How Soon is Now?: The Madmen and Mavericks who made Independent Music 1975-2005 (70 page)

Mitchell, Rob (Warp),
1
,
2
;

ill-health
and death,
1

MixMag,
1

Moby,
1

Play,
1

‘Go’,
1

Modern English,
1
,
2
,
3
,
4

After The Snow,
1

‘16 Days’,
1

‘Gathering Dust’,
1

‘I Melt with You’,
1

Momus,
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,
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,
3
;

at él Records,
1
;

sign to Creation,
1

Circus Maximus,
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,
2

The Poison Boyfriend,
1

Upside Down,
1
,
2
,
3

Voyager,
1

Monarch, Camden (pub),
1

Monochrome Set,
1
,
2

Monroe, Marilyn,
1

Montana, June,
1

Moodists,
1

Moody Blues,
1

Moonlight (club),
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,
2

Moore, Thurston,
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,
2

Morley, Paul,
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,
2

Moroder, Giorgio,
1

Morris, Stephen,
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,
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,
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,
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,
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,
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,
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,
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,
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;

see also
New Order

Morris, Wayne,
1

Morrison, Jim,
1

Morrison, Sterling,
1

Morrissey,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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;

and release of ‘That Joke Isn’t Funny Anymore’,
1
;

see also
Smiths, The

Mortimer Street, London (United Artists office),
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,
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Moss, Joe,
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,
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,
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,
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,
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,
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,
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,
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,
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;

at The Smiths rehearsals,
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;

distributes ‘Hand in Glove’,
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Motörhead,
1

Motown Records,
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,
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,
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,
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,
5

Mottola, Tommy,
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Mould, Bob,
1

MTV,
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,
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,
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,
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,
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,
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,
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,
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,
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;

Buzz Bin,
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Mudd Club (NY),
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,
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Music Force,
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Music Machine,
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Music Week,
1

Mute Records,
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,
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,
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,
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,
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,
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;

and Depeche Mode,
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,
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,
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,
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;

EMI deal,
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,
2
;

finances,
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,
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,
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;

foundation,
1
,
2
;

move to Harrow Road,
1
;

and Rough Trade Distribution,
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,
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,
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,
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,
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,
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,
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;

sublabels,
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,
2

My Bloody Valentine,
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,
2
,
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,
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,
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,
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,
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,
8

Isn’t Anything,
1

Loveless,
1
,
2
,
3

‘Feed Me With Your Kiss’,
1

‘You Made Me Realise’,
1

My Morning Jacket,
1

MySpace,
1

Napster,
1

National Theatre,
1

Naylor, Liz,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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Naylor, Pat,
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Nazi Doug,
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Neil, Fred,
1

Nelson, Bill,
1

Neu!,
1
,
2

Neubarten,
1

Neue Deutsche Welle (NDW, New German Wave),
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New Cross Venue (4AD),
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,
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New Hormones (record label),
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,
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New Order,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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;

and Be Music,
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;

business model,
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;

and Factory,
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,
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,
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,
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,
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;

in Ibiza,
1
;

image,
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;

politics,
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;

and Primal Scream,
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;

at Real World Studios,
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;

sign to London Records,
1
;

sign to Qwest,
1
;

sleeve design,
1
;

on
TOTP,
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,
2
,
3
;

UK festivals of’
1
,
2
;

US tour with the Bunnymen,
1
;

videos,
1

Brotherhood,
1

Low–Life,
1
,
2
;

‘The Perfect Kiss’,
1

Movement,
1

New Order Play at Home
(film),
1

Power, Corruption & Lies,
1

Republic,
1

Substance,
1
,
2
,
3

Technique,
1
,
2

‘Blue Monday’,
1
,
2

‘Confusion’,
1

‘Fine Time’,
1

‘Thieves Like Us’,
1

‘World in Motion’,
1

New Socialist,
1

New Wave,
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,
2

New York: Danceteria (club),
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,
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,
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,
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,
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,
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;

East Village,
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;

Fun House (club),
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,
2
;

Hurrah (club),
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;

Lower East Side,
1
,
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,
3
;

and Manchester,
1
;

Mudd Club,
1
,
2

University Special Collection Library,
1

New York Dolls,
1

New Yorkers,
1
,
2
,
3

New Zealand,
1

Newspeak,
1

Newton, Helmut,
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Nico,
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,
2

Nightingales,
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,
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,
3
,
4

Nine Mile (Leamington Spa distributor),
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91X (radio station),
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99 Records,
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,
2
,
3
;

MacDougal Street,
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Nirvana,
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,
2
,
3
,
4
,
5
,
6
;

Peel sessions,
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,
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;

at Reading Festival ’
1
,
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Nevermind,
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,
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,
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,
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,
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Unplugged in New York,
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NME: C81 (compilation),
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;

C86 (compilation),
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,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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;

and Creation,
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;

and Factory,
1
;

Felt feature,
1
;

Grundy interview,
1
;

identity crisis (’
1
s),
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;

KLF advert,
1
;

The Latin Kick,
1
;

Leftist stance,
1
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on Nirvana,
1
;

Postcard feature,
1
;

renewed interest in guitar bands,
1
;

Sex Pistols review,
1
;

on Sonic Youth,
1
;

Strokes,
1
;

tapes/flexi discs,
1

No Variety
(fanzine),
1

No Wave,
1
,
2

Normal, The,
1
,
2
,
3

Warm Leatherette
/‘TVOD’,
1
,
2

Norris, Richard,
1
,
2

Jack The Tab,
1

North London Polytechnic,
1

Northside,
1

Nothing Short of Total War
(compilation),
1

Notion, Foggy,
1

Nottingham,
1

Now That’s What I Call Music,
1

Nu Sonics,
1

Nuggets (Elekra series),
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,
2
,
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,
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