In Search of Lost Time, Volume II (53 page)

BOOK: In Search of Lost Time, Volume II
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In fact, Saint-Loup was obviously sincere and disinterested, and it was this intense moral purity which, unable to find entire satisfaction in a selfish emotion such as love, and moreover not finding in him the impossibility (which existed in me, for instance) of gaining spiritual nourishment elsewhere than in oneself, rendered him truly capable (to the extent that I was incapable) of friendship.

Françoise was no less mistaken about Saint-Loup when she said that he “just pretended” not to look down on the common people: you had only to see him when he was in a temper with his groom. It had indeed sometimes happened that Robert would scold his groom with a certain amount of brutality, which was proof in him of a sense not so much of the difference as of the equality between the classes. “But,” he said when I reproached him for having treated the man rather harshly, “why should I go out of my way to speak politely to him? Isn’t he my equal? Isn’t he just as near to me as any of my uncles and cousins? You seem to think I ought to treat him with respect, as an inferior. You talk like an aristocrat!” he added scornfully.

And indeed if there was a class to which he showed himself prejudiced and hostile, it was the aristocracy, so much so that he found it as hard to believe in the superior qualities of a man of the world as he found it easy to believe in those of a man of the people. When I mentioned the Princesse de Luxembourg, whom I had met with his aunt:

“An old trout,” was his comment. “Like all that lot. She’s a sort of cousin of mine, by the way.”

Having a strong prejudice against the people who frequented it, he went rarely into “society,” and the contemptuous or hostile attitude which he adopted towards it served to intensify, among all his closest relatives, the painful impression made by his liaison with a woman of the theatre, a liaison which, they declared, would be his ruin, blaming it specially for having bred in him that spirit of denigration, that rebelliousness, for having “led him astray,” until it was only a matter of time before he dropped out altogether. And so, many easy-going men of the Faubourg Saint-Germain were without compunction when they spoke of Robert’s mistress. “Whores do their job,” they would say, “they’re as good as anybody else. But not that one! We can’t forgive her. She has done too much harm to a fellow we’re fond of.” Of course, he was not the first to be thus ensnared. But the others amused themselves like men of the world, continued to think like men of the world about politics and everything else. Whereas Saint-Loup’s family found him “soured.” They failed to realise that for many young men of fashion who would otherwise remain uncultivated mentally, rough in their friendships, without gentleness or taste, it is very often their mistresses who are their real masters, and liaisons of this sort the only school of ethics in which they are initiated into a superior culture, where they learn the value of disinterested relations. Even among the lower orders (who in point of coarseness so often remind us of high society) the woman, more sensitive, more fastidious, more leisured, is driven by curiosity to adopt certain refinements, respects certain beauties of sentiment and of art which, though she may not understand them, she nevertheless places above what has seemed most desirable to the man, above money or position. Now whether it concerns the mistress of a young blood (such as Saint-Loup) or a young workman (electricians, for instance, must now be included in our truest order of Chivalry) her lover has too much admiration and respect for her not to extend them also to what she herself respects and admires; and for him the scale of values is thereby overturned. Her very sex makes her weak; she suffers from nervous troubles, inexplicable things which in a man, or even in another woman—an aunt or cousin of his—would bring a smile to the lips of this robust young man. But he cannot bear to see the woman he loves suffer. The young nobleman who, like Saint-Loup, has a mistress acquires the habit, when he takes her out to dine, of carrying in his pocket the valerian drops which she may need, of ordering the waiter, firmly and with no hint of sarcasm, to see that he shuts the doors quietly and does not put any damp moss on the table, so as to spare his companion those little ailments which he himself has never felt, which compose for him an occult world in whose reality she has taught him to believe, ailments for which he now feels sympathy without needing to understand them, for which he will still feel sympathy when women other than she are the sufferers. Saint-Loup’s mistress—as the first monks of the Middle Ages taught Christendom—had taught him to be kind to animals, for which she had a passion, never going anywhere without her dog, her canaries, her parrots; Saint-Loup looked after them with motherly devotion and regarded those who were unkind to animals as brutes. At the same time an actress, or so-called actress, like the woman who was living with him—whether she was intelligent or not, and as to that I had no knowledge—by making him find society women boring, and look upon having to go out to a party as a painful duty, had saved him from snobbishness and cured him of frivolity. Thanks to her, social relations filled a smaller place in the life of her young lover, but whereas, if he had been simply a man about town, vanity or self-interest would have dictated his choice of friends as rudeness would have characterised his treatment of them, his mistress had taught him to bring nobility and refinement into his friendships. With her feminine instinct, with a keener appreciation of certain qualities of sensibility in men which her lover might perhaps, without her guidance, have misunderstood and mocked, she had always been quick to distinguish from among the rest of Saint-Loup’s friends the one who had a real affection for him, and to make that one her favourite. She knew how to persuade him to feel grateful to that friend, to show his gratitude, to notice what things gave his friend pleasure and what pain. And presently Saint-Loup, without any more need for her to prompt him, began to think of these things by himself, and at Balbec, where she was not with him, for me whom she had never seen, whom he had perhaps not yet so much as mentioned in his letters to her, of his own accord would pull up the window of a carriage in which I was sitting, take out of the room the flowers that made me feel unwell, and when he had to say good-bye to several people at once would contrive to do so before it was actually time for him to go, so as to be left alone and last with me, to make that distinction between them and me, to treat me differently from the rest. His mistress had opened his mind to the invisible, had brought an element of seriousness into his life, of delicacy into his heart, but all this escaped his sorrowing family who repeated: “That creature will be the death of him, and meanwhile she’s doing what she can to disgrace him.”

It is true that he had already drawn from her all the good that she was capable of doing him; and that she now caused him only incessant suffering, for she had taken an intense dislike to him and tormented him in every possible way. She had begun, one fine day, to regard him as stupid and absurd because the friends that she had among the younger writers and actors had assured her that he was, and she duly repeated what they had said with that passion, that lack of reserve which we show whenever we receive from without, and adopt as our own, opinions or customs of which we previously knew nothing. She readily professed, like her actor friends, that between Saint-Loup and herself there was an unbridgeable gulf, because they were of a different breed, because she was an intellectual and he, whatever he might claim, by birth an enemy of the intellect. This view of him seemed to her profound, and she sought confirmation of it in the most insignificant words, the most trivial actions of her lover. But when the same friends had further convinced her that she was destroying the great promise she had shown in company so ill-suited to her, that her lover’s influence would finally rub off on her, that by living with him she was ruining her future as an artist, to her contempt for Saint-Loup was added the sort of hatred that she would have felt for him if he had insisted upon inoculating her with a deadly germ. She saw him as seldom as possible, at the same time postponing a definite rupture, which seemed to me a highly improbable event. Saint-Loup made such sacrifices for her that unless she was ravishingly beautiful (but he had always refused to show me her photograph, saying: “For one thing, she’s not a beauty, and besides she always takes badly. They’re only some snapshots that I took myself with my Kodak; they would give you a false impression of her”) it seemed unlikely that she would find another man prepared to do the same. I never reflected that a fancy to make a name for oneself even when one has no talent, that the admiration, merely the privately expressed admiration, of people by whom one is impressed, can (although it may not perhaps have been the case with Saint-Loup’s mistress), even for a little prostitute, be motives more determining than the pleasure
of making money. Without quite understanding what was going on in his mistress’s mind, Saint-Loup did not believe her to be completely sincere either in her unfair reproaches or in her promises of undying love, but nevertheless at certain moments had the feeling that she would break with him whenever she could, and accordingly, impelled no doubt by an instinctive desire to preserve his love that was perhaps more clear-sighted than he was himself, and incidentally bringing into play a practical capacity for business which was compatible in him with the loftiest and blindest impulses of the heart, had refused to settle any capital on her, had borrowed an enormous sum so that she should want nothing, but made it over to her only from day to day. And no doubt, assuming that she really did think of leaving him, she was calmly waiting until she had “feathered her nest,” a process which, with the money given her by Saint-Loup, would not perhaps take very long, but would all the same be an extra lease of time to prolong the happiness of my new friend—or his misery.

This dramatic period of their liaison—which had now reached its most acute, its cruellest state for Saint-Loup, for she had forbidden him to remain in Paris, where his presence exasperated her, and had forced him to spend his leave at Balbec, within easy reach of his regiment—had begun one evening at the house of one of his aunts, on whom he had prevailed to allow his mistress to come there, before a large party, to recite some fragments of a symbolist play in which she had once appeared in an avant-garde theatre, and for which she had brought him to share the admiration that she herself professed.

But when she appeared in the room, with a large lily in her hand, and wearing a costume copied from the
Ancilla Domini
which she had persuaded Saint-Loup was an absolute “vision of beauty,” her entrance had been greeted, in that assemblage of clubmen and duchesses, with smiles which the monotonous tone of her sing-song, the oddity of certain words and their frequent repetition, had changed into fits of giggles, stifled at first but presently so uncontrollable that the wretched reciter had been unable to go on. Next day Saint-Loup’s aunt had been universally censured for having allowed so grotesque an actress to appear in her drawing-room. A well-known duke made no bones about telling her that she had only herself to blame if she found herself criticised. “Damn it all, people really don’t come to see turns like that! If the woman had talent, even; but she has none and never will have any. ’Pon my soul, Paris is not so stupid as people make out. Society does not consist exclusively of imbeciles. This little lady evidently believed that she was going to take Paris by surprise. But Paris is not so easily surprised as all that, and there are still some things that they can’t make us swallow.”

As for the actress, she left the house with Saint-Loup, exclaiming: “What do you mean by letting me in for those old hens, those uneducated bitches, those oafs? I don’t mind telling you, there wasn’t a man in the room who hadn’t leered at me or tried to paw me, and it was because I wouldn’t look at them that they were out to get their revenge.”

Words which had changed Robert’s antipathy for society people into a horror that was altogether more profound and distressing, and was provoked in him most of all by those who least deserved it, devoted kinsmen who, on behalf of the family, had sought to persuade his mistress to break with him, a move which she represented to him as inspired by their desire for her. Robert, although he had at once ceased to see them, used to imagine when he was separated from his mistress as he was now, that they or others like them were profiting by his absence to return to the charge and had possibly enjoyed her favours. And when he spoke of the lechers who betrayed their friends, who sought to corrupt women, tried to make them come to houses of assignation, his whole face radiated suffering and hatred.

“I’d kill them with less compunction than I’d kill a dog, which is at least a decent, honest and faithful beast. They’re the ones who deserve the guillotine if you like, far more than poor wretches who’ve been led into crime by poverty and by the cruelty of the rich.”

He spent the greater part of his time sending letters and telegrams to his mistress. Every time that, while still preventing him from returning to Paris, she found an excuse to quarrel with him by post, I read the news at once on his tormented face. Since she never told him in what way he was at fault, he suspected that she did not know herself, and had simply had enough of him; but he nevertheless longed for an explanation and would write to her: “Tell me what I’ve done wrong. I’m quite ready to acknowledge my faults,” the grief that overpowered him having the effect of persuading him that he had behaved badly.

But she kept him waiting indefinitely for answers which, when they came, were utterly meaningless. And so it was almost always with a furrowed brow and often empty-handed that I would see Saint-Loup returning from the post office, where, alone in all the hotel, he and Françoise went to fetch or to hand in letters, he from a lover’s impatience, she with a servant’s mistrust of others. (His telegrams obliged him to make a much longer journey.)

When, some days after our dinner with the Blochs, my grandmother told me with a joyful air that Saint-Loup had just asked her whether she would like him to take a photograph of her before he left Balbec, and when I saw that she had put on her nicest dress for the purpose and was hesitating between various hats, I felt a little annoyed at this childishness, which surprised me on her part. I even wondered whether I had not been mistaken in my grandmother, whether I did not put her on too lofty a pedestal, whether she was as unconcerned about her person as I had always supposed, whether she was entirely innocent of the weakness which I had always thought most alien to her, namely vanity.

Unfortunately, the displeasure that was aroused in me by the prospect of this photographic session, and more particularly by the delight with which my grandmother appeared to be looking forward to it, was sufficiently apparent for Françoise to notice it and to do her best, unintentionally, to increase it by making me a sentimental, gushing speech by which I refused to appear moved.

“Oh, Monsieur, my poor Madame will be so pleased at having her likeness taken. She’s going to wear the hat that her old Françoise has trimmed for her: you must let her.”

I persuaded myself that it was not cruel of me to mock Françoise’s sensibility, by reminding myself that my mother and grandmother, my models in all things, often did the same. But my grandmother, noticing that I seemed put out, said that if her sitting for her photograph offended me in any way she would give up the idea. I would not hear of it. I assured her that I saw no harm in it, and let her adorn herself, but, thinking to show how shrewd and forceful I was, added a few sarcastic and wounding words calculated to neutralise the pleasure which she seemed to find in being photographed, with the result that, if I was obliged to see my grandmother’s magnificent hat, I succeeded at least in driving from her face that joyful expression which ought to have made me happy. Alas, it too often happens, while the people we love best are still alive, that such expressions appear to us as the exasperating manifestation of some petty whim rather than as the precious form of the happiness which we should dearly like to procure for them. My ill-humour arose more particularly from the fact that, during that week, my grandmother had appeared to be avoiding me, and I had not been able to have her to myself for a moment, either by night or day. When I came back in the afternoon to be alone with her for a little I was told that she was not in the hotel; or else she would shut herself up with Françoise for endless confabulations which I was not permitted to interrupt. And when, after being out all evening with Saint-Loup, I had been thinking on the way home of the moment at which I should be able to go to my grandmother and embrace her, I waited in vain for her to give the three little knocks on the party wall which would tell me to go in and say good night to her. At length I would go to bed, a little resentful of her for depriving me, with an indifference so new and strange in her, of a joy on which I had counted so much, and I would lie there for a while, my heart throbbing as in my childhood, listening to the wall which remained silent, until I cried myself to sleep.

That day, as for some days past, Saint-Loup had been obliged to go to Doncières, where, until he returned there for good, he would be on duty now until late every afternoon. I was sorry that he was not at Balbec. I had seen some young women, who at a distance had seemed to me lovely, alighting from carriages and entering either the ballroom of the Casino or the ice-cream shop. I was going through one of those phases of youth, devoid of any particular love, as it were in abeyance, in which at all times and in all places—as a lover the woman by whose charms he is smitten—we desire, we seek, we see Beauty. Let but a single flash of reality—the glimpse of a woman from afar or from behind—enable us to project the image of Beauty before our eyes, and we imagine that we have recognised it, our hearts beat, and we will always remain half-persuaded that it was She, provided that the woman has vanished: it is only if we manage to overtake her that we realise our mistake.

Moreover, as I was becoming more and more unwell, I was inclined to overrate the simplest pleasures because of the very difficulty of attaining them. I seemed to see charming women all round me, because I was too tired, if it was on the beach, too shy if it was in the Casino or at a pastry-cook’s, to go anywhere near them. And yet, if I was soon to die, I should have liked to know beforehand what the prettiest girls that life had to offer looked like at close quarters, in reality, even if it should be another than myself or no one at all who was to take advantage of that offer (I did not, in fact, realise that a desire for possession underlay my curiosity). I should have had the courage to enter the ballroom if Saint-Loup had been with me. Left by myself, I was simply hanging about in front of the Grand Hotel until it was time for me to join my grandmother, when, still almost at the far end of the esplanade, along which they projected a striking patch of colour, I saw five or six young girls as different in appearance and manner from all the people one was accustomed to see at Balbec as would have been a flock of gulls arriving from God knows where and performing with measured tread upon the sands—the dawdlers flapping their wings to catch up with the rest—a parade the purpose of which seems as obscure to the human bathers whom they do not appear to see as it is clearly determined in their own birdish minds.

One of these unknown girls was pushing a bicycle in front of her; two others carried golf-clubs; and their attire generally was in striking contrast to that of the other girls at Balbec, some of whom, it was true, went in for sports, but without adopting a special outfit.

It was the hour at which ladies and gentlemen came out every day for a stroll along the front, exposed to the merciless fire of the lorgnette fastened upon them, as if they had each borne some disfigurement which she felt it her duty to inspect in its minutest details, by the senior judge’s wife, proudly seated there with her back to the band-stand, in the middle of that dread line of chairs on which presently they too, actors turned critics, would come and establish themselves, to scrutinise in their turn the passing crowds. All these people who paced up and down the esplanade, lurching as heavily as if it had been the deck of a ship (for they could not lift a leg without at the same time waving their arms, turning their eyes, squaring their shoulders, compensating by a balancing movement on one side for the movement they had just made on the other, and puffing out their faces), pretending not to see, so as to let it be thought that they were not interested in them, but covertly eyeing, for fear of running into them, the people who were walking beside or coming towards them, did in fact bump into them, became entangled with them, because each was mutually the object of the same secret attention veiled beneath the same apparent disdain—love, and consequently fear, of the crowd being one of the most powerful motives in all human beings, whether they seek to please other people or to impress them, or to show that they despise them; and in the case of the solitary, even if his seclusion is absolute and lifelong it is often based on a deranged love of the crowd which so far overrides every other feeling that, unable to win the admiration of his hall-porter, of the passers-by, of the cabman he hails, he prefers not to be seen by them at all, and with that object abandons every activity that would oblige him to go out of doors.

BOOK: In Search of Lost Time, Volume II
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