Inside Out (49 page)

“You just told Mrs. Washington that you liked my inquisitive nature. You said my curiosity shows intelligence.”

“You were listening in on the extension while I was talking to your teacher!”

Time to change the subject.
“I bet you got me up early for nothing. I'll be sleep-deprived when I get to school . . . for nothing. I'll bet you a dollar she won't even show up. I'll bet you another dollar if she does she's just some lunatic trying to get money for some old letters she probably scribbled up herself, knowing you'd do anything to save Harry Pond.”

“Horace,” Kimberly corrected automatically. “If she's right, he's really not guilty.”

“You think everybody you represent is innocent.”

“I don't think any such thing. There are lots of other lawyers with investigators who try to prove innocence. When that fails, they call me.”

“To do legal mumbo jumbo. Hocus-pocus high jinks. Pick a card, Your Honor.” Faith Ann plopped onto her back and clapped her hand to her chest. “No sir, that isn't really an ace of hearts, I say it's a two of clubs, your honor. So, since it isn't the ace at all, like you thought, my client is
not
guilty.”

“You little monkey!” Kimberly said. She leaned down and tickled her daughter's ribs.

“Child abuse!” Faith Ann said, laughing, squirming, and trying to push her mother's hands away.

Kimberly straightened. “What I do is not trickery. Horace Pond might be one in a hundred. This is exactly why there shouldn't be a death penalty. It is preferable to—”

“‘Free a hundred guilty people than punish one innocent one,'” Faith Ann interrupted. “Like freeing a hundred criminals to go out running around doing crimes is going to happen. You know most people don't agree with whatever old jerk it was said that. Uncle Hank, for one.”

“For your information, Miss Know-It-All—that ‘whatever old jerk' was Supreme Court Chief Justice Earl Warren of
Brown v. the Board of Education
. And I know Hank Trammel does too agree.”

“Then why does Uncle Hank have a sign on his office wall that says
LET NO GUILTY MAN ESCAPE
? You know who said that?”

“I somehow doubt it was Earl Warren.”

“Old Hanging Judge Parker. He hanged men as quick as his marshals could round them up.”

“I believe that sort of behavior is precisely why Earl Warren said what he did.” Kimberly walked from the reception area.

Just as Faith Ann was about to get up and follow her mother, she heard the elevator door open, so she looked out through the mail slot. Sure enough a woman stepped out. It had to be
her
because her mother's office was the only one on the fourth floor except for an eyeglass repair shop run by a frowning man who just came to work when he felt like it. People didn't bring their eyeglasses, either. The glasses came by UPS and the mail, from optometrists all over the city. Lots of times, boxes and mailing envelopes containing broken glasses sat in the hall outside his door, waiting for him to show up. Faith Ann made it her business to know what was going on around her at all times.

Faith Ann called out over her shoulder urgently, “Mama!”

“I'm coming,” her mother called back from her office.

The woman, who was rapidly approaching the office on high heels, reminded Faith Ann of a movie star, probably because of the scarf that seemed to be there to keep the balloon of blond hair from rising right off of her scalp. Her cinched-up trench coat accented a narrow waist and substantial breasts. Faith Ann's eyes locked on the rolled-up manila envelope protruding from her shoulder bag, which the woman was gripping like she expected someone to run up and try to snatch it. She removed her sunglasses and shoved them into the pocket of her coat.

Faith Ann stood and pulled open the door for the woman just before she reached for the knob, which startled her. Faith Ann was instantly assaulted by a wave of sickeningly sweet perfume.

“You look rather young to be a lawyer,” the woman said, trying to make a joke. Her brown eyes hardly rested on Faith Ann at all as they darted around the room.

“My mother is the attorney.”

“You're what, sixteen, seventeen?”

“Twelve.” Faith Ann didn't let on that she knew the woman was being all hokey with her, trying to make friends or something. “You can hang your coat up,” Faith Ann offered, pointing to the standing coatrack.

“I'll just keep it on.” Faith Ann was disappointed that she wouldn't get to see what kind of outfit was under it. The woman's eyelashes looked like spider legs, and her brows were arched lines that had been carefully drawn on her forehead, maybe with a sharp-pointed laundry marker. Faith Ann just couldn't help but stare at her.

The woman looked relieved when Kimberly appeared in the doorway. “I'm Kimberly Porter, Ms. Lee. I see you've met my daughter, Faith Ann.”

“She's just cute as a bug. I'm sorry,” Ms. Lee said, “could you lock the door?”

“Nobody ever comes here this early,” Faith Ann said.

“Of course I can,” Kimberly answered.

Faith Ann turned the deadbolt herself. She was amazed at how calm and professional her mother was acting. Faith Ann knew that what her mother really wanted was to jerk that rolled-up envelope out of Ms. Lee's purse and rip it open to see if it really was “explosive eleventh-hour evidence.”

“Call me Amber,” the woman said and put her hand on the envelope like she'd caught Faith Ann thinking about it. “I'm sorry I've been so vague about things, but you'll see I have good reason. Do you have the
thing
we discussed?”

She means money,
Faith Ann thought.

Kimberly nodded. “Come into my office,” she said, leading the woman into the hall and into the first door on the right. Faith Ann started to follow, but her mother's raised brow stopped her. “Faith Ann, you go do your homework in the
kitchen
while I meet with Ms. Lee.”

“I already did it all.”

“Well, then paint me a picture I can frame.”

“I don't have my art stuff here.”

“Well, then draw something with a pencil.” She raised her brow and through clenched teeth said, “
Please
, Faith Ann.”

As soon as Kimberly closed the door, leaving Faith Ann in the hallway, she scooted down the hall and turned into the next doorway, which opened into the conference room. She stopped in her tracks when she saw that her mother was closing the other door in her office, which connected the two rooms. The conference room held a large table with eight wooden office chairs around it that the building's owner had robbed from other vacant offices as an added incentive to get her mother to move into his building. The shelves were loaded with her mother's law books, most of which were full of cases you couldn't be a lawyer without knowing. Stealthily, Faith Ann slithered down on the floor, placing her ear as close to the crack at the bottom of the adjoining door as possible. It was a heavy wooden one and might as well have been a vault door for the sound it allowed through—or so her mother believed. Being an adult, Kimberly had never bothered to lie down and put her ear to the crack to make sure nobody could listen in.

“I'd like to record this,” Kimberly's professional voice said, “if you have no objections. It'll help me later, and it will simplify things down the road when I am in front of the Governor.”

“If you want to, but I wouldn't trust the Governor,” Amber's voice said. “I mean, I've personally seen him in the club. Jerry owns half the cops—all the ones that run things. He could never have pulled off doing what he did to Judge and Mrs. Williams and framing your client without the police being involved. Nobody in this state can be trusted—especially not in law enforcement. After he found out I had this, the police put out a warrant for my arrest, for embezzling of all things. Jerry did that easy as snapping his fingers. If the cops get me, I'll be fish food.”

“Don't worry, my uncle is a U.S. marshal. He'll be in town late this afternoon. He is on a first-name basis with the Attorney General of the United States. I doubt your Jerry owns
him.
”

“I guess he'd be all right . . .”

“Let's start by having a look at your evidence.”

Faith Ann heard the contents being removed from the envelope, followed by the familiar muttering that signaled her mother was giving her undivided attention to something that she believed was very important.

“Who is this Jerry?” Kimberly asked, sounding like she did after a long run.

“You're obviously not from around here. Anybody around here would know who he is.”

“Is he a gangster of some sort?”

“Well, yes, but not so's you'd know it by the papers . . .”

“Dear God!” Kimberly blurted out. “Is this
him
in the picture? This is sick.”

Faith Ann realized that she was holding her breath and exhaled slowly. This was great! Of all the neat conversations she'd ever spied on, this one was better that all the others put together.

“This
isn't
a hoax,” Kimberly stammered, sounding confused. “Forgive me for ever doubting your claims, but in cases like this people often say they have evidence exonerating a death row inmate—especially at the eleventh hour. They almost always turn out to be . . . less than helpful. No, I've seen the crime scene pictures and this is the same room and those are the same people. But they are both alive in all but two of these.”

“The negatives are in there. I don't know much about photography, but I don't think you can fake those. So, is it worth a grand so I can get out of town until he's in prison?”

“Why did he make these? Why did he keep them? This is insanity.”

“You're right. No person in their right mind would have.” Amber continued, “I can't hardly sleep a wink without seeing those pictures in my head.”

“And he knows you have these?”

“Yes, he does. It's a long story.”

“I've got time.”

Faith Ann was so fascinated by everything she heard during the next couple of minutes that she was still lying on the hardwood floor absorbing the information when Kimberly suddenly opened the door. After having to step over her daughter, she pulled the door closed and lifted Faith Ann up off the floor with the hand that wasn't holding the fat envelope full of evidence. “I guess you heard all that, Miss Nosey-Britches?” she said in a low voice.

“I dropped something.”

“It's a clear violation of professional etiquette to eavesdrop.”

“Why did you tell her that fib— Uncle Hank was coming tonight?” Faith Ann asked accusatorily.

“Because it's true.”

“No, it isn't. Today is Friday. They're going to be here tomorrow—Saturday.”

“They're coming in tonight. They're staying at a guesthouse and having dinner with some old friend of Hank's. Then they're coming to see us tomorrow.”

“Can I see the pictures she brought?” She knew asking was a waste of breath. Her mother had already commented on how horrific they were. Faith Ann had heard tales of mayhem and murder since she was old enough to understand the adult conversations going on around her. Every capital case her mother took on came with lots of boxes, most of them containing crime scene pictures taken by the cops. Faith Ann looked through those whenever she got a chance, despite her mother's best efforts to hide the graphic files. “Pretty please?”

“Absolutely not!” Kimberly went over to the copier and, one after the other, put each of the eight original photographs facedown on the glass, then pressed the button to make copies of the pictures. Faith Ann couldn't see any of the images, which was infuriating. No dead judge and his wife, no rich killer named Jerry doing something truly horrible to anybody. Of course Faith Ann didn't
want
to see anything like that, but as a lawyer in training, she needed to study all of the legal evidence she could.

Kimberly gathered the photocopies from the bin. At the table, she slid the copies into an envelope, added a glassine sleeve containing dark strips of negatives, and sealed it by licking the glue strip and pressing it closed. Faith Ann's heart sank. Kimberly put the curved original photographs back in their envelope. She swung away the corkboard adorned with pictures of her clients to expose a wall safe that some doctor had used once upon a time to store his drugs. Kimberly opened the safe and took out a stack of bills, which she put in her pocket.

“I want your word of honor that you will not to attempt to open that envelope,” she scolded. “I want your absolute word of honor.”

“I give you my mile-high word of honor,” Faith Ann said, knowing that the envelope was sealed, which placed snooping inside it outside her tampering abilities. She made the appropriate X motion with her trigger finger. “I cross my heart and hope to die and stick a needle in my eye. I will never look at those pictures unless you tell me to.”

“There are times to be curious and times, like now, to refrain from snooping. Tell you what. I'll fill you in on all of this after Horace Pond is free. Word of honor. And, Faith Ann, I
am
so very proud of your intelligence and . . .”

The two distinctive voices originating from the office changed Kimberly's expression to a look of terror. The voices weren't coming under the door into Kimberly's office, so they had to be carrying down the hallway, meaning that Kimberly's office door was open like the conference room door.

“Hide!” Kimberly whispered, pushing her down under the table.

about the author

Inside Out
is John Ramsey Miller's second novel.

His career has included stints as a visual artist, commercial photographer, advertising copy writer, and photojournalist. A native son of Mississippi, he has lived in Nashville, New Orleans, and Miami, and now resides in North Carolina, where he writes fiction full-time.

Visit him on the web at
www.johnramseymiller.com