Authors: Saul Bellow
Nasser and Mr. Sukarno and the Secretary of State and the President. Tonight she had to go to a night club with the foreign minister of Venezuela. Moses had learned not to doubt her. She always produced a night-club photograph in which she sat beautiful and laughing in a low-cut gown. She had Mendes-France's autograph on a menu. She would never ask Herzog to take her to the Copacabana. This was a mark of her respect for his deep gravity. "T'es philosophe. O mon philosophe, mon professeur d'amour. T'es tres important. Je le sais." She rated him higher than kings and presidents.
As she put the kettle on for Herzog's tea, she never failed to describe the events of her day from the kitchen at the top of her voice. She saw a three-legged dog which made a truck swerve into a pushcart. A cabdriver wanted to give her his parrot, but the cats would kill it. She could not accept such a responsibility. A pan-handling old woman-vieille mendiante-got her to buy a copy of the Times for her. That was all the old creature wanted, this morning's Times.
A policeman said he would give Sono a ticket for jay-walking. A man had exposed himself behind a subway pillar. "Ooooh, c'etait honteux-quelle chose!" She measured with her hands from her own body. "One foots, Moso.
Tres laide."
"Ca t'a phi," Moses said smiling.
"Oh no! Moso, no! Elle etait vilain."
She was, however, delightfully excited. Moses looked at her gently, suspiciously as well, perhaps, lying back elegantly in the broken reclining chair. The fever he had felt as he was coming had now begun to subside. Even the smells were never quite so bad as he had anticipated. The cats were less jealous of him. They came to be petted. He grew used to their Siamese mewing, more passionate and hungry than that of American cats.
Then she said, "Et cette blouse-combien j'ai paye? Dis-moi."
"You paid-let me see-you paid three bucks for it."
"No, no," she cried, "sixty sen'. Solde!"
"Impossible. Why, that thing is worth five bucks. You must be the greatest shopper in New York."
Gratified, she gave him a brilliant wink and took off his socks, chafing his feet. She brought him tea and poured a double shot of Chivas Regal into it. For him she kept the best of everything.
"Veux-tu scrambled eggs, cheri-koko. As-tu faim?" A cold rain was killing desolate New York with its green icy spikes.
When I pass Northwest Orient Airlines, I always mean to price a ticket to Tokyo.
She put soy sauce on the eggs. Herzog ate and drank. All the food was salty. He swallowed a great deal of tea. "We take bath," said Sono, and began to unbutton his shirt. "Tu veux?"
Teas and baths-the steam of boiling water loosened the wallpaper from the green plaster behind it. The great console radio through a cloth-of-gold speaker played the music of Brahms. The cats were cuffing shrimp shells under the chairs.
"Oui-je veux bien," he said.
She went to run the water. He heard her singing as she sprinkled the lilac salts and bubble-bath powder.
I wonder who's scrubbing her now.
Sono asked for no great sacrifices. She did not want me to work for her, to furnish her house, support her children, to be regular at meals or to open charge accounts in luxury shops; she asked only that I should be with her from time to time. But some people are at war with the best things of life and pervert them into fantasies and dreams. The Yiddish French we spoke was funny but innocent. She told me no such broken truths and dirty lies as I heard in my own language, and my simple declarative sentences couldn't do her much harm.
Other men have forsaken the West, looking for just this. It was delivered to me in New York City.
The bath was not without its occasional trials. At times, Sono examined Herzog's body for signs that he was unfaithful. Lovemaking, she was strongly convinced, turned men lean. "Ah!" she would say.
"Tu as maigri. Tu fais amour?" He denied it but she shook her head, continuing to smile, though her face became puffy and bitter. She refused to believe him. But she would forgive him, at last.
Her good humor returning, she put him in the tub, climbing in behind him. Singing, or growling mock orders at him in military Japanese. But peace had come. They bathed. She put her feet forward for him to soap. She dipped water in a plastic dish and poured it over his head. Draining the tub at last, she turned on the shower to rinse away the suds, and they stood together smiling under the spray. "Tu seras bien propre, cheri-koko."
Yes, she kept me very clean. With amusement and with sorrow, Herzog recalled it all.
They dried themselves with Turkish towels from 14th Street. She dressed him in the kimono, kissing his chest. He kissed the palms of her hands. Her eyes were tender, shrewd, they showed a thrifty light at times; she knew where to invest her sensuality and how to increase it. She sat him on the bed, and there she served him tea. Her concubine. They sat cross-legged, sipping from the small cups, looking at the scrolls. The door was bolted, the telephone off the hook. Tremulous, Sono's face came near, and she touched his cheek with her chub lips. They helped each other out of the Oriental garments. "Doucement, cheri.
Oh, lentement. Oh!" Turning up her eyes so that he saw only the whites.
She tried to explain to me once that earth and the planets were sucked from the sun by a passing star. As if a dog should trot by a bush and set free worlds.
And in those worlds life appeared, and within that life such as we-souls. And even stranger creatures than we she said I liked to hear this, but I didn't understand her well. I know I kept her from returning to Japan. For my sake, she disobeyed her father.
Her mother died, and Sono did not mention it for weeks. And once she said, "Je ne crains pas la mort. Mais tu me fais souffrir, Moso." I hadn't called her in a month. She had had pneumonia again. No one had come to see her. She was weak and pale, and she cried and said, "Je souffre trop." But she did not let him comfort her; she had heard that he was seeing Madeleine Pontritter.
She did, however, say, "Elle est mechante, Moso. Je suis pas jalouse. Je ferai amour avec un autre. Tu m'as laissee.
Mais elle a les yeux tres, tres froids."
He wrote,
Sono, you were right. I thought you might like to know. Her eyes are very cold.
Still, they are her eyes, and what is she to do about them?
It would not be practical for her to hate herself.
Luckily, God sends a substitute, a husband.
Ah, in the midst of such realizations, a man needs some comfort. Herzog once more set off on his visit to Ramona. As he stood at the door with the long metal shank of the police lock in his hand, his memory sought a certain song title. Was it "Just One More Kiss"? Not that. Nor "The Curse of an Aching Heart."
"Kiss Me Again." That was it. It struck him very funny, and laughter made him clumsy as he set up the complicated lock to protect his worldly goods. Three thousand million human beings exist, each with some possessions, each a microcosmos, each infinitely precious, each with a peculiar treasure. There is a distant garden where curious objects grow, and there, in a lovely dusk of green, the heart of Moses E. Herzog hangs like a peach.
I need this outing like a hole in the head, he thought as he turned the key. Still, he was going, wasn't he.
He was pocketing the key. And now ringing for the elevator. He listened to the sound of the power, the cables threshing. He went down alone, humming "Kiss Me," and trying to capture, as if it were an elusive fragile thread, the reason why these old songs were running through his head. Not the obvious reason. (he had an aching heart, was going forth to be kissed.) The recondite reason (if that was worth finding). He was glad to reach the open air, to breathe.
He dried the sweatband of the straw hat with his handkerchief-it was hot in the shaft. And who wore such a hat, such a blazer? Why, Lou Holtz, of course, the old vaudeville comic.
He sang, "I picked a lemon in the garden of love, where they say only peaches grow." Herzog's face again quickened with a smile. The old Oriental Theatre in Chicago. Three hours of entertainment for two bits.
At the corner he paused to watch the work of the wrecking crew. The great metal ball swung at the walls, passed easily through brick, and entered the rooms, the lazy weight browsing on kitchens and parlors. Everything it touched wavered and burst, spilled down. There rose a white tranquil cloud of plaster dust. The afternoon was ending, and in the widening area of demolition was a fire, fed by the wreckage. Moses heard the air, softly pulled toward the flames, felt the heat. The workmen, heaping the bonfire with wood, threw strips of molding like javelins. Paint and varnish smoked like incense. The old flooring burned gratefully-the funeral of exhausted objects. Scaffolds walled with pink, white, green doors quivered as the six-wheeled trucks carried off fallen brick. The sun, now leaving for New Jersey and the west, was surrounded by a dazzling broth of atmospheric gases. Herzog observed that people were spattered with red stains, and that he himself was flecked on the arms and chest. He crossed Seventh Avenue and entered the subway.
Out of the burning, the dust, down the stairs he hurried underground, listening for a train, fingers examining the coins in his pocket, seeking a subway token. He inhaled the odors of stone, of urine, bitterly tonic, the smells of rust and of lubricants, felt the presence of a current of urgency, speed, of infinite desire, possibly related to the drive within himself, his own steaming nervous vitality. (passion? Perhaps hysteria? Ramona might relieve him by sexual means.) He took a long breath, inhaling the musty damp air endlessly, on and on, stabbed in both shoulders as his chest expanded, but continuing. Then he let the air out slowly, very slowly, down, down, into his belly.
He did it again, again, and felt better for it. He dropped his fare in the slot where he saw a whole series of tokens lighted from within and magnified by the glass. Innumerable millions of passengers had polished the wood of the turnstile with their hips. From this arose a feeling of communion-brotherhood in one of its cheapest forms.
This was serious, thought Herzog as he passed through. The more individuals are destroyed (by processes such as I know) the worse their yearning for collectivity.
Worse, because they return to the mass agitated, made fervent by their failure. Not as brethren, but as degenerates. Experiencing a raging consumption of potato love. Thus occurs a second distortion of the divine image, already so blurred, wavering, struggling. The real question! He stood looking down at the tracks. The most real question!
Rush hour was just ended. Almost empty local cars were scenes of rest and peace, conductors reading the papers. Waiting for his uptown express, Herzog made a tour of the platform, looking at the mutilated posters-blacked-out teeth and scribbled whiskers, comical genitals like rockets, ridiculous copulations, slogans and exhortations.
Moslems, the enemy is White. Hell with Goldwater, Jews! Spicks eat shit.
Phone, I will go down on you if I like the sound of your voice.
And by a clever cynic, II they smite you, turn the other face.
Filth, quarrelsome madness, the prayers and wit of the crowd. Minor works of Death.
Trans-descendence-that was the new fashionable term for it. Herzog carefully examined all such writings, taking his own public-opinion poll. He assumed the unknown artists were adolescents. Taunting authority. Immaturity, a new political category. Problems connected with the increasing mental emancipation of untrained unemployables. Better the Beatles. Further occupying the idle moment, Herzog looked at the penny scale. The mirror was wired-could not be smashed except by an ingenious maniac. The benches were bolted down, the candy-vending machines padlocked.
A note to Willie the Actor, the famous bank robber now serving a life sentence.
Dear Mr. Sutton, The study of locks.
Mechanical devices and Yankee genius...
He began again, Second only to Houdini, Willie never carried a gun. In Queens, once, he used a toy pistol. Disguised as a Western Union messenger, he entered the bank and took it over with his cap gun. The challenge was irresistible. Not the money, really, but the problem of getting in, and the companion problem of escape. Narrow-shouldered, with sunk cheeks and the mothy, dapper mustache, blue baggy eyes above, Willie lay thinking of banks. On his in-a-door bed in Brooklyn, sucking a cigarette, wearing his hat and a pair of pointed shoes, he had visions of roofs leading to roofs, of power lines, sewer connections, vaults. All locks opened at his touch. Genius cannot let the world be. He had buried his loot in Flushing Meadows, in tin cans. He might have retired. But he took a walk, he saw a bank, a creative opportunity. This time he was caught and went to prison. But he planned a great getaway, made an elaborate mental survey and drew a master plan, crawled through pipes, dug under walls. He almost had it made. The stars were in view. But the screws were waiting when he broke through the earth. They carried him back-this insignificant person, the escape artist; one of the greatest, and not very far behind Houdini, either. Motive: The power and completeness of all human systems must be continually tested, outwitted, at the risk of freedom, of life.
Now he is a lifer. They say he owns a set of Great Books, corresponds with Bishop Sheen...
Dear Dr. Schrodinger, In What Is Life? you say that in all of nature only man hesitates to cause pain. As destruction is the master-method by which evolution produces new types, the reluctance to cause pain may express a human will to obstruct natural law.
Christianity and its parent religion, a few short millennia, with frightful reverses ... The train had stopped, the door was already shutting when Herzog roused himself and squeezed through. He caught a strap. The express flew uptown. It emptied and refilled at Times Square, but he did not sit down. It was too hard to fight your way out from a seat. Now, where were we?