Hangmans Holiday (9 page)

“Now, now,” he exclaimed, “come along, come along, come along! All ready for Sir Roger. Got your partner, Wimsey? Ah, yes, Lady Hermione—splendid. You must come and stand next to your dear mother and me, Wimsey. Don’t be late, don’t be late. We want to dance it right through. The waits will begin at two o’clock—I hope they will arrive in good time. Dear me, dear me! Why aren’t the servants in yet? I told Watson—I must go and speak to him.”

He darted away, and Wimsey, laughing, led his partner up to the top of the room, where his mother, the Dowager Duchess of Denver, stood waiting, magnificent as the Queen of Spades.

“Ah! here you are,” said the Duchess placidly. “Dear Sir Charles—he was getting quite flustered. Such a man for punctuality—he ought to have been a Royalty. A delightful party, Hermione, isn’t it? Sir Roger and the waits—quite mediæval—and a Yule-log in the hall, with the steam-radiators and everything—so oppressive!”

“Tumty, tumty, tiddledy, tumty, tumty, tiddledy,” sang Lord Peter, as the band broke into the old tune. “I do adore this music. Foot it featly here and there—oh! there’s Gerda Bellingham. Just a moment! Mrs. Bellingham—hi! your royal spouse awaits your Red Majesty’s pleasure in the buffet. Do hurry him up. He’s only got half a minute.”

The Red Queen smiled at him, her pale face and black eyes startlingly brilliant beneath her scarlet wig and crown.

“I’ll bring him up to scratch all right,” she said, and passed on, laughing.

“So she will,” said the Dowager. “You’ll see that young man in the Cabinet before very long. Such a handsome couple on a public platform, and very sound, I’m told, about pigs, and that’s so important, the British breakfast-table being what it is.”

Sir Charles Deverill, looking a trifle heated, came hurrying back and took his place at the head of the double line of guests, which now extended three-quarters of the way down the ballroom. At the lower end, just in front of the Musicians’ Gallery, the staff had filed in, to form a second Sir Roger, at right angles to the main set. The clock chimed the half-hour. Sir Charles, craning an anxious neck, counted the dancers.

“Eighteen couples. We’re two couples short. How vexatious! Who are missing?”

“The Bellinghams?” said Wimsey. “No, they’re here. It’s the White King and Queen, Badminton and Diabolo.”

“There’s Badminton!” cried Mrs. Wrayburn, signalling frantically across the room. “Jim! Jim! Bother! He’s gone back again. He’s waiting for Charmian Grayle.”

“Well, we can’t wait any longer,” said Sir Charles peevishly. “Duchess, will you lead off?”

The Dowager obediently threw her black velvet train over her arm and skipped away down the centre, displaying an uncommonly neat pair of scarlet ankles. The two lines of dancers, breaking into the hop-and-skip step of the country dance, jigged sympathetically. Below them, the cross lines of black and white and livery coats followed their example with respect. Sir Charles Deverill, dancing solemnly down after the Duchess, joined hands with Nina Hartford from the far end of the line. Tumty, tumty, tiddledy, tumty, tumty, tiddledy … the first couple turned outward and led the dancers down. Wimsey, catching the hand of Lady Hermione, stooped with her beneath the arch and came triumphantly up to the top of the room, in a magnificent rustle of silk and satin. “My love,” sighed Wimsey, “was clad in the black velvet, and I myself in cramoisie.” The old lady, well pleased, rapped him over the knuckles with her gilt sceptre. Hands clapped merrily.

“Down we go again,” said Wimsey, and the Queen of Clubs and Emperor of the great Mahjongg dynasty twirled and capered in the centre. The Queen of Spades danced up to meet her Jack of Diamonds. “Bézique,” said Wimsey; “double Bézique,” as he gave both his hands to the Dowager. Tumty, tumty, tiddledy. He again gave his hand to the Queen of Clubs and led her down. Under their lifted arms the other seventeen couples passed. Then Lady Deverill and her partner followed them down—then five more couples.

“We’re working nicely to time,” said Sir Charles, with his eye on the clock. “I worked it out at two minutes per couple. Ah! here’s one of the missing pairs.” He waved an agitated arm. “Come into the centre—come along—in here.”

A man whose head was decorated with a huge shuttlecock, and Joan Carstairs, dressed as a Diabolo, had emerged from the north corridor. Sir Charles, like a fussy rooster with two frightened hens, guided and pushed them into place between two couples who had not yet done their “hands across,” and heaved a sigh of relief. It would have worried him to see them miss their turn. The clock chimed a quarter to two.

“I say, Playfair, have you seen Charmian Grayle or Tony Lee anywhere about?” asked Giles Pomfret of the Badminton costume. “Sir Charles is quite upset because we aren’t complete.”

“Not a sign of ’em. I was supposed to be dancing this with Charmian, but she vanished upstairs and hasn’t come down again. Then Joan came barging along looking for Tony, and we thought we’d better see it through together.”

“Here are the waits coming in,” broke in Joan Carstairs. “Aren’t they sweet? Too-too-truly-rural!”

Between the columns on the north side of the ballroom the waits could be seen filing into place in the corridor, under the command of the Vicar. Sir Roger jigged on his exhausting way. Hands across. Down the centre and up again. Giles Pomfret, groaning, scrambled in his sandwich-boards beneath the lengthening arch of hands for the fifteenth time. Tumty, tiddledy. The nineteenth couple wove their way through the dance. Once again, Sir Charles and the Dowager Duchess, both as fresh as paint, stood at the top of the room. The clapping was loudly renewed; the orchestra fell silent; the guests broke up into groups; the servants arranged themselves in a neat line at the lower end of the room; the clock struck two; and the Vicar, receiving a signal from Sir Charles, held his tuning-fork to his ear and gave forth a sonorous A. The waits burst shrilly into the opening bars of “Good King Wenceslas.”

It was just as the night was growing darker and the wind blowing stronger that a figure came thrusting its way through the ranks of the singers, and hurried across to where Sir Charles stood; Tony Lee, with his face as white as his costume.

“Charmian … in the tapestry room … dead … strangled.”

Superintendent Johnson sat in the library, taking down the evidence of the haggard revellers, who were ushered in upon him one by one. First, Tony Lee, his haunted eyes like dark hollows in a mask of grey paper.

“Miss Grayle had promised to dance with me the last dance before Sir Roger; it was a fox-trot. I waited for her in the passage under the musicians’ gallery. She never came. I did not search for her. I did not see her dancing with anyone else. When the dance was nearly over, I went out into the garden, by way of the service door under the musicians’ stair. I stayed in the garden till Sir Roger de Coverley was over—”

“Was anybody with you, sir?”

“No, nobody.”

“You stayed alone in the garden from—yes, from 1.20 to past 2 o’clock. Rather disagreeable, was it not, sir, with the snow on the ground?” The Superintendent glanced keenly from Tony’s stained and sodden white shoes to his strained face.

“I didn’t notice. The room was hot—I wanted air. I saw the waits arrive at about 1.40—I daresay they saw me. I came in a little after 2 o’clock—”

“By the service door again, sir?”

“No; by the garden door on the other side of the house, at the end of the passage which runs along beside the tapestry room. I heard singing going on in the ballroom and saw two men sitting in the little recess at the foot of the staircase on the left-hand side of the passage. I think one of them was the gardener. I went into the tapestry room—”

“With any particular purpose in mind, sir?”

“No—except that I wasn’t keen on rejoining the party. I wanted to be quiet.” He paused; the Superintendent said nothing. “Then I went into the tapestry room. The light was out. I switched it on and saw—Miss Grayle. She was lying close against the radiator. I thought she had fainted. I went over to her and found she was—dead. I only waited long enough to be sure, and then I went into the ballroom and gave the alarm.”

“Thank you, sir. Now, may I ask, what were your relations with Miss Grayle?”

“I—I admired her very much.”

“Engaged to her, sir?”

“No, not exactly.”

“No quarrel—misunderstanding—anything of that sort?”

“Oh, no!”

Superintendent Johnson looked at him again, and again said nothing, but his experienced mind informed him:

“He’s lying.”

Aloud he only thanked and dismissed Tony. The White King stumbled drearily out, and the Red King took his place.

“Miss Grayle,” said Frank Bellingham, “is a friend of my wife and myself; she was staying at our house. Mr. Lee is also our guest. We all came in one party. I believe there was some kind of understanding between Miss Grayle and Mr. Lee—no actual engagement. She was a very bright, lively, popular girl. I have known her for about six years, and my wife has known her since our marriage. I know of no one who could have borne a grudge against Miss Grayle. I danced with her the last dance but two—it was a waltz. After that came a fox-trot and then Sir Roger. She left me at the end of the waltz; I think she said she was going upstairs to tidy. I think she went out by the door at the upper end of the ballroom. I never saw her again. The ladies’ dressing-room is on the second floor, next door to the picture-gallery. You reach it by the staircase that goes up from the garden-passage. You have to pass the door of the tapestry room to get there. The only other way to the dressing-room is by the stair at the east end of the ballroom, which goes up to the picture-gallery. You would then have to pass through the picture-gallery to get to the dressing-room. I know the house well; my wife and I have often stayed here.”

Next came Lady Hermione, whose evidence, delivered at great length, amounted to this:

“Charmian Grayle was a minx and no loss to anybody. I am not surprised that someone has strangled her. Women like that ought to be strangled. I would cheerfully have strangled her myself. She has been making Tony Lee’s life a burden to him for the last six weeks. I saw her flirting with Mr. Vibart to-night on purpose to make Mr. Lee jealous. She made eyes at Mr. Bellingham and Mr. Playfair. She made eyes at everybody. I should think at least half a dozen people had very good reason to wish her dead.”

Mr. Vibart, who arrived dressed in a gaudy Polo costume, and still ludicrously clutching a hobby-horse, said that he had danced several times that evening with Miss Grayle. She was a damn sportin’ girl, rattlin’ good fun. Well, a bit hot, perhaps, but, dash it all, the poor kid was dead. He might have kissed her once or twice, perhaps, but no harm in that. Well, perhaps poor old Lee did take it a bit hard. Miss Grayle liked pulling Tony’s leg. He himself had liked Miss Grayle and was dashed cut-up about the whole beastly business.

Mrs. Bellingham confirmed her husband’s evidence. Miss Grayle had been their guest, and they were all on the very best of terms. She felt sure that Mr. Lee and Miss Grayle had been very fond of one another. She had not seen Miss Grayle during the last three dances, but had attached no importance to that. If she had thought about it at all, she would have supposed Miss Grayle was sitting out with somebody. She herself had not been up to the dressing-room since about midnight, and had not seen Miss Grayle go upstairs. She had first missed Miss Grayle when they all stood up for Sir Roger.

Mrs. Wrayburn mentioned that she had seen Miss Carstairs in the ballroom looking for Mr. Lee, just as Sir Charles Deverill went down to speak to the band. Miss Carstairs had then mentioned that Mr. Playfair was in the north corridor, waiting for Miss Grayle. She could say for certain that the time was then 1:28. She had seen Mr. Playfair himself at 1:30. He had looked in from the corridor and gone out again. The whole party had then been standing up together, except Miss Grayle, Miss Carstairs, Mr. Lee and Mr. Playfair. She knew that, because Sir Charles had counted the couples.

Then came Jim Playfair, with a most valuable piece of evidence.

“Miss Grayle was engaged to me for Sir Roger de Coverley. I went to wait for her in the north corridor as soon as the previous dance was over. That was at 1:25. I sat on the settee in the eastern half of the corridor. I saw Sir Charles go down to speak to the band. Almost immediately afterwards, I saw Miss Grayle come out of the passage under the musicians’ gallery and go up the stairs at the end of the corridor. I called out: ‘Hurry up! they’re just going to begin.’ I do not think she heard me; she did not reply. I am quite sure I saw her. The staircase has open banisters. There is no light in that corner except from the swinging lantern in the corridor, but that is very powerful. I could not be mistaken in the costume. I waited for Miss Grayle till the dance was half over; then I gave it up and joined forces with Miss Carstairs, who had also mislaid her partner.”

The maid in attendance on the dressing-room was next examined. She and the gardener were the only two servants who had not danced Sir Roger. She had not quitted the dressing-room at any time since supper, except that she might have gone as far as the door. Miss Grayle had certainly not entered the dressing-room during the last hour of the dance.

The Vicar, much worried and distressed, said that his party had arrived by the garden door at 1:40. He had noticed a man in a white costume smoking a cigarette in the garden. The waits had removed their outer clothing in the garden passage and then gone out to take up their position in the north corridor. Nobody had passed them till Mr. Lee had come in with his sad news.

Mr. Ephraim Dodd, the sexton, made an important addition to this evidence. This aged gentleman was, as he confessed, no singer, but was accustomed to go round with the waits to carry the lantern and collecting box. He had taken a seat in the garden passage “to rest me pore feet.” He had seen the gentleman come in from the garden “all in white with a crown on ’is ’ead.” The choir were then singing “Bring me flesh and bring me wine.” The gentleman had looked about a bit, “made a face, like,” and gone into the room at the foot of the stairs. He hadn’t been absent “more nor a minute,” when he “come out faster than he gone in,” and had rushed immediately into the ballroom.