âCrap. Eagle Estates have asked me to quote for a twelve-unit housing development out at Frankfort.'
âWell, that's hopeful, isn't it?'
âIt would be, if they hadn't warned me that there are five other kitchen-fitting companies putting in bids, and that I need to trim my price right down to the bone. As it is, I'm practically cutting my legs off to save on shoe leather.'
âI'll go check the chili.'
She went through to the kitchen, with Tyson following her. She opened the oven and took out the glass casserole dish with the chili in it. She stirred it and tasted it. It was almost ready, but she had to try hard not to think about Tilda Frieburg's body, lying in the bathtub, with her charred minstrel face and her little black fists, as if she wanted to fight the whole world.
âHow was your fire?' Craig called out. âEastwood Apartments, of all places. That seems like a lifetime ago.'
Ruth was opening up a can of Ol' Roy Hearty Cuts in Gravy Country Stew Flavor, for Tyson, who was licking his lips and doing a clickety little dance on the kitchen floor.
âIt was . . .
weird
,' she called back. She spooned the dog food into Tyson's bowl and then went back into the living-room. âThe victim was burned in her bathtub. But when the fire first ignited, the tub was actually filled up with water.'
Craig did an exaggerated double-take. âHuh? How do you set fire to somebody in a tubful of water?'
âYes, that's what I'd like to know. Not only that, the water had all boiled away.'
âIt wasn't that spontaneous what's-it's-name, was it? That spontaneous combustion thing that Jack was talking about.'
âSHC?' Ruth shook her head. âI told you. I don't believe in it. The adult human body is made up of seventy per cent water. Can you think of anything less likely to burst into flame?'
Craig called Amelia downstairs and they sat around the kitchen table for supper, while
Old Christine
flickered on the TV in the living-room, with the sound turned down. Ruth forced herself to eat, although she found each mouthful increasingly difficult to swallow. But Amelia didn't seem to have any appetite at all, and sat slumped in her chair, prodding at the beans in her chili with her fork.
âDon't you like your chili, Ammy?' asked Ruth, at last. âDid I make it too hot for you?'
âI think it's terrific,' said Craig. He had almost finished his meal, and was wiping his bowl with a torn-off piece of tortilla. âBest one you've made in a long time.
Muy picante,
just the way I like it!'
âActually, I'm not really hungry,' said Amelia, and put down her fork. âIs it all right if I leave the table?'
âHey, sweetheart, are you feeling OK? You're not feeling worried again, are you?'
âI'm fine. I'm not hungry is all.'
Craig was about to say something but Ruth touched her finger to her lips and gave him a look which meant:
don't.
Amelia went upstairs to her room, while Ruth and Craig cleared the table and stacked the dishwasher.
âMaybe she's in love,' Craig suggested. âThat hot flush she had in school today. Maybe it's hormones.'
âI don't know. I never knew hormones burn paper before.'
âI'll bet you anything she's in love. Maybe she has a crush on her math teacher.'
âHave you
seen
her math teacher? He looks like PeeWee Herman.'
Ruth allowed Amelia twenty minutes on her own, and then she went upstairs. As she approached Amelia's door she could hear her singing that song again.
â
I wonder where he's going
With that smile upon his face.
I wonder if he knows it's going to rain.
'
She knocked, and waited, and then Amelia said, âIt's OK. You can come in if you want to.'
Inside Amelia's bedroom, it was dark, except for the orange street light that flickered behind the basswood tree. Amelia was standing at the window, staring out.
Ruth went up to her and said, âWhat is it?'
âI told you. The door's open and people are trying to come through.'
âI know you told me, Ammy, but I still don't quite understand what you mean.'
Amelia turned and looked at her. The shadows of the leaves danced on her face and made it appear as if her expression kept altering: from laughing to angry, from angry to indifferent, and then laughing again. Ruth found it strangely unnerving.
Amelia made a complicated beckoning gesture with both hands. âIt's the same as you coming into my bedroom from downstairs. That's where they're coming from, downstairs.'
âDownstairs where? You mean
here
? Downstairs in our house?'
Amelia shook her head. âDownstairs everywhere. Downstairs where it's
hot
. That's where they always have to go. But now they want to come back up. Somebody's opened up the door and come through and now they
all
want to come through.'
Ruth said nothing. She still couldn't understand what Amelia was talking about, but whatever it was it seemed to be disturbing her deeply, and Ruth didn't want to make her feel even more anxious by asking her
which
door, and
what
people, and what did these people want?
She would ask Doctor Feldstein about it tomorrow. Doctor Feldstein had suggested a course of psychotherapy late last year, when Amelia had developed a phobia for going outside in traffic, but at the time Ruth had argued against it. Amelia was already undergoing a strict physical regime for the genetic weakness in her heart and the difficulty she had in swallowing food, and Ruth hadn't wanted her to feel even more different than she already did. She knew that many young people with William's Syndrome displayed signs of acute anxiety, but this was mostly because of their hyperacusis, their heightened sense of hearing â hence her fear of going out in traffic. Most of the time Amelia was loving, sociable and confident. It was only in the past two or three days that she had started to say that she felt worried.
Apart from that, with Craig's business in so much financial trouble, Ruth doubted if they could afford a psychotherapist.
âThese people,' she told Amelia, âthey're not really real.'
âYes they are. They
were
, anyhow.'
âWhat do you mean, they
were
? You're not talking about ghosts, are you?'
âSort of, some of them. It depends.'
âAmmy, there is no such thing as ghosts. They're just stories that people make up to frighten themselves. And it sounds like this is what
you're
doing. Making up a story about people coming through some imaginary door, people from downstairs. I don't know why you're doing it. Maybe you need to change your medication. But it's all in your mind, I promise you.'
âThen what about
him
?' asked Amelia, pointing out of the window.
Ruth looked out. The boy in the black T-shirt and the red jeans was standing next to the basswood tree, staring up at her.
âHim? He's not a ghost, Ammy. He's just an ordinary boy, and I'm getting pretty tired of him hanging around our house.'
She pushed her way out of Amelia's bedroom and ran downstairs. She crossed the hallway and pulled open the front door. Craig was watching TV in the living-room and he called out, âHey! Ruth? Ruthie â what the hell's going on?'
She didn't stop to answer him. She ran down the steps and across the front lawn until she reached the tree. And again, just like the last time, and the time she had tried to catch up with him on South McCann Street, he wasn't there. She stopped, and looked around, and listened, but she couldn't even hear the sound of sneakers slapping along the sidewalk as the boy ran away.
She was still standing there when an old black Buick Riviera came softly burbling along the street. It slowed down as it passed her, and she could see three men inside it, who seemed to be staring at her. The Buick's windows were coated in brown dust, but she could see that their faces were very white, as if they were wearing masks.
She stepped backward, away from the curb, but as she did so the Buick gunned its engine and drove away. She saw its red brake lights as it stopped at the intersection with North Courtland Avenue, but then it took a right and disappeared.
Craig came out of the house. Ruth looked up at Amelia's bedroom window and she could see her staring down. She waved, but Amelia didn't wave back.
âWhat the hell are you doing?' Craig asked her. âYou haven't seen the Creepy Kid again?'
âHe was here, I swear it.'
Craig looked up and down the street. âSo where is he now?'
âI don't know. It must have been a trick of the light, that's all.'
âMaybe I should call the cops?'
âNo, don't do that. We'd only be wasting their time.'
âOK. But if you see him again . . .'
They walked back to the house. Before she closed the front door, however, Ruth took a quick look back at the street. She was sure that she could see a figure standing close to the trunk of the basswood tree, but then it might have been nothing more than a complicated shadow, or an optical illusion, an imaginary boy made out of their mailbox and the next-door hedge.
Upstairs, she went back into Amelia's bedroom. Amelia had drawn the drapes now, and was taking out her clothes, ready for the morning: her bobbly red sweater, her long brown skirt.
âHe wasn't there,' Ruth told her. âBy the time I got there, he'd gone.'
âYou shouldn't go near him, in any case,' said Amelia.
âWhy not? Do you think he's dangerous?'
âIt's all because of him. That's why the door's open. That's why all of these people want to come through.'
âAmmyâ'
Amelia came up to her and there were tears in her eyes. âMommy, I can't explain it. I know it's happening, but I don't know why.' She pressed her hands over her ears and said, âThere's so much noise! So many people talking and shouting and crying and trying to get through.'
Ruth held her tight. âDon't you worry, sweetheart. Whatever it is, we'll find a way to close that door again.'
She glanced toward the bedroom door. Craig was standing in the corridor outside. All he could do was raise his eyebrows and give her a sympathetic shake of his head.
EIGHT
T
hey went to bed early, with two large glasses of Shiraz. Craig watched
CSI: Miami
, while Ruth tried to finish the cryptic crossword in the
Kokomo Tribune
. During a commercial break, Craig said, âSo, like â even Ammy herself doesn't know why she's feeling so anxious?'
Ruth took off her reading glasses. âMaybe it's her meds. But she's growing up, Craig, and Dr Feldstein always warned us that girls with William's Syndrome grow up quicker than other girls. Apart from that, she's so different, and when you're that age, you never want to be the odd one out.'
âMaybe you should talk to Dr Feldstein about that therapy.'
âWell, I can
talk
to him about it, for sure. Whether we can afford it is another question altogether.'
She went back to her crossword. Craig sat and looked at her for a while without saying anything.
âWhat?' she said, taking off her glasses again.
âNothing. It's just that I hate to see her so fretful. She's not being bullied, is she?'
âNot so far as I know. Come on, Craig, we always knew this was going to be difficult. All we can do is support her, and listen to her, and teach her to turn her disadvantages into assets.'
Craig thought about that, and then shrugged. âI guess God has His reasons for everything, even William's Syndrome.'
âYes,' said Ruth. âBut sometimes I wish I knew what the hell His reasons were.'
â
Ruth
!' said Craig. His father had been a Methodist minister, and he was still sensitive to blasphemy.
She picked up the remote, switched the sound on again, and returned to seventeen across.
Dead body in a vehicle
.
After a minute or two, Craig said, âWhy does he always pose like that?'
âWho?'
âDavid Caruso. The guy who plays Horatio. Why does he always pose like that, with his sunglasses on top of his head and his hands on his hips? How would you like it if I went around posing like that?'
âYou can go around posing like that if you want to. It's a free country. But I can't guarantee that I wouldn't choke myself laughing.'
Craig was about to retaliate when the phone rang. Ruth picked it up, and a voice said, âMs Cutter? This is Trooper Kelly Farjeon, ISP. Sorry to tell you there's been a ten-fifty on the Davis Road at the intersection with Jewel Road, involving your son Jeffrey.'
âOh my God, what's happened? Is he hurt?'
âNo, ma'am, I'm happy to say. He's pretty damp, though. Looks like a steering-link broke and his car went off the highway and ended up in a lake.'
âWhere is he now?'
âThe tow truck's just arrived to pull the car out. Soon as we've supervised that, we'll bring him home to you.'
âThank you, Trooper. You're sure he's OK?'
âNothing hurt apart from his pride, ma'am.'
Jeff was brought home about twenty-five minutes later, wrapped in a thick brown blanket. He had an angry crimson bruise across the bridge of his nose, and a face like thunder, but apart from that he appeared to be unscathed. He handed the blanket back to the State Trooper who had given him a ride, and then stamped upstairs to his bedroom.