a noble thing in the shape of a good action, as I could see by his face he did to-night afore sitting down, he’s generally able to carry it out. Yes, I’m proud to say, neighbours, that he’s stole nothing at all.”
“Well, ’tis an honest deed, and we thank ye for it, Pennyways,” said Joseph; to which opinion the remainder of the company subscribed unanimously.
At this time of departure, when nothing more was visible of the inside of the parlour than a thin and still chink of light between the shutters, a passionate scene was in course of enactment there.
Miss Everdene and Boldwood were alone. Her cheeks had lost a great deal of their healthful fire from the very seriousness of her position; but her eye was bright with the excitement of a triumph—though it was a triumph which had rather been contemplated than desired.
She was standing behind a low arm-chair, from which she had just risen, and he was kneeling in it—inclining himself over its back towards her, and holding her hand in both his own. His body moved restlessly, and it was with what Keats daintily calls a too happy happiness. This unwonted abstraction by love of all dignity from a man of whom it had ever seemed the chief component, was, in its distressing incongruity, a pain to her which quenched much of the pleasure she derived from the proof that she was idolized.
“I will try to love you,” she was saying, in a trembling voice quite unlike her usual self-confidence. “And if I can believe in any way that I shall make you a good wife I shall indeed be willing to marry you. But, Mr. Boldwood, hesitation on so high a matter is honourable in any woman, and I don’t want to give a solemn promise to-night. I would rather ask you to wait a few weeks till I can see my situation better.”
“But you have every reason to believe that then——”
“I have every reason to hope that at the end of the five or six weeks, between this time and harvest, that you say you are going to be away from home, I shall be able to promise to be your wife,” she said firmly. “But remember this distinctly, I don’t promise yet.”
“It is enough; I don’t ask more. I can wait on those dear words. And now, Miss Everdene, good-night!”
“Good-night,” she said graciously—almost tenderly; and Boldwood withdrew with a serene smile.
Bathsheba knew more of him now; he had entirely bared his heart before her, even until he had almost worn in her eyes the sorry look of a grand bird without the feathers that make it grand. She had been awe-struck at her past temerity, and was struggling to make amends without thinking whether the sin quite deserved the penalty she was schooling herself to pay. To have brought all this about her ears was terrible; but after a while the situation was not without a fearful joy. The facility with which even the most timid women sometimes acquire a relish for the dreadful when that is amalgamated with a little triumph, is marvellous.
CHAPTER XXIV
The Same Night—The Fir Plantation
Among the multifarious duties which Bathsheba had voluntarily imposed upon herself by dispensing with the services of a bailiff, was the particular one of looking round the homestead before going to bed, to see that all was right and safe for the night. Gabriel had almost constantly preceded her in this tour every evening, watching her affairs as carefully as any specially appointed officer of surveillance could have done; but this tender devotion was to a great extent unknown to his mistress, and as much as was known was somewhat thanklessly received. Women are never tired of bewailing man’s fickleness in love, but they only seem to snub his constancy.
As watching is best done invisibly, she usually carried a dark lantern in her hand, and every now and then turned on the light to examine nooks and corners with the coolness of a metropolitan policeman. This coolness may have owed its existence not so much to her fearlessness of expected danger as to her freedom from the suspicion of any; her worst anticipated discovery being that a horse might not be well bedded, the fowls not all in, or a door not closed.
This night the buildings were inspected as usual, and she went round to the farm paddock. Here the only sounds disturbing the stillness were steady munchings of many mouths, and stentorian breathings from all but invisible noses, ending in snores and puffs like the blowing of bellows slowly. Then the munching would recommence, when the lively imagination might assist the eye to discern a group of pink-white nostrils shaped as caverns, and very clammy and humid on their surfaces, not exactly pleasant to the touch until one got used to them; the mouths beneath having a great partiality for closing upon any loose end of Bathsheba’s apparel which came within reach of their tongues. Above each of these a still keener vision suggested a brown forehead and two staring though not unfriendly eyes, and above all a pair of whitish crescent-shaped horns like two particularly new moons, an occasional stolid “moo!” proclaiming beyond the shade of a doubt that these phenomena were the features and persons of Daisy, Whitefoot, Bonny-lass, Jolly-O, Spot, Twinkle-eye, etc., etc.—the respectable dairy of Devon cows belonging to Bathsheba aforesaid.
Her way back to the house was by a path through a young plantation of tapering firs, which had been planted some years earlier to shelter the premises from the north wind. By reason of the density of the interwoven foliage overhead it was gloomy there at cloudless noontide, twilight in the evening, dark as midnight at dusk, and black as the ninth plague of Egypt at midnight. To describe the spot is to call it a vast, low, naturally formed hall, the plumy ceiling of which was supported by slender pillars of living wood, the floor being covered with a soft dun carpet of dead spikelets and mildewed cones, with a tuft of grass-blades here and there.
This bit of the path was always the crux of the night’s ramble, though, before starting, her apprehensions of danger were not vivid enough to lead her to take a companion. Slipping along here covertly as Time, Bathsheba fancied she could hear footsteps entering the track at the opposite end. It was certainly a rustle of footsteps. Her own instantly fell as gently as snowflakes. She reassured herself by a remembrance that the path was public, and that the traveller was probably some villager returning home; regretting, at the same time, that the meeting should be about to occur in the darkest point of her route, even though only just outside her own door.
The noise approached, came close, and a figure was apparently on the point of gliding past her when something tugged at her skirt and pinned it forcibly to the ground. The instantaneous check nearly threw Bathsheba off her balance. In recovering she struck against warm clothes and buttons.
“A rum start, upon my soul!” said a masculine voice, a foot or so above her head. “Have I hurt you, mate?”
“No,” said Bathsheba, attempting to shrink away.
“We have got hitched together somehow, I think.”
“Yes.”
“Are you a woman?”
“Yes.”
“A lady, I should have said.”
“It doesn’t matter.”
“I am a man.”
“O!”
Bathsheba softly tugged again, but to no purpose.
“Is that a dark lantern you have? I fancy so,” said the man.
“Yes.”
“If you’ll allow me I’ll open it, and set you free.”
A hand seized the lantern, the door was opened, the rays burst out from their prison, and Bathsheba beheld her position with astonishment.
The man to whom she was hooked was brilliant in brass and scarlet. He was a soldier. His sudden appearance was to darkness what the sound of a trumpet is to silence. Gloom, the
genius loci
at all times hitherto, was now totally overthrown, less by the lantern-light than by what the lantern lighted. The contrast of this revelation with her anticipations of some sinister figure in sombre garb was so great that it had upon her the effect of a fairy transformation.
It was immediately apparent that the military man’s spur had become entangled in the gimp which decorated the skirt of her dress. He caught a view of her face.
“I’ll unfasten you in one moment, miss,” he said, with newborn gallantry.
“O no—I can do it, thank you,” she hastily replied, and stooped for the performance.
The unfastening was not such a trifling affair. The rowel of the spur had so wound itself among the gimp cords in those few moments, that separation was likely to be a matter of time.
He too stooped, and the lantern standing on the ground betwixt them threw the gleam from its open side among the fir-tree needles and the blades of long damp grass with the effect of a large glowworm. It radiated upwards into their faces, and sent over half the plantation gigantic shadows of both man and woman, each dusky shape becoming distorted and mangled upon the tree-trunks till it wasted to nothing.
He looked hard into her eyes when she raised them for a moment; Bathsheba looked down again, for his gaze was too strong to be received point-blank with her own. But she had obliquely noticed that he was young and slim, and that he wore three chevrons upon his sleeve.
Bathsheba pulled again.
“You are a prisoner, miss; it is no use blinking the matter,” said the soldier drily. “I must cut your dress if you are in such a hurry.”
“Yes—please do!” she exclaimed helplessly.
“It wouldn’t be necessary if you could wait a moment”; and he unwound a cord from the little wheel. She withdrew her own hand, but, whether by accident or design, he touched it. Bathsheba was vexed; she hardly knew why.
His unravelling went on, but it nevertheless seemed coming to no end. She looked at him again.
“Thank you for the sight of such a beautiful face!” said the young sergeant, without ceremony.
She coloured with embarrassment. “ ’Twas unwillingly shown,” she replied stiffly, and with as much dignity—which was very little—as she could infuse into a position of captivity.
“I like you the better for that incivility, miss,” he said.
“I should have liked—I wish—you had never shown yourself to me by intruding here!” She pulled again, and the gathers of her dress began to give way like lilliputian musketry.
“I deserve the chastisement your words give me. But why should such a fair and dutiful girl have such an aversion to her father’s sex?”
“Go on your way, please.”
“What, Beauty, and drag you after me? Do but look; I never saw such a tangle!”
“O, ’tis shameful of you; you have been making it worse on purpose to keep me here—you have!”
“Indeed, I don’t think so,” said the sergeant, with a merry twinkle.
“I tell you you have!” she exclaimed, in high temper. “I insist upon undoing it. Now, allow me!”
“Certainly, miss; I am not of steel.” He added a sigh which had as much archness in it as a sigh could possess without losing its nature altogether. “I am thankful for beauty, even when ’tis thrown to me like a bone to a dog. These moments will be over too soon!”
She closed her lips in a determined silence.
Bathsheba was revolving in her mind whether by a bold and desperate rush she could free herself at the risk of leaving her skirt bodily behind her. The thought was too dreadful. The dress—which she had put on to appear stately at the supper—was the head and front of her wardrobe; not another in her stock became her so well. What woman in Bathsheba’s position, not naturally timid, and within call of her retainers, would have bought escape from a dashing soldier at so dear a price?
“All in good time; it will soon be done, I perceive,” said her cool friend.
BOOK: Far from the Madding Crowd
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