Island Beneath the Sea (51 page)

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Authors: Isabel Allende

Tags: #Latin American Novel And Short Story, #Historical - General, #Caribbean Area, #Sugar plantations, #Women slaves, #Plantation life, #Fiction - General, #Racially mixed women, #Historical, #Haiti, #General, #Allende; Isabel - Prose & Criticism, #Fiction

BOOK: Island Beneath the Sea
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As night fell, when she did not hear the weeping any longer, Tete took Violette a cup of tea for her headache, helped her take off her clothing, brushed the hen's nest her hair had become, sprinkled her with rosewater, pulled a light nightgown over her head, and sat beside her on the bed. In the shadow of the closed shutters, she dared talk with the confidence cultivated day by day during the years they had lived and worked together.

"It isn't that serious, madame. Pretend that those words were never spoken. No one will repeat them, and you and your son can go right on as you always have," she consoled her.

She supposed that Violette Boisier had not been born free, as she had told her once, but had been a slave in her childhood. She couldn't blame her for having kept it secret. Maybe she'd had Jean-Martin before Major Relais emancipated her and made her his wife.

"But Jean-Martin knows now! He will never forgive me for having deceived him," Violette answered.

"It isn't easy to admit that you've been a slave, madame. What is important is that now you both are free."

"I have never been a slave, Tete. The truth is that I am not his mother. Jean-Martin was born a slave, and my husband bought him. The only one who knows is Loula."

"And how did Monsieur Valmorain know?"

So Violette Boisier told her the circumstances under which they'd taken the baby, how Valmorain had brought the infant wrapped in a blanket to ask them to look after it for a while, and how she and her husband ended up adopting him. They didn't know whose baby he was but imagined he was the son of Valmorain by one of his slaves. Tete was not listening any longer--she knew the rest. She had prepared during a thousand sleepless nights for the moment of that revelation, when finally she would learn about the son who had been taken from her, but now that he was within reach of her hand she felt no flash of happiness, not a sob stuck in her breast, not an irrepressible wave of affection, not an impulse to run and throw her arms around him, but a low rumbling in her ears like the wheels of a cart on a dusty path. She closed her eyes and brought up the image of the youth with curiosity, surprised that she hadn't had the least indication of the truth; her instinct had not advised her, she had not even noted his resemblance to Rosette. She raked through her emotions, searching for the bottomless maternal love she knew so well because she had lavished it on Maurice and Rosette, but found only relief. Her son had been born under a good star, under a radiant
z'etoile
, and for that reason he had fallen into the hands of the Relais couple and Loula, who spoiled and educated him, and for that reason the military man had bequeathed him the legend of his life and Violette had worked untiringly to assure him a good future. Tete was grateful without a trace of jealousy, for she could not have given him any of that.

Tete's rancor against Valmorain, that black, hard rock she had felt forever in her breast, seemed to shrink, and the drive to take revenge on her master dissolved in appreciation of those who had taken such good care of her son. She did not have to think too much about what she would do with the information she had just received, gratitude decided that. What would she gain by announcing to the four winds that she was the mother of Jean-Martin and claiming an affection that with justice belonged to another woman? She chose to confess the truth to Violette Boisier, without wallowing in the suffering that had crushed her in the past, for that had eased in recent years. The youth who at that moment was pacing the patio was a stranger to her.

The two women wept, holding hands, joined by a delicate current of mutual compassion. At last the tears dried, and they concluded that what Valmorain had said could not be erased but they might soften its impact on Jean-Martin. Why tell him that Violette was not his mother, that he was born a slave, the bastard offspring of a white man, and that he was given away? It was better for him to continue to believe what he heard from Valmorain, which in essence was true: that his mother had been a slave. Neither was it necessary for him to know that Violette was a cocotte, nor that Relais had a reputation for being cruel. Jean-Martin would believe that Violette had hidden the stigma of her slavery to protect him, but he could always be proud of being the Relais's son. In a couple of days he would return to France and his army career, where prejudice regarding his origins was less harmful than in America or the colonies, and where Valmorain's words could be relegated to a lost corner of memory.

"We will bury this forever," said Tete.

"And what will we do about Toulouse Valmorain?" Violette asked.

"You go see him, madame. Explain to him that it is not wise to divulge certain secrets, or you will be sure that his wife and the entire city know that he is the father of Jean-Martin and Rosette."

"And also that his children can claim the Valmorain name and a part of the inheritance," Violette added with an impish wink.

"Is that true?"

"No, Tete, but scandal would be fatal for the Valmorains."

Fear of Dying

V
iolette Boisier knew that the first Cordon Bleu ball would be the model for all future balls, and that she had to establish from the beginning the difference between it and the other festivities that entertained the city from October to the end of April. The large hall was decorated without thought of expense. Stages were built for the musicians, tables set with embroidered cloths, and felt armchairs for the mothers and chaperones were placed around the dance floor. A carpeted runway was constructed for the triumphal entrance of the girls onto the dance floor. The day of the ball all the drains in the street were cleaned and covered with planks, colored lanterns were lit, and the surroundings were enlivened by musicians and black dancers, just as it was during Carnival. The atmosphere inside the hall, nevertheless, was very sober.

In the Valmorain house not too far away they had heard the distant sound of music, but Hortense Guizot, like all the other white women in the city, pretended not to. She knew what was going on; no one had talked about anything else for several weeks. She had finished dinner and was embroidering in the drawing room, surrounded by her daughters, who were playing with dolls while the youngest slept in her cradle, all as blond and rosy as she once had been. Now, ground down by maternity, she used rouge on her cheeks and relied on a blond switch her slave Denise artfully combed in with her own straw-colored hair. Dinner consisted of soup, two main courses, salad, cheeses, and three desserts; nothing too complicated because she was alone. The girls were not yet eating in the dining hall, nor was her husband, who was following a rigorous diet and preferred not to be tempted. He was in the library, where he'd been sent chicken and rice cooked without salt; he was trying to follow Dr. Parmentier's strict orders. Besides starving, he had to take walks in the fresh air and deny himself alcohol, cigars, and coffee. He would have died of boredom without his brother-in-law Sancho, who visited him every day to bring him up to date on news and gossip, cheer him up with his good humor, and beat him at cards and dominos.

Parmentier, who complained so often about his own heart, was not following the monkish regimen he imposed on his patient because Sanite Dede, the voodoo priestess at place Congo, had read his fortune in the cowrie shells, and according to her prophecy he was going to live till he was eighty-nine years old. "You, white man, are going to close the eyes of that saintly Pere Antoine when he dies in 1829." That soothed him in regard to his health but created the sadness of losing in that long life his dearest beloveds, like Adele and perhaps even one of his children.

The first alarm that things were not going well with Valmorain had occurred during his trip to France. Following the lugubrious visit with his hundred-year-old mother and unmarried sisters, he left Maurice in France and set sail for New Orleans. On the ship he suffered several attacks of fatigue, which he attributed to the buffeting of the waves, excess of wine, and bad food. When he got home, his friend Parmentier diagnosed high blood pressure, fluttering pulse, bad digestion, abundance of bile, flatulence, festering humors, and palpitations of the heart. He told him with no beating about the bush that he must lose weight and change his life or end up in his mausoleum in Saint Louis Cemetery before the end of a year. Terrified, Valmorain submitted to the doctor's demands and the despotism of his wife, who had become his jailer under the pretext of caring for him. Just in case, he went to
docteurs feuilles
and magi, whom he had always mocked until his fright made him change his mind. Nothing to lose by trying it, he thought. He had obtained a
gris-gris
, he had a pagan altar in his room, he drank potions impossible to identify that Celestine brought from the market, and he had made two nocturnal excursions to an island in the swamp so Sanite Dede could cleanse him with her incantations and the smoke of her tobacco. Parmentier did not question the priestess's competence, faithful to his idea that the mind has the power to cure, and if the patient believed in magic, there was no reason to discourage him from it.

Maurice, who was working in a sugar importing agency in France, where Valmorain had placed him to learn that aspect of the family business, took the first available ship when he learned of his father's illness and reached New Orleans at the end of October. He found Valmorain transformed into a voluminous sea lion in a large chair beside the hearth, with a knit cap on his head, a shawl over his legs, and a wood cross and a rag
gris-gris
around his neck, vastly deteriorated in comparison to the haughty, extravagant man who had wanted to introduce his son to the dissolute life in Paris. Maurice knelt beside his father, who clasped him in a trembling embrace. "My son, at last you have come, now I can die in peace," he murmured. "Don't be foolish, Toulouse!" Hortense Guizot interrupted, watching them with disgust. And it was on the tip of her tongue to add that he wasn't going to die yet, unfortunately, but she caught herself in time. She had been looking after her husband for three months and had run out of patience. Valmorain irritated her all day and woke her at night with repeated nightmares about some Lacroix, who came to him in raw flesh, dragging his skin along the ground like a bleeding shirt.

The stepmother welcomed Maurice curtly, and his sisters greeted him with learned curtsies, keeping their distance because they had no idea who this brother was, he was mentioned very rarely in the family. The eldest of the five girls, the one Maurice had known before she could walk, was eight, and the youngest was in the arms of a wet nurse. As the house had become crowded with the family and servants, Maurice took lodging at his uncle Sancho's apartment, an ideal solution for everyone except Toulouse Valmorain, who meant to keep his son by his side to shower him with advice and pass on to him how to manage his wealth. That was the last thing Maurice wanted, but it wasn't the moment to contradict his father.

The night of the ball, Sancho and Maurice did not dine at the Valmorain residence, as they did almost daily, more as obligation than pleasure. Neither of the two was comfortable with Hortense Guizot, who never had wanted the stepson and grudgingly tolerated Sancho, with his dashing mustache, his Spanish accent, and his shamelessness; he had to be brazen to parade around town with that Cuban woman, a mixed-blood vixen directly to blame for the much talked about Cordon Bleu ball. Only her impeccable upbringing kept Hortense from bursting out with insults when she thought about that: no lady ever alluded to the fascination those mulatta courtesans exercised over white men or to the immoral practice of offering them their daughters. She knew that uncle and son were making preparations to attend the ball, but not even in the clutch of death would she mention it to them. Neither could she talk about it with her husband; that would be to admit she spied on their private conversations, just as she went through his correspondence and looked into the secret compartments in his desk where he hid his money. That was how she learned that Sancho had received two invitations from Violette Boisier because Maurice wanted to go to the ball. Sancho had to consult Valmorain because his nephew's inopportune interest in
placage
required financial support.

Hortense, who was listening with her ear glued to a hole she had drilled in the wall, heard her husband immediately approve the idea and assumed that Maurice's eagerness had dispelled his doubts regarding his son's virility. She herself had contributed to those doubts, using the word
effeminate
in more than one conversation about her stepson. To Valmorain,
placage
seemed appropriate, seeing that Maurice had never shown any appetite for brothels or the family slaves. He was young, and had at least ten years to think about marriage, and in the meantime he needed to unburden himself of his masculine impulses, as Sancho called them. A young girl of color, clean, virtuous, faithful, offered many advantages. Sancho explained to Valmorain the financial considerations, which previously had been left to the protector's goodwill but now, since Violette Boisier had taken charge of things, were stipulated in an oral contract, which if it lacked legal value was nonetheless inviolable. Valmorain had not objected to the cost: Maurice deserved it. On the other side of the wall, Hortense Guizot was close to screaming.

Ball of the Sirens

J
ean-Martin confessed to Isidor Morisset, with tears of shame, what Valmorain had said, and his mother not denied it, simply refused to speak of it. Morisset listened to what he said with a mocking laugh--What the devil does that matter, son!--but immediately he was moved and pulled him to his ample chest to console him. He was not sentimental and was himself surprised at the emotion the youth aroused in him, desires to protect him and kiss him. He pushed him away gently, picked up his hat, and went to take a long walk along the dike until he cleared his mind. Two days later they sailed for France. Jean-Martin bid his small family farewell with his usual public rigidity, but at the last minute he threw his arms around Violette and whispered that he would write her.

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