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Authors: Tim Parks

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BOOK: Goodness
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A Precedent

By the time I drop off Charles and pull up in Gorst Road I’m thoroughly keyed up. But Mother is out at her Asian women’s conversation group. For some reason this annoys me intensely. She should be around at a moment like this. Not out showing solidarity to another minority group.

So I set about Grandfather. I set about him at once. I don’t think at all. He’s sitting in front of the television, as he might have been twenty years ago, sucking liquorice, poking about in his pipe, his belt unbuckled, his waistcoat, his hairy porish face. Walking in, I’m swept by a feeling of staleness and frustration. This is the mollusc shell I never really left somehow.

With no preamble I put it right to him: ‘Didn’t you ever ask yourself what was wrong with Mavis?’

I cross over and snap off the television. ‘Didn’t you?’

‘Mavis?’

‘Didn’t you ever wonder why she was so dumb?’

I shout. I suppose really I’m still reeling from the blow, it still hasn’t come home to me. And in a way I’m enjoying this reeling, this disorientation, knowing that it amounts to little more than a grace period before I’ll be obliged to get on with things and make decisions.

Perfectly lucid, he says: ‘What on earth are you on about Mavis for? Do we have to pay something?’

‘Mavis had a syndrome!’ I scream.

It’s infuriating, but the fact that you have to shout at him anyway because of his deafness, neutralises any effect volume would have on a normal person. It’s like beating fists on a wall.

‘You what?’ He squints.

‘I said a syndrome. A genetic fucking illness. And you should have found out.’

The room is staler than ever. The old man has cakecrumbs all over his lap. I think: this should have been over years ago, years and years ago, the stale farce of this pissy old man in this never-to-be-refurnished room. My mother has kept it going beyond all reason, because of her selflessness, her refusal to start a new, fresh, cheerful life. Dimly I sense that this is what is to blame for Hilary. This decaying, stinking existence is touching mine, tainting mine, dragging me down. Or that’s how it feels. As if Mother were keeping those bad genes alive on purpose, because for Mother life, however awful, is everything.

He says in a growl: ‘Our Mavis was all right till she took up with that Mormon fellah. She brought home a decent wage. Anyway, how’s Peggy? Never bothers to visit, the little

‘I said, Mavis had a syndrome and now my kid’s got the same thing only a million times worse. Do you understand or don’t you?’

His wrinkled, limp-balloon face stares. His Adam’s apple shifts. Then, grinning foolishly, pushing his tongue about in slack cheeks, he tells me: ‘Stick the kettle on, will you? I could do with a cuppa.’

Almost raving now, and at the same time perfectly conscious of the mad futility of what I am about, I begin to tell him what a completely useless, useless old sod he is. He had a deficient child and never bothered to find out why, never worried that the same thing might happen to his children, his grandchildren. For thirty years he sat around doing absolutely bugger all but eat and drink and smoke and wear my Mother to a rag. And now the last straw is that, having never been warned, without the faintest inkling, I’ve gone and had a child like Mavis, but worse than Mavis, I’m going to be dragged back into the same ugliness I fought so hard to get myself out of, just because I share the same stinking gene pool he gave me and nobody ever
bothered to inform me about. Well at least he might have the decency now to lie down and fucking-well die and let those who know how to live get on with it without the burden of a filthy old albatross like him round their necks.

My blood is pumping. I have never shouted so loud.

‘You’re nuts.’ He heaves himself to slippered feet and tries to push past me. ‘You’re loony. Get yourself some pills.’

I push him back. He sits heavily.

‘I’ll kill you if you don’t listen.’

Even if he can’t really understand, at least he is fully aware now. At least he can see I hate him. His scabby old face begins to register a creeping alarm, veiny eyes squinting through gathering cataracts.

‘Can’t you see you’ve ruined my whole life? Ruined it.’

But words aren’t enough. I just can’t seem to make them mean anything of what I’m feeling. I stand and stare at him. And with that lucidity that lies like deep water beneath the foaming surface of my rage, it comes to me that this has always been the source of my frustration when I argue. Words just aren’t adequate. It isn’t about words. None of it.

So I hit him. Instinctively. I take a great swipe and let the fiat of my hand slap solid into his cheek. One is so unused to violence. He ducks his head down, yelling. I slap again and again. I kick his shin hard. In a sudden desperate movement, he jerks himself up and comes at me, arms flailing like an angry child, uncoordinated and helpless, cartoon-like. He lashes. I grab him by the shoulders and, throwing my whole weight against him, heave him bodily back. He collapses into his chair again, panting. I raise my hand to slap and he weakly pulls up an arm to defend himself. I brush the arm away and slap hard. We stare at each other, his old unhealthy face quivering with fear and incomprehension. God knows what I’m looking like.

Enunciating fiercely, I tell him, ‘Now if you don’t agree to go into a home, old man, if you don’t just leave my mother be, then I’m going to come here every week and beat hell out of you, okay. I’m going to beat you to a pulp. Now get upstairs and wash your face and stay out of my sight.’

Muttering under his breath, but definitely defeated now, he struggles to his feet and limps out into the passage and off upstairs.

Left alone, I find myself trembling and truly truly appalled. Resting against the mantelpiece, I pick up a dusty Hummel of a small boy and two yellow birds sitting together on a country fence, their mouths wide open in song. How my mother loves these quaint images of innocence and happiness. An ice-cream van tinkles in some suburban distance, exactly as twenty years ago. And I draw breath. I try to steady myself. I feel deeply justified in going for the old man, yet can’t escape the terrible ugliness of what I’ve done. Have I ever hit anybody before? Never. What am I sinking to? Yet the paradoxical pattern of this experience – justification followed by ugliness – is all too familiar (didn’t I feel much the same after cheating on my wife: justified, ugly).

When Mother comes back I burst into tears in her presence for the first time since childhood.

‘We were so so happy,’ I weep. ‘We’d really got so close together. Why did it have to happen? Why?’

Mother hugs me and repeats over and over: ‘Bless you, my dear heart, bless you, bless you, bless you, my dear heart.’

Later, driving home, I reflect that of course I only let rip with Grandfather so as not to have to do so with Mother. It was an easy way out. For in many ways it is more her fault than his. A generation on, it was she should have known what to do, her I should have been shouting at. Yet I know I never will.

I get home, transfer a Heinz curry and rice from freezer to microwave, and while that’s cooking look up Christensen’s syndrome in the medical book I bought. Of one thousand eight hundred expensive pages, my baby girl’s condition merits only six lines:

Rare syndrome of varying intensity involving multiple disabilities and/or deformities. Cases differ widely and little is know of causes. Affects only females, but may
(or may not) be passed on by males. Possible manifestations: spasticity of lower limbs, malformation of major articulations, cerebral palsy (rare). May occur together with, or be mistaken for, Down’s syndrome.

The phone rings. My mother’s voice speaks breathily: ‘Something’s happened to Dad.’

She found the old man upstairs on the floor by his bed unable to speak or move.

‘Dead?’

‘No, he opens his mouth, it’s just he can’t speak.’

‘Stroke,’ I say. ‘You . . .’

‘Oh, sorry, that must be the ambulance already, I . . .’

I say to phone me just as soon as she’s got any concrete news or needs help. Then I put down the phone and eat. Going about all the routine domestic tasks that evening, washing dishes, wiping surfaces, I numbly wonder whether Grandfather will manage to tell the powers that be that I beat him, or whether they themselves will find signs of violence. I feel nervous, faintly horrified, but there’s a growing sense of grim satisfaction too. Surely now he will be forced into a home at last. I have liberated my mother. It is not a crime. On the contrary I have done something good.

A precedent perhaps.

Four Thousand to One

What happens over the following months is that Shirley gives up entirely while I throw myself heart and soul into saving the situation, into finding, no matter how far I have to go, how much I have to spend, some cure that will reverse our little girl Hilary’s condition. My reasoning is that they can’t know for certain that her brain is in the same condition as Mavis’s. The medical books, when they mention it at all, say the syndrome is entirely unpredictable in terms of severity and areas affected. No one can really know how she will develop. She might have a severe physical handicap and a brilliant mind, for example. So perhaps, I think, there is still a chance for our daughter and for us. And if there is such a chance, however remote, it is my duty to go for it.

Shirley comes home after a month in hospital. She refuses to speak about Hilary’s condition. She avoids wheeling her out where she will be seen by neighbours. She looks after her carefully but clinically, never complaining how difficult it is to dress her with her stiff joints, never making even the most remotely relevant comments. She is efficient, tight-lipped, mechanical, beaten.

‘Please don’t tell me,’ she says quickly, when I begin about something I have read, some information gleaned. ‘Please, I don’t want to know, okay?’

I say how important it is for us to communicate, pull together.

She says: ‘When a tragedy occurs there’s no point in pretending it hasn’t.’ And she says I was right all along, we should never have had children, they’re too risky. Never never never. She could have found a job at another school,
or in business, in the end she could have done it. We could have been happy. It is all her fault.

But I say no, she was right. And I tell her how much I want a healthy child now. It was just sheer bad luck.

‘Bit worrying,’ she remarks, ‘when we both start telling each other the other was right.’ She looks up at me from plucking a thread on her blouse and half smiles.

‘Everything will turn out okay,’ I say. ‘I was talking to a specialist who . . .’

‘Please, George.’

Weeks pass. We don’t make love for the unspoken fear of somehow generating another Hilary. The geneticist has said a one in four chance. Add that to the, what, thousand to one chance of getting pregnant despite contraceptives and you’re talking about four thousand to one, the kind of odds you might never win at, but could perfectly well lose at. Lying in our bed sometimes, watching the evening shadows that stretch and flit, I will be urgently aware of our extraordinary isolation, from each other, from the rest of the world.

Still, I resist the temptation simply to work late at the office and absent myself from family life. When I am at InterAct I work hard, I plunge into work as into a warm healing bath, I seem to reach intensities of concentration, speed of operation, I never dreamt possible before, but I always make sure I’m home in good time. I think, we will come through even this, I will save little Hilary. I will. And I am terribly tender with the little girl, changing and feeding her myself since Shirley lost her milk almost immediately. Sometimes I’ll be up half the night, heating bottles in the microwave. I look into her small, slightly fish-like blue eyes and wait, hope for the first smile.

Many men, I’ve heard, simply refuse to look at a handicapped child.

Of the relatives, my mother and Shirley’s brother Charles are assiduous to the point of irritation. Mrs Harcourt on the other hand pays ever rarer visits during which she will talk eagerly about proportional representation and the advantages of using faster film, before making for the door with the near
panic of someone leaving a sinking ship. Mr Harcourt occasionally phones offering advice about specialists suggested by his professional friends. He will look after the consultancy fees. Peggy brings Frederick over at weekends and offers to babysit Hilary so that we can go out together. Shirley invariably refuses. She doesn’t want to go out. She wouldn’t know what to do.

So that one evening I say, does she mind then, seeing as she has company, if I go out myself? On the Finchley Road I phone Susan Wyndham, my contact at Brown Boveri, a small girl, almost plain, but with a certain glint in her eye. My wife is away, would she like to go out for a drink? And in a Hungarian restaurant off the Edgware Road we talk very seriously and theoretically about relationships and faithfulness and fun and what life is for. Discrete loudspeakers are playing mazurkas. With make-up and washed hair, she looks better than I’m used to seeing her and has a knowingly wry smile as we wander around for a while under thin rain looking for a decent pub. When I kiss her below her Willesden flat, she comes back so fiercely I’m taken aback. But afterwards she cries and pushes her face into her pillow and says she has a fiancé who had to go to Australia for a year with his company and she’s been faithful to him for nearly ten months. Why, oh why did she let him down now?

When I get home it’s almost one. Charles and Peggy are arguing heatedly about feminism, which Charles is fiercely defending and Peggy fiercely attacking. Shirley has gone to bed with a couple of Mogadon. Hilary has obviously shat and they are ignoring the smell. I change her and re-make her bed. I sit on the loo and stare at the wall for perhaps fifteen minutes, then grit my teeth and go downstairs to propose Glenlivet all round.

Charles says: ‘Of course, it’s not too bad while she’s still a baby like any other. It’s when she grows up that things’ll really get heavy.’

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