Femme Fatale and other stories (15 page)

“No, not really.”

“Not really?”

“A woman's after him, but he really doesn't get it. I mean, he has no clue. He's pretty naive that way.”

“How do you know, then?”

“He's so naive that he showed me her e-mails because he thinks they're funny. He's, like, ‘She's such a good writer. You should hire her, give her a column.' I had to explain to Karl that women don't write funny, flirtatious e-mails about being newly single to their old boyfriends in order to get the attention of their editor wives.”

“Someone from high school?”

“College.”

“Had they seen each other recently? At a reunion? Did he e-mail her first?”

“No. And no. Margery, that's not the point.”

“What, then?”

What, then
. She toys with the story in her head. It still hurts, thinking about it, but she knows others would find her overly sensitive. Babyish, even.

It was last month. Karl came home from one of his full, full days. The White House had called. Not the president himself, but
still
. And now there was going to be this documentary, serious stuff, made by an Oscar winner. Two hours of Karl's life, his real life, not the cotton-candy version on the cable network, with all the fake romances and intrigue thrown in. Gwen listened, happy for him, happy for their life. Gwen never had a problem being happy for Karl. Annabelle put out place mats in the renovated kitchen alcove, where they preferred to dine. It's a lovely house. A lovely house is practically obligatory when one is the editor of a consumer service magazine, but that doesn't make obtaining and maintaining one any easier. Their life, at that moment, looked like the kinds of lives in Gwen's magazine. The house and the magazine had just come through a year of turmoil but were relatively solid now. (It was two weeks before the retaining wall gave way and the basement filled with mud.)

As they ate dessert—homemade apple pie with a cheddar crust, made by Gwen—she started to tell Karl about her problems with a fairly big story, something a little tougher than the magazine usually did. She had a showdown with the publisher, the money guy, and had persuaded him to see things her way, although he wouldn't let her make it the cover story. Still, it would run as written. It would make news.

“I met with the publisher about the Figueroa story today,” she began.

He nodded absently, pulled out his BlackBerry, and began scrolling through his messages as he left the room. Annabelle, who had started to clear the table, didn't notice.

And that was the problem.

I can't do this to her,
Gwen thought.
I can't let my daughter grow up in a household where Daddy matters, but Mommy doesn't, where only one person's day matters. She'll make bad decisions, she'll choose the wrong men. Just like I did. Twice. Once. Twice.

Back in the kitchen, which looks quite perfect, although now there's a pervasive dank smell from the basement problems, she still feels the same way. Everyone keeps telling her she has to stay for Annabelle's sake. If she were to tell them why she left Karl, would anyone agree that it was
for
Annabelle's sake? Probably not. Besides, it's not the whole truth. But it's part of the truth, a big part.

Then again, parsing out the truth—deciding what needed to be told and what could be held back—wasn't that the beginning of the end for Gwen, Mickey, and the Halloran brothers?

Sean—of course—found the fact in a book, and although he could never
find it again, that didn't make it not so: our own Leakin Park was one of the largest parks within a city's limits, 1,200 acres or so when combined with Gwynns Falls Park. We loved telling that fact to out-of-town guests, who always countered:
What about Central Park?
But Sean had an answer for that, too: Central Park was a paltry 843 acres. Still, our visitors—cousins and the like—were seldom impressed. To them, it was just a bunch of trees and hills. Even if we took them to the tamed part that had tennis courts and ball fields and a little train and the wonderfully spooky chapel on the old Crimea estate, they remained bored. But that was the thing about our park, as we thought of it: It required day-in, day-out commitment to find its treasures. It was a place that rewarded persistence and stillness. In the summer of 1978, we pushed farther and farther into the park every day, Mickey at the lead, and each day brought a discovery. A branch of the stream, with tiny minnows and frogs and snapping turtles. Bright blue flowers in places so shadowy that it was a miracle they bloomed at all.

Sometimes the park turned on us, reminded us of its power and immensity. We blustered into mud as deep as quicksand, came home with burrs in our hair, rips in our clothes, scratches on our faces. On such days, our exasperated mothers would threaten us with day camp or chores or house arrest. But they never followed through. Mickey's mother worked, and Gwen's mother had one hobby after another, and Mrs. Halloran did whatever she did. Cleaning, she said, but either she was bad at it or the Halloran boys were too much for her because their house was never really tidy. Clean, perhaps, but messy. By the summer of 1977, when Go-Go was seven, she was reduced to buying underwear in various sizes and leaving them on a sideboard in the upstairs hall. It was up to the boys to find pairs that fit.

Anyway, the primary rule, in those days before cell phones, was that we had to stay within shouting distance of Gwen's house. But what was shouting distance? How far could sound carry? Whose lung power dictated the range? We would sometimes tell Go-Go to let the rest of us walk ahead for five minutes or so, then bellow. We could always hear Go-Go, so we kept going. And, yes, we understood that we were cheating, that Go-Go's shouts did not expand the farther we walked, but we were prepared to plead ignorance of this bit of physics if ever confronted. The fact is, our parents didn't want to look too closely at how we spent our days because then they would have to be responsible for us. And, as noted, Mickey's mother worked late and slept later, Mrs. Halloran did whatever she did, and Tally Robison threw pots, scribbled on legal pads, and, eventually, stared trancelike at blank canvases in her little studio, frozen with doubt. It could take her days to apply a single stroke of color, and her paintings were never really finished, not that anyone could tell. Tally Robison painted the kind of pictures that made people like Mr. Halloran say: “My kids could do better than that. Even Go-Go.”

But one overcast day, we walked so far that some of us began to wonder how we could ever get back by dinnertime. It was one of those gray-green days that feels deliciously poignant after so much summery perfection. Rain threatened, but it was an empty threat. The air was moist, heavy, yet not unpleasant. We walked for what felt like hours. Gwen struggled at the end of the line. She was the least athletic of us and fat to boot.
Over hill, over dale,
she sang in a soft whisper, and the rest of us picked up her song, although we all found it mystifying. We weren't clear on what
dales
were, much less the “
case-ons
” that kept rolling along. Gwen must have learned the song from her father, who was old, in his fifties already. We sang absentmindedly, glad for the sound of our voices. If we had taken time to contemplate how queer this was, we would have stopped. But not even Tim, sixteen at the time, uttered his favorite insult:
This is so gay
. We just kept marching and singing, singing and marching.

Over hill, over dale � Mickey was in front, but it was the Halloran boys who began to piece together the landscape, who saw the connections. “That's Suicide Hill,” they said, shocking Gwen, because our favorite sledding spot was far enough that we drove there as a special treat. It was not particularly dangerous, just very long and straight. We crossed the road and walked along the stream. No one said anything, but we could all tell that everyone felt relieved at finding a recognizable landmark. We weren't lost, after all. No one would have to cry uncle, admit to being worried about how far we had gone. Mickey began to walk faster, as if she knew where she was headed, running up and over a small hill, then disappearing from view.

“Hey,” she called back to the rest of us. “Do you know about this?”

“This” was a house, a log cabin set back in a thicket of trees. If it were in a book, it would have been charming, the kind of primitive dwelling that makes girls want to play dress-up and pretend they are living in the olden days. But this place—it was dirty. And it smelled. Not of woodsmoke and apples, but of, well—it had a bathroom smell, very strong. Go-Go held his nose, and the rest of us wanted to do the same.

“It's the outhouse,” Sean said. “This place has no indoor plumbing.”

“Does someone live here?” Gwen asked.

“Not now,” Sean said. Always confident, always the one with the answers. Not even Tim contradicted him back then. “Maybe once, but you wouldn't be allowed to live like this now. There are rules about how you have to live, zoning and things. You have to have a bathroom.”

“Then how do you explain the chickens?” Mickey asked. “And the laundry on the line?”

There was an assortment of clothes, men's shirts and jeans, drying on a coarse piece of rope, and three unusually calm chickens bopping toward us with herky-jerky movements. We were used to the aggressive geese that guarded the Gwynns Falls, so most of us stepped back. But Mickey was already at the threshold of the house, peering in.

“Mickey,” Gwen called, trying to get her to stop. But now Sean was beside her, then Tim, then Go-Go. Gwen had to step up.

Although the day was not bright, we still needed time for our eyes to adjust once inside. It was a simple room. Something—burlap—had been tacked over the windows, which accounted for the dimness. There was a chair, a small plastic tub that held dishes. A rickety pair of cabinets hung crookedly on the back wall and there was a makeshift counter—it looked like something you'd find on a church altar—piled with boxes and canisters. The cabin wasn't neat, but some sort of order was at work. Someone was taking care of it, in a fashion. The only really messy thing in the room was a pile of rags left on a cot. These smelled, too, not like the outhouse, but of something dank and strong.

“Who lives here?” Go-Go asked in a hoarse, awed whisper.

“No one lives here,” Sean said. Sean didn't like to be wrong. “Hunters use it, maybe, but you couldn't live here.”

“Hunters?” Gwen asked. “In Leakin Park? Is that legal?”

“No, but that doesn't stop some people.”

Go-Go, with his magpie eyes, had spotted something glinting. “Look,” he said, darting toward the cot with the pile of rags, no longer perturbed by the smell. “A guitar.”

As he crouched down to drag the guitar from beneath the cot, a hand shot out from the pile of rags and grabbed Go-Go firmly by the wrist.

“Don't,” the rags said.

Sean still needs a moment to register where he is when he awakens, although
he has been staying at his mother's house for almost a week now.
Not. Home
. This is his first conscious thought the morning after Go-Go's funeral. He's not at home, and home is St. Petersburg. He's clear on that much. The first clue is the light. It is different from his bedroom in Florida, especially this time of year. He loves the light in Florida. It's one of the few things he loves. The light, winter, and the lack of state income taxes. But this room is dark, depressing, although he's glad for the darkness this morning. His head is so heavy, his mouth and throat feel as if they are coated with sand. Not a hangover, exactly, if only because Sean believes he never gets hangovers. Allergies, perhaps. He thought he had outgrown them, but maybe he's just not allergic to stuff in Florida.

So: Baltimore. So: a dark room, although it's beginning to brighten around him. The light is gray, watery, the sheets a little grainy beneath him, as if someone has been eating here, as if these are the crumbs of crumbs of crumbs. Go-Go ate in bed, among other things. Go-Go still fouled the sheets when he was nine or ten. Their mother made excuses for him, said it was a medical condition. But the medical condition vanished when Go-Go was given the single room that, by all rights, should have been Tim's, then Sean's when Tim left for college. It was a narrow, dark room, not particularly desirable except for its solitary state. Besides, Tim and Sean enjoyed rooming together, talking late into the night. Go-Go, always terrified of being left out, ended up more left out than ever.

Sean's in a double bed, but that's right. The twin beds in his room were replaced by a double bed when his mother decided the room needed to be at least nominally welcoming to her sons and their wives.

Only this bed
moves
. Sways and rolls beneath him.

But maybe that's okay, too? At home, he has a memory foam mattress, bought because his wife, Vivian, is a light sleeper, so the movement is merely relative to what he's used to. His mother is not someone to splurge on a mattress that was used, at most, five or six nights a year, because Tim never sleeps over, and Sean is lucky to make it home for Christmas. And when Go-Go returned home, he always chose his old room, dark and sunless and unimproved as it was.

The bed moves again, an actual roll. Sean sits up, puts his palm against the mattress. Warm to the touch, it pulses.

“A water bed?” he asks wonderingly, waiting to awaken from yet another banal dream. Sean has the dullest dreams of anyone he knows, assuming other people tell the truth.

“I know,” replies a woman's voice, with a little throb of Baltimore in it.
Aye knoah.
“I'm such a cliché. The swinging flight attendant and her water bed.”