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Authors: Friedrich Glauser

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Studer and Lartigue were walking up and down in the space between the huts. The sun was low in the sky and the cold wind from the mountains reminded the two men that it was still winter.

“There's one thing I'd like to know,” the captain said. “Where's Marie's uncle? The stockbroker she worked for as a secretary in Paris?”

“I don't know,” Studer replied. “All I can do is guess. You should ask your future wife. Didn't you tell me Marie sent a telegram from Bel-Abbès asking for money? The journey from Bel-Abbès to Gourama can't have cost 5,000 francs, even with a detour via Fez.”

They turned round and went back into the hut where the remarkable proceedings had taken place. The members of the court-martial had left. The old man was still sitting in the chair and Marie was on the arm, leaning against her father.

“Marie,” the captain asked, “where is your uncle?”

“Your question,
chéri
, sounds like that other, weightier one: ‘Where is Abel thy brother?' You mustn't be so suspicious, Louis.

“You sent me money at Bel-Abbès. I'd run into Jakob Koller there – but please, I beg you, never call him my uncle again. You know yourself, Cousin Jakob, that Father Matthias left Bern in a hurry. After that we heard nothing more from him. He had the copy of the temperature chart, that was enough for him for the
moment. But Jakob Koller was furious because he knew he wasn't going to get any of all that money now. He enlisted in Lyon. I stayed with my father. I stayed with him until we reached Colomb-Béchar, where I took him to the camp commandant, who was to send him on to Gourama. I'd arranged to meet you there too, Cousin Jakob. The three of us would manage to unmask the false priest, I thought —”

“False priest! What kind of a way is that to speak!” said Captain Lartigue reproachfully.

“I'll speak as I see fit,” came Marie's rejoinder.

This is not going to be a particularly harmonious marriage to start off with, Studer thought, but with time they'll smooth down each other's rough edges. Perhaps they'll even be a happy couple? Out loud he said, “Let the girl have her say, Lartigue.”

“If you insist, Studère. I'd just like to point out that I was making only a minor criticism. My future wife shouldn't talk like a character out of some trashy novel. False priest indeed!” he muttered.

“Do you mean to say,” said Marie in irritation, “that he was a true priest? He was a false priest.”

“Yes, he was a false priest and a false person,” said the old geologist in his bleating voice.

“Of course, Father. You're right and so is she.” Lartigue had adopted a conciliatory tone.

He's already calling the old man Father and using the familiar
tu
to him, Studer thought. A remarkable man. No wonder he gets poor marks at the War Ministry. But still . . . he's . . . he's a man.

Marie went on:

“I ran into him in the street in Bel-Abbès when I got back from Colomb-Béchar. I've never known what fear is, you know, but when I saw Jakob Koller, suddenly I did . . . And, anyway, he'd been good to me, he took
me with him to Paris when I couldn't stand it with Mother any longer. That's why I felt obliged to help him. I asked him what I could do for him. We were in a little Arab café and I hardly recognized him. His hair had been cropped short, he was nothing but skin and bones, his uniform hung loose – and his eyes! They were darting to and fro . . . When I was a child I once saw a hare in a furrow during the hunting season and its eyes were flickering hither and thither just as fearfully as Jakob Koller's.

“He said, ‘Give me some money, Marie. So I can get away.' Perhaps it was wrong of me, but I just felt disgusted by him. Still, I said, ‘Jakob Koller, you've got a lot on your conscience, but I will help you. How much do you need?' – ‘Ten thousand francs.' At that I laughed and told him he'd get 4,000, not a centime more. I arranged to meet him in the café the following day at the same time and give him the money. Then I sent you the telegram, Louis. The next evening he deserted. I got him some civilian clothes as well. Where he's gone off to, I don't know, but I don't think we've anything to fear from him now. I told him I would give you the whole story, Cousin Jakob. After all that he was decent enough to warn me about the false priest. Yes, the false priest,” she repeated, looking at her fiancé with a belligerent expression.

“Yes, Marie, the false priest,” Lartigue repeated in a gentle voice. He was at the table, starting to gather together the documents that were lying around on it. “I've put in a request for leave today. I imagine we'll be able to set off for Switzerland in a week's time. And once we're there, we can try to turn these papers” – he tapped the documents – “into money.”

For a long time no one spoke.

“What about Father?”

“We'll take him with us. Do you think in Switzerland . . . I mean . . . I wouldn't want . . .”

Studer interrupted his stammering. “I imagine they'll put him,” he whispered to the man who was fort commandant, doctor, vet, livestock dealer, military strategist and boxer all in one but could still be shy and awkward, “I imagine they'll put him in a hospital.”

Lartigue nodded. And Studer went on. “I don't suppose you could find a pair of Moroccan mountain sheepdogs for me, could you?”

“Moroccan . . . mountain . . . sheepdogs?” the captain looked at the sergeant as if he was beginning to doubt his sanity.

“Don't they exist?”

“Not . . . no . . . Not so far as I know.”

“Then we'll just have to take your Scotch terrier back for the Old Man.”

“The old man? Which old man?”

“Who do you think? Our chief of police, of course,” said Studer.

After their evening meal the two men were sitting on the balcony of the tower.

“Don't you think the story's going to come out some time or other?” Studer asked. “And your part in it?”

Lartigue giggled softly. Then – Studer could hardly believe his eyes – he stretched out his hands, palms upwards, raised his arms, his hands turned over and fell with a slap onto his thighs. The right hand came up, clenched in a fist, with just the index finger pointing up, straight, alone. The finger touched his lips and pointed upwards. And Studer could understand the mumbled words:

“Why concern yourself with what is to come, my
brother? You would only despair if you tried to conceive what the future will bring. What are past, present and future to Him, the Eternally Silent? To Him to whom eternity belongs?”

A small detachment of men was slowly crossing the flat ground between the fort and the
ksar
; the dull thump of drums reached them. Father Matthias, the “false priest” as Marie had called him, was being carried to his final resting place.

A quiet voice could be heard from the room: “Don't think I want to be a burden on you, Marie. You mustn't think that.”

“Of course not, Father.”

“Come on,” the captain's voice was hoarse, “let's go and accompany him down there” – he pointed at the procession on the ground – “to the cork-oak. After all, he didn't want the money for himself.”

Studer was happy with that. He claimed he was freezing and asked the captain for a coat. He was given a thick, pale green greatcoat lined with white linen. The lapels bore the emblem of the Foreign Legion: the red grenade with flames flaring up out of it. Putting on the uniform gave Studer great satisfaction. For once before he died he could wear the uniform he had dreamt of so often in Bern when life had seemed pointless . . .

THE MANNEQUIN MAN

Luca Di Fulvio

Shortlisted for the European Crime Writing Prize

“Di Fulvio exposes souls with the skills of a surgeon, It's like turning the pages of something forbidden – seduction, elegant and dangerous.”
Alan Rickman

“Know why she's smiling?” he asked, pointing a small torch at the corpse. “Fish hooks. Two fish hooks at the corners of her mouth, a bit of nylon, pull it round the back of the head and tie a knot. Pretty straightforward, right?” Amaldi noticed the metallic glint at the corners of the taut mouth.

Inspector Amaldi has enough problems. A city choked by a pestilent rubbish strike, a beautiful student harassed by a telephone stalker, a colleague dying of cancer and the mysterious disappearance of arson files concerning the city's orphanage. Then the bodies begin to appear.

This novel of violence and decay, with its vividly portrayed characters, takes place over a few oppressive weeks in an unnamed Italian city that strongly evokes Genoa . . .

The Italian press refers to Di Fulvio as a grittier, Italian Thomas Harris, and
Eyes of Crystal
, the film of the novel was launched at the 2004 Venice Film Festival.

“A novel that caresses and kisses in order to violate the reader with greater ease.”
Rolling Stone

“A wonderful first novel that will seduce the fans of deranged murderers in the style of Hannibal Lecter. And beautifully written to boot.”
RTL

£9.99/$14.95

Crime paperback original, ISBN: 1–904738–13–3

www.bitterlemonpress.com

SOMEONE ELSE

Tonino Benacquista

“A high-wire act that plays hide and seek with appearances. Benacquista is an extraordinary novelist. A book to be celebrated.”
Le Point

Who hasn't wanted to become “someone else”? The person you've always wanted to be . . . the person who won't give up half way to your dreams and desires?

One evening two men who have just met at a Paris tennis club make a bet: they give each other exactly three years to radically alter their lives. Thierry, a picture framer with a steady clientele, has always wanted to be a private investigator. Nicolas is a shy, teetotal executive trying not to fall off the corporate ladder. But becoming someone else is not without risk; at the very least, the risk of finding yourself.

“The author keeps up a breathless pace, touching effortlessly on identity, love, alcohol, old age, the cynicism of the business world, friendship. A wonderful novel that would make a wonderful film.”
Les Echoes

Winner of the RTL-LIRE Prize.

£9.99/$14.95

Crime paperback original, ISBN 1–904738–12–5

www.bitterlemonpress.com

ANGELINA'S CHILDREN

Alice Ferney

“A beautiful, haunting novel that takes the reader into the heart of a community frequently seen only as problematic. Within the gypsy encampment, life is physically hard, and Ferney writes unsentimentally about the getting and nurturing of children and the hostility of and to outsiders. Yet
Angelina's Children
is a profoundly moving, life-affirming story which outclasses any of those ‘Baguettes in Bordeaux' holiday reads so often marketed as true to French life.”
Glasgow Herald

“Few gypsies want to be seen as poor, although many are. Such was the case with old Angelina's sons, who possessed nothing other than their caravan and their gypsy blood. But it was young blood that coursed through their veins, a dark and vital flow that attracted women and fathered numberless children. And, like their mother, who had known the era of horses and caravans, they spat upon the very thought that they might be pitied.”

So begins the story of a matriarch and her tribe, ostracized by society and exiled to the outskirts of the city. Esther, a young librarian from the town, comes to the camp to introduce the children to books and stories. She gradually gains their confidence and accompanies them, as observer and participant, through an eventful and tragic year.

Alice Ferney's distinctive style powerfully involves the reader in the family's disasters, its comic moments and its battles against an uncomprehending, hostile world; in the love lives of the five boys, the bravery of the children, and, eventually, in Angelina's final gesture of defiance.

“A wonderful portrait of a woman both imperial and bruised, a greying ravaged mother-wolf that still controls all those around her. A novel of rhythm and grace, a beautiful voyage with the gypsies.”
Le Monde

“A beautifully feminine and fertile book . . . Ferney's prose at its most powerful.”
Le Figaro

WINNER OF THE LITERARY PRIZE CULTURE ET BIBLIOTHEQUES POUR TOUS

£8.99/$13.95

Paperback original, ISBN 1–904738–10–9

www.bitterlemonpress.com

INVOLUNTARY WITNESS

Gianrico Carofiglio


Involuntary Witness
raises the standard for crime fiction. Carofiglio's deft touch has given us a story that is both literary and gritty – and one that speeds along like the best legal thrillers. His insights into human nature – good and bad – are breathtaking.”
Jeffery Deaver

A nine-year-old boy is found murdered at the bottom of a well near a popular beach resort in southern Italy. In what looks like a hopeless case for Guido Guerrieri, counsel for the defence, a Senegalese peddler is accused of the crime. Faced with small-town racism fuelled by the recent immigration from Africa, Guido attempts to exploit the esoteric workings of the Italian courts.

More than a perfectly paced legal thriller, this relentless suspense novel transcends the genre. A powerful attack on racism, and a fascinating insight into the Italian judicial process, it is also an affectionate portrait of a deeply humane hero.

Gianrico Carofiglio
is an anti-Mafia judge in Bari, a port on the coast of Puglia. He has been involved with trials concerning corruption, organized crime and the traffic in human beings.

“A powerfully redemptive novel beautifully translated from the Italian.”
Daily Mail

“I enjoyed every moment of the book. Bitter Lemon Press have yet another winner on their hands.”
Eurocrime

“A new template for our literature, the mechanics and suspense of the American court procedural made profoundly Italian by its characters, its atmosphere, emotions and concerns.”
La Stampa

A best-seller and a major TV series in Italy,
Involuntary Witness
has won a number of prizes, including the Marisa Rusconi, Rhegium Julii and Fortunato Seminara awards.

£8.99/$13.95

Crime paperback original, ISBN 1–904738–07–9

www.bitterlemonpress.com

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