Hawthorne's Short Stories (16 page)

Still, perhaps, they would have been resolute to climb as far and as high, between earth and heaven, as they could find foothold, if Hannah’s strength had not begun to fail, and with that, her courage also. Her breath grew short. She refused to burden her husband with her weight, but often tottered against his side, and recovered herself each time by a feebler effort. At last, she sank down on one of the rocky steps of the acclivity.

“We are lost, dear Matthew,” said she, mournfully. “We shall never find our way to the earth again. And oh how happy we might have been in our cottage!”

“Dear heart!—we will yet be happy there,” answered Matthew. “Look! In this direction, the sunshine penetrates the dismal mist. By its aid, I can direct our course to the passage of the Notch. Let us go back, love, and dream no more of the Great Carbuncle!”

“The sun cannot be yonder,” said Hannah, with despondence. “By this time it must be noon. If there could ever be any sunshine here, it would come from above our heads.”

“But look!” repeated Matthew, in a somewhat altered tone. “It is brightening every moment. If not sunshine, what can it be?”

Nor could the young bride any longer deny that a radiance was breaking through the mist, and changing its dim hue to a dusky red, which continually grew more vivid, as if brilliant particles were interfused with the gloom. Now, also, the cloud began to roll away from the mountain, while, as it heavily withdrew, one object after another started out of its impenetrable obscurity into sight, with precisely the effect of a new creation, before
the indistinctness of the old chaos had been completely swallowed up. As the process went on, they saw the gleaming of water close at their feet, and found themselves on the very border of a mountain lake, deep, bright, clear, and calmly beautiful, spreading from brim to brim of a basin that had been scooped out of the solid rock. A ray of glory flashed across its surface. The pilgrims looked whence it should proceed, but closed their eyes with a thrill of awful admiration, to exclude the fervid splendor that glowed from the brow of a cliff impending over the enchanted lake. For the simple pair had reached that lake of mystery, and found the long-sought shrine of the Great Carbuncle!

They threw their arms around each other, and trembled at their own success; for, as the legends of this wondrous gem rushed thick upon their memory, they felt themselves marked out by fate—and the consciousness was fearful. Often, from childhood upward, they had seen it shining like a distant star. And now that star was throwing its intensest lustre on their hearts. They seemed changed to one another’s eyes, in the red brilliancy that flamed upon their cheeks, while it lent the same fire to the lake, the rocks, and sky, and to the mists which had rolled back before its power. But, with their next glance, they beheld an object that drew their attention even from the mighty stone. At the base of the cliff, directly beneath the Great Carbuncle, appeared the figure of a man, with his arms extending in the act of climbing, and his face turned upward, as if to drink the full gush of splendor. But he stirred not, no more than if changed to marble.

“It is the Seeker,” whispered Hannah, convulsively grasping her husband’s arm. “Matthew, he is dead.”

“The joy of success has killed him,” replied Matthew, trembling violently. “Or, perhaps, the very light of the Great Carbuncle was death!”

“The Great Carbuncle,” cried a peevish voice behind them. “The Great Humbug! If you have found it, prithee point it out to me.”

They turned their heads, and there was the Cynic, with his prodigious spectacles set carefully on his nose, staring now at the lake, now at the rocks, now at the distant masses of vapor, now right at the Great Carbuncle itself, yet seemingly as unconscious
of its light as if all the scattered clouds were condensed about his person. Though its radiance actually threw the shadow of the unbeliever at his own feet, as he turned his back upon the glorious jewel, he would not be convinced that there was the least glimmer there.

“Where is your Great Humbug?” he repeated. “I challenge you to make me see it!”

“There,” said Matthew, incensed at such perverse blindness, and turning the Cynic round towards the illuminated cliff. “Take off those abominable spectacles, and you cannot help seeing it!”

Now these colored spectacles probably darkened the Cynic’s sight, in at least as great a degree as the smoked glasses through which people gaze at an eclipse. With resolute bravado, however, he snatched them from his nose, and fixed a bold stare full upon the ruddy blaze of the Great Carbuncle. But scarcely had he encountered it, when, with a deep, shuddering groan, he dropped his head, and pressed both hands across his miserable eyes. Thenceforth there was, in very truth, no light of the Great Carbuncle, nor any other light on earth, nor light of heaven itself, for the poor Cynic. So long accustomed to view all objects through a medium that deprived them of every glimpse of brightness, a single flash of so glorious a phenomenon, striking upon his naked vision, had blinded him forever.

“Matthew,” said Hannah, clinging to him, “let us go hence!”

Matthew saw that she was faint, and kneeling down, supported her in his arms, while he threw some of the thrillingly cold water of the enchanted lake upon her face and bosom. It revived her, but could not renovate her courage.

“Yes, dearest!” cried Matthew, pressing her tremulous form to his breast,—“we will go hence, and return to our humble cottage. The blessed sunshine and the quiet moonlight shall come through our window. We will kindle the cheerful glow of our hearth, at eventide, and be happy in its light. But never again will we desire more light than all the world may share with us.”

“No,” said his bride, “for how could we live by day, or sleep by night, in this awful blaze of the Great Carbuncle!”

Out of the hollow of their hands, they drank each a draught from the lake, which presented them its waters uncontaminated by an earthly lip. Then, lending their guidance to the blinded Cynic, who uttered not a word, and even stifled his groans in his
own most wretched heart, they began to descend the mountain. Yet, as they left the shore, till then untrodden, of the spirit’s lake, they threw a farewell glance towards the cliff, and beheld the vapors gathering in dense volumes, through which the gem burned duskily.

As touching the other pilgrims of the Great Carbuncle, the legend goes on to tell, that the worshipful Master Ichabod Pigsnort soon gave up the quest as a desperate speculation, and wisely resolved to betake himself again to his warehouse, near the town dock, in Boston. But, as he passed through the Notch of the mountains, a war party of Indians captured our unlucky merchant, and carried him to Montreal, there holding him in bondage, till, by the payment of a heavy ransom, he had wofully subtracted from his hoard of pine-tree shillings. By his long absence, moreover, his affairs had become so disordered that for the rest of his life, instead of wallowing in silver, he had seldom a sixpence worth of copper. Doctor Cacaphodel, the alchemist, returned to his laboratory with a prodigious fragment of granite, which he ground to powder, dissolved in acids, melted in the crucible, and burned with the blow-pipe, and published the result of his experiments in one of the heaviest folios of the day. And, for all these purposes, the gem itself could not have answered better than the granite. The poet, by a somewhat similar mistake, made prize of a great piece of ice, which he found in a sunless chasm of the mountains, and swore that it corresponded, in all points, with his idea of the Great Carbuncle. The critics say, that, if his poetry lacked the splendor of the gem, it retained all the coldness of the ice. The Lord de Vere went back to his ancestral hall, where he contented himself with a wax-lighted chandelier, and filled, in due course of time, another coffin in the ancestral vault. As the funeral torches gleamed within that dark receptacle, there was no need of the Great Carbuncle to show the vanity of earthly pomp.

The Cynic, having cast aside his spectacles, wandered about the world, a miserable object, and was punished with an agonizing desire of light, for the wilful blindness of his former life. The whole night long, he would lift his splendor-blasted orbs to the moon and stars; he turned his face eastward, at sunrise, as duly as a Persian idolater, he made a pilgrimage to Rome, to witness the magnificent illumination of St. Peter’s Church; and finally perished
in the great fire of London, into the midst of which he had thrust himself, with the desperate idea of catching one feeble ray from the blaze that was kindling earth and heaven.

Matthew and his bride spent many peaceful years, and were fond of telling the legend of the Great Carbuncle. The tale, however, towards the close of their lengthened lives, did not meet with the full credence that had been accorded to it by those who remembered the ancient lustre of the gem. For it is affirmed that, from the hour when two mortals had shown themselves so simply wise as to reject a jewel which would have dimmed all earthly things, its splendor waned. When other pilgrims reached the cliff, they found only an opaque stone, with particles of mica glittering on its surface. There is also a tradition that, as the youthful pair departed, the gem was loosened from the forehead of the cliff, and fell into the enchanted lake, and that, at noontide, the Seeker’s form may still be seen to bend over its quenchless gleam.

Some few believe that this inestimable stone is blazing as of old, and say that they have caught its radiance, like a flash of summer lightning, far down the valley of the Saco. And be it owned that, many a mile from the Crystal Hills, I saw a wondrous light around their summits, and was lured, by the faith of poesy, to be the latest pilgrim of the G
REAT
C
ARBUNCLE
.

“B
UT
this painter!” cried Walter Ludlow, with animation. “He not only excels in his peculiar art, but possesses vast acquirements
in all other learning and science. He talks Hebrew with Dr. Mather, and gives lectures in anatomy to Dr. Boylston. In a word, he will meet the best instructed man among us on his own ground. Moreover, he is a polished gentleman—a citizen of the world—yes, a true cosmopolite; for he will speak like a native of each clime and country of the globe, except our own forests, whither he is now going. Nor is all this what I most admire in him.”

“Indeed!” said Elinor, who had listened with a woman’s interest to the description of such a man. “Yet this is admirable enough.”

“Surely it is,” replied her lover, “but far less so than his natural gift of adapting himself to every variety of character, insomuch that all men—and all women too, Elinor—shall find a mirror of themselves in this wonderful painter. But the greatest wonder is yet to be told.”

“Nay, if he have more wonderful attributes than these,” said Elinor, laughing, “Boston is a perilous abode for the poor gentleman. Are you telling me of a painter, or a wizard?”

“In truth,” answered he, “that question might be asked much more seriously than you suppose. They say that he paints not merely a man’s features, but his mind and heart. He catches the secret sentiments and passions, and throws them upon the canvas, like sunshine—or perhaps, in the portraits of dark-souled men, like a gleam of infernal fire. It is an awful gift,” added Walter, lowering his voice from its tone of enthusiasm. “I shall be almost afraid to sit to him.”

“Walter, are you in earnest?” exclaimed Elinor.

“For Heaven’s sake, dearest Elinor, do not let him paint the look which you now wear,” said her lover, smiling, though rather perplexed. “There: it is passing away now, but when you spoke you seemed frightened to death, and very sad besides. What were you thinking of?”

“Nothing, nothing,” answered Elinor hastily. “You paint my face with your own fantasies. Well, come for me to-morrow, and we will visit this wonderful artist.”

But when the young man had departed, it cannot be denied that a remarkable expression was again visible on the fair and youthful face of his mistress. It was a sad and anxious look, little in accordance with what should have been the feelings of a
maiden on the eve of wedlock. Yet Walter Ludlow was the chosen of her heart.

“A look!” said Elinor to herself. “No wonder that it startled him, if it expressed what I sometimes feel. I know, by my own experience, how frightful a look may be. But it was all fancy. I thought nothing of it at the time—I have seen nothing of it since—I did but dream it.”

And she busied herself about the embroidery of a ruff, in which she meant that her portrait should be taken.

The painter, of whom they had been speaking, was not one of those native artists who, at a later period than this, borrowed their colors from the Indians, and manufactured their pencils of the furs of wild beasts. Perhaps, if he could have revoked his life and prearranged his destiny, he might have chosen to belong to that school without a master, in the hope of being at least original, since there were no works of art to imitate nor rules to follow. But he had been born and educated in Europe. People said that he had studied the grandeur or beauty of conception, and every touch of the master hand, in all the most famous pictures, in cabinets and galleries, and on the walls of churches, till there was nothing more for his powerful mind to learn. Art could add nothing to its lessons, but Nature might. He had therefore visited a world whither none of his professional brethren had preceded him, to feast his eyes on visible images that were noble and picturesque, yet had never been transferred to canvas. America was too poor to afford other temptations to an artist of eminence, though many of the colonial gentry, on the painter’s arrival, had expressed a wish to transmit their lineaments to posterity by means of his skill. Whenever such proposals were made, he fixed his piercing eyes on the applicant, and seemed to look him through and through. If he beheld only a sleek and comfortable visage, though there were a gold-laced coat to adorn the picture and golden guineas to pay for it, he civilly rejected the task and the reward. But if the face were the index of any thing uncommon, in thought, sentiment, or experience, or if he met a beggar in the street, with a white beard and a furrowed brow; or if sometimes a child happened to look up and smile, he would exhaust all the art on them that he denied to wealth.