Goddess in Time (4 page)

For a second, he looks like he wants to argue.

“You're right,” he finally says. “What's the plan?”

I grab my desk chair and swing it around so I can drop into the seat with my arms over the back. “The golden feather,” I say. “That's definitely the easiest.”

“Easy?” Troy says with a cough-laugh.

I scowl and he snaps his mouth shut.

“I can
autoport
to Olympus,” I explain. “I've been there before.”

Back when all this started. The memories are still so fresh they could have happened yesterday. If I close my eyes, I'm there, in the gleaming halls of Olympus. I can see my younger self, blond hair bouncing in pigtails as little Griffin and I race toward the nursery.

I carried the ambrosia. It was a tiny amount, a small cup of the glowing golden liquid.

We snuck into the room where Hera's new baby slept. His nanny, we knew, always drifted off to sleep as soon as the baby fell quiet—being Hera's servant was an exhausting job. As we tiptoed across the floor, she didn't stir.

Peering over the edge of the crib, I was excited. I thought we were doing something great—feeding the baby the nectar of the gods. The grown-up gods drank it like water, but the poor baby had never had a taste. He would grow up to be a god, too, and I thought he deserved a taste of the magical food.

I had no idea it was poison to any god under the age of two.

I had no idea it would steal his immortality.

“Nicole?” Troy's voice penetrates my memories.

“What?” I snap, to cover up the emotion pulsing through me.

I've relived that memory so many times in the years since, it's seared into my brain like a red-hot brand. The only way to get rid of it is to undo what we did.

To change the past.

If I could go back and stop the prank, maybe even stop my seven-year-old self from thinking up the idea in the first place, everything would go back to how it should be. We would all—me, my parents, Griffin, and his parents—get back the lives we were supposed to have.

“When do you want to go?” Troy asks, ignoring my glare.

I push up out of my chair. “Now.”

“Now?” he chokes, then catches himself before I can threaten to restrain him. “Right. Now. Sounds good.”

“Relax,” I say with a grin. “I'll
autoport
to the gates, sneak into Zeus's office, and be back here before you can blink.”

Troy doesn't look convinced. But he keeps his concerns to himself. He nods. “I'll be waiting.”

At the fearful look in his eyes, I hesitate. He's really scared for me. He's my friend and he cares whether I get hurt or in trouble.

“I'll be fine,” I promise.

He takes a deep breath and nods again.

Then, before he can say anything, I close my eyes and concentrate. I picture the massive golden gates at the entrance to Mount Olympus. They're purely for show—the gods have other protections in place to keep out the riffraff—but they are impressive.

I focus on the spot to the right of the entrance, behind the column of white stone that anchors the gate to the wall surrounding the entire Olympic complex. That spot is hidden from anyone standing at the gate, and out of the sight of the golden gargoyles that guard the wall from above.

It's the only place I know for sure I can zap into Olympus without being seen.

My skin tingles and bright light glows through my closed lids. When the sensations are gone, I open my eyes. And find myself standing face-to-face with a golden giant.

I open my mouth to scream, but quickly slap my hand in place.

The giant is a statue, an unmoving sentry guarding the gates of Olympus. He's a new addition since I used to play out here as a child.

“Get a grip, Nic.”

When I whisper the words, the statue's eyes blink open.

Crap. Crap, crap, crap.

This must be a creation of Hephaestus, Olympus's handyman. It's an automaton guard to protect the precious gods around-the-clock.

I wait, heart pounding, expecting the guard to reach out a beefy gold hand and grab me in its unyielding grip. But as much as I want to run, I stay utterly still. So does the guard.

It's eyes swing side to side once, like it's checking the area, and then glide shut.

I bite my lips to keep from exhaling a sigh of relief. I should have known. Old Heph's creatures are never quite perfect. This one must have a vision weakness—like it can detect movement, not shapes.

Lucky me.

Tiptoeing lighter than I've ever stepped in my life, I inch my way out from in front of the guard, around its massive gold body, and make my way for the tall hedge that surrounds the outer wall of Olympus. The bushes are dangerous—thorns tipped with poison that is designed to torment more than kill. Anyone trying to sneak in this way is in for a serious hurt.

I only hope the password hasn't changed.

Facing the section twenty paces from the front gate, I close my eyes, take a breath, and say,
“Gia tin
agapi.”

For love.

If I remember the story right, after a pair of human adventurers found their way into the hallowed halls of mythology, Zeus called for major renovation of the Olympic security system. The upgrade included doubling the height of the wall, activating non-Olympian sensors, and installing the poisonous hedge. At the time, one of the gods was having a love affair with human. That god convinced Hephaestus to leave an access point. A way for the human lover to get in and out of the palace without detection.

My mother told me it was Aphrodite, but I've always suspected it was Zeus himself. Total hypocrite.

After speaking the password, I wait a few seconds, kind of expecting something to happen—a movement or a sound. Nothing.

I can't stand here all day. I have to risk it, to go on faith that the password worked. I'm not big on faith. I prefer action. But I don't have a choice.

Reaching out, I brace myself for the scratch and sting of poison thorns as I shove my hand into the hedge. Instead of pain shooting up my arm, I see the hedge flicker like a bad computer screen.

My body sags with relief as I step through the false image. A hologram. The gods are getting computer savvy. One challenge down, about seventy thousand to go.

I emerge from the hedge and look up at the massive wall. Good thing I don't have to scale it, because I'm not a fan of heights. Breaching the wall is actually easier than the hedge—probably because the gods think no one will make it through their poison bushes. I step up to the gleaming white surface and scan the smooth stone blocks for the one with a faint handprint burned into the marble. The sign is only visible from a sharp angle, but even though it's been a decade since I tried to sneak inside, when I step up to the wall and turn my head to the side, I immediately see the hand.

I allow myself a small smile. Despite assuring Troy that I knew what I was doing, part of me wondered if things had changed too much in ten years, if I might not even make it inside.

My last thread of doubt evaporates as I place my palm on the marked block and the section of stone in front of me sinks back into the wall.

The moment the opening is big enough, I slip inside. No point waiting out in the open just asking to be caught. I weave my way through the carefully carved labyrinth—a dark passage barely taller than I am and with only the fading glow of the outside world to light the rocky way.

I wish I could use my
photomorphosis
power to illuminate the creepy space. Yet another supernatural protection: no
hematheos
powers on Olympus grounds.

With a suffocating
whoosh,
the secret door slides shut, plunging the passageway into darkness.

Don't freak out.

I place my palm on the wall and hurry forward, trusting my memory of the twists and turns to get out into the main hall as quickly as possible.

And I'm right. A few seconds later, I slam face-first into the end wall. Yeah, should have seen that coming.

I kneel down, feeling for the trigger I know is there. Even in the dark, my fingers find it almost instantly. I pull on the handle and then jump up out of the way as the interior door glides open.

For a moment I'm blinded by the glow. I'd forgotten just how bright Mount Olympus can be. Squinting against the burn, I step out into the hallway . . . and am overcome by memory.

The brightness wasn't the only thing I'd forgotten. As I scan the space around me—the long, impressive, intimidating hall leading from the main gates to the Hall of Gods—it's like I never left. Every surface is carved from the purest white marble, the kind that can only be quarried from the bowels of Hades, and inlaid with every color of glittering gemstone imaginable. Bloodred rubies, sea-blue sapphires, and grass-green emeralds. Pearly opals, golden topaz, and bright purple amethyst. And every carving, every inlay, every spot that looks like it could use a little shine, is gilded with twenty-four-karat gold. It's a treasure hunter's dream.

Since the day my parents got banished from Olympus, and me along with them, I've imagined this moment. I pictured myself brought to tears—a rare thing for me—or seething with fury or raging with disgust. But never once did I imagine what I'm actually feeling. As I stare around at the palace that
used to be my home, I feel . . . joy.

M
aybe I shouldn't be surprised by the happy memories. Until the Incident, my childhood was a happy one, filled with fun and games and plenty of adventure.

My dad and Griffin's mom both worked for Zeus, which is why we got to live in his palace. It was a rare opportunity.

As the only
hematheos
children allowed on Olympus at the time, we spent a lot of time amusing ourselves and each other.

One of my favorite games was the scavenger hunt. We would steal two baskets of eggs from the palace kitchen—one gold and one silver. Griffin would hide the silver ones, I would hide the golden ones, and then we would race to see who found all their eggs first.

This game made us equals. While Griffin could win the footraces and I almost always outclimbed him, in the scavenger hunts we were equally matched. Griffin ran faster, covering ground more quickly. But I was more devious. My hiding places were almost impossible to find, unless he knew where to look. On more than one occasion, even I forgot where I'd hidden the eggs and we had to join forces to find the last few long after I'd filled my silver basket with his eggs.

I'm sure there are still some hidden away.

Griffin and I used to race down this very hall. From the edge of the mosaic inside the main doors, we would sprint all the way to the other end—which, for a pair of seven-year-olds, was a long run. Griffin always won. He loved to run more than I did. I actually hated it, but I loved the competition, the drive to beat him next time. We would collapse in a panting heap at the far end, right in front of the entrance to the Hall of Gods, where the Olympians would be inside making decisions that would alter countless lives without giving those affected a second thought.

As I walk down the hall, following the path of our races, my memory turns bitter in my stomach. I pause for a moment in front of the golden doors, inlaid with onyx and opal to reflect the balance of power within. Balance? That's a joke. The balance always seems to skew to one side when the gods are involved.

Part of me wants to burst inside, to interrupt the important business of the day and demand they retract their decision about my and Griffin's parents.

But the gods are childish creatures. Begging them to do something would only resolve them to do the opposite. I don't know what could be worse, but I'm sure the gods could find some way to increase the sentences.

Before instinct takes over, I turn and head down the side hall toward the main offices of the gods.

Various chambers line either side of this passage: offices for minor deities, meeting rooms, waiting areas. Griffin and I used to love playing hide-and-seek in the palace because there always seemed to be new places to hide. I preferred hiding under desks or behind curtains. I almost always found Griffin in a closet or behind a door. He chose the safer hiding places. One time, I hid beneath the bed in Hera's chamber—boy, was that terrifying. It's a miracle I wasn't scarred for life.

As I make my way through the palace, passing elegant statues of beautiful goddesses, curving vases painted with scenes from Olympic history, and mosaic-walled alcoves, I smile. Walking past one particularly tall vase, I'm snagged by a memory. I used to love trying to find spots Griffin couldn't reach, even though he had been a few inches taller than me.

This vase was precisely the kind of thing I would try to tackle.

I hesitate, wondering if I should waste precious time on this little sidetrack. But then I shake my head. Other than not wanting to get caught trespassing on Mount Olympus, and Troy probably freaking out back home—which is always good for him—I'm on my own time schedule. Curiosity gets the best of me.

Walking around behind the pedestal that holds the vase, I lift up on my tiptoes—no easy feat in steel-toed combat boots—and reach for the top lip of the vase. Only I'm not as nimble as I used to be, and instead of carefully reaching inside, I knock the rim and send the vase flying.

I dive for it, launching myself full-body across the marble floor, arms outstretched and reaching desperately for the fragile vase. I won't make it.
Hematheos
instinct kicks in and I try to
neofacture
a huge feather pillow before the vase hits the floor. But no pillow materializes in the powers-free Mount Olympus. I watch helplessly as the vase falls to the floor. Then, two inches from impact, it bounces
like it hit something soft and then rolls across the air. I lay there, frozen, my heart pounding.

Yet another supernatural protection—the gods must really love their art.