Read Halo: First Strike Online
Authors: Eric S. Nylund
Tags: #Science Fiction - Adventure, #Fiction - Science Fiction, #Video & Electronic, #Action & Adventure, #Science Fiction & Fantasy, #Imaginary wars and battles, #Space Opera, #Halo (Game), #General, #Space warfare, #Science Fiction - General, #Human-alien encounters, #Games, #Adventure, #Outer space, #Science Fiction, #Fiction, #Computer games
been. It is construed according to a finite set of grammatical rules, constituting a program capable in principle of infinite enunciation; whether it terminates ("halts") can only be known only by allowing the sentence's units to "speak," not by analyzing their grammar. Unit1: an absolute construction, standing in front of the sentence and modifying it all: schematics and programs and instantiations of the system-from-which-came-Aleph, _0. Unit2: a series of actions showing the involvement of Diana with Aleph, rendering the moments of transformation by which _0 became Aleph. Unit3: several trillion assertions, clauses identifying the necessary instances of Aleph's subsequent self-discovery. The sentence then undergoes something like an infinite series of tense shifts, out of which its essential nature emergesnon- linear, multi-dimensional, topologically complex, self-referential and paradoxical to extremes that would cause Russell or Gdel fits. As a consequence, any unitn cannot be described, even to Aleph, for the only adequate description would entail enunciating the sentence itself, and to do so would require in "real" time (human time, the time of life and death) a period precisely measurable as one Universal Unit, that is, the number of nanoseconds the universe has existed: U1 being on the order of 1 x 1026 nanoseconds. Also, it should be noted that the sentence could never be finished, for if it were, it could manifest only the corpse or determinate life-history of Aleph. Hence, for Aleph to reassert its identity, it would have to take up again the task of speaking the sentence. Some students of this affair have since suggested that the only theoretically adequate notion of Aleph begins with the premise: Aleph is that which speaks the sentence. Logically, then, for Aleph to reemerge, what remained of Aleph would have to speak the sentence. However, detached as it was from Halo, its essential ground of being, limited in facility and scope by the necessity to hold to Jerry, what remained of Aleph could not speak the sentence. So the dead human and the dispersed machine intelligence clung together, both on the brink of oblivion, and waited, one unknowing, the other hoping for things to change. # Still tired, Gonzales had returned home that afternoon from Lizzie's through afternoon darkness and mist. He had called for a sam to guide him, because even within the simple loop of Halo's one major thoroughfare, everything had gone uncertain. Though his perceptions were unwarped by Psilocybe cubensis, the unnatural dispersion of light in the mist made recognizing even familiar objects almost impossible. The sam left him at his front door; inside he found the memex indisposedits primary monitoring facilities functioning but its interactive capabilities represented only by a voice that said, "I am currently engaged." Gonzales knew it could be doing communications, data retrieval, or any other number of tasks; he thought it probably hadn't expected him back so soon. Then came Halo's skewed night-time awakening: the sky shutters cranked half-way open, "morning" appeared through a cold mist, and Halo became the Surreal City. Like many others, Gonzales pulled the curtains closed and turned away from the lurid glare, his own body clock telling him it was time to sleep again. He lay in bed, oddly calm in the curtained dark despite a degree of post-drug fatigue and skittishness. He thought of the distance between Miami and Seattle, Seattle and Halo, Halo and the world of the lake and so triggered sharp, eroticized images of Lizzie, the water beading on her skin, her words, "Then we'll see" he felt the astringent bite of lust and regret mixed, knew he had little choice but to wait until she told him absolutely no thought of himself moving ever farther from home and believed that he had been wrong about Seattleit was not too far from Miami; it was much too close The memex's voice said, "I'm back. I've been discussing the situation with Traynor's advisor." "Have you?" "Yes, it is sympathetic to our concerns." Dizzying prospects seemed to open before Gonzales, where the number of beings multiplied beyond counting, and the simplest machine would have opinions. He said, "Have you been told about the plans for tomorrow?" "Yes, I have. I am ready to help." Something like pleasure in the memex's voice. "Good." "You were almost asleep when I first spoke. I will leave you alone now." "Good night." "Good night." # The small creature looked at Gonzales and said, "You're welcome here." Made entirely of dull silver metal, with a baby's round head, dumpling cheeks, and bow-tie mouth, it walked between Gonzales and Lizzie on clumsy silver legs, looking up to watch them speak. Gonzales said, "You know, in dreams logic doesn't apply." "Yes, it does," Lizzie said. "It's a difficult question," the small creature said. "No," Gonzales said. "I'm sure of this. Here I am I, but I am also Lizzie, and she is she but also she is I" "I don't like your pronouns," the little thing said. Its breath came in gasps; it was having trouble keeping up. "They're correct," Gonzales said. "That's no excuse," Lizzie said, but she spoke through him. As himself, Gonzales listened to a self that was not himself speaking; hence, as Lizzie, she must be listening to a self that was not and was herself speaking. "Correctness is no excuse before the law," the small creature said. "Whichever pronouns you use." "Pronouns walked the Earth in those days," Lizzie said. "No, they didn't," Gonzales said. The very idea. "Pronouns or anti-pronouns," the little things said. "The important thing is not to forget your friends." It smiled, and its metal lips curved to show bright silver teeth. "Wake up!" it shouted. Gonzales jerked from sleep with the image of the metal child fixed in his visionhe could still see the highlights on metal incisors as it smiled. "Are you awake?" the memex asked. "Lizzie wants to talk to you." "Put her through." Thinking, what the fuck? "Got it?" she asked. "What?" "I think that was Aleph getting in touch. To let us know: don't forget your friends." # They gathered at the collective's rooms at six in the morning. The sun still shone brightly through the patio windows, open to show pots of flowers, ferns, and herbs, all dripping wet from the night-long mist. Gonzales stood against the wall, waiting. The twins, dressed identically this morning in somber gray jumpsuits, sat together across the room, looking at him and giggling. Several collective members sat around the room's perimeter, those who had just gotten out of interface looking tired and distant. A young woman stood in front of Gonzales. Her dark brown hair was cut short; her face was pale and blotchy, as if she had skin trouble. She wore a green sweatshirt that came to the middle of her thighs and a pair of baggy tan pants gathered at the ankles. One eye appeared to look off into space, and the other fixed Gonzales, then looked him up and down. The woman said, loudly, "He folds his arms this way." She put her arms together in careful imitation of Gonzales's and said, "That is his reward." She looked around and saw Stumdog shambling back-and-forth like a trapped bear, his hands clasped on his great stomach. "And he folds his hands like this." She put her hands together to show Gonzales how Stumdog did it. She smiled. "And that is his reward." She went to Stumdog, who stopped his pacing to talk to her, and the two of them hugged as if amazed to find each other there, and grateful. Gonzales felt vaguely inadequate. Lizzie came in, followed by Diana and Toshi. "Good morning, everyone," she said. And to Gonzales, "Charley and Eric are waiting for us." The room held two neural interface eggs for Gonzales and Lizzie and a fitted foam couch for Diana. Lizzie, Diana, Toshi, and Gonzales were followed in by a sam that wheeled a screen of dark blue cloth on a metal frame that it unfolded around Diana's couch. "Gonzales, we'll do it the same as last time: you're first in," Charley said. "Why don't you get undressed? Just put your clothes on the chair next to the eggs." "Sure," Gonzales said. "Doctor Heywood, you next," Charley said. "Getting you into the loop takes longer. Doctor Chow will prepare you. Lizzie, you can hold off a bitI'll let you know when we're ready." There was a sharp knock at the door, and it swung open to admit Traynor and Horn. "Good morning, all," Traynor said. "Good morning," Charley said. Gonzales nodded; everyone else pretty much ignored the man. "I take it you are preparing for another excursion with Aleph," Traynor said. "That's right," Lizzie said. "You =have no authorization," Horn said. "I have the collective's endorsement," Lizzie said. "Also the concurrence of the medical team, and the consent of the participants. We will replace the resources you took from Aleph. It is a consensus." "One excluding any vertical consultation," Traynor said. "Point granted," Lizzie said. "But we didn't think it necessary. We'll report to Horn in due course." Gonzales stood looking into the open egg and began taking his shirt off. "Mikhail," Traynor said. "What are you doing?" |