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Authors: Ralph Ellison

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Invisible Man (24 page)

BOOK: Invisible Man
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It was a fall into space that seemed not a fall but a suspension. Then a great weight landed upon me and I seemed to sprawl in an interval of clarity beneath a pile of broken machinery, my head pressed back against a huge wheel, my body splattered with a stinking goo. Somewhere an engine ground in furious futility, grating loudly until a pain shot around the curve of my head and bounced me off into blackness for a distance, only to strike another pain that lobbed me back. And in that clear instant of consciousness I opened my eyes to a blinding flash.

Holding on grimly, I could hear the sound of someone wading, sloshing, nearby, and an old man's garrulous voice saying, "I tole 'em these here young Nineteen-Hundred boys ain't no good for the job. They ain't got the nerves. Naw, sir, they just ain't got the nerves." I tried to speak, to answer, but something heavy moved again, and I was understanding something fully and trying again to answer but seemed to sink to the center of a lake of heavy water and pause, transfixed and numb with the sense that I had lost irrevocably an important victory.

Chapter 11

I was sitting in a cold, white rigid chair and a man was looking at me out of a bright third eye that glowed from the center of his forehead. He reached out, touching my skull gingerly, and said something encouraging, as though I were a child. His fingers went away.

"Take this," he said. "It's good for you." I swallowed. Suddenly my skin itched, all over. I had on new overalls, strange white ones. The taste ran bitter through my mouth. My fingers trembled. A thin voice with a mirror on the end of it said, "How is he?"

"I don't think it's anything serious. Merely stunned."

"Should he be sent home now?"

"No, just to be certain we'll keep him here a few days. Want to keep him under observation. Then he may leave."

Now I was lying on a cot, the bright eye still burning into mine, although the man was gone. It was quiet and I was numb. I closed my eyes only to be awakened.

"What is your name?" a voice said.

"My head . . ." I said.

"Yes, but your name. Address?"

"My head --that burning eye . . ." I said.

"Eye?"

"Inside," I said.

"Shoot him up for an X-ray," another voice said.

"My head . . ."

"Careful!"

Somewhere a machine began to hum and I distrusted the man and woman above me. They were holding me firm and it was fiery and above it all I kept hearing the opening motif of Beethoven's
Fifth
--three short and one long buzz, repeated again and again in varying volume, and I was struggling and breaking through, rising up, to find myself lying on my back with two pink-faced men laughing down.

"Be quiet now," one of them said firmly. "You'll be all right." I raised my eyes, seeing two indefinite young women in white, looking down at me. A third, a desert of heat waves away, sat at a panel arrayed with coils and dials. Where was I? From far below me a barber-chair thumping began and I felt myself rise on the tip of the sound from the floor. A face was now level with mine, looking closely and saying something without meaning. A whirring began that snapped and cracked with static, and suddenly I seemed to be crushed between the floor and ceiling. Two forces tore savagely at my stomach and back. A flash of cold-edged heat enclosed me. I was pounded between crushing electrical pressures; pumped between live electrodes like an accordion between a player's hands. My lungs were compressed like a bellows and each time my breath returned I yelled, punctuating the rhythmical action of the nodes.

"Hush, goddamit," one of the faces ordered. "We're trying to get you started again. Now shut up!"

The voice throbbed with icy authority and I quieted and tried to contain the pain. I discovered now that my head was encircled by a piece of cold metal like the iron cap worn by the occupant of an electric chair. I tried unsuccessfully to struggle, to cry out. But the people were so remote, the pain so immediate. A faced moved in and out of the circle of lights, peering for a moment, then disappeared. A freckled, red-haired woman with gold nose-glasses appeared; then a man with a circular mirror attached to his forehead --a doctor. Yes, he was a doctor and the women were nurses; it was coming clear. I was in a hospital. They would care for me. It was all geared toward the easing of pain. I felt thankful. I tried to remember how I'd gotten here, but nothing came. My mind was blank, as though I had just begun to live. When the next face appeared I saw the eyes behind the thick glasses blinking as though noticing me for the first time.

"You're all right, boy. You're okay. You just be patient," said the voice, hollow with profound detachment.

I seemed to go away; the lights receded like a tail-light racing down a dark country road. I couldn't follow. A sharp pain stabbed my shoulder. I twisted about on my back, fighting something I couldn't see. Then after a while my vision cleared.

Now a man sitting with his back to me, manipulating dials on a panel. I wanted to call him, but the
Fifth Symphony
rhythm racked me, and he seemed too serene and too far away. Bright metal bars were between us and when I strained my neck around I discovered that I was not lying
on
an operating table but
in
a kind of glass and nickel box, the lid of which was propped open. Why was I here?

"Doctor! Doctor!" I called.

No answer. Perhaps he hadn't heard, I thought, calling again and feeling the stabbing pulses of the machine again and feeling myself going under and fighting against it and coming up to hear voices carrying on a conversation behind my head. The static sounds became a quiet drone. Strains of music, a Sunday air, drifted from a distance. With closed eyes, barely breathing I warded off the pain. The voices droned harmoniously. Was it a radio I heard --a phonograph? The
vox humana
of a hidden organ? If so, what organ and where? I felt warm. Green hedges, dazzling with red wild roses appeared behind my eyes, stretching with a gentle curving to an infinity empty of objects, a limpid blue space. Scenes of a shaded lawn in summer drifted past; I saw a uniformed military band arrayed decorously in concert, each musician with well-oiled hair, heard a sweet-voiced trumpet rendering "The Holy City" as from an echoing distance, buoyed by a choir of muted horns; and above, the mocking obbligato of a mocking bird. I felt giddy. The air seemed to grow thick with fine white gnats, filling my eyes, boiling so thickly that the dark trumpeter breathed them in and expelled them through the bell of his golden horn, a live white cloud mixing with the tones upon the torpid air.

I came back. The voices still droned above me and I disliked them. Why didn't they go away?

Smug ones. Oh, doctor, I thought drowsily, did you ever wade in a brook before breakfast? Ever chew on sugar cane? You know, doc, the same fall day I first saw the hounds chasing black men in stripes and chains my grandmother sat with me and sang with twinkling eyes:

"Godamighty made a monkey

Godamighty made a whale

And Godamighty made a 'gator

With hickeys all over his tail
. . ."

Or you, nurse, did you know that when you strolled in pink organdy and picture hat between the rows of cape jasmine, cooing to your beau in a drawl as thick as sorghum, we little black boys hidden snug in the bushes called out so loud that you daren't hear:

"Did you ever see Miss Margaret boil water?

Man, she hisses a wonderful stream,

Seventeen miles and a quarter,

Man, and you can't see her pot for the steam
. . ."

But now the music became a distinct wail of female pain. I opened my eyes. Glass and metal floated above me.

"How are you feeling, boy?" a voice said.

A pair of eyes peered down through lenses as thick as the bottom of a Coca-Cola bottle, eyes protruding, luminous and veined, like an old biology specimen preserved in alcohol.

"I don't have enough room," I said angrily.

"Oh, that's a necessary part of the treatment."

"But I need more room," I insisted. "I'm cramped."

"Don't worry about it, boy. You'll get used to it after a while. How is your stomach and head?"

"Stomach?"

"Yes, and your head?"

"I don't know," I said, realizing that I could feel nothing beyond the pressure around my head and the tender surface of my body. Yet my senses seemed to focus sharply.

"I don't feel it," I cried, alarmed.

"Aha! You see! My little gadget will solve everything!" he exploded.

"I don't know," another voice said. "I think I still prefer surgery. And in this case especially, with this, uh . . . background, I'm not so sure that I don't believe in the effectiveness of simple prayer."

"Nonsense, from now on do your praying to my little machine. I'll deliver the cure."

"I don't know, but I believe it a mistake to assume that solutions --cures, that is --that apply in, uh . . . primitive instances, are, uh . . . equally effective when more advanced conditions are in question. Suppose it were a New Englander with a Harvard background?"

"Now you're arguing politics," the first voice said banteringly.

"Oh, no, but it
is
a problem."

I listened with growing uneasiness to the conversation fuzzing away to a whisper. Their simplest words seemed to refer to something else, as did many of the notions that unfurled through my head. I wasn't sure whether they were talking about me or someone else. Some of it sounded like a discussion of history . . .

"The machine will produce the results of a prefrontal lobotomy without the negative effects of the knife," the voice said. "You see, instead of severing the prefrontal lobe, a single lobe, that is, we apply pressure in the proper degrees to the major centers of nerve control --our concept is Gestalt --and the result is as complete a change of personality as you'll find in your famous fairy-tale cases of criminals transformed into amiable fellows after all that bloody business of a brain operation. And what's more," the voice went on triumphantly, "the patient is both physically and neurally whole."

"But what of his psychology?"

"Absolutely of no importance!" the voice said. "The patient will live as he has to live, and with absolute integrity. Who could ask more? He'll experience no major conflict of motives, and what is even better, society will suffer no traumata on his account."

There was a pause. A pen scratched upon paper. Then, "Why not castration, doctor?" a voice asked waggishly, causing me to start, a pain tearing through me.

"There goes your love of blood again," the first voice laughed. "What's that definition of a surgeon, 'A butcher with a bad conscience'?"

They laughed.

"It's not so funny. It would be more scientific to try to define the case. It has been developing some three hundred years --"

"Define? Hell, man, we know all that."

"Then why don't you try more current?"

"You suggest it?"

"I do, why not?"

"But isn't there a danger . . . ?" the voice trailed off.

I heard them move away; a chair scraped. The machine droned, and I knew definitely that they were discussing me and steeled myself for the shocks, but was blasted nevertheless. The pulse came swift and staccato, increasing gradually until I fairly danced between the nodes. My teeth chattered. I closed my eyes and bit my lips to smother my screams. Warm blood filled my mouth. Between my lids I saw a circle of hands and faces, dazzling with light. Some were scribbling upon charts.

"Look, he's dancing," someone called.

"No, really?"

An oily face looked in. "They really do have rhythm, don't they? Get hot, boy! Get hot!" it said with a laugh.

And suddenly my bewilderment suspended and I wanted to be angry, murderously angry. But somehow the pulse of current smashing through my body prevented me. Something had been disconnected. For though I had seldom used my capacities for anger and indignation, I had no doubt that I possessed them; and, like a man who knows that he must fight, whether angry or not, when called a son of a bitch, I tried to
imagine
myself angry --only to discover a deeper sense of remoteness. I was beyond anger. I was only bewildered. And those above seemed to sense it. There was no avoiding the shock and I rolled with the agitated tide, out into the blackness.

When I emerged, the lights were still there. I lay beneath the slab of glass, feeling deflated. All my limbs seemed amputated. It was very warm. A dim white ceiling stretched far above me. My eyes were swimming with tears. Why, I didn't know. It worried me. I wanted to knock on the glass to attract attention, but I couldn't move. The slightest effort, hardly more than desire, tired me. I lay experiencing the vague processes of my body. I seemed to have lost all sense of proportion. Where did my body end and the crystal and white world begin? Thoughts evaded me, hiding in the vast stretch of clinical whiteness to which I seemed connected only by a scale of receding grays. No sounds beyond the sluggish inner roar of the blood. I couldn't open my eyes. I seemed to exist in some other dimension, utterly alone; until after a while a nurse bent down and forced a warm fluid between my lips. I gagged, swallowed, feeling the fluid course slowly to my vague middle. A huge iridescent bubble seemed to enfold me. Gentle hands moved over me, bringing vague impressions of memory. I was laved with warm liquids, felt gentle hands move through the indefinite limits of my flesh. The sterile and weightless texture of a sheet enfolded me. I felt myself bounce, sail off like a ball thrown over the roof into mist, striking a hidden wall beyond a pile of broken machinery and sailing back. How long it took, I didn't know. But now above the movement of the hands I heard a friendly voice, uttering familiar words to which I could assign no meaning. I listened intensely, aware of the form and movement of sentences and grasping the now subtle rhythmical differences between progressions of sound that questioned and those that made a statement. But still their meanings were lost in the vast whiteness in which I myself was lost. Other voices emerged. Faces hovered above me like inscrutable fish peering myopically through a glass aquarium wall. I saw them suspended motionless above me, then two floating off, first their heads, then the tips of their finlike fingers, moving dreamily from the top of the case. A thoroughly mysterious coming and going, like the surging of torpid tides. I watched the two make furious movements with their mouths. I didn't understand. They tried again, the meaning still escaping me. I felt uneasy. I saw a scribbled card, held over me. All a jumble of alphabets. They consulted heatedly. Somehow I felt responsible. A terrible sense of loneliness came over me; they seemed to enact a mysterious pantomime. And seeing them from this angle was disturbing. They appeared utterly stupid and I didn't like it. It wasn't right. I could see smut in one doctor's nose; a nurse had two flabby chins. Other faces came up, their mouths working with soundless fury. But we are all human, I thought, wondering what I meant. A man dressed in black appeared, a long-haired fellow, whose piercing eyes looked down upon me out of an intense and friendly face. The others hovered about him, their eyes anxious as he alternately peered at me and consulted my chart. Then he scribbled something on a large card and thrust it before my eyes:

BOOK: Invisible Man
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