Frankenstein: Lost Souls

BOOK: Frankenstein: Lost Souls
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Frankenstein: Lost Souls
is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Copyright © 2010 by Dean Koontz

Excerpt from Odd Apocalypse © 2012 by Dean Koontz

All rights reserved.

Published in the United States by Bantam Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

A signed, limited edition has been privately printed by Charnel House.
Charnelhouse.com

BANTAM BOOKS and the rooster colophon are registered trademarks of Random House, Inc.

Library of Congress Cataloging-in-Publication Data

This book contains an excerpt from Odd Apocalypse by Dean Koontz. This excerpt has been set for this edition only and may not reflect the final content of the forthcoming edition.

Koontz, Dean R. (Dean Ray)
  Frankenstein: lost souls: a novel/Dean Koontz.
    p. cm.
  eISBN: 978-0-553-90767-4
  1. Frankenstein (Fictitious character)—Fiction. 2. Scientists—Fiction. 3. Monsters—Fiction. 4. Nanotechnology—Fiction 5. Montana—Fiction.
I. Title.
  PS3561.O55F68 2010
  813′.54—dc22
  2010004288

www.bantamdell.com

v3.0_r1

Contents

Title Page
Copyright
Epigraph
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Dedication
Also by Dean Koontz
About the Author
Excerpt from Odd Apocalypse
Men do not differ much about what
things they will call evils;
they differ enormously about what evils
they will call excusable
.
—G. K. CHESTERTON

    
chapter
1

The October wind came down from the stars. With the hiss of an artist’s airbrush, it seemed to blow the pale moonlight like a mist of paint across the slate roofs of the church and abbey, across the higher windows, and down the limestone walls. Where patches of lawn were bleached by recent cold, the dead grass resembled ice in the lunar chill.

At two o’clock in the morning, Deucalion walked the perimeter of the seven-acre property, following the edge of the encircling forest. He needed no lamplight to guide him; and he would have needed none even deep in the blackness of the mountain woods.

From time to time, he heard sounds of unknown origin issuing from among the towering pines, but they inspired no anxiety. He carried no weapon because he feared nothing in the forest, nothing in the night, nothing on Earth.

Although he was unusually tall, muscled, and powerful, his physical strength was not the source of his confidence and fortitude.

He went downhill, past St. Bartholomew’s School, where orphans
with physical and developmental disabilities flew in their sleep, while Benedictine nuns watched over them. According to Sister Angela, the mother superior, the most commonly reported dream of her young charges was of flying under their own power, high above the school, the abbey, the church, the forest.

Most of the windows were dark, although lights glowed in Sister Angela’s office on the ground floor. Deucalion considered consulting her, but she didn’t know the full truth of him, which she would need to know in order to understand his problem.

Centuries old but young in spirit, born not of man and woman, but instead constructed from the bodies of dead felons and animated by strange lightning, Deucalion was most at home in monasteries. As the first—and, he believed, the sole surviving—creation of Victor Frankenstein, he belonged nowhere in this world, yet he did not feel like an outsider at St. Bartholomew’s Abbey. Previously, he had been comfortable as a visitor in French, Italian, Spanish, Peruvian, and Tibetan monasteries.

He’d left his quarters in the guest wing because he was plagued by a suspicion that seemed irrational but that he couldn’t shake. He hoped that a walk in the cool mountain air would clear his troubled mind.

By the time Deucalion circled the property and arrived at the entrance to the abbey church, he understood that his suspicion arose not from deductive reasoning but instead from intuition. He was wise enough and sufficiently experienced to know that intuition was the highest form of knowledge and should never be ignored.

Without passing through the door, he stepped out of the night and into the narthex of the church.

At the entrance to the nave, he dared to dip two fingers in the font,
make the sign of the cross, and invoke the Father, the Son, and the Holy Spirit. His existence was a blasphemy, a challenge to sacred order, because his maker—a mere mortal—had been in rebellion against the divine and against all natural law. Yet Deucalion had reason to hope that he was not just a thing of meat and bone, that his ultimate fate might not be oblivion.

Without walking the length of the center aisle, he went from the threshold of the nave to the distant sanctuary railing.

The church lay mostly in shadows, brightened only by a sanctuary light focused on the crucifix towering over the altar and by votive candles flickering in crimson-glass cups.

As Deucalion appeared at the railing, he realized that another shared the church with him. Glimpsing movement from the corner of his eye, he turned to see a monk rising from the first pew.

At five feet seven and two hundred pounds, Brother Salvatore was less fat than solid, as an automobile compacted into a cube by a hydraulic press was solid. He looked as if bullets would ricochet off him.

The hard angles and blunt edges of Salvatore’s face might have given him a threatening aspect in his youth, when he lived outside the law. But sixteen years in the monastery, years of remorse and contrition, softened his once-cold gray gaze with kindness and reshaped his smile from brutish to beatific.

At the abbey, he was Deucalion’s closest friend.

His large hands, holding a rosary, seemed to be all knuckles, which is what his associates had called him in his former life. Here at St. Bartholomew’s, he was affectionately known as Brother Knuckles.

“Who was it they said murdered sleep?” Knuckles asked.

“Macbeth.”

“I figured you’d know.”

Perhaps because he was born from the dead, Deucalion lacked the daily need for sleep that was a trait of those born from the living. On the rare nights when he slept, he always dreamed.

Brother Knuckles knew the truth of Deucalion: his origin in a laboratory, his animation by lightning, his early crimes, and his quest for redemption. The monk knew, as well, that during Deucalion’s sleepless nights, he usually occupied himself with books. In his two centuries, he had read and reread more volumes than were contained in all but the largest of the world’s libraries.

“With me it ain’t Macbeth. It’s memory,” said the monk. “Memory is pure caffeine.”

“You’ve received absolution for your past.”

“That don’t mean the past didn’t happen.”

“Memories aren’t rags that come clean with enough wringing.”

“Guess I’ll spend the rest of my life wringing them anyway. What brings you here?”

Raising one hand to trace the contours of the ruined half of his once handsome face, Deucalion murmured, “He is risen.”

Looking at the crucifix, the monk said, “That ain’t exactly news, my friend.”

“I refer to my maker, not yours.”

“Victor Frankenstein?”

That name seemed to echo across the vaulted ceiling as no other words had echoed.

“Victor
Helios
, as he most recently called himself. I saw him die. But he lives again. Somehow … he lives.”

“How do you know?”

Deucalion said, “How do
you
know the most important thing you know?”

Glancing again at the crucifix, the monk said, “By the light of revelation.”

“There is no light in my revelation. It’s a dark tide in my blood—dark, cold, thick, and insistent, telling me
He’s alive.”

    
chapter
2

Erskine Potter, the future mayor of Rainbow Falls, Montana, walked slowly around the dark kitchen, navigating by the green glow of the digital clocks in the two ovens.

The clock in the upper oven read 2:14, and the clock in the lower oven displayed 2:11, as if time flowed more languidly nearer the floor than nearer the ceiling.

Being a perfectionist, Potter wanted to reset both clocks to 2:16, which was the correct time. Time must be treated with respect. Time was the lubricant that allowed the mechanism of the universe to function smoothly.

As soon as he finished his current task, he would synchronize every clock in the residence. He must ensure that the house remained in harmony with the universe.

BOOK: Frankenstein: Lost Souls
13.9Mb size Format: txt, pdf, ePub
ads

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