Final Reckonings (41 page)

"I've nothing to sell. I want to purchase some paintings."

"Well, in that case, won't you come right back with me, Mr. —" "Smith," he said.

We started down the aisle together. "Could you tell me just what you had in mind?" I asked. "As you probably know, we tend to specialize in moderns. We have a very good Kandinsky now, and an early Mondrian — "

"You don't have the pictures I want here," he said. "I'm sure of it." We were already in the gallery. I stopped. 'Then what was it you wished?"

He stood there, swinging this perfectly enormous plastic pouch. "You mean what kind of painting? Well, I want one or two good Rembrandts, a Vermeer, a Raphael, something by Titian, a Van Gogh, a Tintoretto. Also a Goya, an El Greco, a Breughel, a Hals, a Holbein, a Gauguin. I don't suppose there's a way of getting The Last Supper' — that was done as a fresco, wasn't it?"

It was positively weird to hear the man. I'm afraid I was definitely piqued, and I showed it. "Please!" I said. "I happen to be busy this morning. I have no time to — "

"You don't understand," he answered. "You buy pictures, don't you? Well, I want you to buy me some. As my—my agent, that's the word, isn't it?"

"That's the word," I told him. "But surely you can't be serious. Have you any idea of the cost involved in acquiring such a collection? It would be simply fabulous."

"I've got money," he said. We were standing next to the deal table at the entrance, and he walked over to it and put his pouch down. Then he zipped it open.

I have never, but simply never, seen such a fantastic sight in my life. The pouch was full of bills, stack after stack of bills, and every single one was either a five- or ten-thousand dollar bill. Why, I'd never even seen one before!

If he'd been carrying twenties or hundreds, I might have suspected counterfeits, but nobody would have the audacity to dream of getting away with a stunt like this. They looked genuine, and they were. I know, because — but, that's for later.

So there I stood, looking at this utterly mad heap of money lying there, and this Mr. Smith, as he called himself, said, "Well, do you think I have enough?"

I could have just passed out, thinking about it.

Imagine, a perfect stranger, walking in off the street with ten million dollars to buy paintings. And my share of the commission is five percent!

"I don't know," I said. "You're really serious about all this?"

"Here's the money. How soon can you get me what I want?"

"Please," I said. "This is all so unusual, I hardly know where to begin. Do you have a definite list of what you wish to acquire?"

"I can write the names down for you," he told me. "I remember most of them."

He knew what he wanted, I must say. Velasquez, Gorgione, Cezanne, Degas, Utrillo, Monet, Toulouse-Lautrec, Delacroix, Ryder, Pissarro —

Then he began writing titles. I'm afraid I gasped. "Really," I said. "You can't actually expect to buy the 'Mona Lisa'!"

"Why not?" He looked perfectly serious. "It's not for sale at any price, you know." "I didn't know. Who owns it?" 'The Louvre. In Paris."

"I didn't know." He was serious, I'd swear he was. "But what about the rest?"

"I'm afraid many of these paintings are in the same category. They're not for sale. Most of them are in public galleries and museums here and abroad. And a number of the particular works you request are in the hands of private collectors who could never be persuaded to sell."

He stood up and began scooping the money back into his pouch. I took his arm.

"But, we can certainly do our best," I said. "We have our sources, our connections. I'm sure we can at least procure some of the lesser, representative pieces by every one of the masters you list. It's merely a matter of time."

He shook his head. "Won't do. This is Tuesday, isn't it? I've got to have everything by Sunday night."

Did you ever hear of anything so ridiculous in all your life? The man was stark staring.

"Look," he said. "I'm beginning to understand how things are, now. These paintings I want, they're scattered all over the world. Owned by public museums and private parties who won't sell. And I suppose the same thing is true of manuscripts. Things like the Gutenberg Bible, Shakespeare first folios, the Declaration of Independence — "

Stark staring. I didn't trust myself to do anything but nod at him.

"How many of the things I want are here?" he asked. "Here, in this country?"

"A fair percentage, well over half."

"All right. Here's what you do. Sit down over there and make me up a list. I want you to write me down the names of the paintings I've noted, and just where they are. I'll give you $10,000 for the list."

Ten thousand dollars for a list he could have acquired free of charge at the public library! Ten thousand dollars for less than an hour's work!

I gave him his list. And he gave me the money and walked out.

By this time, I was just about frantic. I mean, it was all so shattering. He came and he went, and there I stood — not knowing his real name, or anything. Talk about your eccentric millionaires! He went, and there I stood with $10,000 in my hand.

Well, I'm not one to do anything rash. He hadn't been gone three minutes before I locked up and stepped over to the bank. I simply hopped all the way back to the gallery.

Then I said to myself, "What for?"

I didn't have to go back now, really. This was my money, not Jerry's. I'd earned it all by my little self. And as for him, he could stay up at the Cape and rot. I didn't need his precious job.

I went right down and bought a ticket to Paris. All this war scare talk is simply a lot of fluff, if you ask me. Sheer fluff.

Of course, Jerry is going to be utterly furious when he hears about it. Well, let him. All I have to say is, he can get himself another boy.

Statement of Nick Krauss

I was dead on my feet. I'd been on the job ever since Tuesday night and here it was Saturday. Talk about living on your nerves!

But I wasn't missing out on this deal, not me. Because this was the payoff. The payoff to the biggest caper that was ever rigged.

Sure, I heard of the Brink's job. I even got a pretty good idea who was in on it. But that was peanuts, and it took better'n a year to set up.

This deal topped 'em all. Figure it for yourself, once. Six million bucks, cash. In four days. Get that, now. I said six million bucks in four days. That's all, brother!

And who did it? Me, that's who.

Let me tell you one thing: I earned that dough. Every lousy cent of it. And don't think I didn't have to shell out plenty in splits. Right now I can't even remember just how many was in on it from the beginning to end. But what with splits and expenses — like hiring all them planes to fly the stuff down — I guess it cost pretty near a million and a half, just to swing it.

That left four and a half million. Four and a half million — and me going down to the yacht to collect.

I had the whole damn haul right in the truck. A hundred and forty pieces, some of em plenty heavy, too. But I wasn't letting nobody else horse around with unloading. This was dynamite. Only two miles from the warehouse where I got everything assembled. Longest two miles I ever drove.

Sure, I had a warehouse. What the hell, I bought the thing! Bought the yacht for him, too. Paid cash. When you got six million in cash to play with, you don't take no chances on something you can just as well buy without no trouble.

Plenty of chances the way it was. Had to take chances, working that fast. Beat me how I managed to get through the deal without a dozen leaks.

But the dough helped. You take a guy, he'll rat on you for two-three grand. Give him twenty or thirty, and he's yours. I'm not just talking syndicate, either. Because there was plenty guys in on it that weren't even in no mob — guys that never been mugged except maybe for these here college annual books where they show pictures of all the professors. I paid off guards and I paid off coppers and I paid off a bunch of curators, too. Not characters, curators. Guys that run museums.

I still don't know what this joker wanted with all that stuff. Only thing I can figure is maybe he was one of these here Indian rajahs or something. But he didn't look like no Hindu — he was a big, tall, youngish guy. Didn't talk like one, either. But who else wants to lay out all that lettuce for a bunch of dizzy paintings and stuff?

Anyways, he showed up Tuesday night with this pouch of his. How he got to me, how he ever got by Lefty downstairs I never figured out.

But there he was. He asked me if it was true, what he heard about me, and he asked me if I wanted to do a job. Said his name was Smith. You know the kind of con you get when they want to stay dummied up on you.

I didn't care if he dummied up or not. Because, like the fella says, money talks. And it sure hollered Tuesday night. He opens this pouch of his and spills two million bucks on the table.

So help me, two million bucks! Cash!

"I've brought this along for expenses," he said. "There's four million more in it if you can cooperate."

Let's skip the rest of it. We made a deal, and I went to work. Wednesday I had him on that yacht, and he stayed there all the way through. Every night I went down and reported.

I went to Washington myself and handled the New York and Philadelphia end, too. Also Boston, on Friday. The rest was by phone, mostly. I kept flying guys out with orders and cash to Detroit, Chicago, St. Louis and the Coast. They had the lists and they knew what to look for. Every mob I contacted set up its own plans for the job. I paid whatever they asked, and that way nobody had any squawks coming. No good any of 'em holding out on me — where could they sell the stuff? Those things are too hot.

By the time Thursday come around, I was up to my damn neck in diagrams and room plans and getaway routes. There was six guys just checking on alarm systems and stuff in the joints I was supposed to cover. We had maybe fifty working in New York, not counting from the inside. You wouldn't believe it if I told you some of the guys who helped. Big professors and all, tipping us off on how to make a heist, or cutting wires and leaving doors unlocked. I hear a dozen up and lammed after it was over. That's what real dough can buy you.

Of course, I run into trouble. Lots of it. We never did get a haul out of L.A. The fix wasn't in the way it was supposed to be, and they lost the whole load trying for a getaway at the airport. Lucky thing the cops shot up all four of the guys, the ones who made the haul. So they couldn't trace anything.

All told, must of been seven or eight cashed in; the four in L.A., two in Philly, one guy in Detroit and one in Chicago. But no leaks. I kept the wires open, and I had my people out there, sort of supervising. Every bit of the stuff we did get came in by private plane, over in Jersey. Went right to the warehouse.

And I had the whole works, 143 pieces, on the truck when I went down for the payoff.

It took me three hours to cart that stuff onto the yacht. This guy, this Mr. Smith, he just sat and watched the whole time.

When I was done I said, "That's the works. You satisfied now or do you want a receipt?"

He didn't smile or anything. Just shook his head. "You'll have to open them," he said.

"Open em up? That'll take another couple hours," I told him. "We've got time," he said.

"Hell we have! Mister, this stuff's hot and I'm hotter. There's maybe a hundred thousand honest johns looking for the loot — ain't you read the papers or heard the radio? Whole damn country's in an uproar. Worse than the war crisis or whatever you call it. I want out of here, fast."

But he wanted them crates and boxes open, so I opened em. What the hell, for four million bucks, a little flunkey work don't hurt. Not even when you're dead for sleep. It was a tough job, though, because everything was packed nice. So as not to have any damage, that is.

Nothing was in frames. He had these canvases and stuff all over the floor, and he checked them off in a notebook, every one. And when I got the last damn picture out and hauled all the wood and junk up on deck and put it over the side in the dark, I come back to find him in the forward cabin.

"What's the pitch?" I asked. "Where you going?"

"To transfer these to my ship," he told me. "After all, you didn't expect I'd merely sail off in this vessel, did you? And I'll need your assistance to get them on board. Don't worry, it's only a short distance away."

He started the engines. I came right up behind him and stuck my Special in his ribs.

"Where's the bundle?" I asked.

"In the other cabin, on the table." He didn't even look around.

"You're not pulling anything, are you?"

"See for yourself."

I went to see. And he was leveling.

Four million bucks on the table. Five- and ten-thousand dollar bills, and no phony geetus either. Wouldn't be too damn easy passing this stuff—the Feds would have the word out about big bills — but then, I didn't count on sticking around with the loot. There's plenty countries where they like them big bills and don't ask any questions. South America, such places. That part didn't worry me too much, as long as I knew I'd get there.

And I figured on getting there all right. I went back to the other cabin and showed him my Special again. "Keep going," I said. "I'll help you, but the first time you get cute I'm set to remove your appendix with a slug."

He knew who I was. He knew I could just let him have it and skid out of there any time I wanted. But he never even blinked at me—just kept right on steering.

He must of gone about four-five miles. It was pitch-dark and he didn't carry any spot, but he knew where he was going. Because all at once we stopped and he said, "Here we are."

I went up on deck with him and I couldn't seen nothing. Just the lights off on shore and the water all around. I sure as hell didn't see no boat anywheres.

"Where is it?" I asked him.

"Where is what?"

"Your boat?"

"Down there." He pointed over the side.

"What the hell you got, a submarine or something?"