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Authors: Peter May

Tags: #Fiction / Mystery & Detective / General

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BOOK: Freeze Frame
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“So it was a local doctor who determined that Killian’s death was suspicious?”

This time Guéguen roared with laughter. “I would hardly describe three bullet holes in the chest as suspicious, Mr. Macleod. But, yes. It was.”

Voices in the corridor interrupted their conversation. A young man from the car rental company knocked on the door and brought in paperwork for Enzo to sign. He seemed self-conscious, almost deferential in the presence of the senior gendarme, and was anxious to be away again as soon as possible.

“The car’s round the back,” he said. “The Suzuki Jeep.” He handed Enzo the keys and was gone.

Guéguen rose from his desk and reached for his cape and hat. “I’ll walk you round.”

Enzo gulped down the last of his coffee and lifted his overnight bag, and the two men left by the same side entrance and walked around to the back of the gendarmerie. On the far side of a muddy parking area stood a concrete block with two heavy steel doors. Guéguen followed Enzo’s eyes.

“The cells.” He walked toward the nearest door and pushed it open. “Take a look. This is where we brought Kerjean when it was decided to charge him.”

Enzo walked into a dark cubicle. A hole in the floor at the back of the cell served as a toilet. High up in the wall above it was a window, allowing minimal light to penetrate thick cubes of unbreakable glass. A stone plinth was covered with a thin, unsanitary looking mattress. It was cold and damp, the walls scarred with the graffiti of drunks and petty crooks. Not a place you would want to spend any time.

“Myself and one of the more senior gendarmes were dispatched to bring him in.” Guéguen seemed lost for a moment in his memory of the event. “We were pretty nervous about it. Kerjean was… still is… a big man. And he had something of a reputation for violence. He wasn’t any stranger to these cells. He’d spent a few nights here after getting into drunken brawls in town. And he never came quietly.”

“You thought he might resist arrest?”

“Who knows what a desperate man accused of murder might do? As it turned out, he came like a lamb.”

“Do you think he did it?” Enzo watched carefully for his reaction, but the big gendarme just smiled.

“Of course he didn’t. He was acquitted, wasn’t he?” He reached into an inside pocket and produced a dog-eared business card. He found a pen and scribbled some figures on the back of it, before handing it to Enzo. “Here.”

Enzo turned it over. It was a telephone number

“That’s my private cellphone. Officially, I can do nothing for you, Monsieur Macleod. Unofficially…” he glanced across the sodden car park toward the house, “… I’ll help you in any way I can. And I don’t just
think
Kerjean did it, I’m sure he did. Even if he can’t be tried again, I’d love to see him nailed.”

Chapter Seven

The brief rush of traffic following the arrival of the ferry had long since subsided. The sky had darkened, the last of its light squeezed out by the rainclouds. Le Bourg, the small town at the top of the hill above Port Tudy, was deserted. Lights shone in a few shop windows:
Le Relais des Mousquetaires
, the
Bleu Thé
, the
Î
le et Elles
hairdresser on the square opposite the war monument and the church.

Enzo lost his way several times in the narrow streets, terraces of gabled houses with steeply pitched roofs and dormer windows, painted pink and white, and brick-red, and blue. Finally he saw a roadsign for Port Mélite.

After he left the town, and the Ecomarché supermarket on its outskirts, place names and arrows painted on crumbling road surfaces replaced conventional roadsigns. His Jeep, with its canvas roof and brutal suspension, proved draughty and damp and noisy as he steered it east through the gathering gloom along the island’s north coast. This was flat, dull countryside, punctuated by the odd stand of trees and occasional clusters of isolated cottages. Finally the road turned into a long descent to the tiny village of Port Mélite, a small group of houses huddled around a short sweep of sandy beach. Through the rain and the gloom, Enzo could just see the lights of the mainland in the far distance across the strait.

He parked next to a white car beside two concrete benches overlooking the beach. The name of the village was painted on a stone set into the grass. An arrow pointed east.
Les Grands Sables 400m
. He found the house about twenty meters along the dirt track leading to the big sands. It stood behind a wall and blue-painted fence, half obscured by tall, overgrown shrubs and bushes. It was a square, white bungalow with blue shutters, a light burned in one of the windows at the front, warm and welcoming in the cold and wet of the approaching night.

He’d had no real sense of what to expect of Jane Killian, and yet Enzo found himself taken by surprise. She was petite, five-two or three, and slim built. Curling brown hair with blond highlights was cut short, tight into the nape of her neck, giving her an almost boyish appearance, an illusion aided by the way she dressed. Loose-fitting jeans, a pale blue, open-necked shirt out over narrow hips, well-worn high tops. But there was nothing masculine about her. She had full, almost sensuous lips, and below dark eyebrows large, bright eyes, brown flecked with orange, almost amber. She was, he knew from Raffin’s book, forty-five years old, but looked ten years younger and had an air of fragility about her. As if she might easily be broken. She held out a small, elegant hand to shake Enzo’s. “Come in. You must be frozen dressed like that.”

Enzo followed her into the living room, where split logs glowed on a grate in an open fire, throwing out their warmth, and filling the room with the smoky sweet smell of burning oak.

“Here, let me take that jacket. It’s soaking.” She took his coat and draped it over the back of a chair in front of the fire. “You could probably do with a drink. Whisky?”

“Perfect.” Enzo knew already that he liked her. Any woman who hung up his coat and offered him whisky went right to the head of the queue for his affections. He noticed the open book on the coffee table next to the armchair where the impression her body had left in the soft cushions still showed.
Chocolat
. So although she had never remarried, she hadn’t lost her sense of romance. Or perhaps her dreams of it.

She handed him a whisky and refilled her own glass. “Sit down.” She curled herself up in the armchair she had occupied before his arrival. “It’s nice to be talking English. My French isn’t that great, I’m afraid.” Enzo had fallen back into his native language without even thinking about it, but realised now that there was a comfort in it. “I suppose your French must be pretty good.”

Enzo shrugged modestly. “It’s okay. Although I think my Scottish accent sometimes bamboozles the French.”

“How long have you lived here?”

“About twenty-three years now.”

“Almost a native, then.”

“Well, my daughter is. One hundred percent French. Although she speaks English with my Scottish accent.”

Jane smiled and tipped her head slightly, sipping her whisky, and looking at him over her glass with an appraising eye. “She had a French mother then, I guess.”

“Yes.” Enzo wasn’t about to volunteer any more just yet. He looked around the small living room, made smaller by the clutter of soft furnishings. Pushed up against one wall stood a scarred French buffet, no doubt acquired at a local
brocante
. A gate-leg table was folded against the back wall. Mounted above it a dozen framed cases displayed preserved insects pinned to white backboards. Ageing brown and cream floral-patterned paper covered the walls and the door, and a scatter of rugs protected polished oak floorboards. “So… this is where it all happened?”

“Not exactly,” she said. “Papa’s study is out in the annex across the lawn. I’m sorry… I should say Adam. I always called him Papa, because Peter did.”

“That doesn’t sound very English.”

She raised her eyebrows in surprise. “Well, that’s because he wasn’t.”

And now it was Enzo’s turn to be surprised. “I thought your father-in-law was British.”

“He was. Well, at least, he took British nationality. But he was born in Poland, and didn’t come to Britain until 1951. In the end, he was more English than the English. Not even the hint of an accent. I think he worked very hard at not being Polish anymore.”

This was news to Enzo. There had been no mention of it in Raffin’s book. “Tell me.”

“Not much to tell, really. He began his university education in Warsaw before the German invasion. Finished it after the war, and came to do a post-grad at London University in ’51.”

“In tropical medical genetics.”

“Yes. Over the years he spent a lot of time in the tropics, as well as other parts of the world. I think that’s where he got the entomology bug.” She smiled. “So to speak.”

Enzo ran his eyes over the lines of insect display cases hanging on the wall. Jane followed his glance.

“Not an interest he passed on to his son, I’m happy to say.”

“What was it Peter did?”

“He worked for a charity. Spent a lot of time overseas, just like his father.”

Enzo looked at her carefully. “It’s almost twenty years since he died.”

“Yes.” If there were still emotional scars, she kept them well hidden.

“But you never remarried.”

“No.”

He waited for more, but there was nothing forthcoming. Instead she changed the subject.

“I’ve prepared the bedroom directly above Papa’s study. You can stay as long as you like, or for as long as it takes. I’ll be here, in the main house, for about two weeks, so if there’s anything you need to know…”

Enzo took a large swallow of whisky. “You can tell me how the local newspaper knew I was coming.”

“Oh, God, did they?” She flushed with embarrassment. “I haven’t seen the paper, but I’m afraid it was probably my fault. There’s a woman in the village who looks after the house for me when I’m not here and gets it ready for me coming.” She sighed. “When I asked her to prepare the guest bedroom, stupidly I told her why.” She shrugged her apology. “Impossible to keep a secret here. I’m sorry, I should have known better.” She drained her glass. “Would you like to see the study?”

***

At the back door she took an umbrella from the rack. The door led straight from a large kitchen into the garden. Oddly the kitchen seemed cold and empty. Jane said, “I’d have had a meal prepared for you, but I only arrived today myself. Haven’t had a chance to do a shopping yet. I thought we might eat out in town, if that’s okay with you.”

“Sure.” Enzo groaned inwardly at the prospect of having to go out again into the night. It was fully dark now, and by the light of an outside halogen lamp illuminating the back garden, he could see the rain driving almost horizontally across the lawn.

They huddled together under the shelter of the umbrella and hurried over the grass to where the annex sat brooding darkly among the trees. He was aware of her slight, soft body pressed into his side, as he crooked his arm around her shoulders to support the umbrella against the wind.

She unlocked the door, and they scrambled out of the wet into the small square of entrance hall, shaking the umbrella behind them. The flick of a switch caused a single, naked bulb to cast light down into the hall from the narrow stairwell. She pushed open the door in front of them.

“Bathroom in there. Bedroom up the stairs. And this…” she turned to her right and opened a door, “… was Papa’s study.” She leaned in and turned on a light, and Enzo found himself gazing back twenty years into the past.

He felt a strange thrill of anticipation, all his instincts on suddenly heightened alert. Here was the room where Killian had died. The room in which he had somehow created a message for his son. A message that the young man had never seen and which had never been deciphered by anyone since. He laid his overnight bag down in the hall and took three steps back in time to an early fall night in September, 1990.

The large, square room had a high ceiling. To the right, a tall, shuttered window opened on to what Enzo imagined would be a view across the garden to the house. Floor-to-ceiling bookshelves lined the facing wall and the wall to the left. A thousand volumes or more stood side by side, silent witnesses to the murder of the man who had placed them there. Their multicoloured façade lent a warmth to this otherwise cold room.

Killian’s desk faced the door, an austere, uncomfortable-looking guest chair set an an angle on the nearside. Against the door wall stood a wooden filing cabinet, and next to it a work table where, Jane said, Killian spent hours preserving and mounting species of insect gathered from the surrounding countryside. Each one was photographed and annotated in leather-bound volumes. Beyond that, another door led to a small kitchen with little more than a sink and draining board, an old refrigerator, a small electric oven, and a shelf with an electric kettle, teapot and tea caddy.

Enzo’s first impression was of an almost obsessive sense of order. The desk was set at right angles to the window, carefully aligned with run of the floorboards. The books on the shelves behind it were perfectly perpendicular, each spine meticulously lined up with the edge of the shelf it stood on. Enzo crossed the room and ran the tips of his fingers lightly along one of the rows, following the regularity of its contours. And he noticed that the books were all arranged in alphabetical order, first by author, then by title.

On the desk itself two wire trays were placed one at each side. An in tray, an out tray. Each was empty. The brass desk lamp was set at a ninety-degree angle on the far left-hand corner of the desk. The only incongruity was a curled and faded yellow Post-it stuck to its glass shade with Scotch tape. On a pristine, unmarked blotter, a desk diary lay open at the week beginning September 23, 1990. A pen nestled where the pages curled into the line of its spine.

“It didn’t look quite this way when I got here,” Jane said. “Whoever shot him had been searching for something. Whether it was anything specific, or just valuables, we’ll maybe never know.” She sighed. “Anyway, I straightened it up as best I could, trying to remember the way he kept things. Nothing has been moved or removed. And nothing introduced. Everything is exactly as it was then.”

She couldn’t resist a glance toward the floorboards beneath the window, and Enzo was quick to spot it. Although it had faded with time, the blood that had seeped from Killian’s fatal wounds had left an indelible, dark stain in the wood.

“I washed the bloodstains from the wall once the police were finished. There were two exit wounds, and you can see where the bullets pitted the plaster. The third lodged in his spine.”

Enzo wondered whether it was simply time and the no doubt oft-repeated phrasesthat lent the mechanical, emotionless quality to her voice. He nodded and lowered himself into Killian’s captain’s chair. Its leather seat had become dry and brittle after all this time, and the chair groaned beneath his weight. Perhaps by placing himself in the man’s seat he could find someway into his mind.

There were four drawers in the desk. The deep one on the left contained a box of A4 printing paper. The drawer above it revealed an arrangement of open cardboard boxes filled with various items of stationery. Paperclips, drawing pins, staples, a Post-it pad, pens, pencils, erasers. The deep drawer on the right held a box of clear plastic sleeves for filing documents in clip folders. Lying on top of it was an aerosol can with a hand-written label.
N,N-diethyl-3-methylbenzamide
. Enzo lifted it out and examined it. He held it in the air, expelled a tiny blast and sniffed, wrinkling his nose. “Mosquito repellent.”

“Yes.” Jane nodded. This was clearly not news to her.

“Are you troubled by mosquitoes here?”

“Not much. There’s usually an onshore breeze that keeps us relatively insect-free.”

Enzo laid the aerosol back in the drawer and slid open the one above it. Here was a strange arrangement of clear plastic tubing exiting from either end of a transparent plastic film container of the kind that used to hold rolls of film in the pre-digital age. Enzo frowned.

“It’s called a pooter, apparently,” Jane said. “For catching single insects. You use one end as a mouthpiece, and suck the creatures in through the other end to trap them in the container.”

Enzo pulled off the lid and saw that the mouthpiece tube had a tiny square of gauze stuck over one end. Its purpose was obvious. He put it back in the drawer, and picked up the only other item. A small bottle of clear liquid. He held it up. “Do you know what’s in this is?”

“I had it analysed. It’s lactic acid. No one seems to know what he might have used it for.”

Enzo thought about it for a long time. “Lactic acid,” he said at length, “particularly in combination with carbon dioxide, is a well-known mosquito attractant.”

“Oh.” Jane seemed surprised. “No one’s come up with that before.”

BOOK: Freeze Frame
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