Fosse (109 page)

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Authors: Sam Wasson

BOOK: Fosse
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Make Mine Manhattan,
[>]

[>]

marriage to Fosse,
[>]

[>]
,
[>]
,
[>]
,
[>]

[>]
,
[>]
,
[>]

Your Show of Shows,
[>]

Nunn, Trevor,
[>]

Nykvist, Sven,
[>]
,
[>]

 

Oak Theater,
[>]
,
[>]

O’Connor, Donald,
[>]

O’Horgan, Tom,
[>]

“Once-a-Year Day,”
[>]
,
[>]

On Death and Dying
(book; Kübler-Ross),
[>]

Orbach, Jerry,
[>]

Oscar.
See
Academy Award

Ostrow, Stuart

All That Jazz,
[>]

Ending,
[>]
,
[>]

at Fosse’s wake,
[>]

party for Fosse,
[>]

Pippin
(commercial),
[>]

Pippin
(stage production),
[>]
,
[>]
,
[>]

 

Page, Stan,
[>]

Paige, Janis,
[>]
,
[>]
,
[>]

Palace Theater

Abbott’s 100th birthday party,
[>]

All That Jazz
auditions,
[>]

[>]

description after renovation,
[>]

[>]

Sweet Charity,
[>]

[>]

as a vaudeville venue,
[>]
,
[>]
,
[>]
,
[>]

Paley, William,
[>]

Palmer, Leland,
[>]
,
[>]

[>]
,
[>]
,
[>]
,
[>]

Pan, Hermes,
[>]

[>]
,
[>]

Papirofsky, Joe “Papp,”
[>]

[>]
,
[>]
,
[>]
,
[>]
,
[>]

Parsons, Louella,
[>]

Payne Whitney psychiatry clinic,
[>]
,
[>]

[>]
,
[>]

Penn, Arthur,
[>]
,
[>]

Peppino (Giuseppe Rotunno),
[>]
,
[>]
,
[>]

[>]

perfectionism of Fosse

as a choreographer,
[>]
,
[>]

as a dancer,
[>]
,
[>]
,
[>]

[>]
,
[>]
,
[>]
(
See also
Astaire, Fred, studied by Fosse; style of Fosse, detail work)

as a director,
[>]

[>]
,
[>]

performing arts, principles of

living truthfully under imaginary circumstances,
[>]

perfectionism,
[>]
,
[>]
,
[>]

[>]
,
[>]
,
[>]

playing off an audience,
[>]

professionalism,
[>]
,
[>]

[>]

publicity,
[>]

respect,
[>]
,
[>]
,
[>]
,
[>]

sell,
[>]
,
[>]

show business
vs.
showbiz,
[>]
,
[>]
,
[>]
,
[>]

[>]

style (
See
style)

unemployment,
[>]
,
[>]
,
[>]
,
[>]

universal appeal of filth,
[>]

Perlman, Jack,
[>]
,
[>]
,
[>]

[>]
,
[>]

Perrine, Valerie,
[>]

[>]
,
[>]

[>]
,
[>]
,
[>]
,
[>]

Perry, Frank,
[>]

Pettiford, Valarie,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

Phifer, Wende,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

Philbrick, Miss,
[>]

Phillips, Eddie,
[>]
,
[>]

Picker, David

and
Big Deal,
[>]

and
Breaking Away,
[>]

at Chayefsky’s memorial,
[>]

on Fosse-Gardner-Chayefsky friendship,
[>]

The Goodbye People,
[>]
,
[>]
,
[>]

last phone message from Fosse,
[>]

Lenny,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

and United Artists,
[>]
,
[>]
,
[>]

Pickford, Mary,
[>]

Pontell, Jonathan,
[>]

Pope, Stephanie,
[>]

Porter, Cole,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

Poston, Tom,
[>]
,
[>]
,
[>]
,
[>]

Powell, Eleanor,
[>]

Preminger, Otto,
[>]

Price, Frank,
[>]

[>]
,
[>]

Price, Joe,
[>]

Prince, Hal

on Abbott,
[>]
,
[>]

and attack of Robert Griffith by Fosse,
[>]

[>]

Cabaret,
[>]

[>]
,
[>]
,
[>]

and
Chicago
contingency plans,
[>]
,
[>]

Company,
[>]
,
[>]

Damn Yankees,
[>]
,
[>]

[>]

on financial backing for productions,
[>]

Follies,
[>]
,
[>]

friendship with Fosse,
[>]

[>]
,
[>]

friendship with Wheeler,
[>]

Grind,
[>]

[>]

A Little Night Music,
[>]

New Girl in Town,
[>]
,
[>]
,
[>]

office,
[>]

The Pajama Game,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

Phantom of the Opera,
[>]

[>]

on work
vs.
life,
[>]

Prince, Judy,
[>]

producer, Fosse as,
Liza with a Z,
[>]

Proser, Marty,
[>]
,
[>]

Pulitzer Prize for drama,
[>]

 

Quick, Louise,
[>]
,
[>]
,
[>]

Quillin, Bill,
[>]

Quillin, Mimi,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

Quine, Richard,
[>]

Quogue, NY

Bauhaus “castle,”
[>]

[>]
,
[>]
,
[>]
,
[>]
,
[>]

smaller home,
[>]
,
[>]

[>]
,
[>]

[>]
,
[>]

 

Ragtime
(book; Doctorow),
[>]

[>]

Raitt, John,
[>]
,
[>]

Rall, Tommy,
[>]
,
[>]
,
[>]

[>]

Ramirez, David,
[>]
,
[>]

Ramone, Phil,
[>]

[>]
,
[>]

Rand, Sally,
[>]

Raphael, Brett,
[>]

Ray, David,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

Reagan, Pres. Ronald,
[>]

Reams, Lee Roy,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

Rebic, Don,
[>]
,
[>]
,
[>]
,
[>]

“Red Light Ballet” (dance),
[>]

[>]
,
[>]
,
[>]

Reed, Pamela,
[>]

Reiner, Carl,
[>]

[>]
,
[>]
,
[>]
,
[>]
,
[>]

Reinking, Ann “Annie”

All That Jazz,
[>]
,
[>]
,
[>]

[>]
,
[>]
,
[>]

[>]
,
[>]

caregiving Fosse,
[>]
,
[>]
,
[>]
,
[>]

[>]

Chicago,
[>]

A Chorus Line,
[>]

Dancin’,
[>]
,
[>]

[>]
,
[>]

on Fosse

background,
[>]
,
[>]

and Chayefsky,
[>]

decline,
[>]
,
[>]

[>]

during
Star
[>]
,
[>]

[>]
,
[>]

[>]

style and personality,
[>]
,
[>]

[>]
,
[>]

at Fosse’s wake,
[>]

fractured vertebrae,
[>]
,
[>]
,
[>]

at Nicole Fosse’s performance,
[>]

Over Here,
[>]
,
[>]

Pippin,
[>]

[>]
,
[>]
,
[>]
,
[>]

relationship with Fosse

beginning,
[>]
,
[>]

double standards and jealousy,
[>]

[>]
,
[>]

[>]
,
[>]

first meeting,
[>]

[>]

as a friend,
[>]

intimacy issues and womanizing,
[>]
,
[>]

[>]

trust,
[>]
,
[>]

relationship with Herb Allen,
[>]
,
[>]

relationship with Ward,
[>]
,
[>]
,
[>]

on Sadie Fosse’s death,
[>]

on Sager,
[>]

summering in Quogue,
[>]

[>]

Sweet Charity
(revival),
[>]
,
[>]
,
[>]

[>]

at the Tony Awards,
[>]

[>]

and Verdon,
[>]
,
[>]

[>]
,
[>]
,
[>]
,
[>]
,
[>]

Repertory Theatre of Lincoln Center,
[>]

[>]

Revil, Rudi,
[>]

Reynolds, Debbie,
[>]
,
[>]
,
[>]

Rich, Frank,
[>]
,
[>]
,
[>]

[>]
,
[>]
,
[>]

[>]

Richards, Martin “Marty,”
[>]
,
[>]

Richardson, Tony,
[>]
,
[>]

“The Rich Kid’s Rag” (dance),
[>]
,
[>]
,
[>]
,
[>]

“Rich Man’s Frug” (dance),
[>]
,
[>]
,
[>]
,
[>]
,
[>]

[>]
,
[>]

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