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Authors: Sarah Gristwood

Game of Queens

 

 

As religion divided sixteenth-century Europe, an extraordinary group of women – queens, consorts and thinkers – rose to power. Despite finding themselves on opposing sides of power struggles both armed and otherwise, through family ties and patronage they educated and supported each other in a brutal world where the price of failure was disgrace, exile or even death. Theirs was a unique culture of feminine power that saw them run the continent for decades. And yet, as the sixteenth century waned the Virgin Queen of England found herself virtually alone as a ruler — a queen surrounded by kings once more.

 

From mother to daughter and mentor to protégée, Sarah Gristwood follows the passage of power from Isabella of Castile and Anne de Beaujeu through Anne Boleyn – the woman who tipped England into religious reform – and on to Elizabeth I and Jeanne d’Albret, heroine of the Protestant Reformation. Unravelling a gripping historical narrative, she reveals the unorthodox practices adopted by these women in the face of challenges that retain an all-too familiar aspect today, and assesses their impact on the era that began the shaping of the modern world. Epic in scale, this game of queens is a remarkable spectacle of skill and ingenuity.

For my eldest niece, Emily West

Contents

Illustration Credits

Game of Queens: Who’s Who

Maps

Chronology

Preface

Author’s Note

 

PART I: 1474–1513

1 Entrance

2 ‘Lessons for my Daughter’

3 Youthful experience

4 ‘Fate is very cruel to women’

5 Princess Brides

6 Repositioning

7 ‘False imputations’

8 Flodden

 

PART II: 1514–1521

9 Wheel of Fortune

10 ‘a splendid New Year’s gift’

11 ‘One of the lowest-brought ladies’

12 ‘inestimable and praiseworthy services’

13 The Field of Cloth of Gold

14 Repercussions

 

PART III: 1522–1536

15 ‘Wild for to hold’

16 Pavia

17 ‘a true, loyal mistress and friend’

18 New pieces on the board

19 ‘ladies might well come forward’

20 The Ladies’ Peace

21 Exits and entrances

22 ‘Thus it will be’

23 ‘a native-born Frenchwoman’

24 ‘inclined towards the Gospel’

25 ‘to doubt the end’

 

PART IV: 1537–1553

26 Daughters in jeopardy

27 Pawns and princesses

28 New winds

29 Accommodations

30 ‘device for the succession’

 

PART V: 1553–1560

31 ‘Herculean daring’

32 ‘not one year of rest’

33 Sisters and rivals

34 ‘if God is with us’

35 ‘maidenly estate’

36 Trouble in Scotland

 

PART VI: 1560–1572

37 ‘Rancour and division’

38 ‘Two Queens in One Isle’

39 Challenge and conciliation

40 ‘Majesty and love do not sit well together’

41 ‘daughter of debate’

42 The Massacre of St Bartholomew’s Day

 

PART VII: 1572 onwards

43 Turning points

44 Prise

 

Postscript

Plate Section

A note on sources

Acknowledgements

Notes

Illustration Credits

Game of Chess
, 1555, Anguissola, Sofonisba (c.1532–1625): Museum Narodowe, Poznan, Poland/Bridgeman Images.

Isabella of Castile, Ms 604/1339 f.64v King Ferdinand II of Aragon and Isabella of Castile, from the ‘Devotionary of Queen Juana the Mad’, c.1482 (vellum): Musee Conde, Chantilly, France/Bridgeman Images.

Anne de Beaujeu, detail of the right leaf of the Triptych of the Virgin in glory, 1498–1499, by Jean Hey or Hay (ca.1475–ca.1505), known as the Master of Moulins, sacristy of the church of Notre-Dame in Moulins, France: DeAgostini/Getty Images.

The Field of the Cloth of Gold
: Wikimedia Commons.

Margaret of Austria, c.1490 (oil on oak panel), Master of Moulins (Jean Hey), (fl.c.1483–c.1529): Metropolitan Museum of Art, New York, USA/Bridgeman Images.

Manuscript miniature showing french queen Louise of Savoy: PVDE/Bridgeman Images.

Marguerite of Navarre, c.1527, by Jean Clouet (c.1485–1541), found in the collection of Walker Art Gallery: Fine Art Images/Heritage Images/Getty Images.

Margaret Tudor: Sir Francis Ogilvy/The National Library of Scotland.

Anne Boleyn, 1534 (oil on panel), English School: Hever Castle, Kent, UK/Bridgeman Images.

Katherine of Aragon: Universal History Archive/Getty Images.

Elizabeth I when a Princess, c.1546, attributed to William Scrots (1537–53): Royal Collection Trust/© Her Majesty Queen Elizabeth II 2016.

Queen Mary I (1516–58) 1554 (oil on panel), Mor, Anthonis van Dashorst (Antonio Moro) (c.1519–1576/77): Prado, Madrid, Spain/Bridgeman Images.

An Allegory of Tudor Succession: The Family of Henry VIII
: Wikimedia Commons.

Mary of Guise (1515–1560), 1537, found in the collection of the National Gallery of Scotland, Edinburgh: Fine Art Images/Heritage Images/Getty Images.

Mary of Austria (a.k.a. Mary of Hungary), c.1520 (oil on vellum on panel), Maler, Hans or Johan (fl.1510–1523): Society of Antiquaries of London, UK/Bridgeman Images.

Margaret of Parma: Stedelijk Museum ‘Het Prinsenhof’, Delft, Netherlands/Lessing Images.

Jeanne d’Albret: Peter Horree/Alamy Stock Photo.

Catherine de Medici (1519–89) (oil on panel), French School: Musee Conde, Chantilly, France/Bridgeman Images.

François Dubois (1529–1584) – St. Bartholomew’s Night, August 24, 1572: DEA/G. DAGLI ORTI/De Agostini/Getty Images.

Elizabeth I: His Grace the Duke of Bedford and the Trustees of the Bedford Estates, from the Woburn Abbey Collection.

Portrait of Mary Queen of Scots by François Clouet (1510–1572): World History Archive/Alamy Stock Photo.

Game of Queens: Who's Who

Spain and the Habsburg Empire

Isabella of Castile (1451–1504)

Queen Regnant of Castile from 1474, Isabella's marriage to Ferdinand II of Aragon (1452–1516) united the two main Spanish kingdoms. They famously ruled together as the mighty Catholic monarchs, producing only a short-lived son but several influential daughters. On Isabella's death Castile was inherited by their eldest surviving daughter, Juana ‘the Mad' (1479–1555), but Ferdinand proved reluctant to lose his power in that kingdom.

 

Maximilian I, Holy Roman Emperor (1459–1519)

After his marriage to Mary of Burgundy (1457–1482), ruling duchess of what would later be known as the Netherlands, Maximilian's ambition was to unite as much of Europe as possible under the hands of his Habsburg family. The marriage of his son Philip of Burgundy (1478–1506) to Ferdinand and Isabella's daughter Juana produced (among other children) the future Charles V.

 

Margaret ‘of Austria' (1480–1530)

Maximilian and Mary of Burgundy also had a daughter, Margaret. Contracted to the young French king Charles VIII, she was sent as a toddler to be raised in that country. When that alliance collapsed she married Isabella and Ferdinand's son and heir Juan and then, after his early death, the Duke of Savoy. But when he too died she returned to the Netherlands, which she ruled as regent for many years on behalf of her nephew Charles; the twelve-year-old Anne Boleyn was one of her maids.

 

Charles V (1500–1558)

Charles inherited the Austrian lands of his paternal grandfather Maximilian, as well as the elective title of Holy Roman Emperor, which Maximilian also held, the Burgundian inheritance of his father Philip (the Netherlands), the Castile of his mother Juana and the Aragon of his maternal grandfather Ferdinand, to say nothing of lands in the New World. He found the inheritance personally wearing and ultimately ceded the Austrian lands, power in Eastern Europe and eventually leadership of the Holy Roman Empire to his younger brother Ferdinand (1503–1564). This concentration of territories into the hands of one family established the Habsburg dominance of the sixteenth century.

 

Mary ‘of Hungary' (1505–1558)

Another sibling of Charles V and Ferdinand, Mary was married to the King of Hungary until the Battle of Jarnac made her a youthful widow. She then held Habsburg power on Ferdinand's behalf against the advance of the Ottoman Turks. The niece of Margaret of Austria, who brought her up, she then became Margaret's successor as Regent of the Netherlands. Mary's three sisters all became queens consort: Eleanor (1498–1558) first of Portugal, then of France, Isabella (1501–1526) of Denmark, Norway and Sweden and Catherine (Catalina, 1507–1578) of Portugal, which she later ruled as regent.

 

Christina of Denmark (1521–1590)

Daughter of Isabella and her husband King Christian of Denmark, after her father was deposed Christina was raised by Isabella's aunt Margaret of Austria and sister Mary of Hungary. Married first to the Duke of Milan and then the Duke of Lorraine, she was considered as a possible bride for Henry VIII of England. She was a determined player on the European political scene, attempting to regain her father's Scandinavian kingdoms, and a key negotiator of the important Peace of Cateau-Cambrésis.

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