Hour of the Hunter (40 page)

First and by far most important was the fact that Father John, right along with everyone else, believed that Rita and she were in danger.

On that score, Diana and the priest were in complete agreement, although she had difficulty accepting the idea that Davy's being unbaptized was somehow the cause of it all.

Diana's first choice of weapon to deal with the problem was a fully loaded .45 Peacemaker, but maybe a gun wasn't the only weapon she should consider using. Diana Ladd wasn't prepared to ignore anything that might prove helpful.

"When would you like to come speak to Davy?" she asked finally.

Father John's shoulders sagged with relief. He wiped his eyes, said a brief prayer of thanksgiving, and then crossed himself before turning back to face her. "Today?" he asked.

"Would later on this afternoon be all right?"

Committed to action, she saw no point in delay. "Yes," she said.

"That'll be fine. I'll give you the address."

As soon as they tried to leave the Dairy Queen, things started going wrong. The Valiant wouldn't start. The battery was dead. In a huff, Andrew Carlisle stalked around the parking lot looking for someone with jumper cables.

Then, as they drove toward the storage unit, Myrna Louise began chattering away in her typically inane manner.

"Do you ever think about them?" she asked.

"Think about whom?"

"About those women, the ones from the reservation."

There had been times in his life when Andrew Carlisle could have sworn that his mother could read his mind. Part of her ability to do that, he discovered much later, had been related to her secretly devouring daily installments of his diary. He wondered now about the envelope in his pocket.

Had she looked at the contents? If so, had she somehow guessed his intentions? He hadn't really examined the envelope when he took it from her. It had seemed all right at first glance, but he couldn't very well drag it out now and check it again in the middle of traffic.

"No," he said eventually. "They're in the past, and the past is over and done with. I've got my future to think about."

"I wonder what kind of a baby she had, a boy or a girl."

"For Chrissakes, Mama, does it matter?" he demanded, his voice rising despite his intentions of staying calm and collected, of not letting her provoke him. "Do we have to talk about this?"

"Don't yell at me, Andrew. I was only wondering. Maybe I wouldn't be so curious if I'd ever had any grandchildren of my own, you know."

Well, you didn't, he thought savagely. And you're not ever going to, either, by the time I get through with you.

"Give it a rest, Mama," he said. "I always told you I wasn't the marrying kind."

"You should have been. You're a smart man, Andrew, and smart men should father lots of babies. It's our only hope, you know. only hope."

It was an old, old argument, one they'd had countless times before, but this time, under pressure, anxious to get on with the tasks at hand and worrying about whether or not the Valiant would keep on running, it was too much.

"Jesus Christ, Mama! Would you please just shut up about that?"

About that time, they arrived at the U-Stor-It-Here lot.

There, Andrew Carlisle encountered the straw that broke the camel's back. The gate was locked. Closed and locked.

Afraid to turn off the ignition, he put the Valiant in neutral, set the emergency brake, and left it running. He swore a blue streak as he headed for the small converted RV that served as an office. The door was latched with a metal padlock and bore a hand-lettered sign that said, BACK in thirty MINUTES.

Frustrated and fuming, he headed back toward the car.

He turned just in time to see the Valiant lurch forward and knock down the gate. For a second, he thought the emergency brake must have slipped, but then, in a cloud of dust, the Valiant roared into reverse.

Myrna Louise was definitely at the wheel.

"Mama!" Carlisle yelled. "Stop!"

Instead, the Valiant charged out of the driveway and shot all the way across the street, smashing into a rubber dumpster before coming to a stop. Carlisle took off after the Valiant at a dead run. He almost caught it, too, but as he reached for the door handle, the car blasted forward and careened drunkenly away, leaving him in a cloud of dust.

As the car swerved crazily down the flat, two-lane roadway, Myrna Louise clipped a brown El Camino on one side of the street and a second dumpster on the other.

Neither one was enough to stop her.

In fact, they barely slowed her down.

It was the last straw for Myrna Louise as well. Not the locked gate-she didn't care at all about that-but having Andrew yell and curse at her and tell her to shut up, that was just too much. It was supposed to be a fun trip for her, a vacation, he had told her. But this wasn't fun at all.

As soon as they started having car trouble, he grew more and more surly and upset. She knew from personal experience that Andrew had a vile, mean temper. Myrna Louise didn't want it turned on her. And if he was already angry with her, what would happen if he ever figured out she had looked at those two precious $150 pieces of paper?

When he got out of the car to go to the storage-unit office, Myrna Louise was still smarting. How dare he talk to her that way? No matter how old they were, children shouldn't tell their parents to shut up. How could he show her so little respect? She deserved better than that.

After all, how many other mothers would have opened their homes and their arms to a son when he came dragging home from doing a stretch in prison? She gave herself high marks for being loyal and broad-minded both, for not holding a grudge, although God knows, she could have.

Myrna Louise saw Andrew turn away from the door, shaking his head in disgust with his mouth twisted into an angry grimace. He was coming back to the car, madder than ever. Seeing him like that scared her, and that's when she decided not to wait.

The keys were there, the engine already running. So what if she didn't know how to drive a car? She had been riding in them for sixty years.

She had seen other people do it, hadn't she?

Sliding across the bench seat, she peered nearsightedly down at the gearshift and read the letters: P. R. N. D. L. The car was stopped and the needle pointed to P. That probably meant Park, she theorized. R would mean Reverse, D Drive, and L Low. Maybe she should start out in that, Low.

Cautiously, she moved the gearshift to L, and then Put a tentative foot on the gas. The engine raced. The car rocked in place, but it didn't move forward. Something was wrong. Then she remembered-the emergency brake.

Jake had always talked about the importance of using the emergency brake.

Without letting up on the gas, she released the hand brake. At once, the Valiant crashed forward into the gate, breaking the lock, knocking the gate itself loose from its hinges. She glanced in Andrew's direction. The noise had alerted him, and he was coming after her, running hard.

Frightened now, desperate to get away, she shoved the gearshift to R, and found herself backing up at a terrifying speed. She tried turning the steering wheel, but the car went in exactly the opposite direction of what she intended. She heard rather than saw the dumpster crumple under the weight of the Valiant's rear bumper.

Andrew vaulted forward. Almost at the car, he reached out to grasp the door handle. Myrna Louise had never before seen such looks of unmasked fury distorting her son's face.

What would he do to her if he caught her? Not waiting to find out, she shoved the gearshift needle over to D--D for Drive, D for Disappear-hit the gas pedal, and took off.

She never looked back.

Slowing but not stopping at the intersection, she made it into traffic on Alvernon only because three other alert drivers managed to dodge out of her way.

It served Andrew right, Myrna Louise thought, gripping the steering wheel for all she was worth and seesawing it back and forth. Sons should never talk to their mothers that way, no matter what!

Fat Crack arrived at the hospital in Sells and found Rita sitting in a wheelchair on the front sidewalk. "Are you ready to go?" he asked.

She nodded. "I didn't like it in there. I didn't want to wait inside."

Actually, knowing his aunt's opinion about Mil-gahn doctors, Fat Crack was surprised she had stayed put in the hospital for as long as she had.

His mother had told him that ever since returning from California, Rita had adamantly refused to visit an Anglo doctor for any reason.

She would have done the same thing after the accident, too, but arriving unconscious by ambulance made refusing admission impossible.

Fat Crack helped his aunt into the truck. She winced at the high step necessitated by the tow truck's running board. "How are you?" he asked.

"All right, but the cast is heavy, and my arm aches."

"I'll try not to hit too many bumps," Fat Crack told her. "We have to stop in Crow Hang to see about the singers. Are you sure you want to start with that tonight?

Wouldn't it be better to wait until you've rested some more?"

"No," Rita said. "Tonight will be fine's At Hawani Naggiak, Crow Hang Village, Fat Crack left Rita in the truck while he went to negotiate with the singers. Rita leaned her head back against the cab window and closed her eyes. She felt weak and tired. She hadn't felt this weak since that long-ago time in California when she got so sick.

Late that September morning when she jumped off the freight train in Redlands, she asked directions and walked the eight miles out of town to the Bailey orange farm. She didn't know what else to do. Telling everyone she was going to meet her brother was fine as far as it went, but the truth was, she didn't have a brother. Gordon Antone was Louisa's brother. He didn't know Dancing Quail at all.

Still, he was someone with a name, someone who would speak her language, and maybe, if she asked him, he really would help her find a job.

The sun was going down when she finally found her way to the right ranch. The people she saw working there were mostly Mexicans. When she tried asking them about Gordon Antone, they didn't understand either English or Papago.

Almost ready to give up, she tried speaking English to a young Mil-gahn child. As soon as she asked about an Indian, he grinned and nodded.

"Sure," he said. "You must mean the chief He's working in the toolshed." He pointed off toward a small outbuilding. "Over there."

Dancing Quail found Gordon Antone bent over a file, sharpening the edge of a hoe. He looked up as she stepped into the doorway, blocking out the sunlight and turning the place into dusty gloom.

"Are you the one they call Chief?" she asked, speaking softly in Papago.

"Hell'u," he replied. "Yes."

Gordon Antone put down the hoe and file. The figure silhouetted in the doorway was that of a young male, but the voice definitely belonged to a female. "Who are you?" he asked.

"A friend of your sister's, of Louisa's. She said if I came here, you might help me find a job."

"You know Louisa? But she's in Phoenix. How did you get here?"

"On the train," Rita replied simply. "Last night. I ran away.

"You came all that way alone? From Phoenix?"

"I rode the freight train with some others."

Gordon got up and walked over to the doorway so he could see her better.

"What is your name?"

"My people call me Dancing Quail, but the Mil-gahn call me Rita, Rita Antone."

"Your name is the same as mine."

Now that she was here, talking to Gordon, she could tell he was someone who was easy to talk to. Just being with him made her feel much better.

His saying that made her laugh.

"Yes," she said. "We share the same name. I told the men on the train that you were my brother."

With her hair cut short, dressed in a boy's clothing, and grimy from travel, Dancing Quail was still a very beautiful young woman. For Gordon Antone, far from home and missing his family and friends, the real miracle was finding another person who spoke his own language.

That made her more than beautiful.

"Not your brother," Gordon Antone said, "but I will be glad to be your friend."

At least Andrew Carlisle didn't lose his head. He was furious with Myrna Louise, outraged was more like it, but he had sense enough to melt into the background before all hell broke loose. The owner of the El Camino charged out of an apartment across the street and looked up and down the road in both directions, but by then Myrna Louise had disappeared around the corner.

When the U-Stor-It-Here manager showed up a few minutes later. cops were already on the scene taking their reports. Carlisle chose that momentary confusion to reappear, walk past everyone, and head for his locker.

Despite the stifling heat, he went inside his unit and closed the door.

He had to think, to plan.

By now he had opened the envelope and suspected that Myrna Louise had also opened it, damn her straight to hell.

So what the fuck was she thinking when she grabbed the car and took off like that? he wondered. Would she turn him in? No, that didn't seem likely. Would she know what he was up to? Maybe, maybe not. That was a tough call.

After all, she was his mother, and mothers often refuse to believe bad things about their precious darlings no matter how convincing the evidence.

No, she probably wouldn't turn him in, but would she try to stop him?

Damn her, she had already done that, just by taking the car. What the hell was he supposed to do now?

Did she think he'd just give up? Not bloody likely. Go after her and get the car? How could he? For one thing, where would she.go? Home, probably, if she could make it that far. He doubted it. The Valiant seemed to be pretty much on its last legs.

Actually, the more he thought about it, the more he decided it was just as well Jake Spaulding's car was gone.

He'd have to get a new one, and that might be inconvenient at the moment, but for what he was planning, he couldn't risk using an undependable vehicle. No, what he needed was a new car. Not necessarily brand new, but certainly different----@'reliable transportation," as they say in car dealer's parlance. Once he had another vehicle, he'd figure out some way to make his plan work anyhow.