In for the Kill

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Authors: John Lutz

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Praise for John Lutz

"Lutz can deliver a hard-boiled P.I. novel or a bloody thriller with equal ease.... The ingenuity of the plot shows that Lutz is in rare form."

--
The New York Times Book Review
on
Chill of Night

"Lutz keeps the suspense high and populates his story with a collection of unique characters...an ideal beach read."

--
Publishers Weekly
on
Chill of Night

"John Lutz knows how to make you shiver."

--Harlan Coben

"John Lutz is one of the masters of the police novel."

--Ridley Pearson

"A major talent."

--John Lescroart

"I've been a fan for years."

--T. Jefferson Parker

"John Lutz just keeps getting better and better."

--Tony Hillerman

"Lutz ranks with such vintage masters of big-city murder as Lawrence Block and the late Ed McBain."

--
St. Louis Post-Dispatch

"Lutz is among the best."

--San Diego Union

"Some writers just have a flair for imaginative suspense, and we all should be glad that John Lutz is one of them.
The Night Spider
features elegant writing enveloping exotic murder and solid police work.... A truly superb example of the 'new breed' of mystery thrillers."

--Jeremiah Healy

"Lutz juggles multiple storylines with such mastery that it's easy to see how he won so many mystery awards.
Darker Than Night
is a can't-put-it-down thriller, beautifully paced and executed, with enough twists and turns to keep it from ever getting too predictable."

--reviewingtheevidence.com

"Readers will believe that they just stepped off a tilt-a-whirl after reading this action-packed police procedural...John Lutz places Serpico in a serial killer venue with his blue knights still after him."

--
The Midwest Book Review
on
Darker Than Night

"John Lutz knows how to ratchet up the terror.... [He]propels the story with effective twists and a fast pace."

--
Sun-Sentinel
(Ft. Lauderdale) on
The Night Spider

"Compelling...a gritty psychological thriller...Lutz's details concerning police procedure, firefighting techniques, and FDNY policy ring true, and his clever use of flashbacks draws the reader deep into the killer's troubled psyche."

--
Publishers Weekly
on
The Night Watcher

"John Lutz is the new Lawrence Sanders.
The Night Watcher
is a very smooth and civilized novel about a very uncivilized snuff artist, told with passion, wit, carnality, and relentless vigor. I loved it."

--Ed Gorman in
Mystery Scene

"A gripping thriller...extremely taut scenes, great descriptions, nicely depicted supporting players...Lutz is good with characterization."

--reviewingtheevidence.com on
The Night Watcher

"For a good scare and a well-paced story, Lutz delivers."

--
San Antonio Express News

"Lutz knows how to seize and hold the reader's imagination."

--
Cleveland Plain Dealer

"
SWF Seeks Same
is a complex, riveting, and chilling portrayal of urban terror, as well as a wonderful novel of New York City. Echoes of
Rosemary's Baby,
but this one's scarier because it could happen."

--Jonathan Kellerman

"A psychological thriller that few readers will be able to put down."

--
Publishers Weekly
on
SWF Seeks Same

"Lutz is a fine craftsman."

--
Booklist
on
The Ex

"Tense and relentless."

--
Publishers Weekly
on
The Torch

"The author has the ability to capture his readers with fear, and has compiled a myriad of frightful chapters that captures and holds until the final sentence."

--New Orleans Times-Picayune
on
Bonegrinder

"Likable protagonists in a complex thriller."

--
Booklist
on
Final Seconds

"Lutz is rapidly bleeding critics dry of superlatives."

--St. Louis Post-Dispatch

"It's easy to see why he's won an Edgar and two Shamuses."

--
Publishers Weekly

ALSO BY JOHN LUTZ

Chill of Night

Fear the Night

Darker Than Night

The Night Spider

The Night Watcher

The Night Caller

Final Seconds
(with David August)

The Ex

Available from Kensington Publishing Corp. and
Pinnacle Books

In for the Kill
J
OHN
L
UTZ

www.kensingtonbooks.com

At the cross, her station keeping,

Stood the mournful mother, weeping,

Where he hung, the dying Lord.

--Anonymous

A mother is a mother still,

The holiest thing alive.

--Coleridge,
The Three Graves

If I were hung on the highest hill,

Mother o' mine, O mother o' mine!

I know whose love would follow me still,

Mother o' mine, O mother o' mine.

--Kipling,
Mother O'Mine

1

Did she suspect?

Have even an inkling?

He wondered about that as he watched the woman stride along the sidewalk, then shift her purse slightly on her hip as she turned and took the three concrete steps leading to the vestibule of her apartment building. She seemed tired this evening, as if something weighed on her, some of the bounce gone from her step.

No surprise there, he thought. Surely there's something in us that lets us know within minutes, at least seconds, when the world is about to end.

 

Up? Down? Stop? Go?

The elevator couldn't seem to make up its mind.

Janice Queen stood alone in its claustrophobic confines and felt her heart hammer. Not that this vertical indecision was anything new to her. There was only one elevator in her apartment building, and only one way to get to her unit if she didn't want to trudge up six flights of stairs, so it wasn't as if she had much choice. But she'd always had a fear of being confined in close places, elevators in particular. She could never escape the grim knowledge that if there were a serious malfunction--nothing that hadn't happened before to
someone--
beneath the thin floor under her feet was a black shaft that would lead to sudden and almost certain death.

At least two times a day, at least five days a week, she rode the elevator up or down the core of the old but recently refurbished apartment building.

Ah! Finally the elevator settled down, having more or less leveled itself at the sixth floor. When the door slid open, it revealed a step up of about four inches, enough to trip over if you didn't notice, and to provide a glimpse into the black abyss. A kind of warning.

Janice was living her life contentedly, going back and forth to her job at the bookshop, going out on the occasional date, or to hang out with friends at Bocco's down the block, or to pick up some takeout at the corner deli. Hers was a life like millions of others in the city.

The elevator could end it in an instant.

Ridiculous, she thought, as she stepped up onto the soft carpeting of the sixth-floor hall, nevertheless feeling uneasy while momentarily astride the abyss.

Her apartment door was only a few feet away from the elevator, which meant she could hear, even late at night, the device's cables strumming soft and somber chords just behind her walls, as well as a muffled thumping and bumping as it adjusted itself at each stop. Which meant she thought about the damned elevator too much, even dreamed about it, and had become reasonably convinced that death by elevator was her destiny.

She unlocked her way into her apartment and went inside. Dim. She flipped the light switch, and there she was in the full-length mirror that she paused in front of to check her appearance each time she came or went.

There was the rumpled, wearier version of the Janice she'd said good-bye to this morning on her way to work, not quite forty, still slim, with generous breasts, passable legs, and shoulder-length brown hair framing a face that was sweet rather than classically beautiful. Too much jaw, she thought.
And those damned lines.
They were only visible if the light was cruel or you looked closely enough. Fine lines like drool extended down from the corners of her lips. Crow's-feet threatened to appear at the corners of her dark eyes. Intimations of a lonely future. She still attracted men, but of course it was easier to attract than to keep them. Or, sometimes, to get rid of them.

The mirror was mounted on the door to a small closet. She looped her purse's leather strap over the doorknob, then removed the lightweight gray blazer she'd worn to work over her dark slacks and white blouse, and hung it in the closet between her heavier coat and a blue Windbreaker. She might drop the blazer off at the dry cleaner's tomorrow morning, wear the Windbreaker if it was cool enough outside and looked like rain. The bookshop's owner, Dee, was out of town, supposedly on business but actually seeing a married man with whom she was having a hot affair. Janice wasn't supposed to know about it, so she pretended right along with Dee. So there Dee was, getting her brains screwed scrambled while Janice, who now and then felt a spasm of jealousy, was dutifully opening the shop early every morning this week.

Not enough sleep for Janice, since she was addicted to late-night movies on television. Her lessening love of the moment, Graham, was also traveling, as he often did in his sales job, and wouldn't be back in town until tomorrow. They'd almost but not quite argued when she said good-bye to him at Bocco's. Janice knew their relationship was winding down and had decided to end it herself rather than wait for Graham. As she grew older, she more and more felt the need to exercise control in her life. Always before, she had waited. Not this time. Maybe the pain would be less severe.

She did know from experience that sooner or later another Graham would enter the bookshop, or use some timeworn pickup line at Bocco's.

As she closed the closet door, the intercom buzzed, startling her.

She went to it and pressed the button. "Yes?"

"Federal Parcel," said a male voice, made distant and metallic by the intercom. "For a Janice...Queeler?"

"Queen?" she asked.

"Queen. Sorry."

Janice pressed the button to buzz in the deliveryman.

A few seconds later the elevator cables began to thrum in the wall. He was on his way up with her package.

She opened the door and stepped out in the hall to meet him.

The elevator did its laborious dance, its door hissed open, and out he stepped, a medium-sized guy, dark hair, kind of handsome, wearing wrinkled khakis and a sweat-stained blue T-shirt, white joggers. He was carrying a long white box that looked like the kind used to deliver long-stemmed flowers, only made of heavier cardboard. He smiled, glancing down at the box to double-check the label.

"Janice Queen?"

"Yes." She saw no pocket in his shirt, no protruding pen or pencil. Other than the box, there was nothing in his hands, either.

Should have brought a pen from the desk. There's one in my purse, just inside the door.

No clipboard?

None of this struck her as wrong until a second too late.

As she reached forward to accept the package, he shoved her violently backward into the apartment. She bumped hard against the mirror, hoping it wouldn't break.

He was suddenly inside, the door closed behind him. Now he was reaching into a pocket with his free right hand, drawing out what looked like a partly wadded sock, a sap.

Is this happening? Is it real?

Somewhere in her stunned, panicked mind she decided to scream, and she'd inhaled to do so when the object from the man's pocket struck the side of her head.

She was on her hands and knees, sickened by the pain.

Someone else. This is happening to someone else. Please!

There was another starburst of pain, this time at the back of her skull.

The floor opened beneath her, and she was plunging down a dark shaft toward a deeper darkness.

 

Pearl Kasner trudged up the concrete steps from her subway stop and began the three-block walk to her apartment. She was short and buxom, curvaceous in a way her gray uniform couldn't conceal. A few men walking the other way fixed their stares on her breasts then quickly looked away, the way men do. As if the wife might be around somewhere watching.

She was tired and her feet were sore. There'd been a cash pickup at Fifth National, so she'd worked after hours. Helping the Brink's guys make sure the depositors' money was safe. Not that there was really much danger the place would be robbed.

But some danger. Enough. And enough pay.

Hard on the feet, though. Pearl spent a lot of time standing around. And being nice. That could be tiresome.

No job was perfect, and all things considered, she liked this one. Liked wearing the gray uniform instead of the blue. Easier hours. Fewer complications. And flat feet in middle age either way.

A couple of suits walking toward her stared at her breasts, then one of them lifted his gaze to her face. He smiled.

None of the men said anything, though. Because of the uniform.

Or maybe because she was wearing a gun.

 

Cold.

Pain.

Janice Queen couldn't move. Not a muscle.

Where?

Janice opened her eyes to bright light and a familiar gray tile wall. She knew she was in her bathroom. Uncomfortable. Cramped. She tried to raise her head but couldn't. She raised only her eyes and saw the chromed showerhead.

Knowing now that she was seated leaning back in her bathtub, she let her eyes explore. She was nude, her body textured with gooseflesh where it showed above the water.

Water?

That was why she was so cold. Water was running from the spigot. Only cold water. It was well above her waist.

Her arms were crossed just beneath her breasts and bound so tightly she couldn't move them, couldn't feel them. Straining hard, she glanced toward her feet, which she at least could barely feel. Her calves and ankles, even her thighs, were bound together tightly with gray duct tape. Janice could wriggle her toes--underwater--but that was it.

Her head was throbbing so that the pain was almost unbearable.

She tried to call out and discovered she couldn't make a sound. She couldn't move her lips. Her probing tongue found rough surface when she managed to part her lips slightly. The roughness and tackiness of tape. There had to be duct tape across her mouth.

The deliveryman entered the bathroom. He was nude, as she was. He only glanced at her, which frightened her even more because it was as if she no longer mattered much to him. Not alive.

He turned his back on her, stooped, and began searching through the cabinet beneath the washbasin, pulling out liquid soap, a large bottle of shampoo. He placed the containers on the edge of the tub, then left the bathroom. She heard him rummaging around in the kitchen, banging cabinet doors, opening and closing drawers.

The water was almost up to her armpits now. She panicked for a second, then made herself remain calm. What was he going to do with the soap and shampoo?

Is he going to wash me? Is this some crazy sexual thing? Will he do something to me then go away?

It's possible. It could happen. It must happen!

She was part of the singles world and knew about the kinky things that went on in Manhattan. The hard-earned knowledge was something to cling to for hope. He might satisfy whatever oddball compulsion drove him, then simply leave.

When he returned he was carrying boxes of dishwasher soap and laundry detergent from the cabinet beneath the sink. And he had his long white box, which he placed on the toilet seat lid. The dishwasher soap and laundry detergent he put next to the other cleaning agents.

The water was at the base of her neck now. In the lower edge of her vision she could see long strands of her brown hair floating on the surface. It reminded her of seaweed she'd seen fanned and floating like that years ago when she was on a Caribbean vacation.

If only she could scream!

He gave her another glance, then leaned over her and turned off the water.

The sudden silence after the brief squeal of the faucet handle seemed to herald her salvation.

She wasn't going to drown!

Thank God!

He straightened up slowly, then abruptly yanked the clear plastic shower curtain from its rod. He'd had the curtain draped outside the tub so it would remain dry, and he was careful to keep it that way. He crouched down and carefully spread it over the tile floor by the tub.

When he was finished spreading the plastic curtain, down on his knees now, he reached over and lifted the lid of the white cardboard box.

She only caught a glimpse of what was inside: knives, a cleaver, and something bulky gleaming bright orange with an arc of dull, serrated extension. Her mind flashed back to weekend days in her father's woodworking shop in the garage. A shrill scream of steel violating wood--
a cordless power saw!

Even taped tightly as she was, she created tiny ripples as she trembled in the cold water.

The man remained on his knees on the shower curtain. He reached toward her feet--no, toward the chromed handles and faucet. She heard him depress the lever that opened the drain, and water began to gurgle softly as it started to swirl from the tub.

Still trembling with cold and fear, Janice saw the man stand up and was shocked to see for the first time that he had an erection.

He leaned over her, staring into her eyes in a way that puzzled her.

And she was puzzled in her terror.
What?
She screamed the simple question silently through the firmly fixed rectangle of tape.

What are you going to do to me?

He bent lower and worked an arm beneath the crook of her bound legs, the backs of her knees. Hope sprang up in her. He was going to work his other arm beneath her back so he could lift her from the tub. Then do what? Carry her into the bedroom? Rape and torture her?

She glanced again toward the white box and felt a thrill of terror.

But instead of reaching beneath her shoulders, he placed his hand at the back of her head and forced it forward so she exhaled noisily through her nose. With his other arm he lifted her legs, causing her upper body to slide down so her head was beneath the water.

Her bound lower legs began pumping up and down, but he held them high enough so that they contacted only air. While they flailed frantically, they were the only part of her moving even in the slightest. The way he had her head, she couldn't breathe out, only in.

Only in!

Cold water flooded into her lungs. She could do nothing but welcome it.

She watched him watching her on the other side of the calm surface as she drowned.

2

The day Frank Quinn's life was about to change unexpectedly, he had a breakfast of eggs, crisp bacon, and buttered toast at the Lotus Diner. Afterward, he leisurely read the
Times
over a second cup of coffee, then strolled through the sunny New York morning back to his apartment on West Seventy-fifth Street.

He thought, as he often did, that there was no other city like New York, no place like Manhattan, with its sights and sounds and smells. With all its flaws, it had become a part of Quinn.

He didn't mind at all.

As soon as he got home, he sat down in his brown leather armchair for a smoke. A guy who called himself Iggy supplied the Cuban cigars Quinn favored. Quinn didn't ask where they were from other than Cuba. A spot of minor misdemeanor wasn't that great a stain on the fabric of justice. Quinn had thought that way as a homicide detective, and now that he was retired at age fifty, after taking a bullet in the right leg during a liquor store holdup, he'd become even more lax. So he smoked his Cuban
robustos
. And at times, for convenience, he parked his aged and hulking black Lincoln in No Parking zones, propping an old NYPD plaque in the windshield.

These two infractions were about the only transgressions he'd engaged in after retirement, but then there hadn't been much opportunity to do more.

He sat now in the worn and comfortable chair that had become formed to his body, feeling lazy and watching pedestrian traffic on the sidewalk outside the ground-floor apartment. The window he was looking through had iron grillwork on the outside, to keep intruders out. But sometimes Quinn saw its black bars as prison bars, to keep him in, and had to smile at the irony. All the people he'd put away, the murderers--several of them serial killers--and here he sat comfortably behind bars smoking Cuban cigars.

Quinn could afford better digs, after his lawsuit against the NYPD contesting a false child molestation and rape claim had resulted in a six-figure settlement. But he was used to living on a cop's salary and used to his apartment. And it didn't make sense to drive something newer and more stealable than the reliable old Lincoln he'd bought cheap from a friend and fellow ex-cop. He'd even gone back to work as a homicide detective for a while, until the liquor store shooting. He knew then it was time to leave the party.

He settled back in the oversize chair and watched a man and woman hurry past outside. They were huddled close together, stealing glances at each other. Quinn let himself jump to the conclusion they were in love.

He drew on the cigar but didn't inhale. Didn't want lung cancer.

Nobody here to warn him about that now. Berate him. Threaten him. Maybe get so infuriated she'd kick him in the leg. The leg that had been shot.

It was okay to smoke cigars in the apartment, now that Pearl had moved out. That was about the only thing good about Pearl's absence, as far as Quinn was concerned. He missed her small but vivid presence.

Not that Pearl couldn't be acerbic, insulting, too intense, hyperactive, even violent.

Well, he wasn't perfect.

Some people said they were a good match. Quinn was tall, rawboned, with a battered nose and disconcerting flat green eyes. He had straight and unruly gray-shot brown hair that made him look as if he had a bad haircut even when he had a good haircut. Women liked the package. He was one of those men homely enough to be handsome. A rough-hewn sophisticate. He came across as laconic, when he wasn't laying on phony Irish charm.

Pearl usually had plenty to say. She was an inch over five feet tall, compactly and sexily built, and so full of energy that if you stood close you might hear her humming like a transformer. She had black, black hair, dark, dark eyes, and a broad and ready white, white smile behind red, red lips. She looked too
there
to be real.

But she was real, too real ever to lay on any kind of phony charm.

That might have been the thing about her that charmed Quinn. No wheels within wheels with Pearl. She was one big wheel that might roll right over you. Maybe even back up, if she really didn't like you.

She still liked Quinn, he was sure. Trouble was, she no longer seemed to love him.

Pearl was the one who'd decided to move out.

She'd quit the NYPD shortly after Quinn retired, before she could be fired for insubordination. Fired ten times over. Pearl had moved in with Quinn, who had a more than adequate income, between his pension and interest and dividends from the settlement. It had taken years to get the settlement and full exoneration. It had been worth it.

They'd been happy for a while, then Pearl had gotten restless. She missed the action. Now she lived across town and was a bank guard. Some action there. Stand around and look stern for the depositors. But she seemed content enough. Maybe it was the gun on her hip. Quinn wondered.

He was a great reader of people, but he truly didn't understand Pearl. Another facet of her charm.

The buzzer over the intercom blasted away like a wasp whirring menacingly nearby.

Pause, then again.

No pause.

Whoever was leaning on the button wouldn't let up.

Hell with them. Let them get tired and go away.

Quinn drew on his cigar, exhaled, studied the smoke.

The buzzing continued unabated.
Must be hard on the thumb.

Who'd be doing this? Trying to aggravate him, if he did happen to be home and not seeing visitors, which was his right. Legal right.

He glanced at his cigar, then propped it in the ashtray on the table alongside the chair and stood up. He was wearing faded jeans, a wrinkled black T-shirt, worn moccasins, needed a shave, and looked more like a motorcycle gang member than an ex-cop. Lean-waisted, broad-shouldered, and ready to rumble.

Whoever was outside leaning on the button didn't seem to care what he was stirring up. His mistake. Quinn didn't go to the intercom to answer. Instead he opened his door to the first-floor hall and took a few steps so he could look through the inside glass door and see who was buzzing him.

The man leaning on the button was big but sagging in the middle, with a dark blue suit that didn't fit well. He was fat through the jowls, balding, had purple bags beneath his eyes, and looked one part unhappy and two parts basset hound.

Deputy Chief Harley Renz.

Quinn strode down the hall to the glass door and opened it.

Renz smiled at him and leaned back away from the buzzer.

In the abrupt silence, Quinn said, "Get in here."

Renz's smile didn't waver as he followed Quinn into the apartment.

 

Renz looked around, sniffed the air. "You're still smoking those illegal Cuban cigars."

"Venezuelan." Quinn motioned for Renz to sit in a small, decorative chair that no one found comfortable.

"If I had a beer," Renz said, "I'd tell you a story."

"Could it be told by phone?"

"You'd miss the inflections and facial expressions, and sometimes I use my hands like puppets."

Quinn went into the kitchen and opened the refrigerator. He found a very old can of beer near the back of the bottom shelf and opened it for Renz. He didn't bother with a glass.

Back in the living room, Quinn settled again into his armchair, held but didn't smoke his cigar, and watched Renz take a pull on the beer and make a face.

"That your breakfast?" Quinn asked.

"Brunch. This beer must be over five years old."

"Close."

"You still off the booze?" Renz asked.

"Down to just the occasional drink. I was never an alcoholic."

"Sure. Well, I can tell by this brew you aren't chugging it down soon as you buy it. Besides, I know you're off the sauce in any meaningful way. I checked."

"Must've been disappointed."

"Yeah. I wanted to be your enabler." Renz glanced about casually. "Pearl around?"

Another question whose answer you already know.

"Pearl doesn't live here."

"Oh. I forgot. Hey, you got another one of those cigars?"

"Only one. I'm gonna save it for later."

Renz shrugged. "I don't blame you. What the hell, all the way from Venezuela." Another pull of beer. No face this time. The stale brew was growing on him. "Reason I asked about Pearl is I thought she might be interested in hearing this, too."

"I'll pass it on, but without the hand puppetry."

Renz looked around. "Not a bad apartment, but it smells like it could use a good cleaning. And it looks like it was decorated by Rudyard Kipling. Needs a woman's touch." He pointed toward a framed print near the old fireplace that wasn't usable. "Ducks flying in formation in front of a sunset. That one never goes out of style."

"I hope this is a one-beer story," Quinn said.

"Ah! Your tactful way of suggesting I get to the point."

"Get to the point."

Renz leaned closer in the tiny chair that looked as if it might break under his weight. "Dead women are the point. Two of them." He lowered his voice conspiratorially, as if they might be overheard. "Only you and I know about them now, plus a few trusted allies in the NYPD."

"And the killer."

"Did I say they were killed?" Renz shrugged. "Well, I'll let you make up your mind. The first was Janice Queen, here on the West Side. The second Lois Ullman. Both single, attractive, in their thirties, brunettes--what you might call the same type."

"So you think it was the same killer?"

"Oh, yes. Both women were drowned in their bathtubs, and there were traces of the tape that was used to bind and gag them beforehand. Then they were dismembered with surgical precision, their body parts stacked in the tubs in the same ascending order: torsos, thighs, calves, arms, and heads. The killer ran the showers, using whatever liquid shampoos or other cleaning agents were available on the body parts, until every visible trace of blood disappeared down the drains, leaving only the pale remains of the victims." Renz leaned back. "I see I have your rapt attention."

"Rapt," Quinn admitted, and drew thoughtfully on the cigar, feeling like a character in a Kipling story.

"The killer sent me a brief note, taunting several of our city's homicide detectives, even included your name. I guess he didn't know you retired. He assured me there would be more such victims."

"If anybody in the NYPD knows this," Quinn said, "it's sure to explode in the media soon like a hand grenade."

"We need to be ready for that."

"We?"

"I've decided you are the man," Renz said. "Serial killers are your specialty. You brought down the Night Prowler, and you can bring down whatever the media decide to call this sick creep."

"You left out the part about me being retired."

"I can work it out so you and your team will be doing work for hire. It'll be the way you like it, with all the resources of the NYPD at your disposal, through me, and all the advantages of working outside the department."

Quinn knew what Renz meant--the advantages of being able, if necessary, to work outside the law.

"Who's on my team?" Quinn asked.

"The same people who helped you nail the Night Prowler. Pearl and Fedderman."

"Pearl's working as a bank guard. Fedderman's living down in Florida, learning how to play golf."

"They'll say yes to you, Quinn. Just like you'll say yes to me." Renz waved an arm toward the window that looked out on the sidewalk. "Ever notice how much that ironwork resembles prison bars?"

"Never." Quinn looked at Renz through a haze of cigar smoke. "You thought you'd be chief by now."

"Instead I was demoted, but I'm back up to deputy chief."

"I heard. Also heard that's as far as you're going."

"I'm like you, Quinn. I don't quit. I don't stop climbing. What the hell else is there in life? I think you understand."

"Sure. We nail this sicko, and you get the credit and promotion. Life's been breathed back into your career."

"And you save the lives of the killer's future victims."

"Don't go altruistic on me, Harley."

"Well, okay. Then your answer is yes."

"Was that a question? I didn't hear a question."

"Since we both know the answer, a question isn't necessary."

"Have you talked to Pearl or Fedderman?"

Renz smiled. "I thought I'd let you do that. One way or another, you can talk anybody into anything."

"Not Pearl," Quinn said.

Renz thought about that and nodded.

"I'll talk to them," Quinn said. "But no promises."

"Good!" Renz was careful to place his beer can on the table where it would leave a ring, then stood up. "I'll get the murder books to you, then try to find you some office space near the closest precinct house. Something without dust and mold where you won't feel at home."

Quinn didn't get up. Far too busy with his cigar.

At the door, Renz paused. "I'm serious about nailing this asshole, Quinn, or I wouldn't have put a hellhound like you on his track. We've both seen a lot, but mother of God, if you'd seen those two women..."

"Is this where you cross yourself?" Quinn asked.

"Oh, I don't blame you for being skeptical, keeping in mind your devious nature and coarse cynicism." Renz bowed his head, closed his eyes, and for a second Quinn thought he actually might cross himself.

"You do compassion really well."

Renz gave him a sad and sickly smile. "We're gonna find out how well you do it."

When Renz was gone, Quinn settled back in his chair to finish his cigar before he phoned Pearl and Fedderman.

He glanced over at the print of ducks flying in a tight V formation against a vivid sunset and decided he still liked it.

The cigar was only half gone when he picked up the phone.

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