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Authors: Naomi Shihab Nye

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Slapping wooden sticks against your hand

with the pride that says, “These are mine,

I know how to use them,” walking beside your father

and brother in the stark July heat one early evening,

and I felt the lost sticks inside my own heart rat-a-tat

a little beat

back over to you though of course you didn't hear it

thinking about fathers and mothers who are nice

enough

to let their kids take drum lessons even when it is

the last instrument

they would like to hear inside their house and I heard

your daddy say,

“You gotta practice, son, I really mean practice”

and I wondered, was that your first lesson? Are you

still full of the hope

of becoming a great drummer or was that

your 20
th
lesson

and the teacher just said, “Where's that riff I told you

to learn?”

You looked proud. Drummers are always proud.

I was so proud

even though I only had a practice pad and got kicked

out of marching band

for some forgotten reason (may you have a better

career),

but hear me now. Even if you give it all up, as I did,

even if you don't hold sticks for twenty years,

on some steamy night in Texas long down the road

when you've lost two friends in a week and didn't say

good-bye

to either of them, when you're staring straight ahead

at things getting worse in the world, wishing

everybody could hear

their own distant drummer playing
anything better,

you realize, you are still hitting odd rhythmic patterns

on the skin of this world and in all the strange,

familiar ways,

it is still hitting you.

As if there were

a home in the air around us from birth,

spaciousness bidding us enter,

we live inside the long story of time.

And it was language giving us bearing,

letting in light.

When I was 3, sky rimming pink

above rooftops,

Grandpa planted a redbud tree

that would bloom for years beyond us.

Each year it would say spring first.

Vocabulary falling into place,

we were always old and young

feeling familiar lines resound,

my favorite Margaret Wise Brown,

who died right before I was born,

and precious solitary Emily D.,

the words of all time waiting,

latched together like small huts,

stories of wise animals

and human beings

rising up inside us

to shelter our days.

Wandering around the Albuquerque Airport Terminal, after learning my flight had been delayed four hours, I heard an announcement: “If anyone in the vicinity of Gate A-4 understands any Arabic, please come to the gate immediately.”

 

Well—one pauses these days. Gate A-4 was my own gate. I went there.

 

An older woman in full traditional Palestinian embroidered dress, just like my grandma wore, was crumpled to the floor, wailing loudly. “Help,” said the flight service person. “Talk to her. What is her problem? We told her the flight was going to be late and she did this.”

 

I stooped to put my arm around the woman and spoke to her haltingly. “Shu-dow-a, Shu-bid-uck Habibti? Stani schway, Min fadlick, Shu-bit-se-wee?” The minute she heard any words she knew, however poorly used, she stopped crying. She thought the flight had been cancelled entirely. She needed to be in El Paso for major medical treatment the next day. I said, “No,
we're fine, you'll get there, just later, who is picking you up? Let's call him.”

 

We called her son and I spoke with him in English. I told him I would stay with his mother till we got on the plane and would ride next to her—Southwest. She talked to him. Then we called her other sons just for the fun of it. Then we called my dad and he and she spoke for a while in Arabic and found out of course they had ten shared friends. Then I thought just for the heck of it why not call some Palestinian poets I know and let them chat with her? This all took up about two hours.

 

She was laughing a lot by then. Telling about her life, patting my knee, answering questions. She had pulled a sack of homemade
mamool
cookies—little powdered sugar crumbly mounds stuffed with dates and nuts—out of her bag—and was offering them to all the women at the gate. To my amazement, not a single woman declined one. It was like a sacrament. The traveler from Argentina, the mom from California, the lovely woman from Laredo—we were all covered with the same powdered sugar. And smiling. There is no better cookie.

 

And then the airline broke out free beverages from huge coolers and two little girls from our flight ran around serving us all apple juice and they were covered with powdered sugar, too. And I noticed my new best friend—by now we were holding hands—had a potted plant poking out of her bag, some medicinal thing, with green furry leaves. Such an old country traveling tradition. Always carry a plant. Always stay rooted to somewhere.

 

And I looked around that gate of late and weary ones and thought, This is the world I want to live in. The shared world. Not a single person in that gate—once the crying of confusion stopped—seemed apprehensive about any other person. They took the cookies. I wanted to hug all those other women, too.

 

This can still happen anywhere. Not everything is lost.

About the Author

Naomi Shihab Nye
has received a Lannan Fellowship, a Guggenheim Fellowship, the Witter Bynner Fellowship from the Library of Congress, and four Pushcart Prizes. Her collection
19 Varieties of Gazelle: Poems of the Middle East
was a finalist for the National Book Award, and her collection
A Maze Me: Poems for Girls
was an ALA Notable Book. Naomi Shihab Nye's longer works include two novels,
Habibi
and
Going Going,
and
I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven.

The poet lives with her family in San Antonio, Texas.

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Credits

Jacket art © 2008 Chris Raschka

Jacket design by Chris Raschka and Sylvie Le Floc'h

HONEYBEE
. Copyright © 2008 by Naomi Shihab Nye. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Adobe Digital Edition May 2009 ISBN 978-0-06-195844-1

10 9 8 7 6 5 4 3 2 1

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