Imprudent Lady

Belgrave House
www.belgravehouse.com

Copyright ©1978 by Joan Smith

It was a joke often repeated in the Mallow household that Prudence had been well-named. “You are a prudent little thing,” her papa would say, when she returned from shopping with a bolt of wool to make herself up a snug shirt for winter. “Oh my dear, we chose aright in naming you Prudence,” her mama would laugh, when she declined going on a picnic only because the sky was heavy with clouds. “And this is my prudent little Prudence,” was Papa's favourite manner of introducing her to company. With these playful sallies it was well established that Prudence was the wittiest name in the language, and the most appropriate for Miss Mallow.

It was, alas, a virtue not shared by her parents. Papa, with little money and no management, ran his estate into mortgage and Mama, with a lamentable lack of foresight, had failed to produce a male heir to secure what remained upon his demise. It was entailed on a male relative, and the improvident widow found at forty-four that she had an unmarried daughter and herself to maintain on two hundred pounds a year, which was all that remained of her own jointure. It was inevitable that she would dip into her capital if forced to live on such a pittance. Prudence knew it if Mama did not, and when Mr. Elmtree, Mrs. Mallow's widowed brother, offered them a roof over their heads, they accepted.

Mama foresaw many hardships, every one of which came to fruition. Clarence was a fool, a bore and a skint, she said, and so he proved to be. He gave them room and board and in return expected that they be housekeepers, hostesses, seamstresses, walking witnesses of his charity, and worst of all, admirers. Clarence was an artist, not a good one, but very prolific. He painted portraits of those on the fringes of society, and each spring he painted three scenes of Richmond Park. He accepted no pay for his work, being a gentleman, nor indeed was any offered, but he took his work seriously. A dozen times a day Miss Mallow or her mother was forced to admire his pastel blobs, reading into them character, beauty, sentiment, and all else they lacked.

The Mallow ladies were also required to be chaperones when Mr. Elmtree was painting a lady. He harboured the dread that traps were being laid for him and his two thousand pounds a year. If his sitter were a female between seven and seventy, he insisted that either his sister or his niece be in the studio. One could not but wonder if it was the reason for his inviting them to Grosvenor Square. They had also to keep up a constant barrage of compliments on his skill, but he too was very helpful in this latter sphere. “I am adding a little dab of ochre here to give a shadow under the nose,” he would say. “Have you ever seen this done before?"

As neither lady was intimate with the painting profession, they must confess they had not.

“I fancy it is my own invention. I haven't heard of Lawrence or the others doing it. Certainly Romney did not. He makes the whole face pink. No expression to it. No expression at all. See how I am shading in the corner of the eye here? I learned this one from Leonardo. I cannot claim it for my own. The
Mona Lisa
has such eyes as this."

Prudence stared in astonishment at the two agates reposing In the flat pink face on the canvas and said weakly, “How very nice. Yes, quite like the
Mona Lisa."

“Not
quite
like,” he contradicted, giving hope that he had some sense of aesthetic discernment after all. But no, he went on to say “I think I have gone da Vinci a step better. He left off the eyelashes, you see. When you take a look at the
Mona Lisa
—I have a good engraving of it in my study—you will see he forgot the eyelashes. I don't know how he came to do it, for I read somewhere he was three years painting La Gioconda, but he certainly forgot the eyelashes. I will put a nice long lash on Mrs. Hering, and I shan't spend three years to do it either. Three days it takes me to complete a portrait. If I worked five days a week, which I don't, I could produce eighty-seven of these portraits a year. I don't see Lawrence producing eighty-seven pictures like this a year."

“No, certainly not like this,” Prudence insisted in a choked voice. She received a smiling nod from her uncle for her acumen.

“No, I think Lawrence could pick up a trick or two from me, but he is quite spoilt with attention. That exhibition of his at Somerset House—lamentable. I blushed for him, poor fellow, to see everyone praising such likenesses. He had a wart on Lady Cassel's nose. You'd think anyone who calls himself an artist would have painted it out. But his sensitivity is entirely lacking. He can only paint a pretty picture if he has a pretty subject."

No one had ever accused Mr. Elmtree of painting a wart—or a wrinkle or a grey hair for that matter. He flattered his sitters, in his own way. No matter what faded, spotted or hag-ridden face sat before him, it emerged smooth and pink in his reproduction. If too thin it was rounded, if too long, shortened, and if at sixty or so his model's hair had the poor taste to turn grey, it was revealed in his picture in a modish blue or purple shade. He had also a talent for reforming a nose or enlarging an eye, and was better than a dentist for rejuvenating teeth on those rare occasions when he allowed a subject to smile. Usually he insisted on the pose of Mona Lisa and the expression.

After many such sessions with him, Prudence became bored with her chore and began to take a book to read surreptitiously while he painted. “Ho, I see you are as prudent as your name,” he rallied when he discovered what mischief she was up to. “Never wasting a minute, hey? But I suppose you are burning your eyes out on a trashy novel. Young ladies read too many novels nowadays. I never read. There is nothing in books. They are a waste of time. You'd do better to come here and see how I am adding a little yellow to the crimson to give it an orange tone for Mrs. Hering's coquelicot ribbons. I fancy that is how Titian got his pretty orange tones. Da Vinci, now, had no notion of an orange colour. He was well enough at an old blue or grey, but he had no notion of orange."

Reading proved difficult with the number of interruptions necessary for praising his progress, and Prudence tried writing letters instead. She hoped this might inhibit his chatter, to see her actively engaged, but it only led him to remark that if she was so fond of scribbling, she shouldn't waste her time and eyesight writing letters, but should get some reward for her labours. The reward of an answer from a friend was nothing to him.

“If you like writing so much, I'll speak to a friend of mine in the writing line, Mr. Halcombe. He is a fine fellow, writing up a history of Sussex—nobody will read it. He was saying he wanted someone to make a fair copy for him. You will enjoy having something worthwhile to write, and will make a little pin money on the side. A girl in your position with no money should be thinking of that. You won't always have an uncle to take care of you."

The job sounded onerous, but the pin money attractive, and Prudence agreed to do it. As it turned out Mr. Halcombe had written only three chapters of ten pages each, and those were copied in two days. But the idea caught on with her, and Mr. Halcombe promised to speak to his publisher to see if other writers might require her services. Soon she was regularly employed in making fair copies of others’ work, and rather enjoying it, especially the novels. She found herself wondering what would happen to the heroine, trapped in some seemingly hopeless situation, and would read and continue copying to discover her fate.

Soon Prudence began fashioning her own heroine in her spare time, and toying with her predicament. One day she finished her copying early, and to fool her uncle sat pretending to work for gain—which was not only permitted but encouraged—but actually writing a story of her own. She finished eight pages, and when she ran out of legitimate work would press on with her own story.

Forty portraits later it was done, then copied in her best copperplate and delivered to Mr. Murray for his perusal. Prudence had met the publisher several times when delivering or picking up work, and he had formed a good opinion of her judgment, so when she shyly handed him her manuscript, he read it with a kind eye. It was not the style in vogue at the moment, with Mr. Scott's romantic novels sweeping the nation. Here were no tribal chieftains, no wars or warriors, nor even much in the way of a love story, but a keen ear had been at work to hear conversation, and a sharp intelligence to sort it out and render it into story form. He decided on a short run, a small advertisement, and a hope for profit over the long haul.

Mr. Murray had no vision of a vast and immediate audience such as Miss Burney and Scott enjoyed; certainly nothing in the nature of his top writer, Lord Dammler, and he was not out in his judgment. Miss Mallow's book sold slowly at first, but continued to sell fairly regularly. When the second came out a year later, it sold better and he reissued her first. On her twenty-fourth birthday her third was published, and she felt her position was secure. Prudence had found her niche in the world. Under Clarence's roof, unfortunately. The monetary rewards for her work did not permit her to set up a creditable establishment for herself and her mama, but if her social life was restricted and her private life tedious, her work was a compensation. She felt she could be content with her lot, and Clarence was kinder to a promising writer than to a penniless niece.

If some doubts assailed her as she lay alone in her four-poster nights, they were reasoned away. She was not young, not rich, not very pretty, and not married. She was and would likely always be a spinster. So be it. She would make do with it. The hopes that had come to London with her of meeting and eventually marrying some eligible gentleman had been slow in dying, but after four years they had died at last, or so she thought. The morning after her birthday, she bound back her dark curls and set, for the first time In her life, a cap upon them. It was a pretty cap with blue ribbons to match her eyes, but it was a cap nevertheless—an announcement to society that she had consigned herself to the anteroom of life forever as a spinster.

“Oh Prue,” her mother wailed when she saw what her daughter had done, “you are too young! Clarence, tell her this is nonsense."

He was much inclined to, as she had not consulted him on the matter, but his innate selfishness held sway. He liked very much to have an authoress sharing his house. Then, too, with his wife gone, the women made the place more comfortable. For one thing, there was always someone there to paint or to watch him paint, to ask him if anything interesting had happened when he returned from a walk, or to admire his new jackets and move the buttons if they had to be moved, and his sister, Wilma, was an excellent housekeeper, even if she did spend too much money on food. “No such a thing,” he answered jovially. “Prudence knows what she is about. She is not called Prudence for nothing. She is better off single. Why should she marry some stupid fellow to have to wait on hand and foot?” Why indeed, Prudence silently agreed. I have
you.

“And he would think to take charge of her earnings, too. No indeed, she is wise to set on her caps. Dashed pretty it looks, too, my dear. Dashed pretty. I have Miss Sedgemire coming in for a sitting today, Prue, at eleven o'clock. Will you bring your work to the studio and stay with us? She is single, you know, and on the catch for a husband, poor soul. She would like to move her luggage in here well enough. Has been dropping hints these two months that she would welcome an offer. I never pretend to understand what she is up to. It is the best way with her sort. But I shall enjoy to paint her. She has nice hands. I'll have her fold them like Mona Lisa."

“But she is only twenty-four,” Mrs. Mallow insisted.

“Nonsense. Thirty if she's a day. She colours her hair. It is grey at the roots."

“I mean Prudence,"

“Oh Prudence, yes, she is twenty-four. Getting right on. There is nothing so vulgar as an older lady chasing after the men, making laughing stocks of themselves. She is wise to put on her caps and put herself out of it all. Very
prudent
of her.” He looked about him for some appreciation of his wit. Wilma and Prudence smiled dutifully, and attacked their poached eggs.

The only difference putting on her cap made to Miss Mallow was that she thought rather more than she used to about marriage. Her noble resolve to forego nabbing a husband did not inhibit her daydreaming about it, but they became wild, improbable dreams now, untethered to reality. She let her vivid imagination soar, and was pursued in her mind by princes and nabobs, by foreign generals and handsome wastrels, by scholars and sportsmen. One particularly dreary day, with rain sliding down the windows of the studio and the smell of Clarence's paints in her nostrils, she even imagined she was the object of Lord Dammler's devotion. He combined the attributes of many of her dream lovers in one person. He was a lord—a marquis to be precise—he was an intellectual and a poet, he was a rake, a sportsman, and the handsomest man in England.