H Is for Hawk (4 page)

When the rain stopped the heat began. Dogs panted flat in the black shade under the limes, and the lawns in front of the house paled and burned to hay. A damp, hot wind pushed leaves about but failed to cool anything; it was a wind that made things worse, like stirring a hot bath with your hand. Walking in it was like wading neck-deep through thick liquid. I struggled into the furnace of my car and drove to a friend’s house in a village just outside the city. I wanted to talk goshawks, and there was no one better than Stuart to do it with. He is my goshawk guru. Years ago I’d hawked with him on late winter afternoons, crunched across long shadow and sugarbeet in search of wild fenland pheasants, his big old female gos sitting on his fist like a figurehead, leaning into the gilded wind. He is a splendid chap; a carpenter and ex-biker, solid and serene as a mid-ocean wave, and his partner Mandy is brilliantly generous and funny, and seeing them both was such a shot in the arm. I’d halfway forgotten how kind and warm the world could be. Stuart fired up the barbecue, and the garden filled with kids and teenagers and cigarette smoke and pointers nosing around, and ferrets rattling in their hutches, and the sky grew whiter as the afternoon went on, and the sun turned gauzy behind a spreading mat of fibrous cloud. A Spitfire banked overhead. We mopped our brows. The dogs panted, the ferrets drank from their water bottles, and Stuart slaved over his barbecue, coming back around the side of the house wiping his forehead on his arm. ‘It’s getting cooler!’ he said, surprised. ‘No, you’ve walked away from the barbecue!’ we chorused.

I plonked myself down with a burger on a white plastic chair. And there, on a perch on the lawn, shaded by the hedge and ignoring the melee, was a perfect little peregrine, carefully preening the long, flippy barred feathers of his undercarriage. ‘Half-Czech?’ Stuart was saying. ‘The most bloody-minded gos I ever trained was Czech. It was a
nightmare
. Are you
sure
you want to do this?’ He tipped his head towards the bird on the lawn. ‘You can fly that if you like,’ he said. ‘Want a peregrine?’

My heart skipped a beat. The falcon. There he was, an impossibly beautiful creature the colour of split flint and chalk, wings crossed sharp over his back, his dark, hooded face turned up to the sky. He was watching the Spitfire overhead with professional curiosity. I looked up at the plane. Its engine note had changed; it was throttling back, slowly descending through white air to the aviation museum where it lived. The peregrine bobbed his head, watching it too. Our gazes were exactly aligned. For a long, sinking moment, I wondered if I was making a terrible mistake.

‘I’d love to,’ I said stiffly, formally, the half-burger in my hand suddenly unappetising. One deep breath, then, and the words came. ‘I mean,
normally
I would, I’d leap at the chance; that’s an amazing offer, Stu. But I really do want this gos.’ He nodded. Manfully, I finished the burger. Ketchup dripped down my arm like a wound.

There would be a goshawk. And what happened next was this: my eyes started avoiding a book that lived on the shelf by my desk. At first it was just a visual blind-spot, a tic of a blink; then something like a grain of sleep in the corner of my eye. I’d look past the place where the book was with a little flicker of discomfort I couldn’t quite place. Soon I couldn’t sit at my desk without knowing it was there. Second shelf down. Red cloth cover. Silver-lettered spine.
The Goshawk
.
By T. H. White
. I didn’t want the book to be there, and I didn’t want to think about why, and soon it got to the point that the bloody book was all I could see when I sat at my desk, even if it was the one thing in the room I wouldn’t look at. One morning, sitting there, sun on the table, coffee to hand, computer open, unable to concentrate, I snapped: this was ridiculous. I leaned down, drew out the book and put it on the desk in front of me. It was just a book. There was nothing especially malevolent about it. It was old and stained with water, and the ends of the spine were bumped and scuffed as if it had been in many bags and boxes over the years.
Hmm
, I thought. I was interested in my emotions now. I thought about the book cautiously, ran my feelings over it the way you feel for a hurting tooth with your tongue. The dislike was palpable, but bound up with a strange kind of apprehension that needed pulling into parts, because I wasn’t sure exactly what it was made of. I opened the book and began to read.
Chapter One
, it said.
Tuesday
. And then:
When I first saw him
⁷
he was a round thing like a clothes basket covered in sacking
. It was a sentence from a long time ago, and it carried with it the apprehension of another self. Not the man who wrote it: me. Me, when I was eight years old.

I was a scrawny, too-tall child with ink on my fingers, binoculars around my neck, and legs covered in plasters. I was shy, pigeon-toed, knock-kneed, fantastically clumsy, hopeless at sport, and allergic to dogs and horses. But I had an obsession. Birds. Birds of prey most of all. I was sure they were the best things that had
ever
existed. My parents thought this obsession would go the way of the others: dinosaurs, ponies, volcanoes. It didn’t. It worsened. When I was six I tried to sleep every night with my arms folded behind my back like wings. This didn’t last long, because it is very hard to sleep with your arms folded behind your back like wings. Later, when I saw pictures of the ancient Egyptian falcon-headed god Horus, all faience and turquoise and with a perfect moustachial stripe below his wide, haunting eyes, I was stricken with a strange religious awe.
This
was my god, not the one we prayed to at school: he was an old man with a white beard and drapes. For weeks, in secret heresy, I whispered
Dear Horus
instead of
Our Father
when we recited the Lord’s Prayer at school assemblies. It was a suitably formal address, I thought, having learned it from writing birthday thank-you notes. Hawk habits, hawk species, hawk scientific names; I learned them all, stuck pictures of raptors on my bedroom walls, and drew them, over and over again, on the edges of newspapers, on scraps of notepaper, on the margins of my school exercise books, as if by so doing I could conjure them into existence. I remember a teacher showing us photographs of the cave paintings at Lascaux and explaining that no one knew why prehistoric people drew these animals. I was indignant. I knew
exactly
why, but at that age was at a loss to put my intuition into words that made sense even to me.

When I discovered there was still such a thing as falconry things became less amorphously religious. I told my long-suffering parents that I was going to be a falconer when I grew up and set about learning as much as I could about this miraculous art. Dad and I hunted for falconry books on family days out, and one by one the great works came home with us, second-hand trophies in paper bags from bookshops long since gone:
Falconry
by Gilbert Blaine;
Falconry
by Freeman and Salvin;
Falcons and Falconry
by Frank Illingworth; the gloriously titled
Harting’s Hints on Hawks
. All the boys’ books. I read them over and over, committed great swathes of nineteenth-century prose to memory. Being in the company of these authors was like being dropped into an exclusive public school, for they were almost entirely written a long time ago by bluff, aristocratic sportsmen who dressed in tweed, shot Big Game in Africa, and had Strong Opinions. What I was doing wasn’t just educating myself in the nuts and bolts of hawk-training: I was unconsciously soaking up the assumptions of an imperial elite. I lived in a world where English peregrines always outflew foreign hawks, whose landscapes were grouse moors and manor houses, where women didn’t exist. These men were kindred spirits. I felt I was one of them, one of the elect.

I became the most appalling falconry bore. On wet afternoons after school my mum’d be writing up news stories for the local paper – court reports, local fêtes, planning committees – fingers hammering away on her typewriter in the dining room. There’d be a pack of Benson & Hedges on the table, a cup of tea, a shorthand notebook, and a daughter standing next to her reeling off imperfectly remembered sentences from nineteenth-century falconry books. It seemed crucial to explain to my mother that
while dog leather was the best leather for hawk-leashes, it was almost impossible to get these days
. That the problem with merlins was that they’re
prone to carry their quarry
; and also did she know that
saker falcons, hailing from desert areas, are unreliable performers in English climatic conditions?
Lining up another yellow piece of copy paper, fiddling with the carbons so they didn’t slip, she’d nod and agree, drag on her cigarette, and tell me how interesting it all was in tones that avoided dismissiveness with extraordinary facility. Soon I was an expert on falconry the way the carpet salesman who used to come into the bookshop where I once worked was an expert on the Greco-Persian Wars. Shy, crumpled, middle-aged, and carrying with him the air of some unspoken defeat, he rubbed his face anxiously when he ordered books at the till. He wouldn’t have lasted long, I think, on a battlefield. But he knew everything about the wars, knew each battle intimately, knew exactly where the detachments of Phocian troops were stationed on high mountain paths. I knew falconry like this. When I got my first hawk, years later, I was astounded by the reality of the thing. I was the carpet salesman at the battle of Thermopylae.

It is summer 1979 and I am an eight-year-old girl in a bookshop. I’m standing under a skylight with a paperback in my hand and I am extremely puzzled.
What is an eighteenth-century story of seduction?
I had no idea. I read the words on the back cover again:

The Goshawk
is the story of a concerted duel between Mr White and a great beautiful hawk during the training of the latter – the record of an intense clash of wills in which the pride and endurance of the wild raptor are worn down and broken by the almost insane willpower of the schoolmaster falconer. It is comic; it is tragic; it is all absorbing. It is strangely like some of the eighteenth-century stories of seduction.
⁸

No, still no idea. But I needed the book all the same because on the cover was a goshawk. She looked up from under her brows in truculent fury, her plumage scalloped and scaled in a riot of saffron and bronze. Her talons gripped the painted glove so tightly my fingers prickled in numb sympathy. She was beautiful; taut with antipathy; everything a child feels when angry and silenced. As soon as we were home I raced upstairs to my room, jumped onto the bed, lay on my tummy and opened the book. And I remember lying there, propped on my elbows with my feet in the air, reading the opening lines of
The Goshawk
for the very first time.

When I first saw him he was a round thing like a clothes basket covered in sacking. But he was tumultuous and frightening, repulsive in the same way as snakes are frightening to people who do not know them.

It was unusual. It didn’t sound like my other falconry books at all. The eight-year-old girl that was me read on with a frown. It wasn’t
anything
like them. This was a book about falconry by a man who seemed to know nothing about it. He talked about the bird as if it were a monster and he wasn’t training it properly. I was bewildered. Grown-ups were experts. They wrote books to tell you about things you didn’t know; books on how to do things. Why would a grown-up write about
not
being able to do something? What’s more, the book was full of things that were completely beside the point. It talked, disappointingly, of things like foxhunting and war and history. I didn’t understand its references to the Holy Roman Empire and Strindberg and Mussolini and I didn’t know what a pickelhaube was, and I didn’t know what
any
of this was doing in a book that was supposed to be about a hawk.

Later I found a review of the book in an old British Falconers’ Club journal. It was superbly terse. ‘For those with an interest in the dull introspective business of manning and training a hawk,
The Goshawk
will be a well-written catalogue of most of the things one should not do,’
⁹
it said. The men in tweed had spoken. I was on the right side, was allowed to dislike this grown-up and consider him a fool. It’s painful to recall my relief on reading this, founded as it was on a desperate misunderstanding about the size of the world. I took comfort in the blithe superiority that is the refuge of the small. But for all that, my eight-year-old self revered the hawk in the book. Gos. Gos was real to me. Gos had steely pinions and a mad marigold eye, and hopped and flew and mantled his great wings over a fist of raw liver. He cheeped like a songbird and was terrified of cars. I liked Gos. Gos was comprehensible, even if the writer was utterly beyond understanding.

A few years ago I met a retired U2 pilot. He was tall, flinty and handsome and had just the right kind of deadly stillness you’d expect from a man who’d spent years flying at the edge of space in a dusty-black American spy plane. The geopolitical aspects of his role were truly disconcerting. But as a day job it was absurdly cool. At eighty thousand feet the world curves deep below you and the sky above is wet black ink. You’re wearing a spacesuit, confined to a cockpit the size of a bathtub, piloting a machine that first flew the year James Dean died. You cannot touch the world, just record it. You have no weapons; your only defence is height. But as I talked with this man what impressed me the most weren’t his deadpan tales of high adventure, the ‘incidents’ with Russian MiGs and so on, but his battle against boredom. The nine-hour solo missions. The twelve-hour solo missions. ‘Wasn’t that horrendous?’ I asked. ‘It could get a little lonely up there,’ he replied. But there was something about how he said it that made it sound a state still longed-for. And then he said something else. ‘I used to read,’ he said, unexpectedly, and with that his face changed, and his voice too: his deadpan Yeager drawl slipped, was replaced with a shy, childlike enthusiasm. ‘
The Once and Future King
. By T. H. White,’ he said. ‘Have you heard of him? He’s an English writer. It’s a great book. I used to take that up, read it on the way out and the way back.’