Invisible Man (12 page)

"Okay now," he said, "you can try to kid me but don't say I didn't wake you."

"No," I said.

"Who're you expecting, a broad-butt gal with ballbearing hips?"

"No," I said.

"You'd better stop that, roomy," he grinned. "It'll ruin your health, make you a moron. You ought to take you a gal and show her how the moon rises over all that green grass on the Founder's grave, man

. . ."

"Go to hell," I said.

He left laughing, opening the door to the sound of many footsteps from the hall: supper time. The sound of departing voices. Something of my life seemed to retreat with them into a gray distance, moiling. Then a knock sounded at the door and I sprang up, my heart tense.

A small student wearing a freshman's cap stuck his head in the door, shouting, "Dr. Bledsoe said he wants to see you down at Rabb Hall." And then he was gone before I could question him, his footsteps thundering down the hall as he raced to dinner before the last bell sounded. At Mr. Norton's door I stopped with my hand on the knob, mumbling a prayer.

"Come in, young man," he said to my knock. He was dressed in fresh linen, the light falling upon his white hair as upon silk floss. A small piece of gauze was plastered to his forehead. He was alone.

"I'm sorry, sir," I apologized, "but I was told that Dr. Bledsoe wanted to see me here . . ."

"That's correct," he said, "but Dr. Bledsoe had to leave. You'll find him in his office after chapel."

"Thank you, sir," I said and turned to go. He cleared his throat behind me. "Young man . . ." I turned hopefully.

"Young man, I have explained to Dr. Bledsoe that you were not at fault. I believe he understands."

I was so relieved that at first I could only look at him, a small silken-haired, white-suited St. Nicholas, seen through misty eyes.

"I certainly do thank you, sir," I managed finally.

He studied me silently, his eyes slightly narrowed.

"Will you need me this evening, sir?" I asked.

"No, I won't be needing the machine. Business is taking me away sooner than I expected. I leave late tonight."

"I could drive you to the station, sir," I said hopefully.

"Thank you, but Dr. Bledsoe has already arranged it."

"Oh," I said with disappointment. I had hoped that by serving him the rest of the week I could win back his esteem. Now I would not have the opportunity.

"Well, I hope you have a pleasant trip, sir," I said.

"Thank you," he said, suddenly smiling.

"And maybe next time you come I'll be able to answer some of the questions you asked me this afternoon."

"Questions?" His eyes narrowed.

"Yes, sir, about . . . about your fate," I said.

"Ah, yes, yes," he said.

"And I intend to read Emerson, too . . ."

"Very good. Self-reliance is a most worthy virtue. I shall look forward with the greatest of interest to learning your contribution to my fate." He motioned me toward the door. "And don't forget to see Dr. Bledsoe."

I left somewhat reassured, but not completely. I still had to face Dr. Bledsoe. And I had to attend chapel.

Chapter 5

At the sound of vespers I moved across the campus with groups of students, walking slowly, their voices soft in the mellow dusk. I remember the yellowed globes of frosted glass making lacy silhouettes on the gravel and the walk of the leaves and branches above us as we moved slow through the dusk so restless with scents of lilac, honeysuckle and verbena, and the feel of spring greenness; and I recall the sudden arpeggios of laughter lilting across the tender, springtime grass --gay-welling, far-floating, fluent, spontaneous, a bell-like feminine fluting, then suppressed; as though snuffed swiftly and irrevocably beneath the quiet solemnity of the vespered air now vibrant with somber chapel bells. Dong! Dong! Dong! Above the decorous walking around me, sounds of footsteps leaving the verandas of far-flung buildings and moving toward the walks and over the walks to the asphalt drives lined with whitewashed stones, those cryptic messages for men and women, boys and girls heading quietly toward where the visitors waited, and we moving not in the mood of worship but of judgment; as though even here in the filtering dusk, here beneath the deep indigo sky, here, alive with looping swifts and darting moths, here in the hereness of the night not yet lighted by the moon that looms blood-red behind the chapel like a fallen sun, its radiance shedding not upon the here-dusk of twittering bats, nor on the there-night of cricket and whippoorwill, but focused short-rayed upon our place of convergence; and we drifting forward with rigid motions, limbs stiff and voices now silent, as though on exhibit even in the dark, and the moon a white man's bloodshot eye.

And I move more rigid than all the others with a sense of judgment; the vibrations of the chapel bells stirring the depths of my turmoil, moving toward its nexus with a sense of doom. And I remember the chapel with its sweeping eaves, long and low as though risen bloody from the earth like the rising moon; vine-covered and earth-colored as though more earth-sprung than man-sprung. And my mind rushing for relief away from the spring dusk and flower scents, away from the time-scene of the crucifixion to the time-mood of the birth; from spring-dusk and vespers to the high, clear, lucid moon of winter and snow glinting upon the dwarfed pines where instead of the bells, the organ and the trombone choir speak carols to the distances drifted with snow, making of the night air a sea of crystal water lapping the slumbering land to the farthest reaches of sound, for endless miles, bringing the new dispensation even to the Golden Day, even unto the house of madness. But in the hereness of dusk I am moving toward the doomlike bells through the flowered air, beneath the rising moon. Into the doors and into the soft lights I go, silently, past the rows of puritanical benches straight and torturous, finding that to which I am assigned and bending my body to its agony. There at the head of the platform with its pulpit and rail of polished brass are the banked and pyramided heads of the student choir, faces composed and stolid above uniforms of black and white; and above them, stretching to the ceiling, the organ pipes looming, a gothic hierarchy of dull gilded gold. Around me the students move with faces frozen in solemn masks, and I seem to hear already the voices mechanically raised in the songs the visitors loved. (Loved? Demanded. Sung? An ultimatum accepted and ritualized, an allegiance recited for the peace it imparted, and for that perhaps loved. Loved as the defeated come to love the symbols of their conquerors. A gesture of acceptance, of terms laid down and reluctantly approved.) And here, sitting rigid, I remember the evenings spent before the sweeping platform in awe and in pleasure, and in the pleasure of awe; remember the short formal sermons intoned from the pulpit there, rendered in smooth articulate tones, with calm assurance purged of that wild emotion of the crude preachers most of us knew in our home towns and of whom we were deeply ashamed, these logical appeals which reached us more like the thrust of a firm and formal design requiring nothing more than the lucidity of uncluttered periods, the lulling movement of multisyllabic words to thrill and console us. And I remember, too, the talks of visiting speakers, all eager to inform us of how fortunate we were to be a part of the "vast" and formal ritual. How fortunate to belong to this family sheltered from those lost in ignorance and darkness.

Here upon this stage the black rite of Horatio Alger was performed to God's own acting script, with millionaires come down to portray themselves; not merely acting out the myth of their goodness, and wealth and success and power and benevolence and authority in cardboard masks, but themselves, these virtues concretely! Not the wafer and the wine, but the flesh and the blood, vibrant and alive, and vibrant even when stooped, ancient and withered. (And who, in face of this, would not believe? Could even doubt?)

And I remember too, how we confronted those others, those who had set me here in this Eden, whom we knew though we didn't know, who were unfamiliar in their familiarity, who trailed their words to us through blood and violence and ridicule and condescension with drawling smiles, and who exhorted and threatened, intimidated with innocent words as they described to us the limitations of our lives and the vast boldness of our aspirations, the staggering folly of our impatience to rise even higher; who, as they talked, aroused furtive visions within me of blood-froth sparkling their chins like their familiar tobacco juice, and upon their lips the curdled milk of a million black slave mammies' withered dugs, a treacherous and fluid knowledge of our being, imbibed at our source and now regurgitated foul upon us. This was our world, they said as they described it to us, this our horizon and its earth, its seasons and its climate, its spring and its summer, and its fall and harvest some unknown millennium ahead; and these its floods and cyclones and they themselves our thunder and lightning; and this we must accept and love and accept even if we did not love. We must accept --even when those were absent, and the men who made the railroads and ships and towers of stone, were before our eyes, in the flesh, their voices different, unweighted with recognizable danger and their delight in our songs more sincere seeming, their regard for our welfare marked by an almost benign and impersonal indifference. But the words of the others were stronger than the strength of philanthropic dollars, deeper than shafts sunk in the earth for oil and gold, more awe-inspiring than the miracles fabricated in scientific laboratories. For their most innocent words were acts of violence to which we of the campus were hypersensitive though we endured them not. And there on the platform I too had stridden and debated, a student leader directing my voice at the highest beams and farthest rafters, ringing them, the accents staccato upon the ridgepole and echoing back with a tinkling, like words hurled to the trees of a wilderness, or into a well of slate-gray water; more sound than sense, a play upon the resonances of buildings, an assault upon the temples of the ear:
Ha! to the gray-haired matron in the final row. Ha! Miss Susie, Miss Susie Gresham, back
there looking at that co-ed smiling at that he-ed --listen to me, the bungling bugler of words,
imitating the trumpet and the trombone's timbre, playing thematic variations like a baritone horn.
Hey! old connoisseur of voice sounds, of voices without messages, of newsless winds, listen to the
vowel sounds and the crackling dentals, to the low harsh gutturals of empty anguish, now riding
the curve of a preacher's rhythm I heard long ago in a Baptist church, stripped now of its
imagery: No suns having hemorrhages, no moons weeping tears, no earthworms refusing the
sacred flesh and dancing in the earth on Easter morn. Ha! singing achievement, Ha! booming
success, intoning, Ha! acceptance, Ha! a river of word-sounds filled with drowned passions,
floating, Ha! with wrecks of unachievable ambitions and stillborn revolts, sweeping their ears,
Ha!

ranged stiff before me, necks stretched forward with listening ears, Ha! a-spraying the ceiling and
a-drumming the dark-stained after rafter, that seasoned crossarm of torturous timber mellowed in
the kiln of a thousand voices; playing Ha! as upon a xylophone; words marching like the student
band, up the campus and down again, blaring triumphant sounds empty of triumphs. Hey, Miss
Susie! the sound of words that were no words, counterfeit notes singing achievements yet
unachieved, riding upon the wings of my voice out to you, old matron, who knew the voice sounds
of the Founder and knew the accents and echo of his promise; your gray old head cocked with the
young around you, your eyes closed, face ecstatic, as I toss the word sounds in my breath, my
bellows, my fountain, like bright-colored balls in a water spout --hear me, old matron, justify now
this sound with your dear old nod of affirmation, your closed-eye smile and bow of recognition,
who'll never be fooled with the mere content of words, not my words, not these pinfeathered
flighters that stroke your lids till they flutter with ecstasy with but the mere echoed noise of the
promise. And after the singing and outward marching, you seize my hand and sing out quavering,

"Boy, some day you'll make the Founder proud." Ha! Susie Gresham, Mother Gresham, guardian
of the hot young women on the puritan benches who couldn't see your Jordan's water for their
private steam; you, relic of slavery whom the campus loved but did not understand, aged, of
slavery, yet bearer of something warm and vital and all-enduring, of which in that island of shame
we were not ashamed --it was to you on the final row I directed my rush of sound, and it was you
of whom I thought with shame and regret as I waited for the ceremony to begin.
The honored guests moved silently upon the platform, herded toward their high, carved chairs by Dr. Bledsoe with the decorum of a portly head waiter. Like some of the guests, he wore striped trousers and a swallow-tail coat with black-braided lapels topped by a rich ascot tie. It was his regular dress for such occasions, yet for all its elegance, he managed to make himself look humble. Somehow, his trousers inevitably bagged at the knees and the coat slouched in the shoulders. I watched him smiling at first one and then another of the guests, of whom all but one were white; and as I saw him placing his hand upon their arms, touching their backs, whispering to a tall angular-faced trustee who in turn touched his arm familiarly, I felt a shudder. I too had touched a white man today and I felt that it had been disastrous, and I realized then that he was the only one of us whom I knew --except perhaps a barber or a nursemaid -who could touch a white man with impunity. And I remembered too that whenever white guests came upon the platform he placed his hand upon them as though exercising a powerful magic. I watched his teeth flash as he took a white hand; then, with all seated, he went to his place at the end of the row of chairs.

Several terraces of students' faces above them, the organist, his eyes glinting at the console, was waiting with his head turned over his shoulder, and I saw Dr. Bledsoe, his eyes roaming over the audience, suddenly nod without turning his head. It was as though he had given a downbeat with an invisible baton. The organist turned and hunched his shoulders. A high cascade of sound bubbled from the organ, spreading, thick and clinging, over the chapel, slowly surging. The organist twisted and turned on his bench, with his feet flying beneath him as though dancing to rhythms totally unrelated to the decorous thunder of his organ.

And Dr. Bledsoe sat with a benign smile of inward concentration. Yet his eyes were darting swiftly, first over the rows of students, then over the section reserved for teachers, his swift glance carrying a threat for all. For he demanded that everyone attend these sessions. It was here that policy was announced in broadest rhetoric. I seemed to feel his eyes resting upon my face as he swept the section in which I sat. I looked at the guests on the platform; they sat with that alert relaxation with which they always met our upturned eyes. I wondered to which of them I might go to intercede for me with Dr. Bledsoe, but within myself I knew that there was no one.

In spite of the array of important men beside him, and despite the posture of humility and meekness which made him seem smaller than the others (although he was physically larger), Dr. Bledsoe made his presence felt by us with a far greater impact. I remembered the legend of how he had come to the college, a barefoot boy who in his fervor for education had trudged with his bundle of ragged clothing across two states. And how he was given a job feeding slop to the hogs but had made himself the best slop dispenser in the history of the school; and how the Founder had been impressed and made him his office boy. Each of us knew of his rise over years of hard work to the presidency, and each of us at some time wished that he had walked to the school or pushed a wheelbarrow or performed some other act of determination and sacrifice to attest his eagerness for knowledge. I remembered the admiration and fear he inspired in everyone on the campus; the pictures in the Negro press captioned

"EDUCATOR," in type that exploded like a rifle shot, his face looking out at you with utmost confidence. To us he was more than just a president of a college. He was a leader, a "statesman" who carried our problems to those above us, even unto the White House; and in days past he had conducted the President himself about the campus. He was our leader and our magic, who kept the endowment high, the funds for scholarships plentiful and publicity moving through the channels of the press. He was our coal-black daddy of whom we were afraid.

As the organ voices died, I saw a thin brown girl arise noiselessly with the rigid control of a modern dancer, high in the upper rows of the choir, and begin to sing
a cappella.
She began softly, as though singing to herself of emotions of utmost privacy, a sound not addressed to the gathering, but which they overheard almost against her will. Gradually she increased its volume, until at times the voice seemed to become a disembodied force that sought to enter her, to violate her, shaking her, rocking her rhythmically, as though it had become the source of her being, rather than the fluid web of her own creation.