Had I a Hundred Mouths (21 page)

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Authors: William Goyen

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BOOK: Had I a Hundred Mouths
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As she went along she would walk like different kinds of people, or in different ways, very quickly and hopping; or as she had seen Miss McMurray, the English teacher and very pretty, going down the halls—as though she were carrying a bag of eggs, afraid to break them, or a sleeping baby that might be waked; and like the Royal Princess with a train that she had been voted to be in the May Fete. Then she meandered in big S's or in zigzags from one side of the hall to the other; or smeared one finger along the wall, loitering, browsing, lolling at every drinking fountain to sip a long time or spew the water back. She saw some faded redhots and the little stone of a jawbreaker in one fountain.

Once she thought of Helena and wished Helena could be with her. Helena was such a beautiful name. She came to her sister Liz's room and peeked in. The good-looking Mr. Forbes was teaching them some important senior subject and they were all listening as if what he was saying had to be learned to take out in the world when they would soon go. She looked to see what color his tie was today. Liz had counted seventeen different ties in seventeen days on Mr. Forbes and he wore so many different kinds of coats and trousers that they said he changed sometimes between classes. Yes, he had his saddle shoes on, too. Then she saw Mr. Forbes looking towards the door where she was. She ducked down quickly to wait until he turned and she could look again for Liz, to see how she looked sitting up in class.

As she crouched there she suddenly heard someone coming down the hall and looked to see who could it be. It was the awful deformity George Kurunus writhing and slobbering and skulking towards her. She was afraid of him and thought she would scream as all the girls did when he came to them; but she knew if you went up to him not afraid of his twisted face and said George to him and talked to him he would not do anything to you. Together, all the kids played with him, at him, as though he was some crazy and funny thing like a bent toy on a string; but no one ever wanted to be with him alone. Often a class would hear a scratching at the door and would see his hoodlum face at a door pane like Hallowe'en and be frightened until they saw it was just George Kurunus. Then the class would laugh and make faces back at him and the teacher would go to the door and say “Now, George…” and shoo him away; and the class would titter. The boys all went around with him as if he was something they owned, something they could use for some stunt or trick on somebody, their arms around his shoulder; and they talked and laughed with him and told him ugly jokes and things about girls and sicked him on certain girls. Why did this deformity George have to be in a school? He couldn't even hold a word still in his mouth when he said it, for it rattled or hopped away—this was why he was in Stuttering Class, but it did him no good, he still broke a word when he said it, as if it were a twig, he still said ruined words.

He could not speak a word right and whole no matter how hard he tried or how carefully. But if you live among breakage, he may have reasoned, you finally see the wisdom in pieces; and no one can keep you from the pasting and joining together of bits to make the mind's own whole. What can break anything set back whole upon a shelf in the mind, like a mended dish? His mind, then, was full of mended words, broken by his own speech but repaired by his silences and put back into his mind. The wisdom in all things, in time, tells a meaning to those things, even to parcels of things that seem to mean disuse and no use, like scraps in a mending basket that are tokens and remnants of many splendid dresses and robes each with a whole to tell about.

Whenever the Twirling Class for girls in the Black and Gold Battalion practiced on the football field, here was this George on the field, too, like some old stray dog that had to be shooed away. And in a marching line of some class to somewhere, the library or a program in the auditorium, he ruined any straight marching line and so was put last to keep the line straight. But at the end of a straight marching line he twisted and wavered like the raveling out of a line and ruined it, even then; he was the capricious conclusion and mocking collapse of something all ordered and precise right up to the tag end. When he walked, it seemed he always ran upon himself like someone in the way—or like a wounded insect. He was a flaw in the school, as if he were a crack in the building.

This day he had sat in his row by the window and the sun was coming in upon him. It warmed his vestigial hand, lay upon a page of his book. It touched some leaves of a begonia on the teacher's desk and showed their white lines and illuminated the blooms to like glass flowers.
Flower
was a word, but he could not say it. The sun came in and lay upon Miss Purlow's face and showed where the round spot of rouge ended and her face's real skin began. The sun made, also, between Miss Purlow and the blackboard, a little transparent ladder leading up and out through the window. Specks of golden dust were popping in it, dancing and whirling on out the window. Then suddenly Miss Purlow walked through it and broke it, but it joined together again, in spite of Miss Purlow, and made him glad. Miss Purlow went to the blackboard and wrote upon it some perfectly shaped words in her pretty curlimacue handwriting that said:

“Come into the garden, Maud,

For the black bat, night, has flown…”

Then she read them aloud, musically and perfectly, and he so wanted to have these words in his mouth. Miss Purlow asked him to say them after her but he could not, they fell away from him, they were all hers; yet he had it perfect, the little melodious collection of words, in his mind from Miss Purlow's mouth, a small tune of sounds that hung clear and warbling in his ears like birdsong. He turned and shuffled away, to leave the room. Miss Purlow called at him that she would report him to the Principal again as soon as the class was over, but he did not care, he opened the door and went away from this room where he could not speak and where words tormented him.

Then here he was, ruining a quiet hall for Quella. Although with other children she laughed at him and thought him a funny thing, alone she was afraid of him and detested him. Where was this George going? He was shuffling closer. She stood up and pressed against the wall and watched him, hating him. It was said that if he ever fell down he could never get up unless somebody helped him, but just lie there scrambling and waving his arms and legs, like a bug on its back, and muttering. His little withered left arm was folded like a plucked bird's wing and its bleached and shriveled hand, looking as though it had been too long in water, was bent over and it hung limp like a dead fowl's neck and dangling head. But he could use this piece of hand, this scrap of arm quickly and he could snap it like a little quirt and pop girls as they passed him in the hall. Here he came, this crazy George Kurunus, a piece of wreckage in the school. What did
he
want? She looked to see if
he
had a pass in his hand. No. Certainly he was not going to practice for any May Fete. Why should
he
be in the halls and without a pass?

She shrank close to the wall, but did not want to be caught there by him. She decided to run fast past him, not looking at his goblin face and not going close enough to him to be popped by his whip of an arm. She darted and fled past him, wanting to push him down and leave him wriggling there in the hall. He said some sound, all drunken and gargled, to her as she passed him; but he did not try to pop her. She ran looking back at him and when she came to the turn of the hall that led to the lavatory, she ran around it fast, then crept back to peek around and see if he was still going on or coming after her. George Kurunus was staggering along, his knees scraping each other, sounding like a little puffing train in the hall, without ever looking back. This made her furious and she was going to yell, “Stuck u-up!” until she remembered she would be heard and was supposed to be going to the auditorium.

She ran in to the girls' lavatory and was dramatically hiding from him there, panting faster than she really had to. She stopped to listen and heard his
sh-sh-sh-sh
down the hall away from her. This was another narrow escape she would tell Helen McWorthy about.

Then it was time for the May Fete practice and she went to the auditorium that always seemed so cool when the whole school wasn't in it. There were the royalty, already assembled: Joe Wright, the handsome King, also the Chief Yell Leader; Marveen Soames, the beautiful Queen; the other Princess, Hazel May Young, not pretty but with personality, and all the Dukes and Duchesses. Miss McMurray, the perfect-walking English teacher, was there to take charge.

They all marched down the aisle, very proud, and the King and Queen mounted the throne, the Princesses and Princes, Dukes and Duchesses swaggered to their places around the throne. The King had on his silver crown and was holding his tinfoil wand. When it was time to crown the Queen, the biggest moment of all, and everything was real quiet, all the empty seats in the auditorium hushed and watching, she spied in the glass frame of the auditorium door the terrible face of George Kurunus, like a grasshopper's face. He was watching the May Fete and had it all in his eye. This George Kurunus was everywhere, why did he have to be everywhere she was? But she turned her eyes away from him, upon all the beautiful royalty, and they went on with the practice. Then suddenly it was the bell for the next class, which was Homemaking—a dreary place for a Princess to go: to a cookstove after a coronation.

The Homemaking teacher was Miss Starnes and there she was, waiting for the girls at the door, smiling and standing straight. Miss Starnes would stand before her class reading from some book. Each day she had a fresh rose or some other flower from her own garden stuck to her strict dress, and the way she maneuvered her mouth and bowed and leaned her head towards the girls sitting before her made them know that she knew she was saying something good, as though she were smacking her lips and golloping something like a dessert. Yet Miss Starnes was very serious and meant what she would say or read and paused often, sticking out her chin (which had hairs on it) for emphasis.

The girls in Homemaking class who sat before her were not sure at all what these words meant, but they sat there, among the linen dresses and the fancy aprons hanging on hangers, which last year's class had made with its own hands and left the prices pinned on to show that they were good enough to be bought in any store. Then there was a manikin on a stand—in a corner by the American flag, which the manikin seemed to need to drape around itself to hide its nakedness, headless and with a pole running right up through her to be her one leg; and in an adjoining room—the kitchen—there were rows of little stoves where Miss Starnes told the girls things to cook.

The bell had rung and all the girls were in their seats—any chosen seat and not alphabetically—and “responsibility” was a word Miss Starnes was already smacking off her lips to the girls in Homemaking. “Domestic re-spon-si-bi-li-ty.” These were words Miss Starnes started right in telling to the class, things they should be or do in the good home they would have or make—and which lay off somewhere in the vague unknown and which they could not quite see as something of theirs but just imagine and did not even particularly want, now. But whatever or wherever or however this place “The Home,” they would be there, all these girls, going industriously around in aprons, there would be a lot of busy sewing and a difficult cooking, and… “Domestic re-spon-si-bi-li-ty”… these words Miss Starnes was saying.

Quella was going to start in plaiting and unplaiting Helena McWorthy's hair when Miss Starnes kneaded and worked her lips and they were getting ready to say another careful word to the class. “E-con-o-my.” The manikin was standing there in the corner trying to be that word, which was a good thing to be. The manikin was a pitiful thing, undressed, or something headless like a fowl, or something deformed, but proud and seeming to want to help Miss Starnes with the lecture by standing there as though it, too, were teaching Homemaking. It was about the size of her mother in her short slip in the summertime, Quella observed.

And then Miss Starnes led them in the kitchen and they were going to cook their lesson. “I know what it will be,” Quella told the others. “Like some stuff Charlotte Langendorf cooked first period and carried in wax paper to Social Studies—of potatoes or something.” But Miss Starnes was saying that in this class today there would be cooked pudding and to light the stoves and listen to some things she would say about the making of pudding, and to put on their white cook aprons. “Ingredients” was a word about pudding which Miss Starnes was saying, and it seemed just the word for what milk and sugar, which they were already mixing, looked like together. There was a gregarious stirring. Then Miss Starnes told about the soft ball that the mixture would make in a cup of cold water to show it was ready. Here and there already a soft ball was found in a cup and a girl would raise her hand to tell it to Miss Starnes.

Just as Quella and Helena's mixture made a soft ball for them in their cup of cold water, a staccato bell-ringing that was certainly not the regular bell resounded in the school building, and it was fire drill. Although the mixture was ready and showed its undeniable sign, all the Homemaking girls had to leave it and line up in twos and march behind Miss Starnes through the hall smelling of their mixture, which even then, though it was not yet anything but ingredients, made them feel important because they had caused this smell to move all in the corridors just as they were moving now, and even reach around as far as the algebra room, where there were no good smells, and hang under the noses of the class doing unknowns. The girls marched and fretted.

When the Homemaking class got outside under the trees where the school busses were waiting for school to be out, and stood in their right place under the cottonwood trees, Miss Starnes suddenly thought about the windows in Homemaking and remembered she had not closed and locked them according to fire drill instructions. “Quella,” she said carefully as though she were saying “do-mes-tic” or “e-con-o-my,” “please to run back to Homemaking and close all the windows tight and see that no stoves are burning.”

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